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Wilkie Collection (page 3)

"Wilkie: A Journey Through Art, Love, and History" In the world of art and literature, one name stands out - Wilkie

Background imageWilkie Collection: POOR MISS FINCH, 1871. Mr. Finch stopped, horror-struck at his condition

POOR MISS FINCH, 1871. Mr. Finch stopped, horror-struck at his condition. Illustration for chapter seventeen of the novel Poor Miss Finch, by Wilkie Collins. Engraving, American, 1871

Background imageWilkie Collection: WILLIAM IV (1765-1837). King of Great Britain and Ireland, 1830-1837. Oil on canvas

WILLIAM IV (1765-1837). King of Great Britain and Ireland, 1830-1837. Oil on canvas, 1833, by Sir David Wilkie

Background imageWilkie Collection: (1451-1509). Italian navigator. Columbus explaining his planned voyage in search of a sea route to

(1451-1509). Italian navigator. Columbus explaining his planned voyage in search of a sea route to Asia while staying
CHRISTOPHER COLUMBUS (1451-1509). Italian navigator. Columbus explaining his planned voyage in search of a sea route to Asia while staying at the monastery of La Rabida, 1490

Background imageWilkie Collection: David Wilkie (1785-1841) Scottish painter. Engraving from The Worlds Great Men (London, c1870)

David Wilkie (1785-1841) Scottish painter. Engraving from The Worlds Great Men (London, c1870)

Background imageWilkie Collection: Awful Apparition Householder reading The Woman in White, the sensation novel by Wilkie Collins

Awful Apparition Householder reading The Woman in White, the sensation novel by Wilkie Collins, is startled by the appearance of his wife in her nightgown

Background imageWilkie Collection: Sergeant Cuff examining Miss Verrinders boudoir. He laid one lean inquiring

Sergeant Cuff examining Miss Verrinders boudoir. He laid one lean inquiring finger on the small smear. 1883 illustration for The Moonstone by Wilkie Collins

Background imageWilkie Collection: Rachel Verrinder telling Franklin Blake, to his amazement, that she saw him taking the Moonstone

Rachel Verrinder telling Franklin Blake, to his amazement, that she saw him taking the Moonstone. Illustration by Arthur Fraser (active 1865-1898) for The Moonstone by Wilkie Collins (London, 1890)

Background imageWilkie Collection: Sergeant Cuff, right, and Gabriel Betteridge following Roseanna Spearemans footsteps

Sergeant Cuff, right, and Gabriel Betteridge following Roseanna Spearemans footsteps to the Shivering Sands. Illustration by Arthur Fraser (active 1865-1898)

Background imageWilkie Collection: Rachel Verrinder, in front of Godfrey Abelwhite and Miss Clack, making her false

Rachel Verrinder, in front of Godfrey Abelwhite and Miss Clack, making her false confession to her mother that she has pledged the Moonstone to pay private debts

Background imageWilkie Collection: (William) Wilkie Collins (1824-1889), English novelist. Author of sensation novels of mystery

(William) Wilkie Collins (1824-1889), English novelist. Author of sensation novels of mystery and suspense including The Woman in White (1860) and The Moonstone (1868)

Background imageWilkie Collection: Wilkie, Sir David (1785-1841). The Maid of Saragossa

Wilkie, Sir David (1785-1841). The Maid of Saragossa. 1827. Peninsular War. Scene of the sieges of Saragossa with Agustina de Arag󮮠 Oil on canvas. SPAIN. Zaragoza

Background imageWilkie Collection: COLLINS, William Wilkie (1824-1889). British

COLLINS, William Wilkie (1824-1889). British
" COLLINS, William Wilkie (1824-1889). British writer. Portrait of Collins from an English edition of " My Miscellanies" (London, 1875). Litography. SPAIN. Barcelona

Background imageWilkie Collection: Wilkie, Sir David (1785-1841). Columbus in the

Wilkie, Sir David (1785-1841). Columbus in the Monastery at La Rabida. 1833. Engraving. Private Collection

Background imageWilkie Collection: COLLINS, William Wilkie (1824-1889)

COLLINS, William Wilkie (1824-1889). British writer. Collins signature in an edition of My Miscellanies (london, 1875). Litography

Background imageWilkie Collection: Republican campaign button from the 1940 Presidential election featuring Wendell Willkie

Republican campaign button from the 1940 Presidential election featuring Wendell Willkie
PRESIDENTIAL CAMPAIGN:1940. Republican campaign button from the 1940 Presidential election featuring Wendell Willkie

Background imageWilkie Collection: PRESIDENTIAL CAMPAIGN, 1940. Republican campaign slogan for Wendell Willkie, 1940

PRESIDENTIAL CAMPAIGN, 1940. Republican campaign slogan for Wendell Willkie, 1940

Background imageWilkie Collection: PRESIDENTIAL CAMPAIGN 1940. Life Begins in 40 - Wilkie. GOP poster supporting the campaign of

PRESIDENTIAL CAMPAIGN 1940. Life Begins in 40 - Wilkie. GOP poster supporting the campaign of Wendell Wilkie, the Republican presidential candidate, 1940

Background imageWilkie Collection: WENDELL L. WILLKIE (1892-1940). Campaigning for the presidency in his native town of Elwood

WENDELL L. WILLKIE (1892-1940). Campaigning for the presidency in his native town of Elwood, Indiana, 1940

Background imageWilkie Collection: CAMPAIGN BUTTONS, 1940. Buttons from the presidential campaign of 1940 between the incumbent

CAMPAIGN BUTTONS, 1940. Buttons from the presidential campaign of 1940 between the incumbent Franklin Delano Roosevelt and his Republican challenger Wendell Wilkie

Background imageWilkie Collection: WILLIAM WILKIE COLLINS (1824-1889). English novelist. Photographed in 1865

WILLIAM WILKIE COLLINS (1824-1889). English novelist. Photographed in 1865

Background imageWilkie Collection: COLLINS: WOMAN IN WHITE. Frederick Walkers famous poster that advertised the theatrical production

COLLINS: WOMAN IN WHITE. Frederick Walkers famous poster that advertised the theatrical production of William Wilkie Collins The Woman in White at the Olympic Theatre, London, England, in 1871

Background imageWilkie Collection: WASHINGTON IRVING (1783-1859). American writer. Engraving after a drawing by Sir David Wilkie at

WASHINGTON IRVING (1783-1859). American writer. Engraving after a drawing by Sir David Wilkie at Seville, Spain, in 1828

Background imageWilkie Collection: THE BLIND FIDDLER, 1806. Steel engraving by John Burnet after the painting by Sir David Wilkie, 1806

THE BLIND FIDDLER, 1806. Steel engraving by John Burnet after the painting by Sir David Wilkie, 1806

Background imageWilkie Collection: THE BAGPIPER. Steel engraving after a painting by Sir David Wilkie, c1813

THE BAGPIPER. Steel engraving after a painting by Sir David Wilkie, c1813

Background imageWilkie Collection: BLIND FIDDLER. Steel engraving, English, c1840, after the painting, 1806, by Sir David Wilkie

BLIND FIDDLER. Steel engraving, English, c1840, after the painting, 1806, by Sir David Wilkie

Background imageWilkie Collection: DEFENSE OF SARAGOSSA, 1808. The defense of Saragossa, Spain, against invading French forces

DEFENSE OF SARAGOSSA, 1808. The defense of Saragossa, Spain, against invading French forces, June-August 1808: steel engraving, 19th century, after the painting, 1828, by Sir David Wilkie

Background imageWilkie Collection: COLLINS: WOMAN IN WHITE. George Vinning as Count Fosco and Ada Dyas as Anne Catherick in a scene

COLLINS: WOMAN IN WHITE. George Vinning as Count Fosco and Ada Dyas as Anne Catherick in a scene from the 1871 London theatrical production of Wilkie Collins The Woman in White

Background imageWilkie Collection: VICTORIAs FIRST COUNCIL. Queen Victorias First Council held at Kensington Palace, 20 June 1837

VICTORIAs FIRST COUNCIL. Queen Victorias First Council held at Kensington Palace, 20 June 1837. Wood engraving, English, 1886, after the painting by Sir David Wilkie

Background imageWilkie Collection: Theatricals at Tavistock House

Theatricals at Tavistock House
A scene from Frozen Deep, a play by Mr Wilkie Collins staged at Charles Dickens residence, Tavistock House

Background imageWilkie Collection: Two women in a library

Two women in a library
An illustration accompanying an extract from Wilkie Collins book, The Law and the Lady. The caption reads: She approached me, with the tongs in one hand, and with a plainly-bound volume in the other

Background imageWilkie Collection: A gentleman about to kiss a ladys hand

A gentleman about to kiss a ladys hand
An illustration accompanying an extract from Wilkie Collins book, The Law and the Lady. The caption reads: Major Fitz-David sets matters right in his irresistible way

Background imageWilkie Collection: A Couple stroll along the beach

A Couple stroll along the beach
An illustration accompanying an extract from Wilkie Collins book, The Law and the Lady. The caption reads: Instead of answering he burst into a fit of laughter- loud, coarse, hard laughter

Background imageWilkie Collection: Wilkie Collins / Van Fair

Wilkie Collins / Van Fair
WILKIE COLLINS English novelist

Background imageWilkie Collection: Wilkie Collins / Waddy Oaw

Wilkie Collins / Waddy Oaw
WILKIE COLLINS English novelist: a satire on his popular novel The Woman in White Date: 1824 - 1889

Background imageWilkie Collection: Wilkie Collins / Sambourne

Wilkie Collins / Sambourne
WILKIE COLLINS English novelist: a satire on his novels of mystery and melodrama

Background imageWilkie Collection: Wilkie Collins / Writing

Wilkie Collins / Writing
WILKIE COLLINS English novelist



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"Wilkie: A Journey Through Art, Love, and History" In the world of art and literature, one name stands out - Wilkie. But who is this enigmatic figure? Let's unravel the captivating story behind this name. Firstly, we delve into the realm of romance as a marriage proposal unfolds. Like a scene from a novel by Wilkie Collins himself, love fills the air with anticipation and excitement. Speaking Collins, it's impossible not to mention his famous work "The Woman in White. " Blanche Sweet brings this iconic character to life on stage, captivating audiences with her mesmerizing performance. But our journey doesn't end there; we step into another realm of creativity - shadow puppetry. The Rabbit on the Wall dances playfully under dim lights, enchanting both young and old alike. As we explore further into the artistic world surrounding "Wilkie, " a portrait catches our eye. A girl gazes back at us through time itself; her innocence preserved forever in paint strokes carefully crafted by an unknown artist. Lady Hester Stanhope emerges next in Oriental Dress from early 19th century England. David Wilkie captures her allure effortlessly with his brushstrokes that seem to breathe life into every detail. Moving forward in time but still within David Wilkie's creative genius lies King Alfred in Neatherd Cottage. This masterpiece transports us back to 1806 when simplicity reigned supreme amidst picturesque landscapes. Sheet music floats gently towards us like whispers carried by wind. Put me upon an Island Where the Girls are Few entices listeners with its playful melody that promises adventure beyond imagination. Now let's fast forward to 1912 when history was made at the First Royal Variety Show cast. Stars aligned as performers took center stage under dazzling lights while "Wilkie" watched proudly from afar. A study for Sir David Baird Discovering the Body of Tipu Sahib takes us deep into the annals of history.