Winifred Mary Letts Collection

Mother Julian, 1912. Julian of Norwich (c8 November 1342-c1416) was an English anchoress and an important Christian mystic and theologian. From The Mighty Army, by W. M

Saint Hugh of Lincoln and the Swan, 1912. Artist: Winifred Mary Letts
Saint Hugh of Lincoln and the Swan, 1912. Hugh of Lincoln (1135/40-1200), also known as Hugh of Avalon, was a French noble, Benedictine and Carthusian monk

Wells Cathedral, 1912. From The Mighty Army, by W. M. Letts, illustrated by Stephen Reid. [Wells Gardner, Darton & Co. Ltd, London, 1912]

Lollards Tower, Lambeth Palace, 1912. Lambeth Palace is the official London residence of the Archbishop of Canterbury in England. From The Mighty Army, by W. M. Letts, illustrated by Stephen Reid

Bishop Ken and a Beggar, 1912. Thomas Ken (1637-1711) was an English cleric who was considered the most eminent of the English non-juring bishops, and one of the fathers of modern English hymnody

Norwich Cathedral, 1912. From The Mighty Army, by W. M. Letts, illustrated by Stephen Reid. [Wells Gardner, Darton & Co. Ltd, London, 1912]

Laud entering the Barge at Lambeth to go to the Tower, 1912. From The Mighty Army, by W. M. Letts, illustrated by Stephen Reid. [Wells Gardner, Darton & Co. Ltd, London, 1912]

King John signing Magna Charta at Runnydale, 1912. The Magna Carta was a charter agreed to by King John of England at Runnymede, near Windsor, on 15 June 1215

William of Wykeham Building Winchester, 1912. William of Wykeham (1320 or 1324- 1404) was Bishop of Winchester and Chancellor of England

Langstons interview with King John, 1912. Stephen Langton (c. 1150 - 9 July 1228) was an English Cardinal of the Roman Catholic Church and Archbishop of Canterbury. From The Mighty Army, by W. M

Lincoln Cathedral, 1912. From The Mighty Army, by W. M. Letts, illustrated by Stephen Reid. [Wells Gardner, Darton & Co. Ltd, London, 1912]

Ruins of the Abbey of Bec, Normandy, 1912. From The Mighty Army, by W. M. Letts, illustrated by Stephen Reid. [Wells Gardner, Darton & Co. Ltd, London, 1912]

Saint Anselm refusing the Archbishopric, 1912. From The Mighty Army, by W. M. Letts, illustrated by Stephen Reid. [Wells Gardner, Darton & Co. Ltd, London, 1912]

Saint Hildas Abbey, Whitby, 1912. From The Mighty Army, by W. M. Letts, illustrated by Stephen Reid. [Wells Gardner, Darton & Co. Ltd, London, 1912]

Durham Cathedral, 1912. From The Mighty Army, by W. M. Letts, illustrated by Stephen Reid. [Wells Gardner, Darton & Co. Ltd, London, 1912]

Caedmon before Saint Hilda, 1912. From The Mighty Army, by W. M. Letts, illustrated by Stephen Reid. [Wells Gardner, Darton & Co. Ltd, London, 1912]

The Ruins of Iona, 1912. From The Mighty Army, by W. M. Letts, illustrated by Stephen Reid. [Wells Gardner, Darton & Co. Ltd, London, 1912]

Saint Oswald at Hevenfelth, 1912. From The Mighty Army, by W. M. Letts, illustrated by Stephen Reid. [Wells Gardner, Darton & Co. Ltd, London, 1912]

Saint Columba and the White Horse, 1912. From The Mighty Army, by W. M. Letts, illustrated by Stephen Reid. [Wells Gardner, Darton & Co. Ltd, London, 1912]

Canterbury, 1912. From The Mighty Army, by W. M. Letts, illustrated by Stephen Reid. [Wells Gardner, Darton & Co. Ltd, London, 1912]

The Reception of Saint Augustine by Ethelbert, 1912. From The Mighty Army, by W. M. Letts, illustrated by Stephen Reid. [Wells Gardner, Darton & Co. Ltd, London, 1912]

Winchester Cathedral, 1912. From The Mighty Army, by W. M. Letts, illustrated by Stephen Reid. [Wells Gardner, Darton & Co. Ltd, London, 1912]

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Winifred Mary Letts, a talented artist from the early 20th century, captured the essence of history and spirituality through her stunning artworks. In her painting "Saint Hugh of Lincoln and the Swan, " Letts beautifully portrays the legendary saint with his iconic companion. The attention to detail is remarkable, showcasing Letts' skill in bringing stories to life on canvas. Another masterpiece by Letts is "Mother Julian, " where she depicts the revered anchorite who lived during medieval times. The painting exudes a sense of serenity and devotion as Mother Julian's contemplative gaze captures our imagination. Letts also had an eye for architectural beauty, as seen in her paintings of Wells Cathedral, Norwich Cathedral, and Lincoln Cathedral. Each artwork showcases intricate details that highlight the grandeur and majesty of these historic structures. In "Lollards Tower, Lambeth Palace, " Letts transports us back to a significant moment in history when religious dissenters were imprisoned within this tower. Her portrayal evokes feelings of confinement and oppression while reminding us of the struggles faced by those who dared to challenge established beliefs. The historical theme continues with "Bishop Ken and a Beggar" which depicts an encounter between Bishop Thomas Ken and a destitute beggar. This poignant scene serves as a reminder of compassion amidst social inequality. Letts also delves into political events such as King John signing Magna Charta at Runnymede. Through her brushstrokes, she brings this pivotal moment in English history alive once more. Additionally, Lett's works include scenes like "Langstons interview with King John" that provide glimpses into lesser-known historical interactions or places like Ruins of Abbey Bec in Normandy or William Wykeham Building Winchester - each capturing their unique charm.