Veneziano Agostino Collection

St. John, seated and holding a writing instrument to a tablet, an eagle with outstretched wings below his legs, from a series of the four evangelists after Agostino Veneziano

Saint Matthew, dated 1518. Creator: Agostino Veneziano
Saint Matthew, dated 1518

Saint Luke, 1518. Creator: Agostino Veneziano
Saint Luke, 1518

Saint Mark, dated 1518. Creator: Agostino Veneziano
Saint Mark, dated 1518

Venus riding a conch at left and cowering man (Jason) at right, Eros riding a makes... ca. 1530-50. Creator: Anon
Venus riding a conch at left and cowering man (Jason) at right, Eros riding a makeshift boat holding a bow between them, ca. 1530-50

St. Luke, seated on a cloud with an open book in both hands, a bull lying at his feet, from a series of the four evangelists after Agostino Veneziano, which are in turn after Giulio Romano, after 1518

St. Mark, seated with an unfurled scroll in his hands, a winged lions head and forefeet emerge beneath his robes, from a series of the four evangelists after Agostino Veneziano

St. Matthew, seated on a cloud and dipping a quill into an inkwell held by an angel, who is also holding a scroll, from a series of the four evangelists after Giulio Romano, ca. 1518-20

The Body of Christ Supported by Three Angels, 1516. Creator: Agostino Veneziano
The Body of Christ Supported by Three Angels, 1516

Lycaon Transformed into a Wolf, dated 1524. Creator: Agostino Veneziano
Lycaon Transformed into a Wolf, dated 1524

Saint Michael, ca. 1514-16. Creator: Agostino Veneziano
Saint Michael, ca. 1514-16

Ornamental Panel, ca. 1514-1600. ca. 1514-1600. Creator: Anon
Ornamental Panel, ca. 1514-1600

Soldier Attaching His Breeches to His Breast plate, dated 1517. dated 1517. Creator: Anon
Soldier Attaching His Breeches to His Breast plate, dated 1517

Venus and Eros, ca. 1514-36. ca. 1514-36. Creator: Anon
Venus and Eros, ca. 1514-36

St. Matthew, seated on a cloud with legs crossed and dipping a quill into an inkwell held by an angel, who also holds an inscribed scroll

Plate 7: Psyche attended in her bath by nymphs, in the background right Psyche represented again laying in bed, ca. 1520-36

Portrait of Barbarossa, 1535. Creator: Agostino Veneziano
Portrait of Barbarossa, 1535

The Group from Raphaels School of Athens, dated 1523. Creator: Agostino Veneziano
The Group from Raphaels School of Athens, dated 1523

Francois I, King of France, dated 1536. Creator: Agostino Veneziano
Francois I, King of France, dated 1536

The Bearing of the Cross, 1517. Creator: Agostino Veneziano
The Bearing of the Cross, 1517

Pope Paul III, Bareheaded, dated 1534. Creator: Agostino Veneziano
Pope Paul III, Bareheaded, dated 1534

The Archbishop of Brindisi, dated 1536. Creator: Agostino Veneziano
The Archbishop of Brindisi, dated 1536

Saint Peters Basilica, dated 1517. Creator: Agostino Veneziano
Saint Peters Basilica, dated 1517

Pope Paul III in a Skullcap, ca. 1514-36. Creator: Agostino Veneziano
Pope Paul III in a Skullcap, ca. 1514-36

Speculum Romanae Magnificentiae: Laocoon, 1561. 1561. Creator: Sisto Badalocchio
Speculum Romanae Magnificentiae: Laocoon, 1561

Saint John, dated 1518. Creator: Agostino Veneziano
Saint John, dated 1518

The three holy women going to the sepulchre, ca. 1514-36. Creator: Agostino Veneziano
The three holy women going to the sepulchre, ca. 1514-36

The Entombment of Christ, ca. 1514-36. Creator: Agostino Veneziano
The Entombment of Christ, ca. 1514-36

The Climbers, dated 1524. Creator: Agostino Veneziano
The Climbers, dated 1524

Isaac Blessing Jacob, 1524. Creator: Agostino Veneziano
Isaac Blessing Jacob, 1524

Plate 13: Psyche looking at Cupid, from the Story of Cupid and Psyche as told by Apuleius, 1530-60

Plate 7: Psyche attended in her bath, from the Story of Cupid and Psyche as told by Apuleius, 1530-60

Lo Stregozzo: a female witch riding on an animal skeleton, preceded by two men and a boy on a goat blowing on a horn, another naked man behind carrying two bones, ca. 1515-25

Cain holding a mirror watching his sacrifice engulfed in flames, Adam and Eve seated nearby; in the upper right an angel expelling them from Paradise, ca. 1530-50

Baccio Bandinelli in his studio holding a statuette of Venus, students sketching from a model by candlelight, 1531

Cleopatra, dated 1515. Creator: Agostino Veneziano
Cleopatra, dated 1515

Man with a Flag, ca. 1514-36. Creator: Agostino Veneziano
Man with a Flag, ca. 1514-36

The Bark, ca. 1514-36. Creator: Agostino Veneziano
The Bark, ca. 1514-36

Hercules from the "The Hermae", dated 1536. Creator: Agostino Veneziano
Hercules from the " The Hermae", dated 1536

A Young Hero near an Altar, ca. 1514-36. Creator: Agostino Veneziano
A Young Hero near an Altar, ca. 1514-36

Woman Carring a Vase on Her Head, dated 1528. dated 1528. Creator: Agostino Veneziano
Woman Carring a Vase on Her Head, dated 1528

Hercules and Antaeus, dated 1533. dated 1533. Creator: Agostino Veneziano
Hercules and Antaeus, dated 1533

Prudence, dated 1516. Creator: Agostino Veneziano
Prudence, dated 1516

A Warrior, ca. 1514-36. Creator: Agostino Veneziano
A Warrior, ca. 1514-36

Woman Standing near a Vase, ca. 1514-36. Creator: Agostino Veneziano
Woman Standing near a Vase, ca. 1514-36

Battle with a Cutlass, 1530-31. Creator: Agostino Veneziano
Battle with a Cutlass, 1530-31

Temperance, dated 1517. Creator: Agostino Veneziano
Temperance, dated 1517

Peasant and a Woman with Eggs, ca. 1514-36. Creator: Agostino Veneziano
Peasant and a Woman with Eggs, ca. 1514-36

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Agostino Veneziano was a renowned artist known for his exquisite craftsmanship and attention to detail. His works, such as the depiction of St. John seated and holding a writing instrument to a tablet, showcase his mastery in capturing the essence of religious figures. In another masterpiece, Saint Matthew dated 1518, Agostino Veneziano's talent shines through as he portrays the saint with precision and grace. The same can be said for his portrayal of Saint Luke in 1518, where we see him seated on a cloud with an open book in both hands while a bull lies at his feet. One cannot overlook Agostino Veneziano's skillful rendering of Saint Mark also dated 1518. The intricate details bring this biblical figure to life before our eyes. Similarly, in The Body of Christ Supported by Three Angels from 1516, Agostino Veneziano showcases his ability to convey emotion and spirituality through art. However, Agostino Veneziano's talents were not limited to religious subjects alone. In Lycaon Transformed into a Wolf dated 1524, he explores mythology with equal finesse. This piece demonstrates his versatility as an artist who could seamlessly transition between different themes. Another notable work is Saint Michael created around 1514-16 which displays Agostino Veneziano's ability to capture movement and strength within one image, and is truly awe-inspiring how he brings this powerful archangel to life on canvas. Apart from these iconic pieces attributed directly to him are some anonymous creations like Ornamental Panel dating back approximately between ca. 1514-1600 that bear resemblance stylistically but lack specific authorship information. Additionally, there are other intriguing artworks associated with Anon (anonymous) artists during the same period including Soldier Attaching His Breeches to His Breastplate from 1517 and Venus and Eros dating approximately between ca. 1514-36 which further enrich the artistic landscape of that era.