Van Eyck Collection

The Adoration of the Mystic Lamb, The Ghent Altarpiece, 1432, (c1900-1920). Artist: Jan van Eyck
The Adoration of the Mystic Lamb, The Ghent Altarpiece, 1432, (c1900-1920). A print after the lower half of the central panel in the St Bavo Cathedral, Ghent

St Cecilia at the organ, (c1865). Creator: Christian Schultz
St Cecilia at the organ, (c1865). 19th century chromolithograph after a section of the 15th-century Ghent Altarpiece by Hubert and Jan van Eyck, in St Bavos Cathedral, Ghent, Belgium

A Triptych with Christ as Salvator Mundi, (oil on panel)
990148 A Triptych with Christ as Salvator Mundi, (oil on panel) by Eyck, Jan van (c.1390-1441) (school of); Center 43.2x28.6 and wings 43.2x11.4 cm; Private Collection; (add.info)

The Brothers Van Eyck (engraving)
820829 The Brothers Van Eyck (engraving) by German School, (19th century); Private Collection; (add.info.: The Brothers Van Eyck - Jan (circa 1389-1441) and Hubert (1370-1426)

Saint Louis et Saint Jean Baptiste (chromolitho)
2787357 Saint Louis et Saint Jean Baptiste (chromolitho) by French School, (19th century); Private Collection; (add.info.: Saint Louis et Saint Jean Baptiste)

The Invention of Oil Paint, plate 15 from Nova Reperta
STC285799 The Invention of Oil Paint, plate 15 from Nova Reperta (New Discoveries) engraved by Philip Galle (1537-1612) c.1600 (engraving) (later colouration) by Straet

An angelic choir, (c1865). Creator: Christian Schultz
An angelic choir, (c1865). 19th century chromolithograph after a section of the 15th-century Ghent Altarpiece by Hubert and Jan van Eyck, in St Bavos Cathedral, Ghent, Belgium

The Ghent Altarpiece in St Bavo Cathedral in Ghent, 1829. Artist: De Noter, Pieter-Frans (1779-1842)
The Ghent Altarpiece in St Bavo Cathedral in Ghent, 1829. Found in the collection of Rijksmuseum, Amsterdam

Saint Catherine of Alexandria, 15th century (1849). Artist: H Moulin
Saint Catherine of Alexandria, 15th century (1849). Catherine is a Christian saint and martyr claimed to have been a noted scholar in the early 4th century

St Catherine and St Agnes, 15th century, (1870). Artist: Franz Kellerhoven
St Catherine and St Agnes, 15th century, (1870). A chromolithographic print from The Arts of the Middle Ages and at the Period of the Renaissance, by Paul LaCroix, London, 1870

Virgin Child Niche ca 1500 Oil wood 23 x 12 1 / 8
Artokoloro

Color Olivi, plate 14 from Nova Reperta, engraved by Philip Galle, c. 1580-1605
XJF448291 Color Olivi, plate 14 from Nova Reperta, engraved by Philip Galle, c.1580-1605 (engraving) by Straet, Jan van der (Giovanni Stradano) (1523-1605) (after); Private Collection; (add.info)

LAST JUDGMENT. Oil on panel by Jan van Eyck (1370?-?1440)

VAN EYCK: ANNUNCIATION. The Annunciation. Oil on canvas, Jan van Eyck, c1435

Statue of Van Eyck, Bruges, West Flanders, Belgium, Europe

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"Van Eyck: Master of Artistic Brilliance and Innovation" Jan van Eyck, a renowned artist of the 15th century, left an indelible mark on the art world with his extraordinary works. One of his most celebrated masterpieces is "The Adoration of the Mystic Lamb, " also known as "The Ghent Altarpiece. " Created in 1432, this monumental piece showcases Van Eyck's exceptional attention to detail and mastery of oil painting. In another captivating artwork titled "St Cecilia at the organ, " Christian Schultz beautifully captures the essence of music through Van Eyck's inspiration. The harmonious blend between visual arts and music is truly mesmerizing. A triptych featuring Christ as Salvator Mundi demonstrates Van Eyck's ability to depict religious subjects with profound spirituality. His use of oil paint revolutionized the art world, making it more vibrant and long-lasting. "The Brothers Van Eyck" engraving pays tribute to Jan van Eyck and his brother Hubert, both influential figures in Flemish Renaissance art. Their collaboration led to groundbreaking techniques that shaped artistic practices for centuries to come. Through chromolitho prints like "Saint Louis et Saint Jean Baptiste, " Van Eyck's influence extended beyond paintings into various mediums. These prints allowed people from all walks of life to appreciate his divine creations. One cannot overlook plate 15 from Nova Reperta depicting "The Invention of Oil Paint. " This invention marked a turning point in artistic history, enabling artists like Van Eyck to achieve unparalleled depth and realism in their works. Christian Schultz once again brings forth ethereal beauty with "An angelic choir. " Inspired by Van Eyck's style, this artwork transports viewers into a celestial realm filled with heavenly melodies. Pieter-Frans De Noter paid homage to Van Eyck by capturing St Bavo Cathedral adorned with "The Ghent Altarpiece" in 1829.