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Vision Collection (page 8)

"Unveiling the World Through Vision: From Eyesight Tests to Divine Revelations" Embarking on a journey of sight, our eyes navigate through various realms

Background imageVision Collection: Yaxchilan lintel 15 Maya art

Yaxchilan lintel 15 Maya art
529920 Yaxchilan lintel 15 Maya art by Mayan; (add.info.: Late Classic period (AD 600-900) From Yaxchilan, Mexico. A serpent apparition from a Maya temple, limestone lintel

Background imageVision Collection: How may I reverently worship thee enough?, illustration from Shakespeare's stories of the English

How may I reverently worship thee enough?, illustration from Shakespeare's stories of the English Kings
IL274565 How may I reverently worship thee enough?, illustration from Shakespeare's stories of the English Kings, published by George Harrap & Son, 1912 (colour litho) by Hammond, Gertrude E

Background imageVision Collection: House of Bernadette Soubirous, Lourdes, c. 1900 (b/w photo)

House of Bernadette Soubirous, Lourdes, c. 1900 (b/w photo)
1733937 House of Bernadette Soubirous, Lourdes, c. 1900 (b/w photo) by French Photographer (20th century); (add.info.: Bernadette Soubirous (7 January 1844 - 16 April 1879)

Background imageVision Collection: Apparition of the Risen One to the apostles Peter and John, 12th century (low relief)

Apparition of the Risen One to the apostles Peter and John, 12th century (low relief)
7348832 Apparition of the Risen One to the apostles Peter and John, 12th century (low relief) by Master of Cabestany (c.1130-80); Museu Frederic Mares, Barcelona

Background imageVision Collection: Poster for the opera Macbeth by Giuseppe Verdi (poster)

Poster for the opera Macbeth by Giuseppe Verdi (poster)
XEE4156388 Poster for the opera Macbeth by Giuseppe Verdi (poster) by Barbizet, Antoine (1821-66); Private Collection; (add.info)

Background imageVision Collection: Supper at Emmaus, c. 1610 (oil on canvas)

Supper at Emmaus, c. 1610 (oil on canvas)
XIR409293 Supper at Emmaus, c.1610 (oil on canvas) by Rodriguez, Alonso (1578-1648); 116x166 cm; Musee des Beaux-Arts, Pau, France; (add.info.: La Cene a Emmaus;)

Background imageVision Collection: Altarpiece, Deanery church (Sint-Walburgakerk), 17th century (photo) (photo)

Altarpiece, Deanery church (Sint-Walburgakerk), 17th century (photo) (photo)
7332375 Altarpiece, Deanery church (Sint-Walburgakerk), 17th century (photo) (photo) by Thulden, Theodore van (1606-79); Sint Walburgakerk, Oudenaarde, Belgium; (add.info.: Sint-Walburgakerk)

Background imageVision Collection: The Basilica of Lourdes and Statue of St. Michael, 1909 (postcard)

The Basilica of Lourdes and Statue of St. Michael, 1909 (postcard)
CHT174521 The Basilica of Lourdes and Statue of St. Michael, 1909 (postcard) by French School, (20th century); Private Collection; (add.info.: Lourdes)

Background imageVision Collection: Bernadette Soubirous, from a late 19th century painting (tinted photo mounted on card)

Bernadette Soubirous, from a late 19th century painting (tinted photo mounted on card)
CHT174520 Bernadette Soubirous, from a late 19th century painting (tinted photo mounted on card) by French School, (20th century); Bibliotheque des Arts Decoratifs, Paris

Background imageVision Collection: Portiuncula (oil on canvas)

Portiuncula (oil on canvas)
471323 Portiuncula (oil on canvas) by Schut, Cornelius I (1597-1655); 341x248 cm; Koninklijk Museum voor Schone Kunsten, Antwerp

Background imageVision Collection: Appearance of the risen Christ, 12th century (low relief)

Appearance of the risen Christ, 12th century (low relief)
7333951 Appearance of the risen Christ, 12th century (low relief) by Master of Cabestany (c.1130-80); (add.info.: Appearance of the risen Christ by Cabestany in Sant Pere de Rodes benedictine)

Background imageVision Collection: The Healing of Tobit (oil on panel)

The Healing of Tobit (oil on panel)
471179 The Healing of Tobit (oil on panel) by Massys or Metsys, Jan (1509-75); 150x151 cm; Koninklijk Museum voor Schone Kunsten, Antwerp, Belgium; © Art in Flanders

Background imageVision Collection: Landscape with the Temptation of St Anthony the Great of Egypt (oil on panel)

Landscape with the Temptation of St Anthony the Great of Egypt (oil on panel)
471475 Landscape with the Temptation of St Anthony the Great of Egypt (oil on panel) by Keuninck, Kerstiaen de (c.1560-1633); 51.3x82 cm; Koninklijk Museum voor Schone Kunsten, Antwerp

Background imageVision Collection: Sight (oil on panel)

Sight (oil on panel)
471226 Sight (oil on panel) by Coques, Gonzales (1614-84); 18x15 cm; Koninklijk Museum voor Schone Kunsten, Antwerp, Belgium; (add.info)

Background imageVision Collection: The Temptation of Saint Antonio (oil on panel)

The Temptation of Saint Antonio (oil on panel)
471522 The Temptation of Saint Antonio (oil on panel) by Vos, Maarten de (1532-1603); 280x212 cm; Koninklijk Museum voor Schone Kunsten, Antwerp, Belgium; © Art in Flanders

Background imageVision Collection: Saint Augustine in Ecstasy (oil on canvas)

Saint Augustine in Ecstasy (oil on canvas)
471366 Saint Augustine in Ecstasy (oil on canvas) by Dyck, Anthony van (1599-1641); 389x227 cm; Koninklijk Museum voor Schone Kunsten, Antwerp, Belgium; © Art in Flanders

Background imageVision Collection: The Temptation of Antony Abbot of Egypt (oil on panel)

The Temptation of Antony Abbot of Egypt (oil on panel)
471521 The Temptation of Antony Abbot of Egypt (oil on panel) by Bosch, Hieronymus (c.1450-1516); 88x71 cm; Koninklijk Museum voor Schone Kunsten, Antwerp, Belgium; © Art in Flanders

Background imageVision Collection: St John on Patmos (oil on panel)

St John on Patmos (oil on panel)
471560 St John on Patmos (oil on panel) by Netherlandish School (16th century); 33x47 cm; Koninklijk Museum voor Schone Kunsten, Antwerp

Background imageVision Collection: Rik with a black eye patch, 1915 (oil on canvas)

Rik with a black eye patch, 1915 (oil on canvas)
471125 Rik with a black eye patch, 1915 (oil on canvas) by Wouters, Rik (1882-1916); 102x85 cm; Koninklijk Museum voor Schone Kunsten, Antwerp, Belgium; © Art in Flanders

Background imageVision Collection: Temptation of St Anthony, 1688 (brush drawing with black ink and wash on paper)

Temptation of St Anthony, 1688 (brush drawing with black ink and wash on paper)
7308229 Temptation of St Anthony, 1688 (brush drawing with black ink and wash on paper) by Gluckher, Johann Georg (1653-1731); 39.8x26.3 cm; Ashmolean Museum, University of Oxford

Background imageVision Collection: The Annunciation, c. 1518 (oil on panel)

The Annunciation, c. 1518 (oil on panel)
7305495 The Annunciation, c.1518 (oil on panel) by Orley, Bernard van (c.1488-1541); 51.5x33 cm; Nasjonalmuseet, Oslo, Norway; (add.info.: by Bernard van Orley (c.1488-1541))

Background imageVision Collection: The legend of Saint Hubert's deer, 1926 (Illustration)

The legend of Saint Hubert's deer, 1926 (Illustration)
7304413 The legend of Saint Hubert's deer, 1926 (Illustration) by Rabier, Benjamin (1869-1939); Private Collection; (add.info.: "The legend of Saint Hubert's deer)

Background imageVision Collection: Sir Lancelot's Vision, study for the fresco painting in the Oxford Union

Sir Lancelot's Vision, study for the fresco painting in the Oxford Union
7247011 Sir Lancelot's Vision, study for the fresco painting in the Oxford Union, 1857 (w/c and gouache over black chalk on paper) by Rossetti

Background imageVision Collection: Joan of Arc hears voices: 'Go deliver Orleans and have the king crowned in Reims'

Joan of Arc hears voices: "Go deliver Orleans and have the king crowned in Reims", 1896 (illustration)
7304515 Joan of Arc hears voices: "Go deliver Orleans and have the king crowned in Reims", 1896 (illustration) by Job, pseudonym for Onfray de Breville

Background imageVision Collection: Jacob's Dream (engraving)

Jacob's Dream (engraving)
904946 Jacob's Dream (engraving) by Carpi, Ugo da (c.1480-1520/32); Musee de la Ville de Paris, Musee du Petit-Palais, France

Background imageVision Collection: The Fool Who Sees The Right Way For Himself, 1660-86 (brush and Indian ink on paper)

The Fool Who Sees The Right Way For Himself, 1660-86 (brush and Indian ink on paper)
7308374 The Fool Who Sees The Right Way For Himself, 1660-86 (brush and Indian ink on paper) by Stettler, Wilhelm (1643-1708); 11.5x10.5 cm; Ashmolean Museum, University of Oxford

Background imageVision Collection: Visionary

Visionary
Jackson Carvalho

Background imageVision Collection: L'apparition des icones. Peinture de Youri Ilyich Repin (1877-1954), huile sur bois, 1934

L'apparition des icones. Peinture de Youri Ilyich Repin (1877-1954), huile sur bois, 1934
FIA5372185 L apparition des icones. Peinture de Youri Ilyich Repin (1877-1954), huile sur bois, 1934. art russe, 20e siecle, art moderne. I. Repin Memorial Museum Penates, Repino (Russie)

Background imageVision Collection: Au soleil (To the sun). Paysage colore avec un des personnages tenant le soleil dans ses mains

Au soleil (To the sun). Paysage colore avec un des personnages tenant le soleil dans ses mains
FIA5361186 Au soleil (To the sun). Paysage colore avec un des personnages tenant le soleil dans ses mains. Peinture de Leonid Terentlevich Chupyatov (1890-1941)

Background imageVision Collection: Une nonne (A nun). Peinture de Varvara Matveyevna Baruzdina (1862-1941)

Une nonne (A nun). Peinture de Varvara Matveyevna Baruzdina (1862-1941). Huile sur toile, 108 x 73 cm, 1893
FIA5338158 Une nonne (A nun). Peinture de Varvara Matveyevna Baruzdina (1862-1941). Huile sur toile, 108 x 73 cm, 1893. Art russe du 19e siecle. State Tretyakov Gallery, Moscou

Background imageVision Collection: Les sirenes (Mermaids). Des visages de femmes tristes, s'entremelent dans les ondes

Les sirenes (Mermaids). Des visages de femmes tristes, s'entremelent dans les ondes
FIA5344541 Les sirenes (Mermaids). Des visages de femmes tristes,s entremelent dans les ondes. Peinture de Vera Vladimirovna Khlebnikova (1881-1941), huile sur toile, 1920

Background imageVision Collection: Matin (Morning). Une femme vetue de voiles marche vers un oiseau au sol, dans un jardin fleuri

Matin (Morning). Une femme vetue de voiles marche vers un oiseau au sol, dans un jardin fleuri
FIA5330349 Matin (Morning). Une femme vetue de voiles marche vers un oiseau au sol, dans un jardin fleuri. Oeuvre de Vasili Dmitrievich Millioti (1875-1943), aquarelle, gouache et encre sur papier

Background imageVision Collection: 'Silhouettes dans une chambre'Peinture de Leonid Terentievich Chupyatov (Chupiatov) (1890-1941)

"Silhouettes dans une chambre"Peinture de Leonid Terentievich Chupyatov (Chupiatov) (1890-1941)
FIA5345935 " Silhouettes dans une chambre" Peinture de Leonid Terentievich Chupyatov (Chupiatov) (1890-1941) 1920 environ Collection privee by Chupyatov

Background imageVision Collection: Chikus male. Oeuvre de Sviatoslav Nikolayevich Roerich (1904-1993), huile sur carton, 1970

Chikus male. Oeuvre de Sviatoslav Nikolayevich Roerich (1904-1993), huile sur carton, 1970
FIA5330493 Chikus male. Oeuvre de Sviatoslav Nikolayevich Roerich (1904-1993), huile sur carton, 1970. Art moderne russe, 20e siecle. StateOriental Art Museum, Moscou

Background imageVision Collection: Encounter on the road to Emmaus (oil on canvas)

Encounter on the road to Emmaus (oil on canvas)
7292661 Encounter on the road to Emmaus (oil on canvas) by Tintoretto, Domenico Robusti (1560-1635); Museo Diocesano, Vicenza, Italy; (add.info.: by Domenico Tintoretto); Ghigo Roli

Background imageVision Collection: The Stone of Jacob appears in the Book of Genesis as the stone used as a pillow by the Israelite

The Stone of Jacob appears in the Book of Genesis as the stone used as a pillow by the Israelite patriarch Jacob at
5617288 The Stone of Jacob appears in the Book of Genesis as the stone used as a pillow by the Israelite patriarch Jacob at the place later called Bet-El

Background imageVision Collection: La vision du jeune Barthelemy. (The Vision of the Youth Bartholomew)

La vision du jeune Barthelemy. (The Vision of the Youth Bartholomew). La rencontre entre un moine et le jeune russe
FIA5328535 La vision du jeune Barthelemy. (The Vision of the Youth Bartholomew). La rencontre entre un moine et le jeune russe Barthelemy

Background imageVision Collection: Maison dans un parc (House In A Park). Peinture de Ilya Ivanovich Mashkov (Ilia Machkov)

Maison dans un parc (House In A Park). Peinture de Ilya Ivanovich Mashkov (Ilia Machkov, Matchkov) (1881-1944)
FIA5346576 Maison dans un parc (House In A Park). Peinture de Ilya Ivanovich Mashkov (Ilia Machkov, Matchkov) (1881-1944), huile sur toile, 1903-1905. Art russe debut 20e siecle

Background imageVision Collection: People. Point of View

People. Point of View
Zurab Getsadze

Background imageVision Collection: Samovar. 1919 (oil on wood)

Samovar. 1919 (oil on wood)
FIA5364579 Samovar. 1919 (oil on wood) by Baranov-Rossine, Vladimir Davidovich (1888-1942); Regional Art Gallery, Tambov, Russia; (add.info.: Samovar (Samovar)

Background imageVision Collection: ***

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Zurab Getsadze

Background imageVision Collection: Sight (Visus), from the Fiver Senses, . n. d. Creator: After Maerten de Vos

Sight (Visus), from the Fiver Senses, . n. d. Creator: After Maerten de Vos
Sight (Visus), from the Fiver Senses, .n.d

Background imageVision Collection: Apparition of the Holy Grail to the Knights of the Round Table

Apparition of the Holy Grail to the Knights of the Round Table, illumination from Queste del saint Graal
1700532 Apparition of the Holy Grail to the Knights of the Round Table, illumination from Queste del saint Graal (ink & colour on vellum) by French School

Background imageVision Collection: 102-0625801 / 1 Cantiga 47, page from the Cantigas de Santa Maria consisting of 420 musical

102-0625801 / 1 Cantiga 47, page from the Cantigas de Santa Maria consisting of 420 musical compositions narrating
IND83902 102-0625801/1 Cantiga 47, page from the Cantigas de Santa Maria consisting of 420 musical compositions narrating the miracles of the Virgin

Background imageVision Collection: Saint James Vision of the Virgin of the Pillar, 1750-55(oil on canvas)

Saint James Vision of the Virgin of the Pillar, 1750-55(oil on canvas)
5861074 Saint James Vision of the Virgin of the Pillar, 1750-55(oil on canvas) by Velasquez, Antonio Gonzalez (1723-94); 105.5x65.3 cm; The Art Institute of Chicago, IL

Background imageVision Collection: Miracle of Our Lady of Atocha during the construction of Casa de la Villa, 1656 (oil on canvas)

Miracle of Our Lady of Atocha during the construction of Casa de la Villa, 1656 (oil on canvas)
354825 Miracle of Our Lady of Atocha during the construction of Casa de la Villa, 1656 (oil on canvas) by Spanish School, (17th century); Museo Municipal, Madrid, Spain; Index Fototeca

Background imageVision Collection: Apparition of St. James the Great at the Battle of Clavijo

Apparition of St. James the Great at the Battle of Clavijo
IND244309 Apparition of St. James the Great at the Battle of Clavijo by Spanish School; Iglesia de Santiago, Funes, Navarra

Background imageVision Collection: Detail of The Legend of the Mass of St. Gregory, (closed outside panels of the Adoration of)

Detail of The Legend of the Mass of St. Gregory, (closed outside panels of the Adoration of the Magi altarpiece), c
1448877 Detail of The Legend of the Mass of St. Gregory, (closed outside panels of the Adoration of the Magi altarpiece), c.1510 (panel) (detail of 71398) by Bosch, Hieronymus (c.1450-1516); Prado



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"Unveiling the World Through Vision: From Eyesight Tests to Divine Revelations" Embarking on a journey of sight, our eyes navigate through various realms, unraveling hidden truths and profound wonders. Just like an eyesight test chart that measures our visual acuity, vision encompasses more than just physical perception. Throughout history, visionaries have emerged, transcending ordinary boundaries. The three Fatima Visionaries stand as beacons of faith and devotion, blessed with celestial visions that captivated hearts worldwide. Their encounters with the divine remind us of the power of belief and the boundless potential within each individual. Artistic masterpieces also offer glimpses into visionary experiences. Rembrandt's "The Return of the Prodigal Son" portrays a transformative moment where forgiveness and redemption converge in a powerful embrace. Walter Crane's Garland weaves together vibrant colors, symbolizing how imagination can shape our perception of reality. Yet not all they are ethereal; some reveal limitations we face. Colour Blindness Tests expose the intricate nuances missed by certain eyes but highlight diversity in human experience nonetheless. In literature too, vision intertwines with spirituality and mythology. Dante's "Vision of Angels" transports readers to heavenly realms beyond mortal comprehension while Bernadette's first encounter with Mary unveils a sacred connection between humanity and divinity and can even manifest during times of conflict or despair. The haunting cover design for piano music depicting Angels of Mons reminds us how hope can emerge amidst darkness – offering solace when it is needed most. Beyond earthly bounds lies another realm altogether—the spiritual plane—where holy quests unfold before chosen souls. "The Attainment; The Vision of the Holy Grail to Sir Galahad, Sir Bors, and Sir Percival, " epitomizes this pursuit for enlightenment—a quest driven by unwavering faith and unyielding determination. Nature itself holds its own captivating visions.