Velvet Collection (page 2)

Breaking the bank
Julia Ramiro

Green Velvet
Jan Slotboom

Blue Velvet Chair
Dale Hefer

Woman in velvet evening coat with silver silk embroidery, 1912-14 (stencil)
5893085 Woman in velvet evening coat with silver silk embroidery, 1912-14 (stencil); (add.info.: Handcoloured pochoir (stencil) etching from Tommaso Antongini's Journal des Dames et des Modes

Costume of Rolleville, drawn at le Havre
5855693 Costume of Rolleville, drawn at le Havre; (add.info.: Woman in the costume of Rolleville, drawn at le Havre. She wears an elaborate tall bavolet hat of folded lace)

Velvet bean or cowitch, Mucuna pruriens
5855139 Velvet bean or cowitch, Mucuna pruriens; (add.info.: Velvet bean or cowitch, Mucuna pruriens. Handcoloured botanical illustration drawn by G)

Women's headdress from 1880 (litho)
8677420 Women's headdress from 1880 (litho) by American School, (19th century); Private Collection; (add.info.: Women's headdress from 1880)

Louis-Hector, Duc de Villars, in ceremonial robes for the coronation of Louis XIV
FLO4572116 Louis-Hector, Duc de Villars, in ceremonial robes for the coronation of Louis XIV. Handcoloured lithograph after a portrait in Roger de Gaignieres gallery portfolios from Le Bibliophile

John VII of Sarrebruche, Count of Rouci, d. 1497. Handcoloured lithograph after a miniature in Roger de Gaignieres
FLO4570768 John VII of Sarrebruche, Count of Rouci, d. 1497. Handcoloured lithograph after a miniature in Roger de Gaignieres portfolio VII 56 from Le Bibliophile Jacob aka Paul Lacroix's

Madame Bras as Dame Catherine in La Dame les Belles Cousines by Louis Charles Achille d'Artois
FLO4607143 Madame Bras as Dame Catherine in La Dame les Belles Cousines by Louis Charles Achille d'Artois, Theatre du Vaudeville, 1823. Handcoloured lithograph by F

Costume of Coutances
5855684 Costume of Coutances; (add.info.: Woman in costume of Coutances. Rear view of a very tall bavolet bonnet showing the artful lacing with pink and silver ribbon)

A Victorian walnut and upholstered sofa covered in a striped velvet with floral petit point panels (walnut wood)
1765111 A Victorian walnut and upholstered sofa covered in a striped velvet with floral petit point panels (walnut wood, velvet); Private Collection; (add.info)

Women's headdress of 1850 (litho)
8677509 Women's headdress of 1850 (litho) by American School, (19th century); Private Collection; (add.info.: Women's headdress of 1850)

The Industrial Arts during the Renaissance Period North of the Alps (engraving)
8650805 The Industrial Arts during the Renaissance Period North of the Alps (engraving) by European School, (19th century); Private Collection; (add.info)

Great officers of state at a English royal coronation ceremony. Chromolithograph from Paul Lacroix The Eighteenth
FLO4657108 Great officers of state at a English royal coronation ceremony. Chromolithograph from Paul Lacroix The Eighteenth Century: Its Institutions, Customs, and Costumes, London

Portrait of a Man, c.1480-1500 (oil on wood)
XOS5876688 Portrait of a Man, c.1480-1500 (oil on wood) by Dutch School, (15th century); 52.5x38 cm; Cleveland Museum of Art, OH, USA; (add.info.: Northeastern France or the Burgundian Netherlands)

The throne room, Fontainebleau Palace, France, c.1890-c.1900
1128936 The throne room, Fontainebleau Palace, France, c.1890-c.1900; Private Collection; (add.info.: Photochrom Collection, photomechanical print)

Costume of Pont-Leveque
5855745 Costume of Pont-Leveque.; (add.info.: Costume of Pont-Leveque, Calvados. This woman wears bonnet of her village on top of a cornet "a la Parisienne." The cornet is decorated with)

Jon Arason's Chasuble, 16th century (textile)
5304954 Jon Arason's Chasuble, 16th century (textile); (add.info.: Jon Arason's Chasuble, an ornate sleeveless outer vestment worn by a Catholic or High Anglican priest when celebrating Mass)

Two bone pickers sitting on the stairs with a dog. One sews patches onto his patchwork coat of bits of old velvet
FLO5003421 Two bone pickers sitting on the stairs with a dog. One sews patches onto his patchwork coat of bits of old velvet, carpet, cloth, etc

COSTUME: dress, Harvie, Miss Margaret, Scotland, Glasgow, 316 Bath Street, c. 1883 (silk, cotton, metal)
3548220 COSTUME: dress, Harvie, Miss Margaret, Scotland, Glasgow, 316 Bath Street, c. 1883 (silk, cotton, metal); Glasgow Museums, UK; (add.info.: E.1975.4 COSTUME dress Harvie)

COSTUME: dress, Harvie, Miss Margaret, Scotland, Glasgow, 316 Bath Street, c. 1883 (silk, cotton, metal)
3548217 COSTUME: dress, Harvie, Miss Margaret, Scotland, Glasgow, 316 Bath Street, c. 1883 (silk, cotton, metal); Glasgow Museums, UK; (add.info.: E.1975.4 COSTUME dress Harvie)

COSTUME: dress, Harvie, Miss Margaret, Scotland, Glasgow, 316 Bath Street, c. 1883 (silk, cotton, metal)
3548214 COSTUME: dress, Harvie, Miss Margaret, Scotland, Glasgow, 316 Bath Street, c. 1883 (silk, cotton, metal); Glasgow Museums, UK; (add.info.: E.1975.4 COSTUME dress Harvie)

Trade card for Ahlborn's silks and velvets, London (chromolitho)
8677583 Trade card for Ahlborn's silks and velvets, London (chromolitho) by English School, (19th century); Private Collection; (add.info.: Trade card for Ahlborn's silks and velvets)

The Bat women's headdress (litho)
8677454 The Bat women's headdress (litho) by American School, (19th century); Private Collection; (add.info.: The Bat women's headdress)

Women's headdress in the time of Charles IX (litho)
8677411 Women's headdress in the time of Charles IX (litho) by American School, (19th century); Private Collection; (add.info.: Women's headdress in the time of Charles IX)

Model in beaded sequine evening dress
Model reclining on a velvet-upholstered chaise longue wearing a beaded sequine evening dress - she is being served tea by a smartly-attired butler. Date: circa 1948

VELVET ENCIRCLE
StudioSix

Costume of a woman at the coutnry festival of St. Gorgon, near Rouen
5855669 Costume of a woman at the coutnry festival of St. Gorgon, near Rouen; (add.info.: Costume of a woman at the country festival of St. Gorgon, near Rouen)

Costume of St. Valery en Caux
5855716 Costume of St. Valery en Caux.; (add.info.: Costume of St. Valery en Caux. The bonnet is covered with blue silk and black velvet)

Jon Arason's Chasuble, 16th century (textile)
5304955 Jon Arason's Chasuble, 16th century (textile); (add.info.: Jon Arason's Chasuble, an ornate sleeveless outer vestment worn by a Catholic or High Anglican priest when celebrating Mass)

Costume of a Paulista, woman of St. Paul's (Sao Paulo) in long wool coat edged with velvet and gold lace
FLO4721637 Costume of a Paulista, woman of St. Paul's (Sao Paulo) in long wool coat edged with velvet and gold lace. Copied from John Mawe's (1764-1829) Travels in the Interior of Brazil

King George V in the three robes worn at the Coronation ceremony in Westminster Abbey
2915346 King George V in the three robes worn at the Coronation ceremony in Westminster Abbey. From top The Royal Crimson Robe of State

King Louis XV, King of France and Navarre, in his coronation robes and wearing the crown of Charlemagne 1722
FLO4572085 King Louis XV, King of France and Navarre, in his coronation robes and wearing the crown of Charlemagne 1722. Handcoloured lithograph after a portrait in Roger de Gaignieres portfolio

Marie Louise, Empress of France, Duchess of Parma, second wife to Napoleon Bonaparte 1791-1847
FLO4572712 Marie Louise, Empress of France, Duchess of Parma, second wife to Napoleon Bonaparte 1791-1847. Handcoloured lithograph from Le Bibliophile Jacob aka Paul Lacroix's Costumes Historique

Italian opera singer Giulia Grisi as Ann Boleyn in the opera Anna Bolena by Gaetano Donizetti, Theatre Royal Italie
FLO4631883 Italian opera singer Giulia Grisi as Ann Boleyn in the opera Anna Bolena by Gaetano Donizetti, Theatre Royal Italie, 1832

Visit of the Prince and Princess of Wales to Sweden:..at the Theatre Royal, Stockholm... 1864. Creator: Unknown
Visit of the Prince and Princess of Wales to Sweden:..at the Theatre Royal, Stockholm - from a sketch by our special artist, 1864

Paris fashions for October, 1864. Creator: Unknown
Paris fashions for October, 1864. Fig. 1. Evening Dress. Robe of white alpaca, ornamented with black lace insertion...Muslin chemisette, with collar and cuffs of embroidered muslin

Phelonion [vestment] from the second half of the eighteenth century, from a very old... 1911
Phelonion [vestment] from the second half of the eighteenth century, from a very old fabric called kamka [silk brocade] with shoulders embroidered with pearls on crimson velvet. In the Rostov Museum

Paris fashions for December, 1862. Creator: Unknown
Paris fashions for December, 1862. Fig. 1. Evening Dress. Robe of stout corded apple-green taffety...with a guipure on a white ground; the sleeves are also trimmed with a similar transparent guipure

Paris fashions for February, 1864. Creator: Unknown
Paris fashions for February, 1864. Fig. 1. Walking Dress. Dark brown silk robe, trimmed round the bottom of the skirt with a wide band of black velvet

BLUE VELVET
Paolo Lazzarotti

Spring Star
Monique van Velzen

Shiras bull moose, foraging

Bull moose, velvet antlers

Shiras bull moose, crossing stream

Rocky Mountain bull elk

Olof Håkansson, 1695-1769, c18th century. Creator: Anon
Olof Hakansson, 1695-1769, c18th century

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Velvet, a fabric of luxury and opulence, has woven its way through history, leaving behind traces of elegance and style. In the streets of North East Britain, Teddy Boys dance with exuberance, their vibrant energy captured in a timeless picture. Rocking Jim Newark and his Teds epitomize rebellion and fashion-forwardness as they embrace the allure of velvet. Traveling back to 1912, we encounter the Lennox-Boyd family adorned in velvet attire. The brothers exude sophistication while embracing the trends of their time. Velvet becomes a symbol of status and refinement as it drapes gracefully over their figures. Centuries earlier, Hendrick Avercamp's painting "Enjoying the Ice near a Town" showcases individuals indulging in winter activities donning velvety garments. Even amidst frozen landscapes, velvet brings warmth and comfort to those who wear it. Moving forward to grand occasions such as the Coronation of King George V and Queen Mary or Catherine Howard's regal presence; velvet takes center stage among royalty. Its rich texture complements majestic settings while adding an air of majesty to these historical moments. In Victorian times, women from esteemed families like Polhill-Turner embraced velvet fashionably. They embodied gracefulness with each step taken in their luxurious gowns made from this sumptuous fabric. Across continents in Istanbul's bustling markets lie Turkish fezes crafted from plush velvet alongside postcards depicting its allure. Velvet transcends borders as it continues captivating hearts worldwide with its timeless appeal. Even artists like Holbein immortalized Jane Seymour wearing her portrait-worthy gown made entirely out of exquisite velvet fabrics during Tudor times—a testament to its enduring beauty throughout centuries. Fashion evolves but never forgets classics like Victor Stiebel Suit or fashionable women sporting elegant hats embellished with feathers atop soft velvety surfaces—both capturing eras where style merged seamlessly with comfort.