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Witches Sabbath Collection

"The Witches' Sabbath: A Haunting Glimpse into the Dark World of Witchcraft" Step into a realm where diviner women and witchcraft intertwine

Background imageWitches Sabbath Collection: Illustration from a treatise by Ulrich Molitor about diviner women and witchcraft (engraving)

Illustration from a treatise by Ulrich Molitor about diviner women and witchcraft (engraving)
3646906 Illustration from a treatise by Ulrich Molitor about diviner women and witchcraft (engraving) by German School, (19th century); Private Collection; (add.info)

Background imageWitches Sabbath Collection: The Vision of Faust, 1878 (oil on canvas)

The Vision of Faust, 1878 (oil on canvas)
NUL386947 The Vision of Faust, 1878 (oil on canvas) by Falero, Luis Riccardo (1851-96); 145.4x117.5 cm; Private Collection; (add.info.: Scene from Faust by Johann Wolfgang von Goethe (1749-1832)

Background imageWitches Sabbath Collection: Necromancy: Edward Kelly, a magician, raising the Ghost of a Person lately deceased

Necromancy: Edward Kelly, a magician, raising the Ghost of a Person lately deceased
746859 Necromancy: Edward Kelly, a magician, raising the Ghost of a Person lately deceased, in the Church Yard of Walton-le-dale, Lancaster

Background imageWitches Sabbath Collection: Witches Sabbath, 1797-1798. Artist: Goya, Francisco, de (1746-1828)

Witches Sabbath, 1797-1798. Artist: Goya, Francisco, de (1746-1828)
Witches Sabbath, 1797-1798. Found in the collection of the Museo Lazaro Galdiano, Madrid

Background imageWitches Sabbath Collection: I now what you want said the sea witch - in Andersens 'The Little Mermaid'

I now what you want said the sea witch - in Andersens "The Little Mermaid"
LSE4095416 I now what you want said the sea witch - in Andersens " The Little Mermaid" by Clarke, Harry (1889-1931); Private Collection; (add.info)

Background imageWitches Sabbath Collection: Ensayos, plate from Los Caprichos, 1799 (etching & aquatint)

Ensayos, plate from Los Caprichos, 1799 (etching & aquatint)
3112270 Ensayos, plate from Los Caprichos, 1799 (etching & aquatint) by Goya y Lucientes, Francisco Jose de (1746-1828); 32x22 cm; Private Collection; (add.info)

Background imageWitches Sabbath Collection: The witch chain - in 'Historia de Gentibus Septentrionalibus'by Olaus Magnus, Rome 1555

The witch chain - in "Historia de Gentibus Septentrionalibus"by Olaus Magnus, Rome 1555
XEE4148206 The witch chain - in " Historia de Gentibus Septentrionalibus" by Olaus Magnus, Rome 1555 by Unknown Artist

Background imageWitches Sabbath Collection: The wrong woman Anthropophagy Scene, a witch has a child. Grey wash by Francisco Goya y Lucientes

The wrong woman Anthropophagy Scene, a witch has a child. Grey wash by Francisco Goya y Lucientes (1746-1828) Sun
JLJ4974507 The wrong woman Anthropophagy Scene, a witch has a child. Grey wash by Francisco Goya y Lucientes (1746-1828) Sun

Background imageWitches Sabbath Collection: Sorcerer killing a person by burning a small figurine of them (engraving)

Sorcerer killing a person by burning a small figurine of them (engraving)
6029330 Sorcerer killing a person by burning a small figurine of them (engraving) by French School, (19th century); Private Collection; (add.info)

Background imageWitches Sabbath Collection: Wizard Whipping by Children - Engraving from 1725 in 'La Sorcellerie demasquee'

Wizard Whipping by Children - Engraving from 1725 in "La Sorcellerie demasquee"
XEE4148103 Wizard Whipping by Children - Engraving from 1725 in " La Sorcellerie demasquee" ( t Afgerukt mom-aansight der tooverye) by Abraham Palingh by Flemish School

Background imageWitches Sabbath Collection: The Devout Profession, plate 70 of Los caprichos, 1799 (etching) (see also 175022)

The Devout Profession, plate 70 of Los caprichos, 1799 (etching) (see also 175022)
IND81689 The Devout Profession, plate 70 of Los caprichos, 1799 (etching) (see also 175022) by Goya y Lucientes, Francisco Jose de (1746-1828); 21x16.6 cm; Private Collection; Index Fototeca

Background imageWitches Sabbath Collection: Laocoon - Minerva supporting the Greeks sends the snakes from the sea to attack Laocoon who warns

Laocoon - Minerva supporting the Greeks sends the snakes from the sea to attack Laocoon who warns the inhabitants of
JLJ4601410 Laocoon - Minerva supporting the Greeks sends the snakes from the sea to attack Laocoon who warns the inhabitants of the city of Trojan against the horse

Background imageWitches Sabbath Collection: 193-0082160 Trials, plate 60 of Los caprichos, 1799 (etching) 8221x16. 6

193-0082160 Trials, plate 60 of Los caprichos, 1799 (etching) 8221x16. 6
IND81679 193-0082160 Trials, plate 60 of Los caprichos, 1799 (etching) 8221x16.6 by Goya y Lucientes, Francisco Jose de (1746-1828); Private Collection; Index Fototeca

Background imageWitches Sabbath Collection: The bad woman (Mala mujer). The wicked woman. Anthropophagy scene, a witch devours a child

The bad woman (Mala mujer). The wicked woman. Anthropophagy scene, a witch devours a child
JLJ4571999 The bad woman (Mala mujer). The wicked woman. Anthropophagy scene, a witch devours a child. Grey wash by Francisco Goya y Lucientes (1746-1828) Sun

Background imageWitches Sabbath Collection: 193-0082167 Wait till you ve been anointed, plate 67 of Los caprichos, 1799 (etching)

193-0082167 Wait till you ve been anointed, plate 67 of Los caprichos, 1799 (etching)
IND81686 193-0082167 Wait till you ve been anointed, plate 67 of Los caprichos, 1799 (etching) by Goya y Lucientes, Francisco Jose de (1746-1828); 21.8x15.3 cm; Private Collection; Index Fototeca

Background imageWitches Sabbath Collection: 193-0082166 There it goes, plate 66 of Los caprichos, 1799 (etching)

193-0082166 There it goes, plate 66 of Los caprichos, 1799 (etching)
IND81685 193-0082166 There it goes, plate 66 of Los caprichos, 1799 (etching) by Goya y Lucientes, Francisco Jose de (1746-1828); 21x16.7 cm; Private Collection; Index Fototeca

Background imageWitches Sabbath Collection: 193-0082144 They spin finely, plate 44 of Los caprichos, 1799 (etching)

193-0082144 They spin finely, plate 44 of Los caprichos, 1799 (etching)
IND81663 193-0082144 They spin finely, plate 44 of Los caprichos, 1799 (etching) by Goya y Lucientes, Francisco Jose de (1746-1828); 21.9x15.3 cm; Private Collection

Background imageWitches Sabbath Collection: Out hunting for teeth, plate 12 of Los caprichos, pub. 1799 (etching) (see also 175021)

Out hunting for teeth, plate 12 of Los caprichos, pub. 1799 (etching) (see also 175021)
IND81631 Out hunting for teeth, plate 12 of Los caprichos, pub. 1799 (etching) (see also 175021) by Goya y Lucientes, Francisco Jose de (1746-1828); 21.9x15.3 cm; Private Collection; Index Fototeca

Background imageWitches Sabbath Collection: 193-0082159 And still they don t go!, plate 59 of Los caprichos, 1799 (etching)

193-0082159 And still they don t go!, plate 59 of Los caprichos, 1799 (etching)
IND81678 193-0082159 And still they don t go!, plate 59 of Los caprichos, 1799 (etching) by Goya y Lucientes, Francisco Jose de (1746-1828); 21.9x15.2 cm; Private Collection; (add.info)

Background imageWitches Sabbath Collection: Gilles de Rais (Retz ou Rays) (1404-1440), companion of arms of Joan of Arc. 19th century engraving

Gilles de Rais (Retz ou Rays) (1404-1440), companion of arms of Joan of Arc. 19th century engraving
XEE4406356 Gilles de Rais (Retz ou Rays) (1404-1440), companion of arms of Joan of Arc. 19th century engraving. by Unknown Artist

Background imageWitches Sabbath Collection: Redhead woman looking inqiuiete, stands her head - chromo. by Simondy

Redhead woman looking inqiuiete, stands her head - chromo. by Simondy
LSE4080609 Redhead woman looking inqiuiete, stands her head - chromo. by Simondy by Simonidy, Michel (1870-1933); Private Collection; (add.info.: Redhead woman looking inqiuiete)

Background imageWitches Sabbath Collection: Cauldron of the Sorceress, 1879 (charcoal on paper)

Cauldron of the Sorceress, 1879 (charcoal on paper)
5860239 Cauldron of the Sorceress, 1879 (charcoal on paper) by Redon, Odilon (1840-1916); 40.8--37.1 cm; The Art Institute of Chicago, IL, USA; (add.info.: by Odilon Redon (1840-1916))

Background imageWitches Sabbath Collection: The Witch on her Broomstick, from Illustrierte Sittengeschichte vom Mittelalter bis zur Gegenwart

The Witch on her Broomstick, from Illustrierte Sittengeschichte vom Mittelalter bis zur Gegenwart by Eduard Fuchs
1000859 The Witch on her Broomstick, from Illustrierte Sittengeschichte vom Mittelalter bis zur Gegenwart by Eduard Fuchs, published 1909 (litho) by Falero, Luis Riccardo (1851-96); Private Collection

Background imageWitches Sabbath Collection: Out hunting for teeth, plate 12 of Los caprichos, late 18th century (coloured etching)

Out hunting for teeth, plate 12 of Los caprichos, late 18th century (coloured etching) (see also 81631)
CHT175021 Out hunting for teeth, plate 12 of Los caprichos, late 18th century (coloured etching) (see also 81631) by Goya y Lucientes, Francisco Jose de (1746-1828); Bibliotheque Nationale, Paris

Background imageWitches Sabbath Collection: Portrait of Catherine Deshayes, by A. Coypel (engraving)

Portrait of Catherine Deshayes, by A. Coypel (engraving)
ELD4831909 Portrait of Catherine Deshayes, by A. Coypel (engraving) by Coypel, Antoine (1661-1722); (add.info.: " Affaire des Poisons" (Affair of the poison) portrait of Catherine Deshayes

Background imageWitches Sabbath Collection: Leonora Dori Galigai, wife of Concino Concini, exorcist and witch, 1571-1617

Leonora Dori Galigai, wife of Concino Concini, exorcist and witch, 1571-1617
FLO4657531 Leonora Dori Galigai, wife of Concino Concini, exorcist and witch, 1571-1617. She wears her hair loose under a bonnet, a velvet dress with lace collar and cuffs

Background imageWitches Sabbath Collection: The burning of the Sorceress outside Ely, 1071, illustration from Hutchinsons Story of the British

The burning of the Sorceress outside Ely, 1071, illustration from Hutchinsons Story of the British Nation, c
STC363628 The burning of the Sorceress outside Ely, 1071, illustration from Hutchinsons Story of the British Nation, c.1920 (litho) by Stewart

Background imageWitches Sabbath Collection: An old fee seeing that she was not invited to the birth of the princess takes revenge by sending a

An old fee seeing that she was not invited to the birth of the princess takes revenge by sending a curse on her cradle
XEE4192501 An old fee seeing that she was not invited to the birth of the princess takes revenge by sending a curse on her cradle

Background imageWitches Sabbath Collection: The Weird Sisters, Macbeth, Act IV Scene 1, illustration from Tales from Shakespeare by Charles

The Weird Sisters, Macbeth, Act IV Scene 1, illustration from Tales from Shakespeare by Charles and Mary Lamb
STC308583 The Weird Sisters, Macbeth, Act IV Scene 1, illustration from Tales from Shakespeare by Charles and Mary Lamb, 1905 (colour litho) by Price

Background imageWitches Sabbath Collection: Macha curses the Men of Ulster, illustration from Cuchulain, The Hound of Ulster

Macha curses the Men of Ulster, illustration from Cuchulain, The Hound of Ulster, by Eleanor Hull (1860-1935)
STC323918 Macha curses the Men of Ulster, illustration from Cuchulain, The Hound of Ulster, by Eleanor Hull (1860-1935), 1904 (colour litho) by Reid

Background imageWitches Sabbath Collection: Witches moving in the air. Illustration by Angelo Jank (1868-1940) for Jugend, 1899

Witches moving in the air. Illustration by Angelo Jank (1868-1940) for Jugend, 1899
GIA4703082 Witches moving in the air. Illustration by Angelo Jank (1868-1940) for Jugend, 1899 by Jank, Angelo (1868-1940); Private Collection; (add.info.: Witches moving in the air)

Background imageWitches Sabbath Collection: Sleeping Beauty. The prince arrives at the castle, whose entire population is subject to the exit

Sleeping Beauty. The prince arrives at the castle, whose entire population is subject to the exit and sleeps
XEE4181542 Sleeping Beauty. The prince arrives at the castle, whose entire population is subject to the exit and sleeps. Folk tale

Background imageWitches Sabbath Collection: Nuit de Walpurgis a Bergslagen - Walpurgis Night in Bergslagen, Grangaerde in Dalarna

Nuit de Walpurgis a Bergslagen - Walpurgis Night in Bergslagen, Grangaerde in Dalarna, by Schultzberg
FIA5409015 Nuit de Walpurgis a Bergslagen - Walpurgis Night in Bergslagen, Grangaerde in Dalarna, by Schultzberg, Anshelm Leonard (1862-1945). Oil on canvas, 1896. Dimension : 168x240 cm

Background imageWitches Sabbath Collection: Catherine Deshayes, wife Monvoisin and nicknamed La Voisin (1640-1680) - engraving, 17th century

Catherine Deshayes, wife Monvoisin and nicknamed La Voisin (1640-1680) - engraving, 17th century
LSE4093019 Catherine Deshayes, wife Monvoisin and nicknamed La Voisin (1640-1680) - engraving, 17th century by Chasteau, Guillaume (1635-1683); Bibliotheque des Arts Decoratifs, Paris

Background imageWitches Sabbath Collection: Pinocchio et son nez quis lengonge - in 'Pinocchio', illustrated by Simonne Baudoin, ed

Pinocchio et son nez quis lengonge - in "Pinocchio", illustrated by Simonne Baudoin, ed
LSE4105403 Pinocchio et son nez quis lengonge - in " Pinocchio", illustrated by Simonne Baudoin, ed. CastermanAttention: RIGHTS RESERVES by Rothier, F

Background imageWitches Sabbath Collection: Henriette Rosine Bernard aka Sarah Bernhardt (1844-1923) (standing, leaning head, hidden face)

Henriette Rosine Bernard aka Sarah Bernhardt (1844-1923) (standing, leaning head, hidden face)
PCT4257681 Henriette Rosine Bernard aka Sarah Bernhardt (1844-1923) (standing, leaning head, hidden face, role of Zoraya) in a scene of " The witch", played by Victorian Sardou

Background imageWitches Sabbath Collection: Inside an Indian house, with a sorcerer in consultation near a sick person. Engraving by A

Inside an Indian house, with a sorcerer in consultation near a sick person. Engraving by A
LSE4335516 Inside an Indian house, with a sorcerer in consultation near a sick person. Engraving by A.Paris, to illustrate the story " the Transcanadien et l Alaska" by E.Cotteau, in 1890

Background imageWitches Sabbath Collection: La poule noire (les magiciens fabriquant une potion magique dans une pot)

La poule noire (les magiciens fabriquant une potion magique dans une pot) in "Le theatre des marionnettes du
LSE4088986 La poule noire (les magiciens fabriquant une potion magique dans une pot) in " Le theatre des marionnettes du Jardin des Tuileries", text et dessin de M. Duranty, ed

Background imageWitches Sabbath Collection: Sorcerer by Apoux, n. d. 19th

Sorcerer by Apoux, n. d. 19th
LSE4093062 Sorcerer by Apoux, n.d. 19th. by Apoux, Joseph (1846-1910); Bibliotheque des Arts Decoratifs, Paris, France; (add.info.: Sorcerer by Apoux, n.d. 19th.); © Leonard de Selva

Background imageWitches Sabbath Collection: Henriette Rosine Bernard aka Sarah Bernhardt (1844-1923) in Zoraya, her role in 'The witch'

Henriette Rosine Bernard aka Sarah Bernhardt (1844-1923) in Zoraya, her role in "The witch"
PCT4257672 Henriette Rosine Bernard aka Sarah Bernhardt (1844-1923) in Zoraya, her role in " The witch", play by Victorian Sardou, 1904

Background imageWitches Sabbath Collection: Henriette Rosine Bernard aka Sarah Bernhardt (1844-1923) in the costume of Zoraya

Henriette Rosine Bernard aka Sarah Bernhardt (1844-1923) in the costume of Zoraya, her role in "The witch"
PCT4257664 Henriette Rosine Bernard aka Sarah Bernhardt (1844-1923) in the costume of Zoraya, her role in " The witch", play by Victorian Sardou, 1904

Background imageWitches Sabbath Collection: La guerisseuse (Witch Doctor). Dans une cabane pauvre et rurale

La guerisseuse (Witch Doctor). Dans une cabane pauvre et rurale, deux femmes aux pieds nus et habillees de robes
FIA5377672 La guerisseuse (Witch Doctor). Dans une cabane pauvre et rurale, deux femmes aux pieds nus et habillees de robes folkloriques observent avec anxiete un vieil homme boire un remede a base

Background imageWitches Sabbath Collection: Illustration for the novel 'The lame devil'by Alain Rene Lesage (Alain-Rene Le Sage) (1668-1747)

Illustration for the novel "The lame devil"by Alain Rene Lesage (Alain-Rene Le Sage) (1668-1747) (1707)
GIA4793753 Illustration for the novel " The lame devil" by Alain Rene Lesage (Alain-Rene Le Sage) (1668-1747) (1707). Drawing by E.Torrent, about 1930

Background imageWitches Sabbath Collection: The witches, if we believe the legends, were the first to practice aviation (witch on her broom)

The witches, if we believe the legends, were the first to practice aviation (witch on her broom)
LSE4095666 The witches, if we believe the legends, were the first to practice aviation (witch on her broom) - in " The adventures of aviation" by Xandaro by Xaudaro

Background imageWitches Sabbath Collection: Postcard depicting a Witch preparing a potion (colour engraving)

Postcard depicting a Witch preparing a potion (colour engraving)
CHT163083 Postcard depicting a Witch preparing a potion (colour engraving) by Kardos, Boske (20th century); Private Collection; (add.info.: Sorciere preparant une potion)

Background imageWitches Sabbath Collection: Witches moving in the air. Illustration by Angelo Jank (1868-1940) for Jugend, 1899 DR

Witches moving in the air. Illustration by Angelo Jank (1868-1940) for Jugend, 1899 DR
GIA4794797 Witches moving in the air. Illustration by Angelo Jank (1868-1940) for Jugend, 1899 DR by Jank, Angelo (1868-1940); Private Collection; (add.info.: Witches moving in the air)

Background imageWitches Sabbath Collection: Jason and Medee, painting magician of the Italian School. 15th century Paris, decorative arts

Jason and Medee, painting magician of the Italian School. 15th century Paris, decorative arts
JLJ4580229 Jason and Medee, painting magician of the Italian School. 15th century Paris, decorative arts. by Italian School, (15th century); Musee des Arts Decoratifs, Paris



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"The Witches' Sabbath: A Haunting Glimpse into the Dark World of Witchcraft" Step into a realm where diviner women and witchcraft intertwine, as depicted in Ulrich Molitor's captivating illustration. The engraving transports us to an era shrouded in mystery and fear, where the supernatural held sway over mortal souls. In Francisco Goya's masterpiece "Witches Sabbath, " we witness a macabre gathering of sorcerers and witches. Their twisted forms dance under the moonlight, invoking both fascination and terror. This oil on canvas painting captures the essence of their unholy communion with otherworldly forces. Andersen's enchanting tale "The Little Mermaid" introduces us to the sea witch who cunningly offers what is desired most. Her ominous words echo through time: "I know what you want. " In this moment, we glimpse her power and manipulation that can ensnare even the purest hearts. Abraham Palingh's evocative engravings from "La Sorcellerie demasquee" reveal scenes of torment inflicted upon those accused of sorcery. From necklaces being tortured to sorcerers succumbing under torture, these images depict the dark consequences faced by those believed to possess supernatural abilities. Travel back in time to witness burning witches in Germany's Harz region - an engraving capturing a horrifying chapter in history when innocent lives were lost amidst hysteria and superstition. The flames serve as a reminder of humanity's capacity for cruelty when gripped by fear. Tempera on wood brings forth St Nicholas' miraculous resurrection of a dead child - showcasing how faith can triumph over darkness even within tales entwined with magic. It reminds us that not all stories involving mysticism are sinister; some carry messages of hope and redemption. Palingh returns with another striking engraving depicting punishment inflicted by tincers upon a sorcerer - revealing the brutal methods employed to extract confessions during witch trials.