Wilhelm Waetzoldt Collection

Johannes Stabius map of the world, 1515, (1936). Artist: Albrecht Durer
Johannes Stabius map of the world, 1515, (1936). A print from Durer, Und Seine Zeit, by Wilhelm Waetzoldt, Grosse Phaidon Ausgabe, 1936

The Babylonian Whore, 1498, (1936). Artist: Albrecht Durer
The Babylonian Whore, 1498, (1936). A scene from the Apocalypse or The Revelations of St. John the Divine. A print from Durer, Und Seine Zeit, by Wilhelm Waetzoldt, Grosse Phaidon Ausgabe, 1936

Perspective machine, 1525, (1936). Artist: Albrecht Durer
Perspective machine, 1525, (1936). Draughsman making a perspective drawing of a woman. A print from Durer, Und Seine Zeit, by Wilhelm Waetzoldt, Grosse Phaidon Ausgabe, 1936

St Jerome in his study pulling a thorn from a lions paw, 1492, (1936). Artist: Albrecht Durer
St Jerome in his study pulling a thorn from a lions paw, 1492, (1936). Frontispiece to a collection of St. Jeromes letters

Proportions of the human figure, c1492, (1936). Artist: Albrecht Durer
Proportions of the human figure, c1492, (1936). Vitruvian Man. Found in the collection of the Galleria dell Accademia, Venice, Italy

Hercules Killing the Molionides, c1496-1498, (1936). Artist: Albrecht Durer
Hercules Killing the Molionides, c1496-1498, (1936). Durers only woodcut of a mythological theme. A print from Durer, Und Seine Zeit, by Wilhelm Waetzoldt, Grosse Phaidon Ausgabe, 1936

Praying Mary, 1518, (1936). Artist: Albrecht Durer
Praying Mary, 1518, (1936). Found in the collection of the Gemaldegalerie, Berlin. A print from Durer, Und Seine Zeit, by Wilhelm Waetzoldt, Grosse Phaidon Ausgabe, 1936

The angel holding the keys of the abyss, 1498, (1936). Artist: Albrecht Durer
The angel holding the keys of the abyss, 1498, (1936). Scene from the Apocalypse, The angel holding the keys of the abyss and a big chain, enchains the dragon for a thousand years

St Michael Battling with the Dragon, 1498, (1936). Artist: Albrecht Durer
St Michael Battling with the Dragon, 1498, (1936). A scene from the Apocalypse or The Revelations of St. John the Divine. A print from Durer, Und Seine Zeit, by Wilhelm Waetzoldt

St John devouring the Book, 1498, (1936). Artist: Albrecht Durer
St John devouring the Book, 1498, (1936). A scene from the Apocalypse or The Revelations of St. John the Divine. Found in the collection of the Bibliotheque Nationale, Paris, France

The Four Vengeful Angels, 1498, (1936). Artist: Albrecht Durer
The Four Vengeful Angels, 1498, (1936). A scene from the Apocalypse or The Revelations of St. John the Divine. Found in the collection of the Bibliotheque Nationale, Paris, France

The Opening of the Seventh Seal, The Seven Angels with the trumpets, 1498, (1936). Artist: Albrecht Durer
The Opening of the Seventh Seal, The Seven Angels with the trumpets, 1498, (1936). A scene from the Apocalypse or The Revelations of St. John the Divine

St Christopher carrying the Infant Christ, 1525, (1936). Artist: Albrecht Durer
St Christopher carrying the Infant Christ, 1525, (1936). A print from Durer, Und Seine Zeit, by Wilhelm Waetzoldt, Grosse Phaidon Ausgabe, 1936

St Christopher carrying the Infant Christ, 1511, (1936). Artist: Albrecht Durer
St Christopher carrying the Infant Christ, 1511, (1936). A print from Durer, Und Seine Zeit, by Wilhelm Waetzoldt, Grosse Phaidon Ausgabe, 1936

The Opening of the Fifth and Sixth Seals, 1498, (1936). Artist: Albrecht Durer
The Opening of the Fifth and Sixth Seals, 1498, (1936). A scene from the Apocalypse or The Revelations of St. John the Divine. Found in the collection of the Bibliotheque Nationale, Paris, France

The Four Angels holding the winds, 1498, (1936). Artist: Albrecht Durer
The Four Angels holding the winds, 1498, (1936). A scene from the Apocalypse or The Revelations of St. John the Divine. Found in the collection of the Bibliotheque Nationale, Paris, France

The Vision of The Seven Candlesticks from the Apocalypse, 1498, (1936). Artist: Albrecht Durer
The Vision of The Seven Candlesticks from the Apocalypse, 1498, (1936). The Vision of The Seven Candlesticks from the Apocalypse or The Revelations of St. John the Divine

Scene from the Apocalypse, St John before God the Father and the Twenty-Four Elders, 1498, (1936). Found in the collection of the Bibliotheque Nationale, Paris, France

Die Offenbarung Johannis, 1511, (1936). Artist: Albrecht Durer
Die Offenbarung Johannis, 1511, (1936). A print from Durer, Und Seine Zeit, by Wilhelm Waetzoldt, Grosse Phaidon Ausgabe, 1936

Albrecht Durer, 1840, (1936). Artist: Eugen Napoleon Neureuther
Albrecht Durer, 1840, (1936). Found in the collection of the Graphisches Kabinett, Munic. A print from Durer, Und Seine Zeit, by Wilhelm Waetzoldt, Grosse Phaidon Ausgabe, 1936

Portrait of Albrecht Durer, 1629, (1936). Artist: Andreas Stock
Portrait of Albrecht Durer, 1629, (1936). A print from Durer, Und Seine Zeit, by Wilhelm Waetzoldt, Grosse Phaidon Ausgabe, 1936

Profile portrait of Albrecht Durer, 1527, (1936). Artist: Erhard Schon
Profile portrait of Albrecht Durer, 1527, (1936). Found in the collection of the Kunsthistorisches Museum, Vienna, Austria

Hieronymus Holzschuher, 1526, (1936). Artist: Albrecht Durer
Hieronymus Holzschuher, 1526, (1936). Found in the collection of the Staatliche Museen zu Berlin. A print from Durer, Und Seine Zeit, by Wilhelm Waetzoldt, Grosse Phaidon Ausgabe, 1936

Rhinoceros, print given to Maximilian I by the King of Lisbon, 1515, (1936). Artist: Albrecht Durer
Rhinoceros, print given to Maximilian I by the King of Lisbon, 1515, (1936). A print from Durer, Und Seine Zeit, by Wilhelm Waetzoldt, Grosse Phaidon Ausgabe, 1936

Hare, 1502, (1936). Artist: Albrecht Durer
Hare, 1502, (1936). Found in the collection of the Graphische Sammlung Albertina, Vienna, Austria. A print from Durer, Und Seine Zeit, by Wilhelm Waetzoldt, Grosse Phaidon Ausgabe, 1936

The Four Witches, 1497, (1936). Artist: Albrecht Durer
The Four Witches, 1497, (1936). Found in the collection of the Israel Museum, Jerusalem, Israel. A print from Durer, Und Seine Zeit, by Wilhelm Waetzoldt, Grosse Phaidon Ausgabe, 1936

Melancolia, 1514, (1936). Artist: Albrecht Durer
Melancolia, 1514, (1936). Found in the collection of the British Museum. A print from Durer, Und Seine Zeit, by Wilhelm Waetzoldt, Grosse Phaidon Ausgabe, 1936

The Triumphal Arch of Emperor Maximilian I, 1515, (1936). Artist: Albrecht Durer
The Triumphal Arch of Emperor Maximilian I, 1515, (1936). Detail of central arch (the Gate of Honor and Power) showing a foliate

Castle Courtyard, Innsbruck, 16th century, (1936). Artist: Albrecht Durer
Castle Courtyard, Innsbruck, 16th century, (1936). Found in the collection of the Graphische Sammlung Albertin, Vienna, Austria

Apostle, 1508, (1936). Artist: Albrecht Durer
Apostle, 1508, (1936). Found in the collection of the Graphische Sammlung Albertin, Vienna, Austria. A print from Durer, Und Seine Zeit, by Wilhelm Waetzoldt, Grosse Phaidon Ausgabe, 1936

Holy Dominikus, 1506, (1936). Artist: Albrecht Durer
Holy Dominikus, 1506, (1936). Found in the collection of the Graphische Sammlung Albertin, Vienna, Austria. A print from Durer, Und Seine Zeit, by Wilhelm Waetzoldt, Grosse Phaidon Ausgabe, 1936

Building master Hieronymus of Augsburg, 1506, (1936). Artist: Albrecht Durer
Building master Hieronymus of Augsburg, 1506, (1936). Found in the collection of the Kupferstichkabinett, Berlin, Germany

The Virgin and many animals, 1505, (1936). Artist: Albrecht Durer
The Virgin and many animals, 1505, (1936). Found in the collection of the Graphische Sammlung Albertin, Vienna, Austria. A print from Durer, Und Seine Zeit, by Wilhelm Waetzoldt

Ulrich Starck, 1527, (1936). Artist: Albrecht Durer
Ulrich Starck, 1527, (1936). Found in the collection of the British Museum. A print from Durer, Und Seine Zeit, by Wilhelm Waetzoldt, Grosse Phaidon Ausgabe, 1936

Eobanus Hesse, 1526, (1936). Artist: Albrecht Durer
Eobanus Hesse, 1526, (1936). Found in the collection of the British Museum. A print from Durer, Und Seine Zeit, by Wilhelm Waetzoldt, Grosse Phaidon Ausgabe, 1936

Susanne von Brandenburg-Ansbach, 1525, (1936). Artist: Albrecht Durer
Susanne von Brandenburg-Ansbach, 1525, (1936). Found in the collection of the Fogg Art Museum, Cambridge, Massachusetts. A print from Durer, Und Seine Zeit, by Wilhelm Waetzoldt

Margarete von Brandenburg-Ansbach, 1525, (1936). Artist: Albrecht Durer
Margarete von Brandenburg-Ansbach, 1525, (1936). Found in the collection of the British Museum. A print from Durer, Und Seine Zeit, by Wilhelm Waetzoldt, Grosse Phaidon Ausgabe, 1936

Friedrich der Weise, 1523-1524, (1936). Artist: Albrecht Durer
Friedrich der Weise, 1523-1524, (1936). Found in the collection of the Musee Bonnat, Bayonne. A print from Durer, Und Seine Zeit, by Wilhelm Waetzoldt, Grosse Phaidon Ausgabe, 1936

Cardinal Albrecht of Brandenburg, 1518, (1936). Artist: Albrecht Durer
Cardinal Albrecht of Brandenburg, 1518, (1936). Found in the collection of the Graphische Sammlung Albertin, Vienna, Austria

Holy Apollonia, 1521, (1936). Artist: Albrecht Durer
Holy Apollonia, 1521, (1936). Found in the collection of the Kupferstichkabinett, Berlin, Germany. A print from Durer, Und Seine Zeit, by Wilhelm Waetzoldt, Grosse Phaidon Ausgabe, 1936

Ulrich Varnbuler, 1521, (1936). Artist: Albrecht Durer
Ulrich Varnbuler, 1521, (1936). Found in the collection of the Graphische Sammlung Albertin, Vienna, Austria. A print from Durer, Und Seine Zeit, by Wilhelm Waetzoldt, Grosse Phaidon Ausgabe, 1936

Catherine, the Mulatta of the Portuguese Bradao, 1521, (1936). Artist: Albrecht Durer
Catherine, the Mulatta of the Portuguese Bradao, 1521, (1936). Found in the collection of the Gabinetto dei Disegni e Stampe, Uffizi, Florence, Italy

Unknown portrait, 1514, (1936). Artist: Albrecht Durer
Unknown portrait, 1514, (1936). Found in the collection of the Kupferstichkabinett, Dresden. A print from Durer, Und Seine Zeit, by Wilhelm Waetzoldt, Grosse Phaidon Ausgabe, 1936

Unknown portrait, 16th century, (1936). Artist: Albrecht Durer
Unknown portrait, 16th century, (1936). Found in the collection of the Kupferstichkabinett, Dresden. A print from Durer, Und Seine Zeit, by Wilhelm Waetzoldt, Grosse Phaidon Ausgabe, 1936

Desiderius Erasmus, 1520, (1936). Artist: Albrecht Durer
Desiderius Erasmus, 1520, (1936). Found in the collection of the Louvre, Paris, France. A print from Durer, Und Seine Zeit, by Wilhelm Waetzoldt, Grosse Phaidon Ausgabe, 1936

Cardinal Lang von Wellenburg, 1522, (1936). Artist: Albrecht Durer
Cardinal Lang von Wellenburg, 1522, (1936). Found in the collection of the Graphische Sammlung Albertin, Vienna, Austria. A print from Durer, Und Seine Zeit, by Wilhelm Waetzoldt

Kaiser Maximilian I, 1518, (1936). Artist: Albrecht Durer
Kaiser Maximilian I, 1518, (1936). Found in the collection of the Graphische Sammlung Albertin, Vienna, Austria. A print from Durer, Und Seine Zeit, by Wilhelm Waetzoldt, Grosse Phaidon Ausgabe, 1936

Andreas Durer, 1514, (1936). Artist: Albrecht Durer
Andreas Durer, 1514, (1936). A print from Durer, Und Seine Zeit, by Wilhelm Waetzoldt, Grosse Phaidon Ausgabe, 1936

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Wilhelm Waetzoldt: Exploring the Masterpieces of Albrecht Durer Wilhelm Waetzoldt, a renowned art historian and curator, dedicated his life to unraveling the enigmatic works of Albrecht Durer. Through meticulous research and insightful analysis, he shed light on the genius behind these masterpieces. One such masterpiece is Johannes Stabius' map of the world from 1515. In this work, Durer's intricate illustrations beautifully capture the vastness and diversity of our planet. Each detail meticulously rendered with precision and accuracy. In "The Babylonian Whore" from 1498, Durer delves into religious symbolism, depicting a powerful allegory that challenges societal norms. Waetzoldt recognized how this piece reflects both artistic mastery and intellectual depth. Durer's fascination with human anatomy is evident in "Proportions of the Human Figure. " This groundbreaking study showcases his keen observation skills as he accurately captures every muscle and bone structure. Waetzoldt marveled at how Durer's attention to detail revolutionized anatomical representation. Waetzoldt also explored Durer's innovative use of perspective in "Perspective Machine" from 1525. This artwork demonstrates his technical prowess by creating an illusionary space that draws viewers into its depths. "The Opening of the Seventh Seal, " created in 1498, reveals another facet of Durer's talent—the ability to depict biblical narratives with intensity and emotion. Through his brushstrokes, he brings St Jerome pulling a thorn from a lion's paw or Hercules Killing the Molionides to life before our eyes. Religious themes continue in "Praying Mary" from 1518 where Durer portrays Mary as a symbol of devotion and faithfulness. Meanwhile, "The Angel Holding the Keys of Abyss" depicts spiritual warfare between good and evil—a subject that fascinated both artist and scholar alike.