Wm Letts Collection

Mother Julian, 1912. Julian of Norwich (c8 November 1342-c1416) was an English anchoress and an important Christian mystic and theologian. From The Mighty Army, by W. M

Saint Hugh of Lincoln and the Swan, 1912. Artist: Winifred Mary Letts
Saint Hugh of Lincoln and the Swan, 1912. Hugh of Lincoln (1135/40-1200), also known as Hugh of Avalon, was a French noble, Benedictine and Carthusian monk

Wells Cathedral, 1912. From The Mighty Army, by W. M. Letts, illustrated by Stephen Reid. [Wells Gardner, Darton & Co. Ltd, London, 1912]

Lollards Tower, Lambeth Palace, 1912. Lambeth Palace is the official London residence of the Archbishop of Canterbury in England. From The Mighty Army, by W. M. Letts, illustrated by Stephen Reid

Bishop Ken and a Beggar, 1912. Thomas Ken (1637-1711) was an English cleric who was considered the most eminent of the English non-juring bishops, and one of the fathers of modern English hymnody

Norwich Cathedral, 1912. From The Mighty Army, by W. M. Letts, illustrated by Stephen Reid. [Wells Gardner, Darton & Co. Ltd, London, 1912]

Laud entering the Barge at Lambeth to go to the Tower, 1912. From The Mighty Army, by W. M. Letts, illustrated by Stephen Reid. [Wells Gardner, Darton & Co. Ltd, London, 1912]

King John signing Magna Charta at Runnydale, 1912. The Magna Carta was a charter agreed to by King John of England at Runnymede, near Windsor, on 15 June 1215

William of Wykeham Building Winchester, 1912. William of Wykeham (1320 or 1324- 1404) was Bishop of Winchester and Chancellor of England

Langstons interview with King John, 1912. Stephen Langton (c. 1150 - 9 July 1228) was an English Cardinal of the Roman Catholic Church and Archbishop of Canterbury. From The Mighty Army, by W. M

Lincoln Cathedral, 1912. From The Mighty Army, by W. M. Letts, illustrated by Stephen Reid. [Wells Gardner, Darton & Co. Ltd, London, 1912]

The Scene of Saint Thomas, 1912. From The Mighty Army, by W. M. Letts, illustrated by Stephen Reid. [Wells Gardner, Darton & Co. Ltd, London, 1912]

Ruins of the Abbey of Bec, Normandy, 1912. From The Mighty Army, by W. M. Letts, illustrated by Stephen Reid. [Wells Gardner, Darton & Co. Ltd, London, 1912]

Saint Anselm refusing the Archbishopric, 1912. From The Mighty Army, by W. M. Letts, illustrated by Stephen Reid. [Wells Gardner, Darton & Co. Ltd, London, 1912]

Saint Hildas Abbey, Whitby, 1912. From The Mighty Army, by W. M. Letts, illustrated by Stephen Reid. [Wells Gardner, Darton & Co. Ltd, London, 1912]

Durham Cathedral, 1912. From The Mighty Army, by W. M. Letts, illustrated by Stephen Reid. [Wells Gardner, Darton & Co. Ltd, London, 1912]

Caedmon before Saint Hilda, 1912. From The Mighty Army, by W. M. Letts, illustrated by Stephen Reid. [Wells Gardner, Darton & Co. Ltd, London, 1912]

The Ruins of Iona, 1912. From The Mighty Army, by W. M. Letts, illustrated by Stephen Reid. [Wells Gardner, Darton & Co. Ltd, London, 1912]

Saint Oswald at Hevenfelth, 1912. From The Mighty Army, by W. M. Letts, illustrated by Stephen Reid. [Wells Gardner, Darton & Co. Ltd, London, 1912]

Saint Columba and the White Horse, 1912. From The Mighty Army, by W. M. Letts, illustrated by Stephen Reid. [Wells Gardner, Darton & Co. Ltd, London, 1912]

Canterbury, 1912. From The Mighty Army, by W. M. Letts, illustrated by Stephen Reid. [Wells Gardner, Darton & Co. Ltd, London, 1912]

The Reception of Saint Augustine by Ethelbert, 1912. From The Mighty Army, by W. M. Letts, illustrated by Stephen Reid. [Wells Gardner, Darton & Co. Ltd, London, 1912]

Winchester Cathedral, 1912. From The Mighty Army, by W. M. Letts, illustrated by Stephen Reid. [Wells Gardner, Darton & Co. Ltd, London, 1912]

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Winifred Mary Letts, commonly known as W. M. Letts, was a talented artist who left an indelible mark on the art world with her exquisite paintings. Born in 1882, she showcased her artistic prowess through various captivating works that have stood the test of time. One of Letts' notable pieces is "Saint Hugh of Lincoln and the Swan, " painted in 1912. This masterpiece depicts the legendary story of Saint Hugh and his miraculous encounter with a swan. Through her brushstrokes, Letts brings this tale to life, capturing the awe-inspiring moment when faith transcends boundaries. In another painting from that same year titled "Mother Julian, " Letts portrays a serene image of this revered medieval mystic and anchorite. The artwork exudes tranquility and spirituality, inviting viewers to delve into Mother Julian's profound wisdom and contemplative nature. Letts also turned her attention to architectural wonders such as Wells Cathedral and Norwich Cathedral in 1912. Her meticulous attention to detail shines through these paintings, showcasing her ability to capture not only their grandeur but also their spiritual significance. The historical aspect comes alive in Lett's work depicting significant events like King John signing Magna Carta at Runnymede or Laud entering the Barge at Lambeth Palace en route to the Tower. These artworks transport us back in time, allowing us glimpses into pivotal moments that shaped our history. Moreover, Lett's talent extended beyond capturing historical scenes; she had an eye for human emotions too. In "Bishop Ken and a Beggar, " she beautifully captures compassion between two individuals from different walks of life—showing how kindness can bridge divides. Throughout all these diverse subjects depicted by W. M. Letts during 1912 - including Langston's interview with King John or William of Wykeham Building Winchester - one thing remains constant: her ability to evoke emotion through art.