Vladimir Makovsky Collection

The Bicycle (oil on canvas)
1195705 The Bicycle (oil on canvas) by Makovsky, Vladimir Egorovic (1846-1920); 63.5x81.3 cm; Private Collection; (add.info.: Makovsky)

Festival in a Ukrainian Village, c. 1882-1917 (oil on canvas)
1195868 Festival in a Ukrainian Village, c. 1882-1917 (oil on canvas) by Makovsky, Vladimir Egorovic (1846-1920); 54.5x65.5 cm; Private Collection; Photo eChristies Images; Russian, out of copyright

The Benefactress, 1914 (gouache on card)
1195779 The Benefactress, 1914 (gouache on card) by Makovsky, Vladimir Egorovic (1846-1920); 27x36 cm; Private Collection; Photo eChristies Images; Russian, out of copyright

The Game of Cards, late 19th-early 20th century, (1965). Creator: Vladimir Makovsky
The Game of Cards, late 19th-early 20th century, (1965). From " Russian Painting of the 18th and 19th Centuries" by Vladimir Fiala. [Artia, Czechoslovakia, 1965]

The Meeting of Mother and Son, 1883, (1965). Creator: Vladimir Makovsky
The Meeting of Mother and Son, 1965. A mother visiting her barefoot apprentice son. Painting in the State Tretyakov Gallery, Moscow

Jam-Making, 1876, (1965). Creator: Vladimir Makovsky
Jam-Making, 1876, (1965). Painting in the State Tretyakov Gallery, Moscow. From " Russian Painting of the 18th and 19th Centuries" by Vladimir Fiala. [Artia, Czechoslovakia, 1965]

At the Office, late 19th-early 20th century, (1965). Creator: Vladimir Makovsky
At the Office, late 19th-early 20th century, (1965). A young Russian peasant and his family speaking to an official. From " Russian Painting of the 18th

The Released Woman, 1882, (1965). Creator: Vladimir Makovsky
The Released Woman, 1882, (1965). Scene in a Russian court building: a woman is greeted by her family after her acquittal. Painting in the State Tretyakov Gallery, Moscow

On the Boulevard, 1886-1887, (1965). Creator: Vladimir Makovsky
On the Boulevard, 1886-1887, (1965). Russian peasants in the city: a bored man with an accordion ignores his wife and child, arrived from the countryside unexpectedly, and seemingly unwanted

The Bank Collapses, 1881, (1965). Creator: Vladimir Makovsky
The Bank Collapses, 1881, (1965). A group of agitated people who are unable to withdraw their money - a woman on the left has fainted, overcome with worry

Vladimir Makovsky, Russian artist, 1890s. Makovsky (1846-1920) was a painter, teacher and art collector. In 1882 he was appointed professor at the Moscow Art School

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Vladimir Makovsky, a renowned Russian artist of the late 19th and early 20th centuries, left an indelible mark on the art world with his diverse range of captivating paintings. One such masterpiece is "Study for the painting Bloody Sunday (22 January 1905)", created in 1905. This thought-provoking work delves into the tragic events that unfolded during one of Russia's darkest days. Makovsky's talent extended beyond historical subjects as he also captured everyday scenes with equal brilliance. "The Bicycle" showcases his mastery of oil on canvas technique, depicting a moment frozen in time where a cyclist glides through bustling streets, embodying freedom and progress. In "Festival in a Ukrainian Village", painted between 1882-1917, Makovsky transports us to a vibrant celebration filled with lively music and traditional dances. The colors burst from the canvas, immersing viewers in the joyous atmosphere of this cultural gathering. "The Benefactress" reveals another facet of Makovsky's artistic prowess. Created in gouache on card format in 1914, this piece portrays an act of kindness as a woman selflessly offers assistance to those less fortunate—a testament to compassion and empathy. Makovsky's versatility shines through his portrayal of various social interactions. In "The Game of Cards, " he captures intense moments shared among players engaged in their strategic pursuits while "The Meeting of Mother and Son" depicts an emotional reunion that tugs at heartstrings. Through works like "Jam-Making, " "At the Office, " and "On the Boulevard, " Makovsky unveils slices-of-life scenarios that resonate universally—whether it be domestic chores or encounters within urban settings—showcasing his keen observation skills combined with meticulous attention to detail. "The Bank Collapses" stands out as both visually striking and socially significant—an allegorical representation reflecting economic turmoil during its creation year in 1881.