Vyssi Brod Altar Collection

Birth of Christ, c1350 (1955). Artist: Master of the Vyssi Brod Altar
Birth of Christ, c1350 (1955). Tempera on wood. Found in the collection of the National Gallery, Prague. A print from Gothic Painting in Bohemia 1350-1450, by Antonin Matejcek and Jaroslav Pesina

Annunciation of the Virgin Mary, c1350 (1955). Artist: Master of the Vyssi Brod Altar
Annunciation of the Virgin Mary, c1350 (1955). Tempera on wood. Found in the collection of the National Gallery, Prague. A print from Gothic Painting in Bohemia 1350-1450

The Vyssi Brod Crucifixion, before 1400 (1955). Artist: Master of the Vyssi Brod Altar
The Vyssi Brod Crucifixion, before 1400 (1955). Found in the collection of The National Gallery in Prague. A print from Gothic Painting in Bohemia 1350-1450, by Antonin Matejcek and Jaroslav Pesina

The Kaufmann Crucifixion, c1350 (1955). Artist: Master of the Vyssi Brod Altar
The Kaufmann Crucifixion, c1350 (1955). Found in the collection of the Gemaldegalerie, Berlin. A print from Gothic Painting in Bohemia 1350-1450, by Antonin Matejcek and Jaroslav Pesina

Madonna of Kladsko, detail, c1350 (1955). Artist: Master of the Vyssi Brod Altar
Madonna of Kladsko, detail, c1350 (1955). Middle part of a dismantled wing alter-piece. A print from Gothic Painting in Bohemia 1350-1450, by Antonin Matejcek and Jaroslav Pesina, Artia Prague, 1955

Madonna of Veveri, c1350 (1955). Artist: Master of the Vyssi Brod Altar
Madonna of Veveri, c1350 (1955). Found in the collection of the National Gallery, Prague. A print from Gothic Painting in Bohemia 1350-1450, by Antonin Matejcek and Jaroslav Pesina, Artia Prague, 1955

Ascension, c1350 (1955). Artist: Master of the Vyssi Brod Altar
Ascension, c1350 (1955). Tempera on wood. Found in the collection of the National Gallery, Prague. A print from Gothic Painting in Bohemia 1350-1450, by Antonin Matejcek and Jaroslav Pesina

Descent of the Holy Ghost, c1350 (1955). Artist: Master of the Vyssi Brod Altar
Descent of the Holy Ghost, c1350 (1955).Tempera on wood. Found in the collection of the National Gallery, Prague. A print from Gothic Painting in Bohemia 1350-1450

The Resurrection of Christ, c1350 (1955). Artist: Master of the Vyssi Brod Altar
The Resurrection of Christ, c1350 (1955). Tempera on wood. Found in the collection of the National Gallery, Prague. A print from Gothic Painting in Bohemia 1350-1450

Lament for Christ, c1350 (1955). Artist: Master of the Vyssi Brod Altar
Lament for Christ, c1350 (1955). Tempera on wood. Found in the collection of the National Gallery, Prague. A print from Gothic Painting in Bohemia 1350-1450, by Antonin Matejcek and Jaroslav Pesina

Crucifixion, c1350 (1955). Artist: Master of the Vyssi Brod Altar
Crucifixion, c1350 (1955). Tempera on wood. Found in the collection of the National Gallery, Prague. A print from Gothic Painting in Bohemia 1350-1450, by Antonin Matejcek and Jaroslav Pesina

Jesus in the Olive Grove, c1350 (1955). Artist: Master of the Vyssi Brod Altar
Jesus in the Olive Grove, c1350 (1955). Tempera on wood. Found in the collection of the National Gallery, Prague. A print from Gothic Painting in Bohemia 1350-1450

The Adoration of the Magi, c1350 (1955). Artist: Master of the Vyssi Brod Altar
The Adoration of the Magi, c1350 (1955). Tempera on wood. Found in the collection of the National Gallery, Prague. A print from Gothic Painting in Bohemia 1350-1450

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The Vyssi Brod Altar, created by the Master of the Vyssi Brod Altar in 1350, is a stunning masterpiece that depicts various scenes from the life of Christ. Each panel tells a different story and showcases the artist's incredible talent. In "Birth of Christ, " we witness the humble beginnings of Jesus as he enters this world surrounded by Mary and Joseph. The delicate brushstrokes and vibrant colors bring this moment to life, evoking a sense of awe and wonder. Moving on to "Annunciation of the Virgin Mary, " we see Gabriel appearing before Mary to deliver the news of her divine pregnancy. The artist captures Mary's surprise and contemplation beautifully, making us feel connected to this pivotal moment in history. One cannot help but be moved by "The Vyssi Brod Crucifixion. " This powerful depiction shows Jesus hanging on the cross, his body wracked with pain. The attention to detail in every wound and expression conveys both agony and grace. "The Kaufmann Crucifixion" further explores this theme with its haunting portrayal of Christ's sacrifice. The somber tones and dramatic composition draw us into this solemn scene, reminding us of Jesus' ultimate act of love for humanity. Turning our attention towards devotion, "Madonna of Kladsko" reveals an intimate moment between mother and child. The tenderness captured here speaks volumes about maternal love while also emphasizing Mary's role as an intercessor for believers. In contrast, "Madonna Veveri" presents a regal depiction where Mary exudes strength and majesty. Her serene expression invites reverence as she holds baby Jesus close to her heart – a symbol of protection for all who seek solace in her presence. As we delve deeper into Christ's journey, "Ascension" portrays his triumphant return to heaven after his resurrection. This celestial scene radiates hope as angels surround him in glorious celebration – an image that inspires faith and reassurance.