William Kent Collection

Two Travelers under Tree with Village and Bridge in Distance, 1707. Creator: Unknown
Two Travelers under Tree with Village and Bridge in Distance, 1707

Chiesa dei Cappuccini Parma, September 1714. Creator: William Kent
Chiesa dei Cappuccini Parma, September 1714

The Grand Saloon at Devonshire House, 1850. Creator: Unknown
The Grand Saloon at Devonshire House, [London], 1850. The Duke of Devonshire's guests included...the Duke of Cambridge, his Serene Highness Prince Edward of Saxe- Weimar

The Man of Taste
2625669 The Man of Taste by Hogarth, William (1697-1764); (add.info.: Engraving by british artist & engraver, William Hogarth 1697-1764: The Man of Taste)

Chiswick House, 1823 (engraving)
5912724 Chiswick House, 1823 (engraving) by British School, (19th century); (add.info.: Chiswick House, Palladian villa designed by architect William Kent and built by Richard Boyle)

Chiswick House, 1823 (engraving)
5912723 Chiswick House, 1823 (engraving) by British School, (19th century); (add.info.: Chiswick House, Palladian villa designed by architect William Kent and built by Richard Boyle)

One of a pair of George II library tables (mahogany & ormolu)
5846405 One of a pair of George II library tables (mahogany & ormolu) by Vile, William (c.1700-67) (manner of); Private Collection; (add.info)

A Plan of the Gardens of Richard Grenville, Duke of Buckingham, at Stowe
STC101846 A Plan of the Gardens of Richard Grenville, Duke of Buckingham, at Stowe, etched by the artist, 1827 (etching) by Smith

Memorial of William Shakespeare, 1564-1616, Erected in 1740 from designs of William Kent (b / w photo)
6013219 Memorial of William Shakespeare, 1564-1616, Erected in 1740 from designs of William Kent (b/w photo) by English Photographer

William Kent (engraving)
815429 William Kent (engraving) by English School, (19th century); Private Collection; (add.info.: William Kent. 1685 - 12 April 1748)

The Man Of Taste (engraving)
2905789 The Man Of Taste (engraving) by Hogarth, William (1697-1764) (after); Private Collection; (add.info.: The Man Of Taste)

Poets Corner, Westminster Abbey, London (b / w photo)
5996704 Poets Corner, Westminster Abbey, London (b/w photo) by English Photographer, (20th century); Private Collection; (add.info.: Poets Corner, Westminster Abbey, London)

Portrait of Thomas William Coke, Esq. (1752-1842) inspecting some of his South Down sheep
HLK212340 Portrait of Thomas William Coke, Esq. (1752-1842) inspecting some of his South Down sheep with Mr Walton and the Holkham shepherds (oil on canvas) by Weaver

William Kent (engraving)
815621 William Kent (engraving) by English School, (19th century); Private Collection; (add.info.: William Kent. 1685 - 12 April 1748)

Horse Guards, Whitehall, London, c1910. Creator: Unknown
Horse Guards, Whitehall, London, c1910. The Horse Guards building, designed by William Kent, was constructed in the 1750s. Postcard

The Kings Mews, (1881). Creator: Unknown
The Kings Mews, (1881). Kings Mews on the Charing Cross Road, with the church of St Martin-in-the-Fields in the background, Westminster, London

The Ballroom, Devonshire House, London, 1894. Creator: Unknown
The Ballroom, Devonshire House, Berkeley Street, London, 1894. Palladian town house refurbished c1740, to designs by William Kent

Contrasted Interiors: Palladian - The Dining-Room, Holkham, Norfolk, by William Kent, with Regency Furniture, (1938). Illustration from A History of Everyday Things in England - Done in four parts of

A view of the Horse Guards from Whitehall, Westminster, London, 1836. The Palladian Horse Guards was built in the early 1750s by John Vardy to a design by William Kent

Wedding of Anne, Princess Royal, and William IV of Orange, St Jamess Palace, London, 1733. Anne was the eldest daughter of George II of England and William was Stadtholder of the Netherlands

The Man of Taste, 1731. Burlington Gate, surmounted by a statue of William Kent brandishing a palette. Standing on a scaffold below, whitewashing the front, is Alexander Pope

Burlesque on Kents Altarpiece at St Clement Danes, c1725. Artist: William Hogarth
Burlesque on Kents Altarpiece at St Clement Danes, c1725. William Kent painted an altarpiece for St Clement Danes Church, London, commissioned by the parishioners

Carved Marble Chimneypiece by William Kent (1685-1748). In the Public Dining-Room at Hampton Court, with Arms of George II, c1730. From The Connoisseur Volume XLI. [The Connoisseur Ltd. London, 1915]

Badminton, the seat of his Grace the Duke of Beaufort, 1913
Badminton, the seat of his Grace the Duke of Beaufort - East View, Showing the Church in the Garden, c1913. Badminton has been the seat of the Dukes of Beaufort since the 17th century

Berkeley Square, London, c18th century (1907). Berkeley Square was laid out in the 18th century by William Kent. A print from The History of the Squares of London Topographical

Horse Guards, Westminster, London, 1810. Artist: G Cooke
Horse Guards, Westminster, London, 1810. The Palladian Horse Guards was built in the early 1750s by John Vardy to a design by William Kent. The Treasury building is on the right

Badminton House, Gloucestershire, home of the Duke of Beaufort, c1880. Badminton has been the seat of the Dukes of Beaufort since the 17th century

Berkeley Square, Westminster, London, c1850 (1878). Berkeley Square in Mayfair was originally laid out in the mid 18th century by architect William Kent (c1685-1748)

Horse Guards and the Treasury, Whitehall, Westminster, London, 1810. Artist: G Cooke
Horse Guards and the Treasury, Whitehall, Westminster, London, 1810. The Palladian Horse Guards was built in the early 1750s by John Vardy to a design by William Kent

A Satire on the Altar-piece by Kent in St Clement Danes Church, Westminster, 1725. Artist: William Hogarth
A Satire on the Altar-piece by Kent in St Clement Danes Church, Westminster, 1725. Illustration from Social Caricature in the Eighteenth Century

North west view of Wakefield Lodge, the Seat of his Grace the Duke of Grafton, 1776. Artist: Michael Angelo Rooker
North west view of Wakefield Lodge, the Seat of his Grace the Duke of Grafton, Nottinghamshire, 1776. An eighteenth century print of the Capability Brown park with a yacht on the lake

Horse Guards Parade, London, 20th Century. The parade ground was used during the medieval period as a tilt-yard (an area for jousts). A spectacular tournament was staged here in 1540 by Henry VIII

Sir Isaac Newton Isaac Newton Mathematician Astronomer
Monument to English mathematician Sir Isaac Newton in Westminster Abbey, London. The monument was designed by architect William Kent and sculpted by Michael Rysbrack

The marriage in 1734 of Anna, Princess Royal and Princess of Orange to William IV, Prince of Orange in the Chapel Royal at St. Jamess Palace, London, England

Mantel 1730 William Kent British 1685-1748 Marble
Mantel, c. 1730. Probably by William Kent (British, 1685-1748). Marble; overall: 153.7 x 204.4 cm (60 1/2 x 80 1/2 in.)

Acis Galatea 1708 Red chalk Sheet 6 1 / 8 x 8 15. 5 20. 3 cm
Artokoloro

Leaf Aedes Walpolianae mounted print drawing
Artokoloro

Badminton House, Gloucestershire
BAL5575 Badminton House, Gloucestershire by Canaletto, (Giovanni Antonio Canal) (1697-1768); Private Collection; (add.info.: Grade I Listed Building in Badminton, Gloucestershire, England)

View of Horse Guards and Whitehall, c. 1750 (oil on canvas)
XOS1766115 View of Horse Guards and Whitehall, c.1750 (oil on canvas) by Anonymous; 65.4x92.7 cm; Yale Center for British Art, Paul Mellon Collection

The 2nd Footguards (Coldstream) on Parade at Horse Guards, c. 1750
BAL12518 The 2nd Footguards (Coldstream) on Parade at Horse Guards, c.1750 by Chapman, John (18th century); Roy Miles Fine Paintings; (add.info)

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William Kent, also known as "The Man of Taste, " was a prominent figure in the world of art and design during the 18th century. His contributions to various fields such as painting, architecture, and landscape gardening have left an indelible mark on British culture. One of his notable works is "A Conversation of Virtuosis. . at the King's Arms, 1735. " This oil on canvas painting showcases Kent's ability to capture lively social gatherings with intricate details and vibrant colors. It exemplifies his talent for creating visually stunning compositions that depict the essence of elegance and refinement. Chiswick House, engraved in 1823, stands as a testament to Kent's architectural prowess. The grandeur and symmetry displayed in this engraving highlight his mastery in blending classical elements with innovative designs. These qualities are further evident in one of a pair of George II library tables made from mahogany and ormolu. The exquisite craftsmanship reflects Kent's dedication to creating pieces that exude both beauty and functionality. Kent's expertise extended beyond buildings; he was also renowned for his skillful landscaping work. A Plan of the Gardens at Stowe demonstrates his ability to transform outdoor spaces into breathtaking landscapes filled with meticulously arranged gardens, fountains, and pathways. This plan serves as a blueprint for future generations seeking inspiration from nature combined with artistic vision. In addition to these accomplishments, William Kent played an essential role in commemorating literary figures like William Shakespeare through designing memorials such as the one erected in 1740. His attention to detail can be seen even in black-and-white photographs capturing this memorial. Throughout history, artists have sought inspiration from great minds before them; thus it comes as no surprise that there are engravings depicting William Kent himself engrossed in creative pursuits or being recognized for his exceptional talent - truly embodying "The Man Of Taste. " Kent's influence extends beyond visual arts; he has left an indelible mark on the cultural landscape of London.