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Velvet Cap Collection

"The Timeless Elegance of the Velvet Cap: A Glimpse into Fashion Through History" Throughout history, the velvet cap has been a symbol of sophistication and style

Background imageVelvet Cap Collection: Frock Coat Velvet Collar Lapels Cashmere Waistcoat

Frock Coat Velvet Collar Lapels Cashmere Waistcoat
Frock coat with velvet collar and lapels - Cashmere waistcoat - Velvet tie. Velvet dressing gown lined with satin - Velvet cap

Background imageVelvet Cap Collection: Paula of Viguier, Paule de Viguier, La Belle Paule, renowned beauty of Toulouse, 1518-1610

Paula of Viguier, Paule de Viguier, La Belle Paule, renowned beauty of Toulouse, 1518-1610
FLO4657310 Paula of Viguier, Paule de Viguier, La Belle Paule, renowned beauty of Toulouse, 1518-1610. She wears her hair tied back under a velvet cap with feather

Background imageVelvet Cap Collection: Margaret of France, Duchess of Berry, daughter of King Francis I, 1523-1574

Margaret of France, Duchess of Berry, daughter of King Francis I, 1523-1574
FLO4657263 Margaret of France, Duchess of Berry, daughter of King Francis I, 1523-1574. She wears a velvet cap, velvet dress with tight bodice, ruff collar, slashed sleeves, scarlet petticoat

Background imageVelvet Cap Collection: Portrait of King Henry VII of England, surnamed Tudor

Portrait of King Henry VII of England, surnamed Tudor
6337239 Portrait of King Henry VII of England, surnamed Tudor by Rundall, Mary Ann (d.1839) (after); (add.info.: Portrait of King Henry VII of England, surnamed Tudor)

Background imageVelvet Cap Collection: Portrait of King Edward VI of England, as a young man in velvet cap and doublet

Portrait of King Edward VI of England, as a young man in velvet cap and doublet, with orb and sceptre
6337241 Portrait of King Edward VI of England, as a young man in velvet cap and doublet, with orb and sceptre by Rundall, Mary Ann (d.1839) (after); (add.info.: Portrait of King Edward VI of England)

Background imageVelvet Cap Collection: Richard James of Middle Temple, c. 1744 (oil on canvas)

Richard James of Middle Temple, c. 1744 (oil on canvas)
FIT63111 Richard James of Middle Temple, c.1744 (oil on canvas) by Hogarth, William (1697-1764); 75x62.2 cm; Fitzwilliam Museum, University of Cambridge, UK; eFitzwilliam Museum; English

Background imageVelvet Cap Collection: Self-Portrait Velvet Cap Plume 1638 Etching Prints

Self-Portrait Velvet Cap Plume 1638 Etching Prints
Artokoloro

Background imageVelvet Cap Collection: Bearded Man Velvet Cap Jewel Clasp 1637 Etching

Bearded Man Velvet Cap Jewel Clasp 1637 Etching
Artokoloro

Background imageVelvet Cap Collection: Sheet Two Studies Tree Upper Part Head Rembrandt Wearing

Sheet Two Studies Tree Upper Part Head Rembrandt Wearing
Artokoloro

Background imageVelvet Cap Collection: Young Man Velvet Cap Ferdinand Bol 1637 Etching

Young Man Velvet Cap Ferdinand Bol 1637 Etching
Artokoloro

Background imageVelvet Cap Collection: Portrait of Theodore Gericault (1791-1824) (oil on canvas)

Portrait of Theodore Gericault (1791-1824) (oil on canvas)
XIR167398 Portrait of Theodore Gericault (1791-1824) (oil on canvas) by Jamar, Louis Alexis (1800-65); Musee des Beaux-Arts, Rouen, France; (add.info.: Jean Louis Andre Theodore Gericault; ); French


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"The Timeless Elegance of the Velvet Cap: A Glimpse into Fashion Through History" Throughout history, the velvet cap has been a symbol of sophistication and style. From renowned beauties to powerful monarchs, this accessory has adorned the heads of many notable figures. One such beauty was Paula de Viguier, also known as La Belle Paule. Living from 1518 to 1610 in Toulouse, she captivated hearts with her enchanting looks. Her signature look included a velvet cap with feathers, perfectly complementing her tied-back hair. She completed her ensemble with a surtout decorated with pearls and lace collar and sleeves – truly a vision of elegance. Another influential figure who embraced the allure of the velvet cap was Margaret of France, Duchess of Berry. Born in 1523 as King Francis I's daughter, she exuded regal grace throughout her life. Margaret donned a velvet cap that harmonized flawlessly with her tight-bodiced velvet dress and ruff collar. Slashed sleeves added an element of flair while holding a feather fan completed her majestic appearance. Even kings were not immune to the charm of this headpiece. In portraits like that of King Henry VII Tudor or King Edward VI as a young man, they both sported the timeless velvet cap alongside their royal attire – orbs, scepters, doublets – showcasing their power and refinement. Moving forward in time brings us to Richard James' portrait from c. 1744 where he proudly wears his own version of the velvet cap at Middle Temple. The etching captures his confident gaze framed by this fashionable accessory. The popularity continued well into later centuries; Rembrandt depicted himself wearing one in his self-portrait from 1638 while Ferdinand Bol showcased it on young men through his etchings in 1637. Not limited to Europe alone is Theodore Gericault's portrait painted between 1791-1824.