Upper Right Collection

Design for Decorative Hinges (recto) Border Lines (verso), mid 1500s. Creator: Luzio Romano
Design for Decorative Hinges (recto) Border Lines (verso), mid 1500s

Design for Decorative Hinges (recto), mid 1500s. Creator: Luzio Romano (Italian, active 1528-75)
Design for Decorative Hinges (recto), mid 1500s

Eighteen Views of Rome: The Piazza Barberini (recto), 1665. Creator: Lievin Cruyl (Flemish, c)
Eighteen Views of Rome: The Piazza Barberini (recto), 1665

Adoration Shepherds 1599 oil copper 30 x 21. 9 cm
The Adoration of the Shepherds, 1599, oil on copper, 30 x 21.9 cm, signed on the upper right: HF [ligated] 159 [9], Joseph Heintz d. A. Basel 1564-1609 Prag

Portrait Dorothea Curio daughter Professor Celio Secondo Curio
Portrait of Dorothea Curio, the daughter of Professor Celio Secondo Curio, 1552, oil on fir wood, 22.5 x 14.5 cm, unsigned, but dated upper left: 1552, upper right: AETATIS, SVAE X

Siege Geertruidenberg 1593 Print upper right
Siege of Geertruidenberg, 1593, Print on the upper right: Fig. 24, Siege, position war, Geertruidenberg, Jan Luyken, 1691, paper, etching, h 135 mm × w 77 mm

Folk Entertainment Bairam Festival Print upper right
Folk Entertainment at the Bairam Festival, Print on the upper right: I. Partie Pag. 141, public festivities, swing, Jan Luyken, 1689, paper, etching, h 143 mm × w 81 mm

German rider cleaves Saracen print upper right
German rider cleaves through a Saracen, print on the upper right: foli 337, militant proselytizing: religious war, crusade, etc, violent death, being killed, being mishandled and maltreated

Dwarf Print upper right fol 190 dwarf tribes
Dwarf, Print on the upper right: fol: 190, dwarf tribes, pygmies, biology, Jan Luyken, Amsterdam, 1680 - 1688, paper, etching, h 136 mm × w 82 mm

Construction Jaffa pier Construction work Jaffa sea
Construction of Jaffa pier. Construction work on Jaffa sea front. General view showing site of house of Simon the Tanner in upper right hand corner. 1934, Israel, Tel Aviv

Iudicy uniuersalis paradigma Sacrae Scripturae testimonijs confirmatum: detail of Heaven, Cousin, Jehan, ca. 1522-ca. 1593, Jode, Pieter de, 1570-1634, Engraving, between 1726 and 1738

Mahometh Historie der kerken en ketteren Arnold
Mahometh, Historie der kerken en ketteren, Arnold, Gottfried, 1666-1714, Hooghe, Romeyn de, 1645-1708, Engraving, 1701, Upper left: 1 Deel; upper right: Pag 469

Silk Description geographique historique chronologique
Silk making, Description geographique, historique, chronologique, politique, et physique de l empire de la Chine et de la Tartarie chinoise, Du Halde, J.-B

La Iglesia Chichen Itza Augustus Alice Dixon
La Iglesia, Chichen Itza, Augustus and Alice Dixon Le Plongeon papers, 1763-1937, bulk 1860-1910, Le Plongeon, Augustus, 1826-1908, Albumen, photographed 1883; printed after 1886

Le carnaval de Venise Les delices l Italie Rogissart
Le carnaval de Venise, Les delices de l Italie, Rogissart, Alexandre de, Etching, engraving, 1707, Representation of the carnival in Venice, inscribed in the upper right margin: Tom 1 pag 157

Complimentary colors blue orange red green purple
Complimentary colors blue and orange, red and green, purple and yellow, L harmonie des couleurs, Guichard, Edouard, b. 1815, Chromolithograph, 1880, Plate numbered 35 in upper right corner

Complimentary colors blue orange L harmonie des
Complimentary colors blue and orange, L harmonie des couleurs, Guichard, Edouard, b. 1815, Chromolithograph, 1880, Plate numbered 37 in upper right corner

Complimentary colors purple yellow L harmonie des
Complimentary colors purple and yellow, L harmonie des couleurs, Guichard, Edouard, b. 1815, Chromolithograph, 1880, Plate numbered 38 in upper right corner. Caption: Les metamorphoses de la couleur

Tenture murale L harmonie des couleurs Guichard
Tenture murale, L harmonie des couleurs, Guichard, Edouard, b. 1815, Paint on paper, 1880, Plate numbered 2 in upper right corner

Harmonie de contraste de nuances L harmonie des
Harmonie de contraste de nuances, L harmonie des couleurs, Guichard, Edouard, b. 1815, Chromolithograph, 1880, Plate numbered 34 in upper right corner. Caption: A, Plafond. B, Corniche. C, Tenture

Plate 118 Interior Sepulchral Chamber San Vito
Plate 118. Interior of a Sepulchral Chamber near San Vito, A collection of antique vases, altars, paterae, tripods, candelabra, sarcophagi, andc

Plafond Faiences et autres details algeriens
Plafond: Faiences et autres details algeriens (detail), Paralleles des edifices anciens et modernes du continent africain, dessines et releves de 1847 a 1854 dans l Algerie

Corot Rouen Edmond Cousturier papers 1890-1908
Corot (Rouen), Edmond Cousturier papers, ca. 1890-1908, Untitled sketchbook, Cross, Henri-Edmond, 1856-1910, Pencil on paper, ca. 1890-1908, Page, 7, from an untitled sketchbook

Bridge Edmond Cousturier papers 1890-1908 Untitled sketchbook
Bridge, Edmond Cousturier papers, ca. 1890-1908, Untitled sketchbook, Cross, Henri-Edmond, 1856-1910, Pencil on paper, ca. 1890-1908, Page, 15, from an untitled sketchbook

View rooftops Edmond Cousturier papers 1890-1908
View of rooftops, Edmond Cousturier papers, ca. 1890-1908, Cross, Henri-Edmond, 1856-1910, Pencil on paper, ca. 1890-1908, Page, 71, from an untitled sketchbook

Sketchbook Women children Edmond Cousturier papers
Sketchbook: Women and children, Edmond Cousturier papers, ca. 1890-1908, Cross, Henri-Edmond, 1856-1910, Pencil on paper, ca. 1890-1908, Page, 67, from an untitled sketchbook

Horse-drawn carriages boats train Edmond Cousturier
Horse-drawn carriages, boats, and train, Edmond Cousturier papers, ca. 1890-1908, Untitled sketchbook, Cross, Henri-Edmond, 1856-1910, Pencil on paper, between 1890 and 1908, Pages, 48-49

Building watertower Edmond Cousturier papers
Building with watertower, Edmond Cousturier papers, ca. 1890-1908, Untitled sketchbook, Cross, Henri-Edmond, 1856-1910, Pencil on paper, ca. 1890-1908, Page, 25, from an untitled sketchbook

Boat Edmond Cousturier papers 1890-1908 Untitled sketchbook
Boat, Edmond Cousturier papers, ca. 1890-1908, Untitled sketchbook, Cross, Henri-Edmond, 1856-1910, Pencil on paper, ca. 1890-1908, Page, 29, from an untitled sketchbook

Horses figures horseback Edmond Cousturier papers
Horses and figures on horseback, Edmond Cousturier papers, ca. 1890-1908, Untitled sketchbook, Cross, Henri-Edmond, 1856-1910, Pencil on paper, ca

Eighteen Views Rome Piazza Barberini recto 1665
Eighteen Views of Rome: The Piazza Barberini (recto), 1665. Lievin Cruyl (Flemish, c. 1640-c. 1720). Pen and brown ink and brush and gray wash with graphite; framing lines in brown ink and graphite

Eighteen Views Rome Piazza Barberini recto Tracing
Eighteen Views of Rome: The Piazza Barberini (recto); Tracing of a Fountain from Recto and Sketches of Two Faces (verso), 1665. Lievin Cruyl (Flemish, c. 1640-c. 1720)

Design Decorative Hinges recto Border Lines verso
Design for Decorative Hinges (recto) Border Lines (verso), mid 1500s. Luzio Romano (Italian, active 1528-75). Pen and brown ink over black chalk; framing lines in brown ink (lower left)

Design Decorative Hinges mid 1500s Luzio Romano
Design for Decorative Hinges, mid 1500s. Luzio Romano (Italian, active 1528-75). Pen and brown ink over black chalk; framing lines in brown ink (lower left)

Broadsheet, story about a miracle, San Cristobal de las Casas, upper section a crowd
Broadsheet with a story about a miracle in San Cristobal de las Casas, in upper section a crowd of people watch a man fall from a hot air balloon, in the upper right an image an apparition of Christ

Man Horseback Study Head recto Young Woman verso
Artokoloro

Head Bearded Man Looking Upper Right recto Old Man
Artokoloro

Youth Chariot Attendant Young Woman ca 1621-23
Artokoloro

Plate 9 five heads two young women left bearded man
Artokoloro

Drawings Prints, Print, Psyche, offering, presents, sisters, appear, clouds, upper right
Drawings and Prints, Print, Plate 11: Psyche offering presents to her sisters who also appear on the clouds at upper right, from the Story of Cupid and Psyche as told by Apuleius

Perseus Beheading Medusa recto Studies Child
Artokoloro

Horizontal Panel Three Birds Varii Generis Opera Aurifabris Necessaria
Artokoloro

Study Two Figures Seated Standing recto Head Looking Upwards
Artokoloro

Mademoiselle Nys 1899 Oil unprimed wood 10 5 / 8 x 8 5 / 8
Artokoloro

Martyrdom Apostle Thomas 1638-1646 Pen brown ink
Artokoloro

Head Bearded Man Looking Upper Right 1634-89
Artokoloro

Jesus Mount Olives 1625-77 Etching state Sheet
Artokoloro

Studies Seated Youth Armor ca 1505 Point brush
Artokoloro

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"Exploring the Intricate Details: Upper Right in Art" In the world of art, sometimes it's the smallest details that capture our attention and spark our curiosity. Take, for example, Luzio Romano's "Design for Decorative Hinges, " a masterpiece from the mid-1500s. As we examine this piece closely, our eyes are drawn to the upper right corner where intricate border lines add an enchanting touch. Moving forward in time, Lievin Cruyl's "Eighteen Views of Rome: The Piazza Barberini" transports us to 1665. Once again, it is the upper right section that captivates us with its depiction of bustling city life and architectural wonders. But art isn't limited to paintings alone; it can also be found in other forms such as prints and studies. In a print capturing the Siege of Geertruidenberg in 1593, our gaze naturally gravitates towards the upper right corner where we witness history unfolding before our eyes. Similarly, folk entertainment takes center stage as we observe a print depicting Bairam Festival celebrations. Our attention is immediately drawn to what lies in the upper right portion – perhaps an indication of something extraordinary happening within this lively scene. Art has always been a medium through which cultures express themselves and share stories. A German rider cleaving through Saracen forces reminds us of historical conflicts while dwarf tribes depicted on folio 190 give us insight into diverse human experiences - both occupying their respective spots at the upper right corners. Even construction work holds artistic value when captured by skilled hands. The construction of Jaffa pier comes alive as we focus on its progress documented meticulously - with every detail accounted for including workers' efforts seen prominently at its upper right side. Lastly, portraiture allows artists to immortalize individuals who have left their mark on society. Dorothea Curio gazes back at us from her portrait while her father, Professor Celio Secondo Curio, stands proudly beside her.