Weaved Collection

Nautical rope

Coloring of clay pots, Bogura, Bangladesh

A selection of late Victorian hats for women. Date: 1900

Side chair, c. 1815-20 (rosewood)
2972969 Side chair, c.1815-20 (rosewood) by English School, (19th century); The Geffrye Museum of the Home, London, UK; (add.info.: One of a set of three chairs in imitation rosewood)

Pot making
Azim Khan Ronnie

EyeUbiquitous_10013169
India, Goa, Mapusa, Colourful woven textiles in rolls for sale in market

Guatemala, Santiago Sacatepequez. Souvenirs in market in Santiago Sacatepquez, Guatemala
Guatemala, Santiago, Sacatepequez. Souvenirs in market in Santiago, Sacatepequez, Guatemala

Guatemala, Chichicastenango. Local outdoor market

Woven souvenirs on display on a sidewalk against a wall
San Miguel de Allende, Guanajuato, Mexico

Antigua, Guatemala: Loomed fabric detail

Samurai suit, close-up
Samurai suit mid 19th century. Armour in Japan has a history that goes back as far as the 4th century. Japanese armour developed enormously over the centuries since its introduction to

Samurai suit mid 19th century. Armour in Japan has a history that goes back as far as the 4th century. Japanese armour developed enormously over the centuries since its introduction to

GOYA Y LUCIENTES, Francisco de (1746-1828). Dance on the Banks of the River Manzanares. 1777. Cartoon for tapestry. Weaved at the Real Fᢲ ica de tapices (Royal Tapestry Factory)

The Kite
GOYA Y LUCIENTES, Francisco de (1746-1828). The Kite. Cartoon for tapestry. Weaved at the Real F brica

Peru, Urubamba. Knitted blankets at the arts and craft market

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In the bustling local outdoor market of Chichicastenango, Guatemala, vibrant colors and intricate patterns come to life as skilled artisans showcase their masterful craft of weaving. The air is filled with a sense of tradition and heritage as visitors are transported back in time to witness the artistry that has been passed down through generations. Amongst the array of treasures on display, a selection of late Victorian hats for women catches the eye. Dating back to 1900, these elegant headpieces exude an air of sophistication and grace, showcasing the impeccable craftsmanship that was prevalent during this era. Moving across continents to Bogura, Bangladesh, we find ourselves immersed in another facet of weaving - clay pot coloring. Skilled hands meticulously apply vibrant pigments onto these humble pots, transforming them into works of art. Each stroke tells a story; each color represents a cultural symbol or personal expression. As we delve deeper into history, our attention is drawn towards a side chair crafted from rosewood dating back to c. 1815-20. Its intricate carvings and graceful curves speak volumes about the skill and dedication required to create such timeless pieces. Returning once again to Bogura's clay pot coloring scene, it becomes evident that this ancient technique holds great significance within this community. The repetitive motions involved in shaping and coloring these pots reflect not only their functionality but also serve as a means for artistic expression and cultural preservation. In Santiago Sacatepequez, Guatemala's market teeming with souvenirs lies yet another testament to the beauty woven by human hands. Intricate textiles adorned with traditional motifs capture one's gaze while telling stories deeply rooted in Guatemalan culture. From Guatemala's bustling markets brimming with colorful textiles to Bangladesh's pottery workshops where earthy hues blend harmoniously on clay pots – "weaved" throughout different cultures are threads connecting humanity through creativity and craftsmanship.