Fraud Blocker Skip to main content

Unicorn Collection (page 5)

Unicorns have captivated our imaginations for centuries, their elusive presence leaving a trail of enchantment throughout history

Background imageUnicorn Collection: Coat of arms and crest of the right honorable Thomas Grey, 2nd Earl of Stamford, 1654-1720

Coat of arms and crest of the right honorable Thomas Grey, 2nd Earl of Stamford, 1654-1720
6340348 Coat of arms and crest of the right honorable Thomas Grey, 2nd Earl of Stamford, 1654-1720 by Johnston, Andrew (18th century); (add.info)

Background imageUnicorn Collection: Coat of arms and crest of the right honorable John Savage, 5th Earl of Rivers, 1665-1737

Coat of arms and crest of the right honorable John Savage, 5th Earl of Rivers, 1665-1737
6340343 Coat of arms and crest of the right honorable John Savage, 5th Earl of Rivers, 1665-1737 by Johnston, Andrew (18th century); (add.info)

Background imageUnicorn Collection: Coat of arms and crest of HRH Ernest Augustus, Prince of Brunswick Luneburg, Bishop of Osnaburgh

Coat of arms and crest of HRH Ernest Augustus, Prince of Brunswick Luneburg, Bishop of Osnaburgh
6340270 Coat of arms and crest of HRH Ernest Augustus, Prince of Brunswick Luneburg, Bishop of Osnaburgh, Duke of York and Albany by Johnston

Background imageUnicorn Collection: Blazon decorates a unicorn, a star on a red background. Detail of a miniature

Blazon decorates a unicorn, a star on a red background. Detail of a miniature
GIA4803853 Blazon decorates a unicorn, a star on a red background. Detail of a miniature. 14th century by Unknown Artist, (14th century); Private Collection; (add.info.: Blazon decorates a unicorn)

Background imageUnicorn Collection: Manuscript page of a Deuteronomy, Hebrew Bible (Jewish), Pisa, 1398

Manuscript page of a Deuteronomy, Hebrew Bible (Jewish), Pisa, 1398
GIA4817027 Manuscript page of a Deuteronomy, Hebrew Bible (Jewish), Pisa, 1398. Jewish Museum of Venice by Jewish School, (14th century); Museo Ebraico, Venice

Background imageUnicorn Collection: The Lady and the Unicorn 1925 (Detail Oak and inlay of various wood)

The Lady and the Unicorn 1925 (Detail Oak and inlay of various wood)
JEB4749367 The Lady and the Unicorn 1925 (Detail Oak and inlay of various wood) by Spindler, Charles (1865-1938); Musee d Art Moderne et Contemporain, Strasbourg, France; eJean Bernard; French

Background imageUnicorn Collection: Coat of arms of the Right Honourable William Berkley, Lord Berkley of Stratton

Coat of arms of the Right Honourable William Berkley, Lord Berkley of Stratton, 4th Baron Berkeley of Stratton
6337594 Coat of arms of the Right Honourable William Berkley, Lord Berkley of Stratton, 4th Baron Berkeley of Stratton, died 1741 by Johnston

Background imageUnicorn Collection: Coat of arms of the Right Honourable William Byron, Lord Byron, 4th Baron Byron (1670-1736)

Coat of arms of the Right Honourable William Byron, Lord Byron, 4th Baron Byron (1670-1736)
6337589 Coat of arms of the Right Honourable William Byron, Lord Byron, 4th Baron Byron (1670-1736) by Johnston, Andrew (18th century); (add.info.: Coat of arms of the Right Honourable William Byron)

Background imageUnicorn Collection: Coat of arms of the Right Honourable Dr

Coat of arms of the Right Honourable Dr
6337548 Coat of arms of the Right Honourable Dr by Johnston, Andrew (18th century); (add.info.: Coat of arms of the Right Honourable Dr)

Background imageUnicorn Collection: Coat of arms of the Right Honourable George Byng, Lord 1st Viscount Torrington

Coat of arms of the Right Honourable George Byng, Lord 1st Viscount Torrington
6337530 Coat of arms of the Right Honourable George Byng, Lord 1st Viscount Torrington, by Johnston, Andrew (18th century); (add.info.: Coat of arms of the Right Honourable George Byng)

Background imageUnicorn Collection: Le triomphe de la chastete - The Triumph of Chastity - (Lo Scheggia

Le triomphe de la chastete - The Triumph of Chastity - (Lo Scheggia
FIA5407537 Le triomphe de la chastete - The Triumph of Chastity - (Lo Scheggia) Giovanni di Ser Giovanni (1406-1486). Tempera on panel, 1465-1470

Background imageUnicorn Collection: Curtain of the Lady of the Unicorn (Lady of the Unicorn): the view

Curtain of the Lady of the Unicorn (Lady of the Unicorn): the view
JLJ4683057 Curtain of the Lady of the Unicorn (Lady of the Unicorn): the view. A young woman holding a mirror surrounded by a lion, a unicorn, a monkey, rabbits

Background imageUnicorn Collection: Curtain of the Lady of the Unicorn (Lady of the Unicorn): hearing

Curtain of the Lady of the Unicorn (Lady of the Unicorn): hearing
JLJ4683050 Curtain of the Lady of the Unicorn (Lady of the Unicorn): hearing. Wool and silk tapestry made between 1484 and 1500. From the Chateau de Boussac, Creuse. Dim. 3, 7x4, 7 m

Background imageUnicorn Collection: Louis XIV cabinet-on-stand (gilt-bronze, pietra dura, tortoiseshell, ash

Louis XIV cabinet-on-stand (gilt-bronze, pietra dura, tortoiseshell, ash
1766357 Louis XIV cabinet-on-stand (gilt-bronze, pietra dura, tortoiseshell, ash, ebonised & parcel-gilt) (see also 1766355-6) by Cucci, Domenico (1635-1734) & Gobelins workshop (attr)

Background imageUnicorn Collection: A Walton Armorial Spill Vase as the British Royal Coat of Arms, c. 1825 (pearlware)

A Walton Armorial Spill Vase as the British Royal Coat of Arms, c. 1825 (pearlware)
480766 A Walton Armorial Spill Vase as the British Royal Coat of Arms, c.1825 (pearlware) by English School, (19th century); height: 15.5 cm; Private Collection; Photo eChristies Images; English

Background imageUnicorn Collection: Horns (engraving)

Horns (engraving)
5224574 Horns (engraving) by English School, (19th century); Private Collection; (add.info.: Horns. Illustration for The Sunday Picture Book No 2, Scripture Manners and Customs (SPCK)

Background imageUnicorn Collection: Unicorn (chalk on paper)

Unicorn (chalk on paper)
3704060 Unicorn (chalk on paper) by Dijsselhof, Gerrit Willem (1866-1924); 12.3x18 cm; Rijksmuseum, Amsterdam, The Netherlands; Dutch, out of copyright

Background imageUnicorn Collection: Dedication of a work by Thomas Walton to the Prince of Wales, 1792 (colour litho)

Dedication of a work by Thomas Walton to the Prince of Wales, 1792 (colour litho)
3639364 Dedication of a work by Thomas Walton to the Prince of Wales, 1792 (colour litho) by English School, (18th century); Private Collection; (add.info)

Background imageUnicorn Collection: The Hunters Enter the Woods, c. 1500 (wool warp with wool, silk, silver, and gilt wefts)

The Hunters Enter the Woods, c. 1500 (wool warp with wool, silk, silver, and gilt wefts)
3468970 The Hunters Enter the Woods, c.1500 (wool warp with wool, silk, silver, and gilt wefts) by Netherlandish School (16th century); 368.3 x 315 cm; Metropolitan Museum of Art, New York

Background imageUnicorn Collection: The Unicorn is Attacked, c. 1500 (wool warp with wool, silk, silver, and gilt wefts)

The Unicorn is Attacked, c. 1500 (wool warp with wool, silk, silver, and gilt wefts)
3468965 The Unicorn is Attacked, c.1500 (wool warp with wool, silk, silver, and gilt wefts) by Netherlandish School (16th century); 368.3 x 426.7 cm; Metropolitan Museum of Art, New York

Background imageUnicorn Collection: Portrait of a Woman, c. 1494 (tempera on wood)

Portrait of a Woman, c. 1494 (tempera on wood)
3615949 Portrait of a Woman, c.1494 (tempera on wood) by Italian School; 50.2x37.1 cm; Metropolitan Museum of Art, New York, USA; (add.info.: Attributed to the Maestro delle Storie del Pane (Emilian)

Background imageUnicorn Collection: Allegorical 'Millefleurs'tapestry with animals, 1530-45 (wool & silk)

Allegorical "Millefleurs"tapestry with animals, 1530-45 (wool & silk)
5671839 Allegorical " Millefleurs" tapestry with animals, 1530-45 (wool & silk) by Flemish School, (16th century); 352.7x400.7 cm; Minneapolis Institute of Arts, MN

Background imageUnicorn Collection: A young woman sits in a wood caressing a unicorn (engraving)

A young woman sits in a wood caressing a unicorn (engraving)
610028 A young woman sits in a wood caressing a unicorn (engraving) by English School, (17th century); Private Collection; (add.info.: F.Collignon formis cum Privil. S)

Background imageUnicorn Collection: The lion and the unicorn were fighting for the crown (colour litho)

The lion and the unicorn were fighting for the crown (colour litho)
994030 The lion and the unicorn were fighting for the crown (colour litho) by Brooke, Leonard Leslie (1862-1940); Private Collection; (add.info)

Background imageUnicorn Collection: The Creation of the Animals (litho)

The Creation of the Animals (litho)
979323 The Creation of the Animals (litho) by Raphael (Raffaello Sanzio of Urbino) (1483-1520) (after); Private Collection; (add.info.: The Creation of the Animals.); © Look and Learn

Background imageUnicorn Collection: African superstitions illustrated (chromolitho)

African superstitions illustrated (chromolitho)
726991 African superstitions illustrated (chromolitho) by English School, (19th century); Private Collection; (add.info.: African superstitions illustrated)

Background imageUnicorn Collection: Detail of the animals, from the Arrival of Vasco da Gama in Calicut (tapestry)

Detail of the animals, from the Arrival of Vasco da Gama in Calicut (tapestry)
488827 Detail of the animals, from the Arrival of Vasco da Gama in Calicut (tapestry) by Flemish School, (16th century); Banco Nacional Ultramarino

Background imageUnicorn Collection: Owen, engraver, trade card (engraving)

Owen, engraver, trade card (engraving)
731571 Owen, engraver, trade card (engraving) by English School, (19th century); Private Collection; (add.info.: Owen, engraver, trade card.); Look and Learn / Valerie Jackson Harris Collection

Background imageUnicorn Collection: Wittys Patent Gas Furnace, trade card (engraving)

Wittys Patent Gas Furnace, trade card (engraving)
731562 Wittys Patent Gas Furnace, trade card (engraving) by English School, (19th century); Private Collection; (add.info.: Wittys Patent Gas Furnace, trade card)

Background imageUnicorn Collection: Pitter & Fox, gold and silver laceman & embroiders, trade card (engraving)

Pitter & Fox, gold and silver laceman & embroiders, trade card (engraving)
731613 Pitter & Fox, gold and silver laceman & embroiders, trade card (engraving) by English School, (19th century); Private Collection; (add.info.: Pitter & Fox)

Background imageUnicorn Collection: Stained glass in one of the north windows of St Johns Church (w / c on paper)

Stained glass in one of the north windows of St Johns Church (w / c on paper)
2831873 Stained glass in one of the north windows of St Johns Church (w/c on paper) by Manning, Joseph (c.1801-1861/1871); Bristol Museum and Art Gallery, UK; eBristol Museums

Background imageUnicorn Collection: Tiles in vestry room and various parts of Bristol Cathedral floor (w / c on paper)

Tiles in vestry room and various parts of Bristol Cathedral floor (w / c on paper)
2831325 Tiles in vestry room and various parts of Bristol Cathedral floor (w/c on paper) by Manning, Joseph (c.1801-1861/1871); Bristol Museum and Art Gallery, UK; eBristol Museums

Background imageUnicorn Collection: The Lady with the Unicorn, late 15th Century (colour litho)

The Lady with the Unicorn, late 15th Century (colour litho)
3097055 The Lady with the Unicorn, late 15th Century (colour litho) by French School, (19th century); Private Collection; (add.info.: The Lady with the Unicorn, late 15th Century)

Background imageUnicorn Collection: Window depicting Noah and the Ark: fabulous animals and the ark (stained glass)

Window depicting Noah and the Ark: fabulous animals and the ark (stained glass)
1277662 Window depicting Noah and the Ark: fabulous animals and the ark (stained glass) by French School, (16th century); Eglise Saint Etienne, Arcis-sur-Aube, France; (add.info.: Arcis-sur-Aube)

Background imageUnicorn Collection: Photograph of Unicorn Hotel, Somerton, Somerset

Photograph of Unicorn Hotel, Somerton, Somerset. The main side of the print (shown here) depicts: Left Face on view of the pub

Background imageUnicorn Collection: Photograph of Lion & Unicorn PH, Brighton, Sussex

Photograph of Lion & Unicorn PH, Brighton, Sussex. The main side of the print (shown here) depicts: Corner on view of the pub

Background imageUnicorn Collection: Window depicting Saint John the Baptist in the desert (stained glass)

Window depicting Saint John the Baptist in the desert (stained glass)
1278982 Window depicting Saint John the Baptist in the desert (stained glass) by French School, (16th century); Eglise Notre Dame, Rosnay, France; (add.info.: Rosnay, Eglise Notre Dame)

Background imageUnicorn Collection: The Lady and the Unicorn: To my only desire (tapestry) (detail of 11819)

The Lady and the Unicorn: To my only desire (tapestry) (detail of 11819)
XIR238686 The Lady and the Unicorn: To my only desire (tapestry) (detail of 11819) by French School, (15th century); Musee National du Moyen Age et des Thermes de Cluny

Background imageUnicorn Collection: Compass rose with shipping sketches, 1784-89 (w / c on paper)

Compass rose with shipping sketches, 1784-89 (w / c on paper)
PEM199336 Compass rose with shipping sketches, 1784-89 (w/c on paper) by Bowen, Ashley (1728-1813); 24.7x24.7 cm; Peabody Essex Museum, Salem, Massachusetts, USA; ePeabody Essex Museum; American

Background imageUnicorn Collection: Coat of Arms of King James I of England (1603-25) (colour print)

Coat of Arms of King James I of England (1603-25) (colour print)
XND70120 Coat of Arms of King James I of England (1603-25) (colour print) by Anonymous; Private Collection; (add.info.: Honi Soit Qui Mal y Pense; ); out of copyright

Background imageUnicorn Collection: Facsimile copy of Genesis 2: 22 God created Eve, from the

Facsimile copy of Genesis 2: 22 God created Eve, from the
STC67452 Facsimile copy of Genesis 2:22 God created Eve, from the Nuremberg Bible (Biblia Sacra Germanaica) (colour litho) by German School

Background imageUnicorn Collection: Coat of Arms of Jane Seymour (c. 1509-37), third wife of King Henry VIII of England

Coat of Arms of Jane Seymour (c. 1509-37), third wife of King Henry VIII of England
XND70106 Coat of Arms of Jane Seymour (c.1509-37), third wife of King Henry VIII of England (1491-1547) (print) by Anonymous; Private Collection; out of copyright

Background imageUnicorn Collection: The Lady and the Unicorn: Sight (tapestry)

The Lady and the Unicorn: Sight (tapestry)
XIR11820 The Lady and the Unicorn: Sight (tapestry) by French School, (15th century); 310x330 cm; Musee National du Moyen Age et des Thermes de Cluny

Background imageUnicorn Collection: Coat of arms of the Right Honourable Mathew Ducie Morton, Lord Ducie of Moreton, 1st Baron Ducie

Coat of arms of the Right Honourable Mathew Ducie Morton, Lord Ducie of Moreton, 1st Baron Ducie, 1663-1735
6337696 Coat of arms of the Right Honourable Mathew Ducie Morton, Lord Ducie of Moreton, 1st Baron Ducie, 1663-1735 by Johnston

Background imageUnicorn Collection: Coat of arms of the Right Honourable Henry Roper, Lord Tenham, 10th Baron Teynham, 1708-1781

Coat of arms of the Right Honourable Henry Roper, Lord Tenham, 10th Baron Teynham, 1708-1781
6337575 Coat of arms of the Right Honourable Henry Roper, Lord Tenham, 10th Baron Teynham, 1708-1781 by Johnston, Andrew (18th century); (add.info.: Coat of arms of the Right Honourable Henry Roper)

Background imageUnicorn Collection: Coat of arms of the Right Honourable Charles Dormer, Lord Dormer, 5th Baron Dormer, 1668-1728

Coat of arms of the Right Honourable Charles Dormer, Lord Dormer, 5th Baron Dormer, 1668-1728
6337571 Coat of arms of the Right Honourable Charles Dormer, Lord Dormer, 5th Baron Dormer, 1668-1728 by Johnston, Andrew (18th century); (add.info)

Background imageUnicorn Collection: Coat of arms and crest of the right noble John Manners, 2nd Duke of Rutland, 1676-1721

Coat of arms and crest of the right noble John Manners, 2nd Duke of Rutland, 1676-1721
6340294 Coat of arms and crest of the right noble John Manners, 2nd Duke of Rutland, 1676-1721 by Johnston, Andrew (18th century); (add.info.: Coat of arms and crest of the right noble John Manners)



All Professionally Made to Order for Quick Shipping

Unicorns have captivated our imaginations for centuries, their elusive presence leaving a trail of enchantment throughout history. In the Mappa Mundi from 1290, a delicate depiction of this mythical creature on vellum hints at its enduring allure. The Royal Coat of Arms proudly displays the majestic unicorn alongside the mighty lion, symbolizing strength and purity. Even in unexpected places, unicorns make their mark. A Trades Union membership certificate adorned with their graceful image reminds us that unity and solidarity can be as magical as these legendary beings. An Oval Trench Art lighter from World War I bears witness to the resilience and hope that unicorns represent during times of darkness. The Le Strange Coat of Arms reveals how unicorns have become intertwined with noble lineages, embodying grace and nobility through generations. The Lion & Unicorn Pavilion stands tall as a testament to their timeless appeal in architecture. In Lewis Carroll's "Alice Through the Looking-Glass, " we encounter an unforgettable scene where Alice encounters a conversation between a lion and unicorn – showcasing both power and gentleness coexisting harmoniously within these mythical creatures. Artistic renderings like Picture No. 12480150 and Picture No. 12020840 capture the ethereal beauty of unicorns, transporting us to realms where dreams come alive. The Royal Coat of Arms belonging to King George V further emphasizes their significance in heraldry – representing not only regality but also magic woven into royal bloodlines. Even mundane objects are touched by unicorn magic; a poster advertising Ransomes Lawnmowers adds whimsy to everyday life by featuring these fantastical beings amidst green fields – reminding us that even ordinary tasks can be transformed into extraordinary adventures when accompanied by imagination. Lastly, Picture No. 11992894 invites us into an enchanted forest where unicorns roam freely among nature's wonders - inviting us to believe in miracles once more. From ancient maps to modern artistry, unicorns continue to captivate our hearts and minds.