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Virgo Immaculata Collection

"Virgo Immaculata: A Celebration of Divine Motherhood through Art" Immerse yourself in the ethereal beauty and spiritual significance of Virgo Immaculata

Background imageVirgo Immaculata Collection: Our Lady of the Rosary (oil on canvas)

Our Lady of the Rosary (oil on canvas)
7216656 Our Lady of the Rosary (oil on canvas) by Dit─ø, Emanuel (1862-1944); (add.info.: This altarpiece was painted for the Church of St. Giles in Prague, Czech Republic); © Lubomir Synek

Background imageVirgo Immaculata Collection: Madonna enthroned with Child, surrounded by saints and figures, 1575 (painting)

Madonna enthroned with Child, surrounded by saints and figures, 1575 (painting)
7129047 Madonna enthroned with Child, surrounded by saints and figures, 1575 (painting) by Allori, Alessandro (1535-1607); Galleria dell'Accademia, Florence, Tuscany

Background imageVirgo Immaculata Collection: Madonna and Child with Angels, c.1425 (tempera & gold on panel)

Madonna and Child with Angels, c.1425 (tempera & gold on panel)
495368 Madonna and Child with Angels, c.1425 (tempera & gold on panel) by Angelico, Fra (Guido di Pietro/Giovanni da Fiesole) (c.1387-1455); 16.2x907 cm; Detroit Institute of Arts

Background imageVirgo Immaculata Collection: Madonna of quail by Antonio Pisanello (1395-1455), detail

Madonna of quail by Antonio Pisanello (1395-1455), detail
DGA511295 Madonna of quail by Antonio Pisanello (1395-1455), detail by Pisanello, Antonio (1395-1455); (add.info.: Madonna of the quail, by Antonio Pisanello (1395-1455). Detail

Background imageVirgo Immaculata Collection: Pious Image: The Black Virgin

Pious Image: The Black Virgin
FGL5497692 Pious Image: The Black Virgin. Madonna or Virgin and Child "Virgo Lauretana" Statue of the Venerated Black Madonna at the Sanctuary of Loreto in Italy

Background imageVirgo Immaculata Collection: Adoration of the Shepherds, c. 1510 (oil on wood)

Adoration of the Shepherds, c. 1510 (oil on wood)
XOS5887448 Adoration of the Shepherds, c

Background imageVirgo Immaculata Collection: Flight into Egypt, c.1916 (oil on wood panel)

Flight into Egypt, c.1916 (oil on wood panel)
XOS9236093 Flight into Egypt, c.1916 (oil on wood panel) by Tanner, Henry Ossawa (1859-1937); 42.2 -- 55.9 cm; National Museum of African American History & Culture, Smithsonian Institution

Background imageVirgo Immaculata Collection: Lastra tombale Madonna con Bambino e cavaliere, XIV secolo (pietra)

Lastra tombale Madonna con Bambino e cavaliere, XIV secolo (pietra)
RTG8833970 Lastra tombale Madonna con Bambino e cavaliere, XIV secolo (pietra) by Italian School, (14th century); Museo Diocesano & Museo della Cattedrale, Bari

Background imageVirgo Immaculata Collection: The Manger,c.1900 (photo)

The Manger,c.1900 (photo)
XOS8988842 The Manger,c.1900 (photo) by Käsebier, Gertrude (1852-1934); National Gallery of Art, Washington DC, USA; (add.info.: Untitled Artwork by Käsebier)

Background imageVirgo Immaculata Collection: Side aisle, Cycle depicting the Life of Mary and Infancy of Jesus

Side aisle, Cycle depicting the Life of Mary and Infancy of Jesus
RTG8973759 Side aisle, Cycle depicting the Life of Mary and Infancy of Jesus, 14-15th century (fresco); Basilica of Santa Caterina d'Alessandria, Galatina, Puglia, Italy; (add.info.: Side aisle)

Background imageVirgo Immaculata Collection: Side aisle, Cycle depicting the Life of Mary and Infancy of Jesus

Side aisle, Cycle depicting the Life of Mary and Infancy of Jesus
RTG8973758 Side aisle, Cycle depicting the Life of Mary and Infancy of Jesus, 14-15th century (fresco); Basilica of Santa Caterina d'Alessandria, Galatina, Puglia, Italy; (add.info.: Side aisle)

Background imageVirgo Immaculata Collection: The Adoration of the Magi (panel)

The Adoration of the Magi (panel)
CGH8092076 The Adoration of the Magi (panel); 90x73.5 cm; Private Collection; (add.info.: Painting by Pseudo Bles); Colnaghi Foundation

Background imageVirgo Immaculata Collection: Flight into Egypt, monumental ceramic nativity scene by Master potters of Caltagirone

Flight into Egypt, monumental ceramic nativity scene by Master potters of Caltagirone
DGA927610 Flight into Egypt, monumental ceramic nativity scene by Master potters of Caltagirone, Sicily, Italy; Photo © NPL - DeA Picture Library

Background imageVirgo Immaculata Collection: Lamentation of dead Christ on Cross, by Giuseppe Giovenone (1524-1608)

Lamentation of dead Christ on Cross, by Giuseppe Giovenone (1524-1608)
DGA578750 Lamentation of dead Christ on Cross, by Giuseppe Giovenone (1524-1608); Museo Civico Francesco Borgogna, Vercelli, Italy; (add.info.: Lamentation of the dead Christ on the Cross)

Background imageVirgo Immaculata Collection: Madonna of Humility, 1420-1423

Madonna of Humility, 1420-1423
DGA623579 Madonna of Humility, 1420-1423, by Gentile da Fabriano (1370-ca 1427), tempera on panel, 56x41 cm; Museo Nazionale di San Matteo, Pisa, Tuscany, Italy; (add.info.: Madonna of Humility)

Background imageVirgo Immaculata Collection: Madonna of the Pillar, 1450-1460 (tempera and gold panel)

Madonna of the Pillar, 1450-1460 (tempera and gold panel)
GRL9036324 Madonna of the Pillar, 1450-1460 (tempera and gold panel) by Pietro, Sano di, also Ansano di Pietro di Mencio (1406-81); Montepulciano Cathedral, Italy; (add.info.: Montepulciano)

Background imageVirgo Immaculata Collection: Pieta of the Abbey of Stift Lambach, c.1420-30 (colour engraving)

Pieta of the Abbey of Stift Lambach, c.1420-30 (colour engraving)
LRI8987052 Pieta of the Abbey of Stift Lambach, c.1420-30 (colour engraving) by Unknown Artist, (15th century); Graphische Sammlung Albertina, Vienna

Background imageVirgo Immaculata Collection: Annunciation, possibly, c.1970-77 (black & white photograph printed on white paper)

Annunciation, possibly, c.1970-77 (black & white photograph printed on white paper)
AMO9019353 Annunciation, possibly, c.1970-77 (black & white photograph printed on white paper) by Siddal, Elizabeth Eleanor (Lizzie) (1834-62) (after); 18.6x13.6 cm; Ashmolean Museum

Background imageVirgo Immaculata Collection: Madonna and Child and Angels, before 1443 (polychrome stucco)

Madonna and Child and Angels, before 1443 (polychrome stucco)
GRL9019672 Madonna and Child and Angels, before 1443 (polychrome stucco) by Donatello, (c.1386-1466); Museo e Galleria Mozzi Bardini, Florence, Tuscany

Background imageVirgo Immaculata Collection: Madonna and Child, 1420-22 (polychrome terracotta)

Madonna and Child, 1420-22 (polychrome terracotta)
GRL9019671 Madonna and Child, 1420-22 (polychrome terracotta) by Della Robbia, Luca (1400-82); Museo e Galleria Mozzi Bardini, Florence, Tuscany

Background imageVirgo Immaculata Collection: Triptych of the Virgin and Child with Saints (center panel)

Triptych of the Virgin and Child with Saints (center panel)
XCC5859630 Triptych of the Virgin and Child with Saints (center panel), 1505-15 (oil and tempera on panel) by South German School, (16th century); The Art Institute of Chicago, IL

Background imageVirgo Immaculata Collection: Virgin and Child with Saint Anne, Saint Gereon, and a Donor, c.1520 (oil on panel)

Virgin and Child with Saint Anne, Saint Gereon, and a Donor, c.1520 (oil on panel)
XCC5859629 Virgin and Child with Saint Anne, Saint Gereon, and a Donor, c.1520 (oil on panel) by Bruyn, Bartholomaeus, the Elder, (1493-1555); 76.2 -- 55.8 cm; The Art Institute of Chicago, IL

Background imageVirgo Immaculata Collection: Virgin and Child, 1460-1500 (oil on panel)

Virgin and Child, 1460-1500 (oil on panel)
XCC5859619 Virgin and Child, 1460-1500 (oil on panel) by Weyden, Rogier van der (1399-1464) (workshop of); 36.5 -- 27 cm; The Art Institute of Chicago, IL

Background imageVirgo Immaculata Collection: The frescoes in the chapel of the Annonciade, circa 1470 (fresco)

The frescoes in the chapel of the Annonciade, circa 1470 (fresco)
JPP9020927 The frescoes in the chapel of the Annonciade, circa 1470 (fresco) by Baleison, Giovanni (fl.1480) (attr)

Background imageVirgo Immaculata Collection: The frescoes in the chapel of the Annonciade, Tende circa 1470 (fresco)

The frescoes in the chapel of the Annonciade, Tende circa 1470 (fresco)
JPP9020890 The frescoes in the chapel of the Annonciade, Tende circa 1470 (fresco) by Baleison, Giovanni (fl.1480) (attr)

Background imageVirgo Immaculata Collection: The Walpole Immaculate Conception, c.1680 (oil on canvas)

The Walpole Immaculate Conception, c.1680 (oil on canvas)
FIA9029009 The Walpole Immaculate Conception, c.1680 (oil on canvas) by Murillo, Bartolome Esteban (1618-82); State Hermitage Museum, St

Background imageVirgo Immaculata Collection: The Assumption of the Virgin, c. mid 1620s (oil on panel)

The Assumption of the Virgin, c. mid 1620s (oil on panel)
XOS9029008 The Assumption of the Virgin, c

Background imageVirgo Immaculata Collection: Offering to the Madonna, 2nd half 19th century (oil on canvas)

Offering to the Madonna, 2nd half 19th century (oil on canvas)
XOS8983263 Offering to the Madonna, 2nd half 19th century (oil on canvas) by Ziem, Felix (1821-1911); 68.5x112.5 cm; Musee du Petit Palais, Paris

Background imageVirgo Immaculata Collection: Solomon and the Virgin and Child. Strasbourg (relief)

Solomon and the Virgin and Child. Strasbourg (relief)
GNG8711113 Solomon and the Virgin and Child. Strasbourg (relief); (add.info.: Strasbourg Cathedral. Solomon and the Virgin and Child. Central portal. Occidentale facade. Strasbourg)

Background imageVirgo Immaculata Collection: The Trinity and mystic Pieta, 1512 (oil on pine)

The Trinity and mystic Pieta, 1512 (oil on pine)
SBL7294402 The Trinity and mystic Pieta, 1512 (oil on pine) by Baldung Grien, Hans (1484/5-1545); National Gallery, London, UK; (add.info.: The Trinity and mystic Pieta, 1512, Hans Baldung Grien)

Background imageVirgo Immaculata Collection: Christ taking leave of his mother, c.1520 (oil on lime)

Christ taking leave of his mother, c.1520 (oil on lime)
SBL7294399 Christ taking leave of his mother, c.1520 (oil on lime) by Altdorfer, Albrecht (c.1480-1538); National Gallery, London, UK; (add.info.: Christ taking leave of his mother, probably 1520)

Background imageVirgo Immaculata Collection: The Marriage of the Virgin. Study for the composition of the church of Notre-Dame-de-Lorette

The Marriage of the Virgin. Study for the composition of the church of Notre-Dame-de-Lorette
XOS8982765 The Marriage of the Virgin

Background imageVirgo Immaculata Collection: La Vierge présentant l'Enfant Jésus à saint Vincent de Paul, 1857 (painting)

La Vierge présentant l'Enfant Jésus à saint Vincent de Paul, 1857 (painting)
XOS8983435 La Vierge présentant l'Enfant Jésus à saint Vincent de Paul, 1857 (painting) by Richomme, Jules (1818-1903); 18.5x27 cm; Musee de la Ville de Paris, Musee Carnavalet, Paris

Background imageVirgo Immaculata Collection: Madonna and Child, 16th century (drawing)

Madonna and Child, 16th century (drawing)
VSI8976690 Madonna and Child, 16th century (drawing) by Buonarroti, Michelangelo (1475-1564) (after); 390x248 cm; Casa Buonarroti, Florence, Italy; (add.info.: Madonna and Child)

Background imageVirgo Immaculata Collection: Madonna and Child, 1520-1525 (drawing)

Madonna and Child, 1520-1525 (drawing)
VSI8976562 Madonna and Child, 1520-1525 (drawing) by Buonarroti, Michelangelo (1475-1564); 541x396 cm; Casa Buonarroti, Florence, Italy; (add.info.: Madonna and Child)

Background imageVirgo Immaculata Collection: Adoration of the Shepherds, 1888 (woodcut and w/c)

Adoration of the Shepherds, 1888 (woodcut and w/c)
XOS9034549 Adoration of the Shepherds, 1888 (woodcut and w/c) by Bernard, Emile (1868-1941); 56.7 x 44.9 cm; Kunsthalle, Bremen, Germany; (add.info.: Print by Émile Bernard)

Background imageVirgo Immaculata Collection: Chartres Cathedral, Stained glass window depicting annunciation of the Blue Virgin and birth of Christ (stained glass)

Chartres Cathedral, Stained glass window depicting annunciation of the Blue Virgin and birth of Christ (stained glass)
DCO9031962 Chartres Cathedral, Stained glass window depicting annunciation of the Blue Virgin and birth of Christ (stained glass) by French School

Background imageVirgo Immaculata Collection: Leaf from a Book of Hours: The Annunciation, 1470s (ink, tempera and gold on vellum)

Leaf from a Book of Hours: The Annunciation, 1470s (ink, tempera and gold on vellum)
XCL5884969 Leaf from a Book of Hours: The Annunciation, 1470s (ink, tempera and gold on vellum) by Flemish School, (15th century); 17.9x12.5 cm; Cleveland Museum of Art, OH

Background imageVirgo Immaculata Collection: Virgin and Child, c.1520 (oil on panel)

Virgin and Child, c.1520 (oil on panel)
5860476 Virgin and Child, c.1520 (oil on panel) by Gossaert, Jan (Mabuse) (c.1472-c.1533); The Art Institute of Chicago, IL, USA; (add.info.: Painting by Jan Gossaert)

Background imageVirgo Immaculata Collection: Virgin and Child, 1490-96 (tempera or oil on panel)

Virgin and Child, 1490-96 (tempera or oil on panel)
5860132 Virgin and Child, 1490-96 (tempera or oil on panel) by Roberti, Ercole de (c.1453-96); 52x35 cm; The Art Institute of Chicago, IL, USA; (add.info.: Painting by Ercole de'Roberti)

Background imageVirgo Immaculata Collection: Oratory of the Chapel of the White Penitents, Tende, 2024 (photo)

Oratory of the Chapel of the White Penitents, Tende, 2024 (photo)
JPP9020823 Oratory of the Chapel of the White Penitents, Tende, 2024 (photo) by Canavesio, Giovanni (fl.1450-1500) ; (add.info.: Tende Perched on a mountainside 800 meters above sea level)

Background imageVirgo Immaculata Collection: Annunciated Virgin, before 1435 (polychrome sculpture)

Annunciated Virgin, before 1435 (polychrome sculpture)
GRL9036325 Annunciated Virgin, before 1435 (polychrome sculpture) by Valdambrino, Francesco di (d.1435); Montepulciano Cathedral, Italy; (add.info.: Montepulciano, Duomo (Cathedral of S)

Background imageVirgo Immaculata Collection: Madonna and Child, c.1460 (tempera & gold leaf on panel)

Madonna and Child, c.1460 (tempera & gold leaf on panel)
STM620877 Madonna and Child, c.1460 (tempera & gold leaf on panel) by Vivarini, Bartolomeo (1432-99); 44.1x28.6 cm; Saint Louis Art Museum, Missouri

Background imageVirgo Immaculata Collection: Oratory of the Chapel of the White Penitents, Tende, 2024 (photo)

Oratory of the Chapel of the White Penitents, Tende, 2024 (photo)
JPP9020834 Oratory of the Chapel of the White Penitents, Tende, 2024 (photo) by Canavesio, Giovanni (fl.1450-1500) ; (add.info.: Tende Perched on a mountainside 800 meters above sea level)

Background imageVirgo Immaculata Collection: Assembly of the Virgin, late 17th century (tempera on wood)

Assembly of the Virgin, late 17th century (tempera on wood)
STM620262 Assembly of the Virgin, late 17th century (tempera on wood) by Russian School (17th century); 33x28.3 cm; Saint Louis Art Museum, Missouri, USA; Saint Louis Art Museum; Museum Purchase

Background imageVirgo Immaculata Collection: Volokolamskaya Mother of God (tempera on panel)

Volokolamskaya Mother of God (tempera on panel)
STM620193 Volokolamskaya Mother of God (tempera on panel) by Russian School (17th century); 33.7x27.1 cm; Saint Louis Art Museum, Missouri

Background imageVirgo Immaculata Collection: Madonna and Child with Saints (The Sterbini Triptych)

Madonna and Child with Saints (The Sterbini Triptych)
STM620925 Madonna and Child with Saints (The Sterbini Triptych), c.1345 (tempera & gold leaf on panel) by Master of San Lucchese (14th century) (attr)

Background imageVirgo Immaculata Collection: Madonna and Child Enthroned with Saints Christopher

Madonna and Child Enthroned with Saints Christopher
STM620861 Madonna and Child Enthroned with Saints Christopher, Blaise, Sebastian, and Francis, c.1410-12 (tempera & gold leaf on panel) by Niccolò

Background imageVirgo Immaculata Collection: Enthroned Virgin and Child (wood with traces of paint)

Enthroned Virgin and Child (wood with traces of paint)
STM620702 Enthroned Virgin and Child (wood with traces of paint) by French School, (12th century); 91.4x35.6x33 cm; Saint Louis Art Museum, Missouri, USA; Saint Louis Art Museum; Friends Fund

Background imageVirgo Immaculata Collection: The Mystical City of God, c.1700 (oil on canvas)

The Mystical City of God, c.1700 (oil on canvas)
CH9036730 The Mystical City of God, c.1700 (oil on canvas) by Villalpando

Background imageVirgo Immaculata Collection: Madonna and Child Enthroned with Saints Peter

Madonna and Child Enthroned with Saints Peter
STM620265 Madonna and Child Enthroned with Saints Peter, John the Baptist, Dominic and Nicholas of Bari, c.1481-85 (tempera & oil on panel) by Cosimo

Background imageVirgo Immaculata Collection: Pokrov Icon (tempera on panel)

Pokrov Icon (tempera on panel)
CHT189390 Pokrov Icon (tempera on panel) by Russian School (18th century); Private Collection; (add.info.: icone Pokrov, Vierge de la protection)



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"Virgo Immaculata: A Celebration of Divine Motherhood through Art" Immerse yourself in the ethereal beauty and spiritual significance of Virgo Immaculata, a collection of exquisite artworks dedicated to the Virgin Mary. From delicate oil paintings to intricate tapestries, each piece captures her grace, compassion, and unwavering devotion. One such masterpiece is "Our Lady of the Rosary, " an enchanting oil on canvas that portrays Mary as a beacon of hope and solace. Her serene expression invites us to seek comfort in prayer and find strength in our faith. In contrast, "Madonna (Sorrowful Virgin)" crafted from bronze in 1583-1584 evokes deep emotions with its depiction of Mary's sorrow at witnessing her son's suffering. The artist skillfully conveys her anguish through every intricately sculpted detail. Another captivating artwork is "La Serrana or Madonna and Child with the infant St. John. " Painted on canvas, it showcases Mary's tender love for both Jesus and his cousin John. Their innocent gazes reflect their divine connection as they share a moment filled with pure affection. The Polyptych of Conversano reveals a breathtaking detail—the Nativity scene—painted meticulously using tempera on panel in 1475. This section transports viewers back to Bethlehem, where we witness the birth of Christ amidst heavenly light and adoration from angels above. A timeless treasure awaits within "Virgin and Child, " an intimate portrayal rendered delicately on wood around 1500. Its soft hues convey maternal warmth while emphasizing Mary's role as both motherly figure and spiritual guide. Traveling across time brings us to early 17th century England when artisans wove history into existence through woolen tapestry cushion covers like one depicting the Flight into Egypt—a testament to how far-reaching Mary's story has become.

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