Veiled Collection (page 4)

Photograph of Persian woman wearing full veil or burkha
Front cover photograph, of Persian woman wearing full veil or burkha. Captioned, The latest portrait of a society beauty: a Persian lady of rank'

Lady Mary Lygon, studio portrait in veiled hat. With description, The latest portrait of Lady Mary Lygon, the third daughter of the Earl and Countess of Beauchamp

Turkish women - 1920s - Liberation in Dress
A set of cards issued to reflect the fact that soon after Ataturk took over in Turkey in the 1920s, there was liberation by women from the old modes of dress

GERMAN WIDOW'S WEEDS
WITWENTRACHT, A German widow in her mourning weeds 16th century

Customs and costumes of the eastern countries and differing states of dress - women going to bathe
XIR391475 Customs and costumes of the eastern countries and differing states of dress - women going to bathe, 1513 (colour engraving) by French School, (16th century); Bibliotheque Nationale, Paris

Madonna (oil on panel) (pair to 471176)
471177 Madonna (oil on panel) (pair to 471176) by Massys or Matsys, Quentin (c.1466-1530); 39x58 cm; Koninklijk Museum voor Schone Kunsten, Antwerp, Belgium; © Art in Flanders

Judith (oil on panel)
471178 Judith (oil on panel) by Massys or Metsys, Jan (1509-75); 115x80 cm; Koninklijk Museum voor Schone Kunsten, Antwerp, Belgium; © Art in Flanders

Travellers reposing on the banks of Lake Doiran; Notes on Albania, 1875. Creator: Frederick A. Lyons
Travellers reposing on the banks of Lake Doiran; Notes on Albania, 1875. From, Illustrated Travels by H.W. Bates. [Cassell, Petter, and Galpin, c1880, London] Belle Sauvage Works.London E.C

Gipsy Beggar; Notes on Albania, 1875. Creator: Frederick A. Lyons
Gipsy Beggar; Notes on Albania, 1875. From, Illustrated Travels by H.W. Bates. [Cassell, Petter, and Galpin, c1880, London] Belle Sauvage Works.London E.C

Portrait of a woman in black, with her hair covered by a headdress and a dark veil, 1650-66

Princess Zainab Nazli Khanum (Nazili Hanum), 1875 (oil on canvas)
3610405 Princess Zainab Nazli Khanum (Nazili Hanum), 1875 (oil on canvas) by Jerichau-Baumann, Elisabeth Maria Anna (1819-1881); 132x170 cm; Private Collection; (add.info)

I've got dreams to remember
Sherin.Abdou

DDE-90037073
Veiled Chameleon, Chamaeleo calyptratus, Native to Yemen. Habitat: Varied, Trees, Bushes Vines Date: 30/07/2008

DDE-90037075
Veiled Chameleon, Chamaeleo calyptratus, Native to Yemen. Habitat: Varied, Trees, Bushes Vines Date: 30/07/2008

DDE-90037074
Veiled Chameleon, Chamaeleo calyptratus, Native to Yemen. Habitat: Varied, Trees, Bushes Vines Date: 30/07/2008

DDE-90037072
Veiled Chameleon, Chamaeleo calyptratus, Native to Yemen. Habitat: Varied, Trees, Bushes Vines Date: 30/07/2008

Page 221. Dress of a Chief Mourner, from Otaheite, 1810-17 (w / c & manuscript text)
5670096 Page 221. Dress of a Chief Mourner, from Otaheite, 1810-17 (w/c & manuscript text) by Digby, Kenelm Henry (1800-80); 39.6x25.2x5.4 cm; Mitchell Library

Golden Veil, (etching and aquatint, printed in colours)
1195015 Golden Veil, (etching and aquatint, printed in colours) by Icart, Louis (1888-1950); 38x48 cm; Private Collection; Photo © Christies Images

An Arab Market
659004 An Arab Market, () by Fabbi, Fabio (1861-1946); 48.9x69.9 cm; Private Collection; (add.info.: An Arab Market. Fabbio Fabbi (1861-1946). Oil on canvas

But we will draw the curtains and show you the picture, Twelfth Night, Act I Scene 5
STC308587 But we will draw the curtains and show you the picture, Twelfth Night, Act I Scene 5, illustration from Tales from Shakespeare by Charles and Mary Lamb, 1905 (colour litho) by Price

The Favourite (oil on canvas)
1764979 The Favourite (oil on canvas) by Bouchard, Paul Louis (1853-1937); Private Collection; (add.info.: The Favourite. Paul Louis Bouchard (1853-1937)

Jane Emmet de Glehn by a Stream, Val d Aosta, (oil on canvas)
1199606 Jane Emmet de Glehn by a Stream, Val d Aosta, (oil on canvas) by Glehn, Wilfred Gabriel de (1870-1951); 63x76 cm; Private Collection; Photo © Christies Images

Going to the Theater, c. 1770 / 71. Creator: Suzuki Harunobu
Going to the Theater, c. 1770/71. Attributed to Suzuki Harunobu

Women Walking by a Moat, 1780s. Creator: Katsukawa Shuncho
Women Walking by a Moat, 1780s

Woman on the bridge watching the moon, Japan, 1831. Creator: Katsushika Taito
Woman on the bridge watching the moon, Japan, 1831

Three Beauties of Yoshiwara (Seiro san bijin), Japan, 1793. Creator: Kitagawa Utamaro
Three Beauties of Yoshiwara (Seiro san bijin), Japan, 1793

Atage, from the series "A Selection of Eastern Beauties (Azuma bijin erami)"
Atage, from the series " A Selection of Eastern Beauties (Azuma bijin erami)", Japan, c. 1798

The Dance Interlude (Shosagoto) "Shinodazuma"(The Wife from Shinoda Forest)
The Dance Interlude (Shosagoto) " Shinodazuma" (The Wife from Shinoda Forest), from the series " Oshie-gata (Designs for Patchwork Pictures)", c. 1795

Titlepage to The Savoy Nos 1 and 2, 1895. Creator: Aubrey Beardsley
Titlepage to The Savoy Nos 1 and 2, 1895. A woman with an ostrich-feather headdress and a man in Pierrot costume. Illustration for " The Savoy", a magazine of literature, art

Ono no Komachi at Seki Temple, from the series The Seven Fashionable Komachi (Furyu nana Komachi), Edo period (1615-1868), about 1771

The Annunciation, 1887. Creator: George Hitchcock
The Annunciation, 1887. The Virgin Mary as a Dutch peasant girl standing in a field of lilies

Untitled [pious woman in a veil], 1868. Creator: Georgina Cowper
Untitled [pious woman in a veil], 1868. [ Oh for the Sin of Righteousness... ]. Albumen print

Scene from a Drama, ca. 1778. Creator: Shunsho
Scene from a Drama, ca. 1778

Iwai Kiyotaro as a Woman Standing under a Plum Tree, ca. 1788. Creator: Katsukawa Shunko
Iwai Kiyotaro as a Woman Standing under a Plum Tree, ca. 1788

Two Women Conversing, late 18th century. Creator: Katsukawa Shun ei
Two Women Conversing, late 18th century

Young Woman at Night accompanied by a Servant... late 18th-early 19th century
Young Woman at Night accompanied by a Servant Carrying a Lantern and a Shamisen Box, late 18th-early 19th century

Gioco Delle Donne, E Sue Facende (Game of Wives, And Their Chores), 1654-1718
Gioco Delle Donne, E Sue Facende (Game of Wives [or Women], And Their Chores), 1654-1718. Board game: a woman spends all day doing housework, only to be beaten with a stick by her husband

Tchinguis, ou Danseuse Turque, 1714-15. Creator: Unknown
Tchinguis, ou Danseuse Turque, 1714-15

Fille Armenienne, que l on conduit al Eglise pour la marier, 1714-15
Fille Armenienne, que l on conduit a l Eglise pour la marier, 1714-15

Olivia and Viola (oil on panel)
1767280 Olivia and Viola (oil on panel) by Hook, James Clarke (1819-1907); 60.4x74.3 cm; Private Collection; (add.info.: Olivia and Viola. James Clarke Hook (1819-1907). Oil on panel

Manila and its Environs: Going to Mass (watercolour with bodycolour)
1767254 Manila and its Environs: Going to Mass (watercolour with bodycolour) by Lozano, Jose Honorato (c.1815-c.85); Private Collection; (add.info.: Manila and its Environs: Going to Mass)

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"Unveiling the Beauty of Veiled: A Captivating Journey Across Cultures" Exploring the enigmatic allure of a Veiled Egyptian Woman in Cairo, where tradition meets modernity. The Semi-veiled woman at Muscat, Oman, exudes an air of mystery amidst breathtaking landscapes. "The Jewel Box": A delicate masterpiece capturing veiled elegance through pencil and watercolor on paper. At Aphrodite's Cradle (The Ever-New Horizon): An oil painting that unveils the ethereal beauty hidden within nature's embrace. Delving into history with the Egyptian Lady of the Harem, a symbol of intrigue and secrecy from bygone eras. AE-5972-5908: Decoding ancient artifacts to reveal veiled secrets buried within their intricate designs. Miss Mary Churchill announces her engagement in 1946, showcasing how love can unfold behind veils of anticipation and joy. British soldiers captivated by an Egyptian lady: Uncovering tales of forbidden romances amidst wartime chaos and cultural exchanges. Bridging divides with unity: British and French Soldiers - Salonica stands as a testament to shared experiences beyond borders and veils of nationalism. Moses Veiled (colored engraving): Reflecting upon biblical narratives where divine wisdom is concealed beneath layers unseen to mortal eyes. Veiled Turkish beauty looking into an oval mirror: A mesmerizing reflection revealing both outer grace and inner strength intertwined within traditions passed down through generations. Woman and Turkish Flags: Symbolizing pride, resilience, and identity entwined together under the veil that unites a nation. Embark on this captivating journey as we unravel stories woven between veils – tales that transcend time, geography, culture; reminding us that true beauty lies not only in what is seen but also in what remains hidden until unveiled before our eyes.