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William Hogarth Collection (page 29)

William Hogarth was a renowned English artist and social critic of the 18th century

Background imageWilliam Hogarth Collection: William Hogarth (English, 1697 - 1764), England, 1756, etching and engraving

William Hogarth (English, 1697 - 1764), England, 1756, etching and engraving

Background imageWilliam Hogarth Collection: Louis Gerard Scotin after William Hogarth (French, 1690 - 1745 or after), Marriage a la Mode

Louis Gerard Scotin after William Hogarth (French, 1690 - 1745 or after), Marriage a la Mode: pl.6, 1745, etching and engraving

Background imageWilliam Hogarth Collection: William Hogarth and Charles Grignion (British, 1717 - 1810), Garrick in the Role

William Hogarth and Charles Grignion (British, 1717 - 1810), Garrick in the Role of Richard III, 1746, etching and engraving

Background imageWilliam Hogarth Collection: William Hogarth (English, 1697 - 1764), Gin Lane, 1751, etching and engraving

William Hogarth (English, 1697 - 1764), Gin Lane, 1751, etching and engraving

Background imageWilliam Hogarth Collection: William Hogarth (English, 1697 - 1764), The Times, pl. 1, 1762, etching and engraving

William Hogarth (English, 1697 - 1764), The Times, pl. 1, 1762, etching and engraving
William Hogarth (English, 1697 - 1764), The Times, pl.1, 1762, etching and engraving

Background imageWilliam Hogarth Collection: William Hogarth (English, 1697 - 1764), The Bench, 1758, etching and engraving

William Hogarth (English, 1697 - 1764), The Bench, 1758, etching and engraving

Background imageWilliam Hogarth Collection: John Keyse Sherwin after William Hogarth (British, probably 1751 - 1790), Politician

John Keyse Sherwin after William Hogarth (British, probably 1751 - 1790), Politician, 1775, etching

Background imageWilliam Hogarth Collection: View of Leiceter Square London, 1753 (engraving)

View of Leiceter Square London, 1753 (engraving)
XJF3038410 View of Leiceter Square London, 1753 (engraving) by Bowles, John (1701-79); Private Collection; (add.info.: South West Prospect of the 17th century square)

Background imageWilliam Hogarth Collection: Leicester Square, 1754 (engraving)

Leicester Square, 1754 (engraving)
XJF3038406 Leicester Square, 1754 (engraving) by Nicholls, Sutton (18th century) (after); Private Collection; (add.info.: Birds eye view of the 17th century square looking north to Leicester House)

Background imageWilliam Hogarth Collection: Leicester Square, 1753 (engraving)

Leicester Square, 1753 (engraving)
XJF3038404 Leicester Square, 1753 (engraving) by Maurer, I. (18th century) (after); Private Collection; (add.info.: South West Prospect of the 17th century square)

Background imageWilliam Hogarth Collection: After

After; William Hogarth, English, 1697 - 1764; 1730 - 1731; Oil on canvas; Unframed: 38.7 x 33.7 cm (15 1/4 x 13 1/4 in.), Framed: 50.2 x 44.8 x 4.1 cm (19 3/4 x 17 5/8 x 1 5/8 in.)

Background imageWilliam Hogarth Collection: Before

Before; William Hogarth, English, 1697 - 1764; 1730 - 1731; Oil on canvas; Unframed: 38.7 x 33.7 cm (15 1/4 x 13 1/4 in.), Framed: 50.2 x 44.8 x 4.1 cm (19 3/4 x 17 5/8 x 1 5/8 in.)

Background imageWilliam Hogarth Collection: The Reverend Dr. John Lloyd, Curate of St. Mildreds Church, Broad Street John Lloyd

The Reverend Dr. John Lloyd, Curate of St. Mildreds Church, Broad Street John Lloyd, Curate of St. Mildreds Broad Street Dr. John Lloyd Inscribed in brown paint, lower left: " John Lloyd D. D

Background imageWilliam Hogarth Collection: Restoration Procession of Charles II at Cheapside, London William Hogarth, 1697-1764

Restoration Procession of Charles II at Cheapside, London William Hogarth, 1697-1764, British

Background imageWilliam Hogarth Collection: Miss Wood Miss Wood with her Dog, William Hogarth, 1697-1764, British

Miss Wood Miss Wood with her Dog, William Hogarth, 1697-1764, British

Background imageWilliam Hogarth Collection: Sign for a paviour, William Hogarth, 1697-1764, British

Sign for a paviour, William Hogarth, 1697-1764, British

Background imageWilliam Hogarth Collection: A Midnight Modern Conversation Signed and dated, lower right: WM: Hogarth: recit

A Midnight Modern Conversation Signed and dated, lower right: WM: Hogarth: recit
A Midnight Modern Conversation Signed and dated, lower right: " WM: Hogarth: recit: 1729", William Hogarth, 1697-1764, British

Background imageWilliam Hogarth Collection: John and Elizabeth Jeffreys and Their Children, William Hogarth, 1697-1764, British

John and Elizabeth Jeffreys and Their Children, William Hogarth, 1697-1764, British

Background imageWilliam Hogarth Collection: Mary Hogarth, William Hogarth, 1697-1764, British

Mary Hogarth, William Hogarth, 1697-1764, British

Background imageWilliam Hogarth Collection: Self-Portrait, William Hogarth, 1697-1764, British

Self-Portrait, William Hogarth, 1697-1764, British

Background imageWilliam Hogarth Collection: William Cavendish, Marquess of Hartington, Later 4th Duke of Devonshire William Cavendish

William Cavendish, Marquess of Hartington, Later 4th Duke of Devonshire William Cavendish, Marquess of Hartington (later 4th Duke of Devonshire) Signed and dated

Background imageWilliam Hogarth Collection: The Beggars Opera The Beggars Opera, III, xi signed and dated 1729, William

The Beggars Opera The Beggars Opera, III, xi signed and dated 1729, William Hogarth, 1697-1764, British

Background imageWilliam Hogarth Collection: William Augustus, Duke of Cumberland Dated, lower left: 1732, William Hogarth

William Augustus, Duke of Cumberland Dated, lower left: 1732, William Hogarth
William Augustus, Duke of Cumberland Dated, lower left: " 1732", William Hogarth, 1697-1764, British

Background imageWilliam Hogarth Collection: Portrait of a Family A Family Party, William Hogarth, 1697-1764, British

Portrait of a Family A Family Party, William Hogarth, 1697-1764, British

Background imageWilliam Hogarth Collection: John Palmer, Barrister of the Inner Temple John Palmer Signed and dated in brown paint

John Palmer, Barrister of the Inner Temple John Palmer Signed and dated in brown paint, lower left: " W Hogarth pinx+ 1749" [1749 is painted in a different hand], William Hogarth

Background imageWilliam Hogarth Collection: The Harlots Progress by William Hogarth (1697-1764), engraving

The Harlots Progress by William Hogarth (1697-1764), engraving 18th century, Bibliotheque des Arts Decoratifs (Library)

Background imageWilliam Hogarth Collection: The Company of Undertakers by Georg Friedrich Haendel, caricature engraving by William Hogarth

The Company of Undertakers by Georg Friedrich Haendel, caricature engraving by William Hogarth
England, 18th century. William Hogarth (1697-1764), The Company of Undertakers by Georg Friedrich Haendel. Caricature. Engraving

Background imageWilliam Hogarth Collection: William Hogarth, British artist

William Hogarth, British artist
William Hogarth (1697-1764). 19th Century artwork of the British artist, satirist and social critic William Hogarth. Hogarth is credited with pioneering western sequential art

Background imageWilliam Hogarth Collection: London doctors, satirical artwork

London doctors, satirical artwork
The Company of Undertakers (1736), also known as Consultation of Quacks. This satirical artwork was designed and engraved by the English artist William Hogarth (1697-1764)

Background imageWilliam Hogarth Collection: BUSN2A-00164

BUSN2A-00164
Weaving at Spitalfields, England, 1700s. Hand-colored engraving from a Hogarth illustration



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William Hogarth was a renowned English artist and social critic of the 18th century. His works depicted various aspects of society, often highlighting the vices and follies prevalent during his time. One of his most famous pieces is "Gin Lane, " created in 1751, which portrays the devastating effects of gin consumption on individuals and society as a whole. In this powerful image, Hogarth depicts a scene filled with poverty, despair, and moral decay caused by excessive drinking. Another notable work by Hogarth is "Night, " part of the series "Times of the Day. " This painting captures the dark side of London's nightlife, showcasing debauchery and immorality that occurred after sunset. Similarly, in "Revelling with Harlots" from his series "A Rake's Progress, " he exposes the consequences faced by those who indulge in a life of pleasure-seeking. Hogarth also explored different themes such as beauty standards in society through works like "The Analysis of Beauty. " Here he challenges conventional notions by presenting an unconventional perspective on what constitutes true beauty. In contrast to these somber depictions, Hogarth also portrayed scenes celebrating community spirit and industry. For instance, in "Beer Street, " he showcases a vibrant street bustling with activity where people enjoy beer responsibly while engaging in productive work. However, not all his artworks were focused on societal issues; some captured humorous moments or satirical commentary like "The Sleeping Congregation" or "Watching Cockfight. " Throughout his career spanning several decades, William Hogarth used art as a medium to critique contemporary culture and provoke thought among viewers. His paintings continue to be admired for their detailed storytelling abilities that shed light on both positive aspects and darker realities within society.