Vitruvius Collection

Maison Carra e ancient Roman temple on Place de la Maison Carra e at night, Names
Maison Carree ancient Roman temple on Place de la Maison Carree at night, NAmes, Languedoc-Roussillon, Gard Department, France

Counterweight machines for throwing darts and stones from Lipsius and others. One double that fires a stone from a sling. Copperplate engraving from Francis Groses Military Antiquities respecting a

Scorpion, an ancient machine for firing darts. From William Newtons Designs for Vitruvius. Copperplate engraving by N.C. Goodnight from Francis Groses Military Antiquities respecting a History of

The catapulta. Ancient machine for projecting darts. From Mr. Newtons Designs for Vitruvius. Copperplate engraving by N.C

The balista. Ancient machine for projecting stones. From Mr. Newtons Designs for Vitruvius. Copperplate engraving by N.C. Goodnight from Francis Groses Military Antiquities respecting a History of

Machine and method for stringing the balista, an ancient machine for firing darts. From William Newtons Designs for Vitruvius

Labyrinth gardens designed by Vitruvius in "De Architectura"(colour litho)
GIA3657426 Labyrinth gardens designed by Vitruvius in " De Architectura" (colour litho) by European School; Private Collection; eGiancarlo Costa; European, out of copyright

De Architectura Libri Dece bu Marcus Pollio Vitruvius, 1521 (woodcut & print)
996477 De Architectura Libri Dece bu Marcus Pollio Vitruvius, 1521 (woodcut & print) by Italian School, (16th century); 38.6x26.6 cm; Private Collection; (add.info)

Vitruve (engraving)
3644563 Vitruve (engraving) by French School, (19th century); Private Collection; (add.info.: Vitruve. Illustration for Le Magasin Pittoresque (1851). Digitally cleaned image.); © Look and Learn

M. Vitruvius per Iocundum solito castigatior factus cum figuris et tabula ut iam legi et intelligi possit, 1511

The proportion of the human figure, by Leonardo da Vinci

Engraving from De Arquitectura, Venice edition of 1511, from the work of Vitruvius: construction works with two people carrying a cylindus and a mesolabius

LEONARDO DA VINCI (1452-1519). Sketch of the
" LEONARDO DA VINCI (1452-1519). Sketch of the head proportions. From Vitruvius " The Ten Books on Architecture". Drawing. ITALY. Venice

De Architectura by Vitruvius. Detail
Labourers working on the foundations of a building. De Architectura by Marcus Vitruvius (88-26 BC). Book IX, page 83 v. Venice. 1511

Roman basilica.. Architectural elevation and plan of a Roman basilica from the description of Vitruvius. Copperplate engraving by Wilson Lowry from Abraham Rees Cyclopedia or Universal Dictionary of

Standing Male Nude Holding Bow Poynter Apollo
Artokoloro

Portrait of Daniele Barbaro (1513-70), 1556-7 (oil on canvas)
XOS702798 Portrait of Daniele Barbaro (1513-70), 1556-7 (oil on canvas) by Veronese, (Paolo Caliari) (1528-88); 121x105.5 cm; Rijksmuseum, Amsterdam

Proportions of the human body after Leonardos studies, also called Vitruvian man. Male human body with limbs extended, superimposed on a grid and a circle

Roman odometer, artwork C016 / 9686
Roman odometer. Artwork of a type of odometer (for measuring distances travelled) described by 1st-century BC Roman engineer Vitruvius

VITRUVIUS, Marcus Vitrubius Pollio (1th century
" VITRUVIUS, Marcus Vitrubius Pollio (1th century BC). " De Architectura", with Spanish translation by Miguel de Urrea. Published in Alcala de Henares by Juan Graciᮠ (1582)

VITRUVIUS, Marcus Vitrubius Pollio (1th century BC). De Architectura (The Ten Books of Architecture), translated

Abstract Leonardo figures. Conceptual computer artwork of a male and a female figure depicted in the pose drawn by the Italian scientist and artist Leonardo da Vinci (1452-1519)

Leon Batttista Alberti (1404-1472) was an Italian architect, theorist, sculptor, painter, archaeologist and writer of the early renaissance

Guillaume Philandrier, French humanist
Guillaume Philandrier (1505-1563), French humanist. Phuilandrier was born at Chatillon-sur-Seine. He was a student of Jean Perelle and was employed as a secretary to the bishop Georges d Armagnac

Lear / Nonsense / Vesuvius
There was an Old Man of Vesuvius, who studied the works of Vitruvius; When the flames burnt his book, to drinking he took, that morbid Old Man of Vesuvius

VITRUVIUS Roman architect

All Professionally Made to Order for Quick Shipping

Vitruvius, the renowned ancient Roman architect and engineer, left an indelible mark on history with his groundbreaking works. From the majestic Maison Carrée to the mystical labyrinth gardens, his creations continue to captivate our imagination. As night falls on Place de la Maison Carrée, one cannot help but be awestruck by the ethereal beauty of this ancient Roman temple. Bathed in soft moonlight, its grandeur stands as a testament to Vitruvius' architectural genius. But it wasn't just temples that occupied Vitruvius' mind; he was also fascinated by war machines. Counterweight machines capable of hurling darts and stones were among his ingenious inventions. The Scorpion, a fearsome contraption designed for firing deadly darts with precision, showcased his mastery over engineering. Another marvel from Vitruvius' repertoire was the catapulta - an ancient machine that projected darts with incredible force. Its power and accuracy were unmatched in its time and served as a testament to Vitruvius' ingenuity. The balista was yet another creation that highlighted Vitruvius' brilliance. This formidable machine could launch massive stones towards enemy fortifications with devastating impact. His method for stringing the balista revolutionized warfare tactics forever. Beyond architecture and war machines, Vitruvius had a keen eye for aesthetics too. He crafted enchanting labyrinth gardens that delighted all who wandered through them. These meticulously designed mazes became symbols of harmony between nature and man-made structures - a concept beautifully depicted in "De Architectura. " Vitruvius' influence extended far beyond his lifetime; even centuries later, artists like Leonardo da Vinci drew inspiration from him. Da Vinci's iconic drawing depicting the proportions of the human figure pays homage to Vitruvian principles – showcasing how deeply ingrained his ideas are within artistic circles.