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Unwilling Collection

"Unwilling: A Captivating Journey Through Art and Satire" Immerse yourself in the vibrant chaos of Faschingstrubel

Background imageUnwilling Collection: An unwilling school teacher, in a girls classroom, 1870

An unwilling school teacher, in a girls classroom, 1870
3478831 An unwilling school teacher, in a girls classroom, 1870; (add.info.: An unwilling school teacher, in a girls classroom)

Background imageUnwilling Collection: Engraving depicting an unwilling school mistress, forced into her situation because it was one of

Engraving depicting an unwilling school mistress, forced into her situation because it was one of the few ways a young
5308850 Engraving depicting an unwilling school mistress, forced into her situation because it was one of the few ways a young lady could earn a living; (add.info)

Background imageUnwilling Collection: Im Faschingstrubel (colour litho)

Im Faschingstrubel (colour litho)
3646186 Im Faschingstrubel (colour litho) by Reznicek, Ferdinand von (1868-1909); Private Collection; (add.info.: Im Faschingstrubel)

Background imageUnwilling Collection: Unwelcome Attentions, 1839 (oil on canvas)

Unwelcome Attentions, 1839 (oil on canvas)
BOU202941 Unwelcome Attentions, 1839 (oil on canvas) by Buss, Robert William (1804-75); Private Collection; Bourne Gallery, Reigate, Surrey

Background imageUnwilling Collection: With unwilling hounds its hard to catch hares (engraving)

With unwilling hounds its hard to catch hares (engraving)
3631184 With unwilling hounds its hard to catch hares (engraving) by Leighton, John (1822-1912); Private Collection; (add.info.: With unwilling hounds its hard to catch hares)

Background imageUnwilling Collection: Unwilling Listeners (litho)

Unwilling Listeners (litho)
6014211 Unwilling Listeners (litho) by Marks, Henry Stacey (1829-98) (after); Private Collection; (add.info.: Unwilling Listeners)

Background imageUnwilling Collection: La Bonne et le Patron Galant, c. 1830 (colour litho)

La Bonne et le Patron Galant, c. 1830 (colour litho)
CHT252556 La Bonne et le Patron Galant, c.1830 (colour litho) by Villain, Henri (fl.1820-30); Musee de la Ville de Paris, Musee Carnavalet, Paris

Background imageUnwilling Collection: Death and the Nobleman, from The Dance of Death, engraved by Hans Lutzelburger

Death and the Nobleman, from The Dance of Death, engraved by Hans Lutzelburger
XJF143270 Death and the Nobleman, from The Dance of Death, engraved by Hans Lutzelburger, c.1538 (woodcut) (b/w photo) by Holbein the Younger, Hans (1497/8-1543) (after); Private Collection; German

Background imageUnwilling Collection: Domino rose. Cover of Le Figaro Illustre, February 1896 (colour litho)

Domino rose. Cover of Le Figaro Illustre, February 1896 (colour litho)
3098746 Domino rose. Cover of Le Figaro Illustre, February 1896 (colour litho) by Tenre, Charles Henry (1864-1926); Private Collection; (add.info.: Domino rose)

Background imageUnwilling Collection: An Unwilling Voyager (engraving)

An Unwilling Voyager (engraving)
2771435 An Unwilling Voyager (engraving) by English School, (19th century); Private Collection; (add.info.: An Unwilling Voyager)

Background imageUnwilling Collection: Juliet faints on her way to the altar to marry Paris (chromolitho)

Juliet faints on her way to the altar to marry Paris (chromolitho)
2783012 Juliet faints on her way to the altar to marry Paris (chromolitho) by European School, (19th century); Private Collection; (add.info.: Juliet faints on her way to the altar to marry Paris)

Background imageUnwilling Collection: Cover illustration for Jugend magazine, 1896 (colour litho)

Cover illustration for Jugend magazine, 1896 (colour litho)
6000170 Cover illustration for Jugend magazine, 1896 (colour litho) by German School, (19th century); Private Collection; (add.info.: Cover illustration for Jugend magazine, 1896)

Background imageUnwilling Collection: Matrimonial office (colour litho)

Matrimonial office (colour litho)
5996059 Matrimonial office (colour litho) by English School, (20th century); Private Collection; (add.info.: Matrimonial office. Postcard, early 20th century.); © Look and Learn

Background imageUnwilling Collection: M Alfred Marche Dans L Afrique Occidentale (engraving)

M Alfred Marche Dans L Afrique Occidentale (engraving)
2789313 M Alfred Marche Dans L Afrique Occidentale (engraving) by French School, (19th century); Private Collection; (add.info.: M Alfred Marche Dans L Afrique Occidentale)

Background imageUnwilling Collection: Francis II of France informing deputies of parliament that he has chosen his uncles

Francis II of France informing deputies of parliament that he has chosen his uncles, the Duke of Guise and Charles
969169 Francis II of France informing deputies of parliament that he has chosen his uncles, the Duke of Guise and Charles, Cardinal of Lorraine, to govern for him, 1559 (engraving) by French School

Background imageUnwilling Collection: Marriage Proposal of the Windbag (engraving)

Marriage Proposal of the Windbag (engraving)
3648124 Marriage Proposal of the Windbag (engraving) by Chodowiecki, Daniel Nikolaus (1726-1801) (after); Private Collection; (add.info.: Marriage Proposal of the Windbag)

Background imageUnwilling Collection: Marriage Proposal of the Antiquary (engraving)

Marriage Proposal of the Antiquary (engraving)
3648121 Marriage Proposal of the Antiquary (engraving) by Chodowiecki, Daniel Nikolaus (1726-1801) (after); Private Collection; (add.info.: Marriage Proposal of the Antiquary)

Background imageUnwilling Collection: When a Man Comes Too Near He Goes Too Far. Artist: Underwood & Underwood

When a Man Comes Too Near He Goes Too Far. Artist: Underwood & Underwood
When a Man Comes Too Near He Goes Too Far. Stereoscopic card detail

Background imageUnwilling Collection: John Hampden

John Hampden
JOHN HAMPDEN politician whose defiance of Charles I regarding a forced loan he was unwilling to pay led to the English Civil War Date: 1594 - 1643

Background imageUnwilling Collection: John Hampden Statue

John Hampden Statue
JOHN HAMPDEN politician whose defiance of Charles I regarding a forced loan he was unwilling to pay led to the English Civil War Date: 1594 - 1643

Background imageUnwilling Collection: Illustration by Cecil Aldin, Saint Bernard posing

Illustration by Cecil Aldin, Saint Bernard posing
Illustration by Cecil Aldin -- a Saint Bernard posing for Aldin to sketch, looking rather unwilling, uninterested and sleepy. Date: 1927

Background imageUnwilling Collection: The Seven Ages of Man, Second Age, Act II, Scene VII, from As You Like It

The Seven Ages of Man, Second Age, Act II, Scene VII, from As You Like It
KW323341 The Seven Ages of Man, Second Age, Act II, Scene VII, from As You Like It, from The Boydell Shakespeare Gallery, published late 19th century (litho) by Smirke

Background imageUnwilling Collection: Death and the Abbot, from The Dance of Death, engraved by Hans Lutzelburger, c

Death and the Abbot, from The Dance of Death, engraved by Hans Lutzelburger, c
XJF143272 Death and the Abbot, from The Dance of Death, engraved by Hans Lutzelburger, c.1538 (woodcut) (b/w photo) by Holbein the Younger, Hans (1497/8-1543) (after); Private Collection; German

Background imageUnwilling Collection: Death and the Mendicant Friar, from The Dance of Death, engraved by Hans Lutzelburger, c

Death and the Mendicant Friar, from The Dance of Death, engraved by Hans Lutzelburger, c
XJF143251 Death and the Mendicant Friar, from The Dance of Death, engraved by Hans Lutzelburger, c.1538 (woodcut) (b/w photo) by Holbein the Younger

Background imageUnwilling Collection: Death and the Merchant, from The Dance of Death, engraved by Hans Lutzelburger, c

Death and the Merchant, from The Dance of Death, engraved by Hans Lutzelburger, c
XJF143246 Death and the Merchant, from The Dance of Death, engraved by Hans Lutzelburger, c.1538 (woodcut) (b/w photo) by Holbein the Younger, Hans (1497/8-1543) (after); Private Collection; German

Background imageUnwilling Collection: Death and the Pedlar, from The Dance of Death, engraved by Hans Luutzelburger, c

Death and the Pedlar, from The Dance of Death, engraved by Hans Luutzelburger, c
XJF143242 Death and the Pedlar, from The Dance of Death, engraved by Hans Luutzelburger, c.1538 (woodcut) (b/w photo) by Holbein the Younger, Hans (1497/8-1543) (after); Private Collection; German

Background imageUnwilling Collection: Mother trying to feed unwilling baby (9-12 months), (B&W)

Mother trying to feed unwilling baby (9-12 months), (B&W)

Background imageUnwilling Collection: Royalty in a Rage or Family Quarrels Robert Cruikshank, July 1820. George IV

Royalty in a Rage or Family Quarrels Robert Cruikshank, July 1820. George IV angry with his brothers Frederick and William, unwilling to support him in his divorce proceedings against Queen Caroline

Background imageUnwilling Collection: Unhappy Carnival Riders

Unhappy Carnival Riders
San Francisco, California: c. 1955. Four decidedly unenthusiastic women on a Tilt-A-Whirl carnival ride at Playland At The Beach in San Francisco

Background imageUnwilling Collection: Origin Species, CH Bennett, slow schoolboy - snail

Origin Species, CH Bennett, slow schoolboy - snail
Unwillingly to school. Satire on Darwins Origin of Species showing the evolution of a unwilling schoolboy from a snail. Developing through the ages from a dunces cap


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"Unwilling: A Captivating Journey Through Art and Satire" Immerse yourself in the vibrant chaos of Faschingstrubel, as depicted in the mesmerizing colour litho titled "Im Faschingstrubel. " The vivid hues transport you to a world where masks conceal true identities, leaving behind only unwilling hints. Travel back to 1738 with an etching entitled "Slavery, " a satirical print that unveils the dark underbelly of human bondage. Unwilling souls trapped in chains serve as a stark reminder of our collective history. In 1839, oil on canvas brings forth "Unwelcome Attentions, " capturing a moment frozen in time. The subject's discomfort is palpable, evoking empathy for those who endure unwanted advances against their will. With unwavering determination, an engraving named "With unwilling hounds its hard to catch hares" showcases the relentless pursuit of success. It reminds us that even when faced with adversity or resistance, perseverance can lead to triumph. Enter into a scene of social dynamics through "Unwilling Listeners, " portrayed masterfully in litho form. The subjects' disinterest reflects society's struggle between genuine engagement and superficial interactions. Step into c. 1830 with "La Bonne et le Patron Galant, " another captivating colour litho piece. It explores power dynamics and the delicate balance between employer and employee—an intricate dance where willingness may be feigned or coerced. Hans Lutzelburger's engraved masterpiece reveals mortality's impartiality in "Death and the Nobleman. " Regardless of status or wealth, death comes for all—a sobering reminder that life is fleeting and unwilling to wait for anyone. Le Figaro Illustre presents Domino Rose on its cover page from February 1896—a striking colour litho artwork that captivates viewers with her enigmatic allure. Her expression suggests hidden desires and an unwillingness to conform.