Whore Collection (#2)

Ms L. A. 139-Lisboa fol. 59 An angel leading St. John the Evangelist to the Harlot of
XJL195864 Ms L.A. 139-Lisboa fol.59 An angel leading St. John the Evangelist to the Harlot of Babylon, from the Gulbenkian Apocalypse, c.1265-70 (vellum) by English School

Whore hands pockets pencil washed mounted leaf
Whore with hands in pockets, pencil, washed, mounted, leaf: 18.5 x 13 cm, not marked, Constantin Guys, Vlissingen 1802-1892 Paris

Whore full figure pencil washed mounted sheet
Whore in full figure, pencil, washed, mounted, sheet: 16.3 x 10.5 cm, not marked, Constantin Guys, Vlissingen 1802-1892 Paris

AM170720 083586
8, AM170720 083586

Pride Folly Series Tazza Designs ca 1588 Engraving
Artokoloro

AM170720 083396
8, AM170720 083396

Whore of Babylon and the destruction of Babylon, Gerard P. Groenning, 1563 - 1574

Judah and Tamar, Hieronymus Cock, Matthys Cock, c. 1551 - before 1558

A Present for a Papist, or the Life and Death of Pope Joan, 1675 (engraving)
XJF135362 A Present for a Papist, or the Life and Death of Pope Joan, 1675 (engraving) by English School, (17th century); Private Collection; (add.info)

Drawing by Hendrik van der Noot and Petrus van Eupen, 1790, Anonymous, 1787-1790

Man visiting a whore, Crispijn van de Passe (I), 1580 - 1588

BATAILLE, Nicolas (14th c. ). The Whore Riding
" BATAILLE, Nicolas (14th c.). The Whore Riding the Beast. 1375-1382. Piece no. 65 from " The Apocalypse of Angers", commissioned by Louis I, Duke of Anjou. Gothic art. Tapestry

The Apocalypse of Angers. 1375-1379. Detail. Scene from The Whore of Babylon, representation of chapter 17 of the Apocalypse of St. John. The angel shows the whore to St. John. Gothic art. Tapestry

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"Exploring the Complexities of the Whore: A Captivating Journey through Art and History" Step into a time capsule as we delve into captivating artworks that depict the multifaceted nature of the "whore. " From scandalous parties in brothels to divine judgments, these hints offer a glimpse into the diverse interpretations surrounding this intriguing figure. In "Party in a Brothel, c. 1540, " an oil on panel masterpiece, we witness a vibrant scene filled with revelry and indulgence. This artwork transports us back to an era where pleasure-seeking was intertwined with societal norms. Contrasting this depiction is "Judgment of God on Sin in the form of the Whore of Babylon, " which portrays biblical symbolism. Here, we see how religious beliefs often associated promiscuity with damnation, emphasizing moral consequences for those who succumb to temptation. Moving forward in time, "Albertine, 1917" captures our attention with its enigmatic portrayal. Painted on canvas, it invites contemplation about society's perception of women engaged in professions deemed taboo by conventional standards. A thought-provoking cartoon from L'assiette au Beurre special Vatican (n°242) published in 1905 challenges traditional authority figures and their stance towards sexuality. It serves as a reminder that even powerful institutions are not immune to scrutiny or critique. In "Woman at her Toilette, 1889, " another oil on canvas piece emerges as an intimate reflection upon femininity and self-care rituals. It reminds us that behind societal labels lies human complexity and vulnerability. The great harlot of Babylon riding atop a seven-headed beast takes center stage in an engraved woodwork from 1484. Angels cutting wheat while holding the devil prisoner further adds layers to this intricate narrative – exploring themes such as power dynamics and redemption amidst chaos. With humor injected into our exploration comes "Something hot to be taken at bedtime.