William Mackenzie Collection (page 4)

Choir, looking North, Rievaulx Abbey, c1880, (1897). Artist: Alexander Francis Lydon
Choir, looking North, Rievaulx Abbey, c1880, (1897). From The Ruined Abbeys of Britain by Frederick Ross. [William Mackenzie, London, 1897]

From the North, Rievaulx Abbey, c1880, (1897). Artist: Alexander Francis Lydon
From the North, Rievaulx Abbey, c1880, (1897). From The Ruined Abbeys of Britain by Frederick Ross. [William Mackenzie, London, 1897]

Rievaulx Abbey, c1880, (1897). Artist: Alexander Francis Lydon
Rievaulx Abbey, c1880, (1897). From The Ruined Abbeys of Britain by Frederick Ross. [William Mackenzie, London, 1897]

Ground Plan of Jedburgh Abbey, 1897. From The Ruined Abbeys of Britain by Frederick Ross. [William Mackenzie, London, 1897]

Nave Looking West, Jedburgh Abbey, c1880, (1897). Artist: Alexander Francis Lydon
Nave Looking West, Jedburgh Abbey, c1880, (1897). From The Ruined Abbeys of Britain by Frederick Ross. [William Mackenzie, London, 1897]

Norman Arches in Nave, Jedburgh Abbey, c1880, (1897). Artist: Alexander Francis Lydon
Norman Arches in Nave, Jedburgh Abbey, c1880, (1897). From The Ruined Abbeys of Britain by Frederick Ross. [William Mackenzie, London, 1897]

From South-East, Jedburgh Abbey, c1880, (1897). Artist: Alexander Francis Lydon
From South-East, Jedburgh Abbey, c1880, (1897). From The Ruined Abbeys of Britain by Frederick Ross. [William Mackenzie, London, 1897]

Nave, from South Aisle, Jedburgh Abbey, c1880, (1897). Artist: Alexander Francis Lydon
Nave, from South Aisle, Jedburgh Abbey, c1880, (1897). From The Ruined Abbeys of Britain by Frederick Ross. [William Mackenzie, London, 1897]

Jedburgh Abbey, 1882, (1897). Artist: Alexander Francis Lydon
Jedburgh Abbey, 1882, (1897). From The Ruined Abbeys of Britain by Frederick Ross. [William Mackenzie, London, 1897]

North Transept, Whitby Abbey, c1880, (1897). Artist: Alexander Francis Lydon
North Transept, Whitby Abbey, c1880, (1897). From The Ruined Abbeys of Britain by Frederick Ross. [William Mackenzie, London, 1897]

North Aisle, Whitby Abbey, c1880, (1897). Artist: Alexander Francis Lydon
North Aisle, Whitby Abbey, c1880, (1897). From The Ruined Abbeys of Britain by Frederick Ross. [William Mackenzie, London, 1897]

Whitby Abbey, c1880, (1897). Artist: Alexander Francis Lydon
Whitby Abbey, c1880, (1897). From The Ruined Abbeys of Britain by Frederick Ross. [William Mackenzie, London, 1897]

Ground Plan of Furness Abbey, 1897. From The Ruined Abbeys of Britain by Frederick Ross. [William Mackenzie, London, 1897]

Furness Abbey, c1880, (1897). Artist: Alexander Francis Lydon
Furness Abbey, c1880, (1897). From The Ruined Abbeys of Britain by Frederick Ross. [William Mackenzie, London, 1897]

South Transept, Netley Abbey, c1880, (1897). Artist: Alexander Francis Lydon
South Transept, Netley Abbey, c1880, (1897). From The Ruined Abbeys of Britain by Frederick Ross. [William Mackenzie, London, 1897]

Ground Plan of Netley Abbey, 1897. Artist: Alexander Francis Lydon
Ground Plan of Netley Abbey, 1897. From The Ruined Abbeys of Britain by Frederick Ross. [William Mackenzie, London, 1897]

Arches in South Transept, Netley Abbey, c1880, (1897). Artist: Alexander Francis Lydon
Arches in South Transept, Netley Abbey, c1880, (1897). From The Ruined Abbeys of Britain by Frederick Ross. [William Mackenzie, London, 1897]

Interior, Looking East, Netley Abbey, c1880, (1897). Artist: Alexander Francis Lydon
Interior, Looking East, Netley Abbey, c1880, (1897). From The Ruined Abbeys of Britain by Frederick Ross. [William Mackenzie, London, 1897]

Netley Abbey, c1880, (1897). Artist: Alexander Francis Lydon
Netley Abbey, c1880, (1897). From The Ruined Abbeys of Britain by Frederick Ross. [William Mackenzie, London, 1897]

Chapter House, Kirkstall Abbey, c1880, (1897). Artist: Alexander Francis Lydon
Chapter House, Kirkstall Abbey, c1880, (1897). From The Ruined Abbeys of Britain by Frederick Ross. [William Mackenzie, London, 1897]

Ground Plan of Kirkstall, 1897. From The Ruined Abbeys of Britain by Frederick Ross. [William Mackenzie, London, 1897]

Kirkstall Abbey, c1880, (1897). Artist: Alexander Francis Lydon
Kirkstall Abbey, c1880, (1897). From The Ruined Abbeys of Britain by Frederick Ross. [William Mackenzie, London, 1897]

From the Cloister Court, Dryburgh Abbey, c1880, (1897). Artist: Alexander Francis Lydon
From the Cloister Court, Dryburgh Abbey, c1880, (1897). From The Ruined Abbeys of Britain by Frederick Ross. [William Mackenzie, London, 1897]

Ground Plan of Dryburgh, 1897. From The Ruined Abbeys of Britain by Frederick Ross. [William Mackenzie, London, 1897]

Dryburgh Abbey, c1880, (1897). Artist: Alexander Francis Lydon
Dryburgh Abbey, c1880, (1897). From The Ruined Abbeys of Britain by Frederick Ross. [William Mackenzie, London, 1897]

Abbots Kitchen, Glastonbury Abbey, c1880, (1897). Artist: Alexander Francis Lydon
Abbots Kitchen, Glastonbury Abbey, c1880, (1897). From The Ruined Abbeys of Britain by Frederick Ross. [William Mackenzie, London, 1897]

St. Josephs Chapel, Interior, Looking East, Glastonbury Abbey, c1880, (1897). Artist: Alexander Francis Lydon
St. Josephs Chapel, Interior, Looking East, Glastonbury Abbey, c1880, (1897). From The Ruined Abbeys of Britain by Frederick Ross. [William Mackenzie, London, 1897]

Doorway in St Josephs Chapel, Glastonbury Abbey, c1880, (1897). Artist: Alexander Francis Lydon
Doorway in St Josephs Chapel, Glastonbury Abbey, c1880, (1897). From The Ruined Abbeys of Britain by Frederick Ross. [William Mackenzie, London, 1897]

St. Josephs Chapel, from North-West, Glastonbury Abbey, c1880, (1897). Artist: Alexander Francis Lydon
St. Josephs Chapel, from North-West, Glastonbury Abbey, c1880, (1897). From The Ruined Abbeys of Britain by Frederick Ross. [William Mackenzie, London, 1897]

Glastonbury Abbey, c1880, (1897). Artist: Alexander Francis Lydon
Glastonbury Abbey, c1880, (1897). From The Ruined Abbeys of Britain by Frederick Ross. [William Mackenzie, London, 1897]

Arches of Transept, Bolton Priory, c1880, (1897). Artist: Alexander Francis Lydon
Arches of Transept, Bolton Priory, c1880, (1897). From The Ruined Abbeys of Britain by Frederick Ross. [William Mackenzie, London, 1897]

Ground Plan of Bolton Priory, 1897. Artist: Alexander Francis Lydon
Ground Plan of Bolton Priory, 1897. From The Ruined Abbeys of Britain by Frederick Ross. [William Mackenzie, London, 1897]

From the North, Bolton Priory, c1880, (1897). Artist: Alexander Francis Lydon
From the North, Bolton Priory, c1880, (1897). From The Ruined Abbeys of Britain by Frederick Ross. [William Mackenzie, London, 1897]

From the West, Bolton Priory, c1880, (1897). Artist: Alexander Francis Lydon
From the West, Bolton Priory, c1880, (1897). From The Ruined Abbeys of Britain by Frederick Ross. [William Mackenzie, London, 1897]

Bolton Priory, 1882, (1897). Artist: Alexander Francis Lydon
Bolton Priory, 1882, (1897). From The Ruined Abbeys of Britain by Frederick Ross. [William Mackenzie, London, 1897]

Ground Plan of Melrose Abbey, 1897. From The Ruined Abbeys of Britain by Frederick Ross. [William Mackenzie, London, 1897]

Nave and North and South Aisle, Melrose Abbey, c1880, (1897). Artist: Alexander Francis Lydon
Nave and North and South Aisle, Melrose Abbey, c1880, (1897). From The Ruined Abbeys of Britain by Frederick Ross. [William Mackenzie, London, 1897]

From the East, Melrose Abbey, c1880, (1897). Artist: Alexander Francis Lydon
From the East, Melrose Abbey, 1880, (1897). From The Ruined Abbeys of Britain by Frederick Ross. [William Mackenzie, London, 1897]

The Cloisters, Melrose Abbey, c1880, (1897). Artist: Alexander Francis Lydon
The Cloisters, Melrose Abbey, c1880, (1897). From The Ruined Abbeys of Britain by Frederick Ross. [William Mackenzie, London, 1897]

Melrose Abbey, 1882, (1897). Artist: Alexander Francis Lydon
Melrose Abbey, 1882, (1897). From The Ruined Abbeys of Britain by Frederick Ross. [William Mackenzie, London, 1897]

The Choir, Fountains Abbey, c1880, (1897). Artist: Alexander Francis Lydon
The Choir, Fountains Abbey, c1880, (1897). From The Ruined Abbeys of Britain by Frederick Ross. [William Mackenzie, London, 1897]

The Tower, Fountains Abbey, c1880, (1897). Artist: Alexander Francis Lydon
The Tower, Fountains Abbey, c1880, (1897). From The Ruined Abbeys of Britain by Frederick Ross. [William Mackenzie, London, 1897]

Fountains Abbey, 1882, (1897). Artist: Alexander Francis Lydon
Fountains Abbey, 1882, (1897). From The Ruined Abbeys of Britain by Frederick Ross. [William Mackenzie, London, 1897]

Choir, Looking West, Tintern Abbey, c1885, (1897). Artist: Alexander Francis Lydon
Choir, Looking West, Tintern Abbey, c1885, (1897). From The Ruined Abbeys of Britain by Frederick Ross. [William Mackenzie, London, 1897]

Ground Plan of Tintern Abbey, 1897. From The Ruined Abbeys of Britain by Frederick Ross. [William Mackenzie, London, 1897]

From South Transept, Tintern Abbey, c1885, (1897). Artist: Alexander Francis Lydon
From South Transept, Tintern Abbey, c1885, (1897). From The Ruined Abbeys of Britain by Frederick Ross. [William Mackenzie, London, 1897]

From the South, Tintern Abbey, c1885, (1897). Artist: Alexander Francis Lydon
From the South, Tintern Abbey, c1885, (1897). From The Ruined Abbeys of Britain by Frederick Ross. [William Mackenzie, London, 1897]

Tintern Abbey, 1882, (1897). Artist: Alexander Francis Lydon
Tintern Abbey, 1882, (1897). From The Ruined Abbeys of Britain by Frederick Ross. [William Mackenzie, London, 1897]

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William Mackenzie was a man of many interests and passions, as evidenced by the collection of maps and historical artifacts he left behind. Among his prized possessions was an old map of Nottingham from 1893, taken from the Comprehensive Gazetteer Atlas of England and Wales. This intricate map provided a glimpse into the past, showcasing the layout and streets of this historic city. In addition to his fascination with local history, Mackenzie also had a keen interest in international affairs. He possessed a map of Prussia dating back to around 1872, its creator unknown. This detailed depiction offered insight into the political landscape of that time. Mackenzie's collection extended beyond maps alone; it included engravings such as Oppenheim from c1872 by E I Roberts. The artist beautifully captured this German town's essence through their skilled craftsmanship. One particular item that caught Mackenzie's attention was the ground plan of Rievaulx Abbey from 1897. This architectural blueprint showcased every nook and cranny of this medieval abbey, allowing him to immerse himself in its rich history. Another artwork within his possession was Alexander Francis Lydon's painting titled "From the North-West, Kirkstall Abbey" dating back to c1880 (1897). It depicted this ancient ruin nestled amidst serene surroundings—a testament to Mackenzie's appreciation for both art and heritage. Among his treasured portraits were those depicting notable figures like The Right Honourable Edward Geoffrey Stanley, Earl of Derby circa 1860 (c1884), exuding regality with every stroke. Another portrait featured Henry St. John, Viscount Bolingbroke circa 1710 (c1884), capturing an influential statesman during an era long gone but not forgotten. Mackenzie's love for cartography extended beyond individual cities; he owned comprehensive gazetteer atlases encompassing Birmingham and Sheffield from 1893—maps that revealed the growth and development of these industrial powerhouses.