Virgil Collection (page 8)

The fury at the feast (colour litho)
3634483 The fury at the feast (colour litho) by English School, (19th century); Private Collection; (add.info.: The fury at the feast)

Iris appearing to Turnus (colour litho)
3634479 Iris appearing to Turnus (colour litho) by English School, (19th century); Private Collection; (add.info.: Iris appearing to Turnus)

The Trojan Women Setting Fire to Their Fleet, c. 1643 (oil on canvas)
3493254 The Trojan Women Setting Fire to Their Fleet, c.1643 (oil on canvas) by Claude Lorrain (Claude Gellee) (1600-82); 105.1x152.1 cm; Metropolitan Museum of Art, New York

Amant alterna Camanae (chromolitho)
2815917 Amant alterna Camanae (chromolitho) by French School, (19th century); Private Collection; (add.info.: Amant alterna Camanae (The Muses love these songs that go back and forth)

Aeneas at Didos palace (chromolitho)
2782967 Aeneas at Didos palace (chromolitho) by European School, (19th century); Private Collection; (add.info.: Aeneas at Didos palace. Liebig card, published in late 19th or early 20th century)

Dido abandoned by Aeneas (chromolitho)
2782963 Dido abandoned by Aeneas (chromolitho) by European School, (19th century); Private Collection; (add.info.: Dido abandoned by Aeneas. Liebig card, published in late 19th or early 20th century)

Painter Eugene Delacroix with depiction of Dante and Virgil in Hell (chromolitho)
669230 Painter Eugene Delacroix with depiction of Dante and Virgil in Hell (chromolitho) by French School, (19th century); Private Collection; (add.info.: French educational card)

Cultivation of Grain in use amongst the Peasants, and the Manufacture of Barley and Oat Bread (engraving)
668412 Cultivation of Grain in use amongst the Peasants, and the Manufacture of Barley and Oat Bread (engraving) by French School

Virgil (engraving)
663045 Virgil (engraving) by English School, (19th century); Private Collection; (add.info.: Virgil. Illustration from History of Rome by Victor Duruy (Kegan Paul, Trench & Co, 1884)

Vergil (engraving)
655164 Vergil (engraving) by English School, (19th century); Private Collection; (add.info.: Vergil. Illustration from With the Worlds People by John Clark Ridpath (Clark E Ridpath, 1912)

Venus giving armour to Aeneas, opening of Book VIII of Virgils Aeneid
621807 Venus giving armour to Aeneas, opening of Book VIII of Virgils Aeneid (w/c on vellum) by Morris, William (1834-96); 14.1x13.6 cm; Private Collection; Photo eChristies Images; English

Dido and Cupid, page 26 from Virgils Aeneid (w / c on vellum)
621806 Dido and Cupid, page 26 from Virgils Aeneid (w/c on vellum) by Morris, William (1834-96); 10x6.5 cm; Private Collection; Photo eChristies Images; English, out of copyright

Cassandra bound, page 44 from Virgils Aeneid (w / c on vellum)
621802 Cassandra bound, page 44 from Virgils Aeneid (w/c on vellum) by Morris, William (1834-96); 14.3x13.5 cm; Private Collection; Photo eChristies Images; English, out of copyright

Virgil shows the tree to Dante, 1880 (engraving)
473285 Virgil shows the tree to Dante, 1880 (engraving) by Dore, Gustave (1832-83) (after); Private Collection; (add.info)

Venus tells Aeneas and his friend Achates to go to Carthage, 1679 (silk & wool)
490769 Venus tells Aeneas and his friend Achates to go to Carthage, 1679 (silk & wool) by Romanelli, Giovanni Francesco (Il Viterbese) (1610-62); 411.3x294.5 cm; Cleveland Museum of Art, OH

Entrance to Purgatory (The Divine Comedy) (engraving)
729354 Entrance to Purgatory (The Divine Comedy) (engraving) by European School, (19th century); Private Collection; (add.info.: Entrance to Purgatory (The Divine Comedy)

Book plate, this book is to be sold at the shop of Abraham Vandenhoeck and George Richmond (engraving)
733944 Book plate, this book is to be sold at the shop of Abraham Vandenhoeck and George Richmond (engraving) by English School, (19th century); Private Collection; (add.info.: Book plate)

Virgil, The Works, Tr J Ogilby, T R and E M for J Crook 1649 (b / w photo)
5988896 Virgil, The Works, Tr J Ogilby, T R and E M for J Crook 1649 (b/w photo) by English Photographer, (20th century); Private Collection; (add.info.: Virgil, The Works, Tr J Ogilby)

Aeneas and Tiber
LLM462295 Aeneas and Tiber by Pinelli, Bartolomeo (1781-1835); Private Collection; (add.info.: Aeneas and Tiber. Illustration for Stories from Virgil by Alfred J Church.); © Look and Learn

Nisus and Euryalus
LLM462291 Nisus and Euryalus by Pinelli, Bartolomeo (1781-1835); Private Collection; (add.info.: Nisus and Euryalus. Illustration for Stories from Virgil by Alfred J Church.); © Look and Learn

Vulcan and the Cyclopes
LLM462290 Vulcan and the Cyclopes by Pinelli, Bartolomeo (1781-1835); Private Collection; (add.info.: Vulcan and the Cyclopes)

Illustration from The Divine Comedy (Inferno) by Dante Alighieri (1265-1321
CHT230869 Illustration from The Divine Comedy (Inferno) by Dante Alighieri (1265-1321) Paris, published 1885 (engraving) (b/w photo) by Dore

The Sicilian Games, a scene from the Aeneid, part of the frieze in the camerino of Duke
BI90394 The Sicilian Games, a scene from the Aeneid, part of the frieze in the camerino of Duke Alfonso d Este at Ferrara (oil on canvas) by Dossi

Scenes from the Aeneid in the Salle des Gardes (photo)
XIR187875 Scenes from the Aeneid in the Salle des Gardes (photo) by Jallier, Noel (fl.1549); Chateau d Oiron, Loire Valley, France; (add.info.: frescoes depicting the scenes of the Eneide; ); French

Aeneas Rescuing Anchises from the Sack of Troy (oil on copper)
5984018 Aeneas Rescuing Anchises from the Sack of Troy (oil on copper) by Brueghel, Jan the Elder (1568-1625); 25.4 x 34.6 cm; Private Collection; (add.info)

Aeneas slays Turnus, 1874-c. 1919 (w / c on vellum)
1195392 Aeneas slays Turnus, 1874-c.1919 (w/c on vellum) by English School, (19th century); 33.5x24 cm; Private Collection; Photo eChristies Images; English, out of copyright

Dante Alighieri La Divina
3767404 Dante Alighieri La Divina by Dore, Gustave (1832-83); (add.info.: Dante Alighieri, La Divina Commedia, L Inferno (The Divine Comedy)

Dante Alighieri La Divina
3767401 Dante Alighieri La Divina by Dore, Gustave (1832-83); (add.info.: Dante Alighieri, La Divina Commedia, L Inferno (The Divine Comedy)

Parnassus, from the Stanza della Segnatura, 1510-11 (fresco)
LRI4610324 Parnassus, from the Stanza della Segnatura, 1510-11 (fresco) by Raphael (Raffaello Sanzio of Urbino) (1483-1520); Musei e Gallerie Pontificie, Musei Vaticani

Dante and Virgil Encounter Lucifer in Hell, 1923 (pencil & w / c on paper)
1262536 Dante and Virgil Encounter Lucifer in Hell, 1923 (pencil & w/c on paper) by Stock, Henry John (1853-1931); 26.7x35.3 cm; Private Collection; Photo eChristies Images; British, out of copyright

Illustration for John Drydens translation of Virgils Aeneid (engraving)
5221940 Illustration for John Drydens translation of Virgils Aeneid (engraving) by European School, (19th century); Private Collection; (add.info)

Illustration for John Drydens translation of Virgils Aeneid (engraving)
5221978 Illustration for John Drydens translation of Virgils Aeneid (engraving) by European School, (19th century); Private Collection; (add.info)

Virgil and Beatrice Meeting, Inferno, Canto 2 (engraving)
5213939 Virgil and Beatrice Meeting, Inferno, Canto 2 (engraving) by Flaxman, John (1755-1826) (after); Private Collection; (add.info.: Virgil and Beatrice Meeting, Inferno, Canto 2)

Vulcan forging the weapons of Aeneas (engraving)
812874 Vulcan forging the weapons of Aeneas (engraving) by Cleyn, Francis (1582-1658); Private Collection; (add.info.: Vulcan forging the weapons of Aeneas. Print made by Wencelaus Hollar)

The Circle of the Falsifiers: Dante and Virgil Covering their Noses because of the Stench
995617 The Circle of the Falsifiers: Dante and Virgil Covering their Noses because of the Stench, Inferno, Canto XXIX, illustration to the Divine Comedy by Dante Alighieri

The Circle of the Falsifiers: Dante and Virgil Covering their Noses because of the Stench
995602 The Circle of the Falsifiers: Dante and Virgil Covering their Noses because of the Stench, Inferno, Canto XXIX, illustration to the Divine Comedy by Dante Alighieri, 1954 (engraving) by Blake

Virgil visiting Gaius Maecenas (chromolitho)
973930 Virgil visiting Gaius Maecenas (chromolitho) by European School, (19th century); Private Collection; (add.info.: Virgil visiting Gaius Maecenas)

Arms and the man (b / w photo)
3096261 Arms and the man (b/w photo) by English Photographer, (20th century); Private Collection; (add.info.: Arms and the man. Postcard, early 20th century.); © Look and Learn

The House of Virgil, Brindisi (engraving)
1103821 The House of Virgil, Brindisi (engraving) by English School, (19th century); Private Collection; (add.info.: The House of Virgil, Brindisi)

Dido burning herself at the stake. Creator: Elliger, Ottmar (Ottomar)
Dido burning herself at the stake. Found in the collection of State Open-air Museum Tsarskoye Selo, St. Petersburg

Neptune calming the Tempest Aeolus raised against the Fleet of Aeneas, 1531-76

Aeneas rescuing Anchises, a young boy carrying a lantern at left, ca. 1525. ca. 1525
Aeneas rescuing Anchises, a young boy carrying a lantern at left, ca. 1525

Virgil reading from the "Aeneid", 1864. Creator: Ingres
Virgil reading from the " Aeneid", 1864. Private Collection

The Pastorals of Virgil, 1821. Creator: William Blake
The Pastorals of Virgil, 1821

On Homers Poetry (and) On Virgil, 1822. Creator: William Blake
On Homers Poetry (and) On Virgil, 1822

Dante and Virgil (Dante et Virgile), 1858. Creator: Jean-Baptiste-Camille Corot
Dante and Virgil (Dante et Virgile), 1858

The Circle of the Falsifiers: Dante and Virgil Covering their Noses because of the stench, 1827

Laocoon, c. 1610 / 1614. Creator: El Greco
Laocoon, c. 1610/1614

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"Virgil: A Journey Through Time and Artistic Interpretations" Step into the world of Virgil, a name that resonates through centuries of literature, art, and exploration. From Dante's Divine Comedy to Roman mosaics, this captivating figure has left an indelible mark on our cultural tapestry. In the frontispiece of Dante's Divine Comedy, we witness Virgil guiding Dante through the realms of Hell, Purgatory, and Heaven. Their partnership symbolizes wisdom leading humanity towards enlightenment. But Virgil's influence extends beyond literature. Nadia-Juliette Boulanger, a French music teacher known for her prodigious talent, draws inspiration from his timeless spirit as she imparts knowledge to future generations. Even in space exploration, Virgil finds his place. Astronaut Virgil "Gus" Grissom stands in the chow line at NASA - a modern-day embodiment of bravery and discovery echoing the ancient poet's adventurous spirit. Artists like Claude Lorrain capture pivotal moments in history with their brushstrokes. The arrival of Aeneas in Italy signifies the dawn of the Roman Empire - a testament to Virgil's role as a chronicler and shaper of civilization. As we delve deeper into mythological realms depicted by Shirley Markham's artwork or explore Roman beekeeping practices intertwined with Virgil's legacy; we uncover layers upon layers of symbolism and meaning. Charon ferries souls across Styx while Dante and Virgil cross paths with Bacchus himself – Dionysus personified – reminding us that even gods are not immune to human struggles such as temptation represented by wine. Through it all, one thing remains constant: Virgil is our guide through darkness. Whether traversing icy terrains or descending into hellish depths alongside Dante; he represents resilience against adversity and unwavering determination towards truth. So let us celebrate this enigmatic figure who transcends time and boundaries.