Fraud Blocker Skip to main content

Victorian Pictures Collection (page 4)

Step back in time with these enchanting Victorian pictures. From teatime gatherings to strolls in picturesque gardens, each artwork captures the essence of a bygone era

Background imageVictorian Pictures Collection: Travellers, (pencil and watercolour)

Travellers, (pencil and watercolour)
659870 Travellers, (pencil and watercolour) by Kilburne, George Goodwin (1839-1924); 36.8x52.7 cm; Private Collection; (add.info.: Travellers. George Goodwin Kilburne (1839-1924)

Background imageVictorian Pictures Collection: A Gleam of Light, 1891 (watercolour)

A Gleam of Light, 1891 (watercolour)
659866 A Gleam of Light, 1891 (watercolour) by Henshall, John Henry (1856-1928); 67.4x52.1 cm; Private Collection; (add.info.: A Gleam of Light. John Henry Henshall (1856-1928). Watercolour

Background imageVictorian Pictures Collection: Apple Blossoms, a Primrose and Birds Nest on a Mossy Bank, (oil on canvas)

Apple Blossoms, a Primrose and Birds Nest on a Mossy Bank, (oil on canvas)
659860 Apple Blossoms, a Primrose and Birds Nest on a Mossy Bank, (oil on canvas) by Clare, Oliver (1853-1927); 20x26 cm; Private Collection; (add.info.: Apple Blossoms)

Background imageVictorian Pictures Collection: Stapleton Park, Pontefract, 1877 (oil on canvas)

Stapleton Park, Pontefract, 1877 (oil on canvas)
659859 Stapleton Park, Pontefract, 1877 (oil on canvas) by Grimshaw, John Atkinson (1836-93); 82.6x122.6 cm; Private Collection; (add.info.: Stapleton Park, Pontefract)

Background imageVictorian Pictures Collection: Country Fair, (oil on canvas)

Country Fair, (oil on canvas)
659858 Country Fair, (oil on canvas) by Holland, James (1799-1870); 41x65 cm; Private Collection; (add.info.: Country Fair. James Holland (1799-1870). Oil on canvas

Background imageVictorian Pictures Collection: Portrait of a Lady in a White Dress, 1909 (oil on canvas)

Portrait of a Lady in a White Dress, 1909 (oil on canvas)
659853 Portrait of a Lady in a White Dress, 1909 (oil on canvas) by Hicks, George Elgar (1824-1914); 127x81.3 cm; Private Collection; (add.info.: Portrait of a Lady in a White Dress)

Background imageVictorian Pictures Collection: A Country Walk, (watercolour)

A Country Walk, (watercolour)
659835 A Country Walk, (watercolour) by Pinwell, George John (1842-75); 40.7x58.5 cm; Private Collection; (add.info.: A Country Walk. George John Pinwell (1842-1875). Watercolour

Background imageVictorian Pictures Collection: A Young Lady Reading in an Interior, (pencil and watercolour)

A Young Lady Reading in an Interior, (pencil and watercolour)
659825 A Young Lady Reading in an Interior, (pencil and watercolour) by Kilburne, George Goodwin (1839-1924); 18.4x25.4 cm; Private Collection; (add.info.: A Young Lady Reading in an Interior)

Background imageVictorian Pictures Collection: A Little Boy with a Shetland Pony, 1917 (oil on canvas)

A Little Boy with a Shetland Pony, 1917 (oil on canvas)
659818 A Little Boy with a Shetland Pony, 1917 (oil on canvas) by Swynnerton, Annie Louisa (1844-1933); 227.3x129.6 cm; Private Collection; (add.info.: A Little Boy with a Shetland Pony)

Background imageVictorian Pictures Collection: A First Attempt, 1860 (oil on canvas)

A First Attempt, 1860 (oil on canvas)
659817 A First Attempt, 1860 (oil on canvas) by Hughes, Thomas John (fl.1879-92); 76x60 cm; Private Collection; (add.info.: A First Attempt. Thomas John Hughes (active 1851-1865). Oil on canvas

Background imageVictorian Pictures Collection: The Statute Fair, 1859 (oil on canvas)

The Statute Fair, 1859 (oil on canvas)
659802 The Statute Fair, 1859 (oil on canvas) by O Neill, George Bernard (1828-1917); 91.5x169 cm; Private Collection; (add.info.: The Statute Fair. George Bernard O Neill (1828-1917). Oil on canvas

Background imageVictorian Pictures Collection: The Raising of Lazarus, (pencil and watercolour heightened with white)

The Raising of Lazarus, (pencil and watercolour heightened with white)
659800 The Raising of Lazarus, (pencil and watercolour heightened with white) by Shields, Frederic James (1833-1911); 274.5x142.3 cm; Private Collection; (add.info.: The Raising of Lazarus)

Background imageVictorian Pictures Collection: The Bewitched Piper, 1882 (pencil and watercolour)

The Bewitched Piper, 1882 (pencil and watercolour)
659799 The Bewitched Piper, 1882 (pencil and watercolour) by Sullivan, William Holmes (1836-1908); 52.7x68.6 cm; Private Collection; (add.info.: The Bewitched Piper. William Holmes Sullivan (fl)

Background imageVictorian Pictures Collection: A Flower Market, France, 1900 (pencil and watercolour heightened with white)

A Flower Market, France, 1900 (pencil and watercolour heightened with white)
659792 A Flower Market, France, 1900 (pencil and watercolour heightened with white) by Glendening, Alfred, Jr. (1861-1907); 60.5x91.5 cm; Private Collection; (add.info.: A Flower Market, France)

Background imageVictorian Pictures Collection: Hilda and Margaret, Daughters of Professor Sir Edward Poulton, F. R. S. c

Hilda and Margaret, Daughters of Professor Sir Edward Poulton, F. R. S. c
659782 Hilda and Margaret, Daughters of Professor Sir Edward Poulton, F.R.S. c.1905 (oil on canvas) by Gotch, Thomas Cooper (1854-1931); 152.3x121.9 cm; Private Collection; (add.info)

Background imageVictorian Pictures Collection: The Lady in Gold - A Portrait of Mrs, c. 1891 (oil on canvas)

The Lady in Gold - A Portrait of Mrs, c. 1891 (oil on canvas)
659781 The Lady in Gold - A Portrait of Mrs, c.1891 (oil on canvas) by Gotch, Thomas Cooper (1854-1931); 193.1x99.1 cm; Private Collection; (add.info.: The Lady in Gold - A Portrait of Mrs)

Background imageVictorian Pictures Collection: A Gypsy Water-Carrier of Seville, 1855 (oil on canvas)

A Gypsy Water-Carrier of Seville, 1855 (oil on canvas)
659772 A Gypsy Water-Carrier of Seville, 1855 (oil on canvas) by Phillip, John (1817-67); 116.8x81.2 cm; Private Collection; (add.info.: A Gypsy Water-Carrier of Seville. John Phillip (1817-1867)

Background imageVictorian Pictures Collection: Beverley Minster, (pencil and watercolour)

Beverley Minster, (pencil and watercolour)
659763 Beverley Minster, (pencil and watercolour) by Waite, Robert Thorne (1842-1935); 32.2x92.5 cm; Private Collection; (add.info.: Beverley Minster. Robert Thorne Waite (1842-1935)

Background imageVictorian Pictures Collection: Saturday Night, 1898 (pencil & w / c on paper)

Saturday Night, 1898 (pencil & w / c on paper)
659762 Saturday Night, 1898 (pencil & w/c on paper) by Cornish, William Permeanus (fl.1875-1904); 75.5x115 cm; Private Collection; Photo eChristies Images; British, out of copyright

Background imageVictorian Pictures Collection: The Ploughman Wilmington Polegate, Near Eastbourne, (pencil and watercolour)

The Ploughman Wilmington Polegate, Near Eastbourne, (pencil and watercolour)
659760 The Ploughman Wilmington Polegate, Near Eastbourne, (pencil and watercolour) by Swanwick, Joseph Harold (1866-1929); 59.8x105 cm; Private Collection; (add.info)

Background imageVictorian Pictures Collection: Dora, 1883 (oil on canvas)

Dora, 1883 (oil on canvas)
659748 Dora, 1883 (oil on canvas) by Woolmer, Arthur Joseph (1805-92); 61.6x52.1 cm; Private Collection; (add.info.: Dora. Alfred Joseph Woolmer (1805-1892). Oil on canvas. 61.6 x 52.1cm

Background imageVictorian Pictures Collection: Portrait of Mrs. Frank D. Millet, 1886 (oil on canvas)

Portrait of Mrs. Frank D. Millet, 1886 (oil on canvas)
659747 Portrait of Mrs. Frank D. Millet, 1886 (oil on canvas) by Alma-Tadema, Lawrence (1836-1912); 66.4x52.5 cm; Private Collection; (add.info.: Portrait of Mrs. Frank D. Millet)

Background imageVictorian Pictures Collection: Best of Friends, (oil on canvas)

Best of Friends, (oil on canvas)
659745 Best of Friends, (oil on canvas) by Barker, Wright (1864-1941); 63.5x76.2 cm; Private Collection; (add.info.: Best of Friends. Wright Barker (1864-1941). Oil on canvas

Background imageVictorian Pictures Collection: A Mother and her Child, (oil on canvas)

A Mother and her Child, (oil on canvas)
659741 A Mother and her Child, (oil on canvas) by Tait, Robert Scott (fl.1845-75); 127.7x102.2 cm; Private Collection; (add.info.: A Mother and her Child. Robert Scott Tait (fl.1845-1875)

Background imageVictorian Pictures Collection: Fantasy, 1924 (oil on canvas)

Fantasy, 1924 (oil on canvas)
659733 Fantasy, 1924 (oil on canvas) by Munns, Bernard (1869-1942); 61.6x50.8 cm; Private Collection; (add.info.: Fantasy. John Bernard Munns (1869-1942). Oil on canvas. Dated 1924

Background imageVictorian Pictures Collection: An Allegory of Contemporary Events, 1873 (pencil, watercolour and bodycolour)

An Allegory of Contemporary Events, 1873 (pencil, watercolour and bodycolour)
990902 An Allegory of Contemporary Events, 1873 (pencil, watercolour and bodycolour) by Bright, Henry Barnabus (1824-76); 54x6.2 cm; Private Collection; (add.info)

Background imageVictorian Pictures Collection: News from the Front, 1880 (oil on canvas)

News from the Front, 1880 (oil on canvas)
1772166 News from the Front, 1880 (oil on canvas) by Webb, Charles Meer (1830-1895); 91.5x80 cm; Private Collection; (add.info.: News from the Front. Charles Meer Webb (1830-1895). Oil on canvas

Background imageVictorian Pictures Collection: In the Golden Olden Time (oil on canvas)

In the Golden Olden Time (oil on canvas)
1772155 In the Golden Olden Time (oil on canvas) by Grimshaw, John Atkinson (1836-93); 68.6x50.8 cm; Private Collection; (add.info.: In the Golden Olden Time. John Atkinson Grimshaw (1836-1893)

Background imageVictorian Pictures Collection: Shaking Down Cider Apples (oil on canvas)

Shaking Down Cider Apples (oil on canvas)
1772148 Shaking Down Cider Apples (oil on canvas) by La Thangue, Henry Herbert (1859-1929); 106.7x92.7 cm; Private Collection; (add.info.: Shaking Down Cider Apples)

Background imageVictorian Pictures Collection: A Proposed Scheme for a New Street, Newcastle, 1831 (oil on canvas)

A Proposed Scheme for a New Street, Newcastle, 1831 (oil on canvas)
1772145 A Proposed Scheme for a New Street, Newcastle, 1831 (oil on canvas) by Carmichael, John Wilson (1800-68); 60.9x103.5 cm; Private Collection; (add.info.: A Proposed Scheme for a New Street)

Background imageVictorian Pictures Collection: Venus and her Satellites (Venus at her Toilet) (oil on panel)

Venus and her Satellites (Venus at her Toilet) (oil on panel)
1772138 Venus and her Satellites (Venus at her Toilet) (oil on panel) by Etty, William (1787-1849); 80.6x111 cm; Private Collection; (add.info.: Venus and her Satellites (Venus at her Toilet)

Background imageVictorian Pictures Collection: Under the Moonbeams, 1887 (oil on board)

Under the Moonbeams, 1887 (oil on board)
1772131 Under the Moonbeams, 1887 (oil on board) by Grimshaw, John Atkinson (1836-93); 46x35.9 cm; Private Collection; (add.info.: Under the Moonbeams. John Atkinson Grimshaw (1836-1893)

Background imageVictorian Pictures Collection: The Sleeping Beauty, 1921 (oil on canvas)

The Sleeping Beauty, 1921 (oil on canvas)
1772120 The Sleeping Beauty, 1921 (oil on canvas) by Collier, John (1850-1934); 111.7x142.2 cm; Private Collection; (add.info.: The Sleeping Beauty. John Collier (1850-1934). Oil on canvas

Background imageVictorian Pictures Collection: The Roses of Heliogabalus, 1888 (oil on canvas)

The Roses of Heliogabalus, 1888 (oil on canvas)
3431718 The Roses of Heliogabalus, 1888 (oil on canvas) by Alma-Tadema, Lawrence (1836-1912); 132.7x214.4 cm; Private Collection; Photo eChristies Images; English, out of copyright

Background imageVictorian Pictures Collection: Portrait of Esme Robb, c. 1890 (oil on canvas)

Portrait of Esme Robb, c. 1890 (oil on canvas)
659927 Portrait of Esme Robb, c.1890 (oil on canvas) by Boughton, George Henry (1833-1905); 45.7x45.7 cm; Private Collection; (add.info.: Portrait of Esme Robb. George Henry Boughton (1833-1905)

Background imageVictorian Pictures Collection: Fiammetta Singing, 1879 (pencil and watercolour heightened with white)

Fiammetta Singing, 1879 (pencil and watercolour heightened with white)
659926 Fiammetta Singing, 1879 (pencil and watercolour heightened with white) by Stillman, Marie Spartali (1844-1927); 76.2x101.6 cm; Private Collection; (add.info.: Fiammetta Singing)

Background imageVictorian Pictures Collection: A Bit of London Town, 1881 (pencil and watercolour heightened with bodycolour)

A Bit of London Town, 1881 (pencil and watercolour heightened with bodycolour)
659924 A Bit of London Town, 1881 (pencil and watercolour heightened with bodycolour) by Spiers, Benjamin Walter (fl.1875-93); 17.2x50.1 cm; Private Collection; (add.info.: A Bit of London Town)

Background imageVictorian Pictures Collection: My Best Friend, (oil on canvas)

My Best Friend, (oil on canvas)
659919 My Best Friend, (oil on canvas) by Crawford, Robert (1842-1924); 152.5x102 cm; Private Collection; (add.info.: My Best Friend. Robert Cree Crawford (1842-1924). Oil on canvas. 152.5 x 102cm

Background imageVictorian Pictures Collection: Tired Fingers, 1881 (oil on canvas)

Tired Fingers, 1881 (oil on canvas)
659918 Tired Fingers, 1881 (oil on canvas) by Moore, Madena (fl.1880-87); 46x35.9 cm; Private Collection; Photo eChristies Images; British, out of copyright

Background imageVictorian Pictures Collection: Coming from Church, 1834 (oil on canvas)

Coming from Church, 1834 (oil on canvas)
659917 Coming from Church, 1834 (oil on canvas) by Houston, John Adam P. (1812-84); 61x45.7 cm; Private Collection; (add.info.: Coming from Church. John Adam Houston (1812-1884). Oil on canvas

Background imageVictorian Pictures Collection: Daydreaming on the River Bank, (oil on canvas)

Daydreaming on the River Bank, (oil on canvas)
659916 Daydreaming on the River Bank, (oil on canvas) by Lejeune, Henry (1819-1904); 33.7x49.8 cm; Private Collection; (add.info.: Daydreaming on the River Bank. Henry Lejeune (1820-1904)

Background imageVictorian Pictures Collection: Faraway Thoughts, (oil on canvas)

Faraway Thoughts, (oil on canvas)
659914 Faraway Thoughts, (oil on canvas) by Harris, Edwin (1855-1906); 50.8x41.3 cm; Private Collection; (add.info.: Faraway Thoughts. Edwin Harris (1855-1906). Oil on canvas

Background imageVictorian Pictures Collection: Sophias Fools Cap, (pen and brown ink and watercolour)

Sophias Fools Cap, (pen and brown ink and watercolour)
659891 Sophias Fools Cap, (pen and brown ink and watercolour) by Greenaway, Kate (1846-1901); 12x15.2 cm; Private Collection; (add.info.: Sophias Fools Cap. Kate Greenaway (1846-1901)

Background imageVictorian Pictures Collection: Mergansers, on Loch Maree, 1905 (watercolour heightened with bodycolour)

Mergansers, on Loch Maree, 1905 (watercolour heightened with bodycolour)
659879 Mergansers, on Loch Maree, 1905 (watercolour heightened with bodycolour) by Thorburn, Archibald (1860-1935); 38x54.5 cm; Private Collection; (add.info.: Mergansers, on Loch Maree)

Background imageVictorian Pictures Collection: At George Green, near Windsor, (watercolour heightened with white)

At George Green, near Windsor, (watercolour heightened with white)
659872 At George Green, near Windsor, (watercolour heightened with white) by Sigmund, Benjamin D. (fl.1880-1904); 25.5x36.9 cm; Private Collection; (add.info.: At George Green, near Windsor)

Background imageVictorian Pictures Collection: Faithful Friend at Tea Time, (pencil and watercolour)

Faithful Friend at Tea Time, (pencil and watercolour)
659869 Faithful Friend at Tea Time, (pencil and watercolour) by Kilburne, George Goodwin (1839-1924); 34.6x49.8 cm; Private Collection; (add.info.: Faithful Friend at Tea Time)

Background imageVictorian Pictures Collection: The Interrupted Fight, 1858 (oil on canvas)

The Interrupted Fight, 1858 (oil on canvas)
659773 The Interrupted Fight, 1858 (oil on canvas) by Hall, Thomas P. (fl.1837-67); 76x101.5 cm; Private Collection; (add.info.: The Interrupted Fight. Thomas P. Hall (fl.1837-1867). Oil on canvas

Background imageVictorian Pictures Collection: Doubtful Fortune - We Knnow We re Cheated, Yet Would Fain Believe, (oil on panel)

Doubtful Fortune - We Knnow We re Cheated, Yet Would Fain Believe, (oil on panel)
659771 Doubtful Fortune - We Knnow We re Cheated, Yet Would Fain Believe, (oil on panel) by Solomon, Abraham (1824-62); 40.7x31.8 cm; Private Collection; (add.info)



All Professionally Made to Order for Quick Shipping

Step back in time with these enchanting Victorian pictures. From teatime gatherings to strolls in picturesque gardens, each artwork captures the essence of a bygone era. In "Teatime, " delicate pencil and watercolour strokes are heightened with white on card, creating a scene that transports us to an elegant afternoon tea. The Fortune Teller, painted in 1907 using oil on canvas, invites us into the mystical world of divination and intrigue. A leisurely stroll through a lush garden is beautifully depicted in "A Stroll in the Garden. " The artist's skillful use of oil on canvas brings this idyllic scene to life, allowing us to imagine ourselves amidst blooming flowers and whispering trees. Elegant Conversation takes center stage as figures engage in lively discussions against a backdrop of rich colors. This captivating oil on canvas painting draws us into their world, where intellectual exchange reigns supreme. Fowl House Farm welcomes us with open arms as children play alongside sheep under the watchful eye of a shepherd. Executed with meticulous detail using pencil, this charming piece evokes feelings of warmth and nostalgia. Naomi and Ruth tell their timeless tale through bold brushstrokes and vibrant hues. This compelling oil on canvas masterpiece showcases deep emotions intertwined within its narrative. Beside the Old Church Gate Farm transports us to Smarden, Kent through delicate watercolours enhanced by scratching out techniques. We can almost feel the rustic charm emanating from this quaint countryside setting. The Cock and Hen Pheasant at the Edge of a Wood captivates our attention with intricate pencil lines delicately washed over with watercolours. Nature comes alive as we witness these majestic birds amidst their woodland habitat. Study of a Head for The Bower Meadow showcases black chalk mastery as it captures every nuanced expression upon closer inspection. This preparatory sketch reveals the artist's dedication to capturing human emotion authentically.