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Typeface Collection (page 14)

"Typeface: A Journey Through Time and Design" Step into the world of typography as we explore the captivating history behind various typefaces

Background imageTypeface Collection: PARKER: DIVORCE, 1920. Our Great American Sport. Page from Vanity Fair magazine

PARKER: DIVORCE, 1920. Our Great American Sport. Page from Vanity Fair magazine, January 1920, commenting on the rising divorce rate in the United States

Background imageTypeface Collection: PUBLIC HEALTH: PRIVIES, c1915. Handbill with instructions for maintaining sanitary

PUBLIC HEALTH: PRIVIES, c1915. Handbill with instructions for maintaining sanitary privies to safeguard against typhoid fever and other illnesses, issued by the Walker County, Alabama

Background imageTypeface Collection: VACCINATION: POEM, 1792. Detail from a broadside printed at Boston, Massachusetts

VACCINATION: POEM, 1792. Detail from a broadside printed at Boston, Massachusetts, 1792, featuring a poem rejoicing over the new method of vaccination for protection against smallpox

Background imageTypeface Collection: QUARANTINE POSTER, 1910s. Quarantine notice of the San Francisco, California, Board of Health

QUARANTINE POSTER, 1910s. Quarantine notice of the San Francisco, California, Board of Health, 1910s, warning that the premises are contaminated by diphtheria

Background imageTypeface Collection: YELLOW FEVER, 1796. Detail from a broadside by Jonathan Plummer, Jr

YELLOW FEVER, 1796. Detail from a broadside by Jonathan Plummer, Jr. 1796, recounting the deaths of forty-four persons from malignant fever (yellow fever) at Newburyport, Massachusetts

Background imageTypeface Collection: STEAMBOAT MENU, c1865. Bill of fare for the steamboat M. S. Mepham, c1865

STEAMBOAT MENU, c1865. Bill of fare for the steamboat M. S. Mepham, c1865
STEAMBOAT MENU, c1865. Bill of fare for the steamboat M.S. Mepham, c1865

Background imageTypeface Collection: PADDLE WHEEL STEAMSHIP. The Adriatic, an American steamer of the Collins Atlantic U

PADDLE WHEEL STEAMSHIP. The Adriatic, an American steamer of the Collins Atlantic U.S.A. line, in service from 1850 till 1860. Contemporary wood engraving

Background imageTypeface Collection: MAP OF DELAWARE, 1795. William Barkers map of Delaware, first published in Carey s

MAP OF DELAWARE, 1795. William Barkers map of Delaware, first published in Carey s
MAP OF DELAWARE, 1795. William Barkers map of Delaware, first published in Careys American Atlas, 1795

Background imageTypeface Collection: CARIBBEAN MAP, c1688. A map of the Caribbean islands. Woodcut, French, c1688

CARIBBEAN MAP, c1688. A map of the Caribbean islands. Woodcut, French, c1688

Background imageTypeface Collection: CARTOON: PRISON BARBER SHOP. Next! Illustration of prison barber shop with J

CARTOON: PRISON BARBER SHOP. Next! Illustration of prison barber shop with J.D. Fish wearing prison stripes and Ferdinand Ward in civilian clothing

Background imageTypeface Collection: NEW-LONDON GAZETTE, 1768. Masthead of the New-London Gazette newspaper from New London

NEW-LONDON GAZETTE, 1768. Masthead of the New-London Gazette newspaper from New London, Connecticut, 1768

Background imageTypeface Collection: THE SUN, 1872. Masthead of The Sun newspaper from New York

THE SUN, 1872. Masthead of The Sun newspaper from New York

Background imageTypeface Collection: LEWIS: MAIN STREET, 1920. Cover of the first edition of Sinclair Lewis novel Main Street

LEWIS: MAIN STREET, 1920. Cover of the first edition of Sinclair Lewis novel Main Street, 1920

Background imageTypeface Collection: PREDICTIONS, 1900. Beginning of the article What May Happen in the Next Hundred

PREDICTIONS, 1900. Beginning of the article What May Happen in the Next Hundred Years? by John Elfreth Watkins, Jr. from the December 1900 issue of the Ladies Home Journal

Background imageTypeface Collection: PREDICTIONS, 1900. First page of the article What May Happen in the Next Hundred

PREDICTIONS, 1900. First page of the article What May Happen in the Next Hundred Years? by John Elfreth Watkins, Jr. from the December 1900 issue of the Ladies Home Journal

Background imageTypeface Collection: SUNDAY SUPPLEMENT, 1913. Front page of the fun supplement for the Sunday edition

SUNDAY SUPPLEMENT, 1913. Front page of the fun supplement for the Sunday edition of the New York World, 21 December 1913, which contained the first crossword puzzle

Background imageTypeface Collection: FRANKLIN: PLAIN TRUTH, 1747. Title page of Plain Truth: or, Serious Considerations

FRANKLIN: PLAIN TRUTH, 1747. Title page of Plain Truth: or, Serious Considerations On the Present State of the City of Philadelphia and Province of Pennsylvania

Background imageTypeface Collection: FRANKLIN: STENCILS. Typeface stencils made for Benjamin Franklin by Gabriel Bery

FRANKLIN: STENCILS. Typeface stencils made for Benjamin Franklin by Gabriel Bery, while Franklin was living in Passy, France, 1776-1785

Background imageTypeface Collection: PHILADELPHIA: LIBRARY. Text composed for the cornerstone dedication of the Library

PHILADELPHIA: LIBRARY. Text composed for the cornerstone dedication of the Library Company of Philadelphia, by Benjamin Franklin, 1739

Background imageTypeface Collection: SPENSER: FAERIE QUEENE. Page from Edmund Spensers the Faerie Queene, published c1590

SPENSER: FAERIE QUEENE. Page from Edmund Spensers the Faerie Queene, published c1590

Background imageTypeface Collection: DIME NOVEL. Dick Merriwells Daring Leap, or Bound to Get There

DIME NOVEL. Dick Merriwells Daring Leap, or Bound to Get There. Cover of a Street & Smith dime novel, c1902

Background imageTypeface Collection: PHYSICIANS, 1532. The title page of Laurentius Friesens Spiegel der Artzney

PHYSICIANS, 1532. The title page of Laurentius Friesens Spiegel der Artzney, with portraits of ancient and medieval physicians and (bottom) a representation of Venus and Adonis in a garden

Background imageTypeface Collection: BOOKBINDER, 1568. The bookbinder binds large and small books on all subjects in

BOOKBINDER, 1568. The bookbinder binds large and small books on all subjects in parchemnt or planed boards which are fitted with clasps and ornamented, some books are gilded on the edges

Background imageTypeface Collection: ILLUMINATOR, 1568. The Illuminator colors or gilds pictures on paper or parchment

ILLUMINATOR, 1568. The Illuminator colors or gilds pictures on paper or parchment; he does not hold with stencils, which produce poor work that is less highly remunerated

Background imageTypeface Collection: PAPER MAKER, 1568. The Paper maker, in his water-driven mill, makes smooth white

PAPER MAKER, 1568. The Paper maker, in his water-driven mill, makes smooth white sheets of paper from rags that have been chopped up, soaked, placed on the sieve, pressed and dried

Background imageTypeface Collection: TYPE FOUNDER, 1568. The Typefounder casts type from bismuth, tin and lead. Roman

TYPE FOUNDER, 1568. The Typefounder casts type from bismuth, tin and lead. Roman, Gothic and Greek alphabets, capital letters and punctuation marks. Poem by Hans Sachs, woodcut by Jost Amman, 1568

Background imageTypeface Collection: MAP: DANUBE. German map, c1740, showing the course of the Danube River from Vienna

MAP: DANUBE. German map, c1740, showing the course of the Danube River from Vienna, Austria, to Nikopol, Bulgaria, and (left inset)

Background imageTypeface Collection: ARABIAN NIGHTS: FISHERMAN. The genie comes out of the jar. Drawing, 1898, by Henry J

ARABIAN NIGHTS: FISHERMAN. The genie comes out of the jar. Drawing, 1898, by Henry J. Ford for the Story of the Fisherman from Arabian Nights

Background imageTypeface Collection: ROBIN HOOD. Pen and ink drawing by Howard Pyle from The Merry Adventures of Robin Hood

ROBIN HOOD. Pen and ink drawing by Howard Pyle from The Merry Adventures of Robin Hood, 1883

Background imageTypeface Collection: ROBIN HOOD. Robin Hood slays Guy of Gisbourne

ROBIN HOOD. Robin Hood slays Guy of Gisbourne. Pen and ink drawing by Howard Pyle from The Merry Adventures of Robin Hood, 1883

Background imageTypeface Collection: PARCHMENT MAKER, 1568. The Parchment Maker places sheep and goat skins in lime

PARCHMENT MAKER, 1568. The Parchment Maker places sheep and goat skins in lime, washes them, streches them on the frame and scrapes them; the ears and paws are boiled into glue

Background imageTypeface Collection: PRINTING OFFICE, 1568. The Book Printer applies the ink, his assistant pulls the lever

PRINTING OFFICE, 1568. The Book Printer applies the ink, his assistant pulls the lever, and a sheet is printed: woodcut by Jost Amman, 1568

Background imageTypeface Collection: ROBIN HOOD. Friar Tuck carries Robin Hood across a river

ROBIN HOOD. Friar Tuck carries Robin Hood across a river. Pen and ink drawing by Howard Pyle from The Merry Adventures of Robin Hood, 1883

Background imageTypeface Collection: ROBIN HOOD. Robin Hood meets the tall stranger on the bridge

ROBIN HOOD. Robin Hood meets the tall stranger on the bridge. Pen and ink drawing by Howard Pyle from The Merry Adventures of Robin Hood, 1883

Background imageTypeface Collection: JACK & JILL, 1873. Jack and Jill. Illustration from an American edition of Nursery Rhymes

JACK & JILL, 1873. Jack and Jill. Illustration from an American edition of Nursery Rhymes, 1873

Background imageTypeface Collection: BLOCK CUTTER, 1568. The Block Cutter engraves onto wood blocks the art that the

BLOCK CUTTER, 1568. The Block Cutter engraves onto wood blocks the art that the draftsman has prepared. The printed image comes out as clear as the original drawing. Woodcut by Jost Amman, 1568

Background imageTypeface Collection: THE SUN, 1833. Front page of the first issue of The Sun newspaper from New York

THE SUN, 1833. Front page of the first issue of The Sun newspaper from New York, 3 September 1833, the first penny newspaper, founded by American printer and journalist Benjamin Henry Day

Background imageTypeface Collection: MAY DAY PARADE, 1889. A family passing the reviewing stand with the very expensive

MAY DAY PARADE, 1889. A family passing the reviewing stand with the very expensive seats in New York City. Wood engraving, American, 1889

Background imageTypeface Collection: SWEATSHOP, 1912. Children are cheaper than grown-ups

SWEATSHOP, 1912. Children are cheaper than grown-ups. Girls and young women working at their sewing machines in a sweatshop in New York City. Drawing, 1912, by Walter Tittle

Background imageTypeface Collection: GLUTTON, 1568. The gluttonous fool. Woodcut, 1568, by Jost Amman

GLUTTON, 1568. The gluttonous fool. Woodcut, 1568, by Jost Amman

Background imageTypeface Collection: BREWING BEER, 1568. The Brewer. Woodcut, 1568, by Jost Amman

BREWING BEER, 1568. The Brewer. Woodcut, 1568, by Jost Amman

Background imageTypeface Collection: ALMANAC, 1735. Title page of an almanac by Nathaniel Ames, printed in Boston, Massachusetts

ALMANAC, 1735. Title page of an almanac by Nathaniel Ames, printed in Boston, Massachusetts, 1735

Background imageTypeface Collection: HANDBILL: MINING GOODS, 1850. Handbill advertising goods, provisions, tools, clothing, etc

HANDBILL: MINING GOODS, 1850. Handbill advertising goods, provisions, tools, clothing, etc. for miners in Mormon Island, California. Handbill, 1850

Background imageTypeface Collection: MIRROR MAKER, 1568. Woodcut, 1568, by Jost Amman

MIRROR MAKER, 1568. Woodcut, 1568, by Jost Amman

Background imageTypeface Collection: CROMPTON: FANCY LOOM. Fancy loom invented by Samuel Crompton (1753-1827). Line engraving

CROMPTON: FANCY LOOM. Fancy loom invented by Samuel Crompton (1753-1827). Line engraving, 19th century

Background imageTypeface Collection: CLOTH SHEARER, 1568. Woodcut, 1568, by Jost Amman

CLOTH SHEARER, 1568. Woodcut, 1568, by Jost Amman

Background imageTypeface Collection: FISHERMAN, 1568. Woodcut, 1568, by Jost Amman

FISHERMAN, 1568. Woodcut, 1568, by Jost Amman

Background imageTypeface Collection: ROPE MAKER, 1568. Woodcut, 1568, by Jost Amman

ROPE MAKER, 1568. Woodcut, 1568, by Jost Amman



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"Typeface: A Journey Through Time and Design" Step into the world of typography as we explore the captivating history behind various typefaces. From iconic magazine covers like Ms. Magazine's groundbreaking first issue in 1972 to political posters challenging societal norms, typefaces have played a pivotal role in shaping our visual culture. Take a glimpse at the Labour Party poster from 1910, boldly confronting the House of Lords' rejection of the Peoples Budget. The power of typography is evident as it clears the way for change and progress. Travel back to 1879 with an exquisite wood engraving showcasing the development of Eddystone Lighthouse in the English Channel. Even through intricate strokes, typefaces communicate safety and guidance amidst treacherous waters. The vibrant circus poster from the roaring 1920s transports us to a time when bold fonts dazzled audiences, enticing them to experience thrilling spectacles under big tops. Typography becomes an art form that captures attention and ignites curiosity. Intriguingly, even menus hold stories within their carefully crafted letters. Titanic's ill-fated voyage is immortalized through its third-class passenger menu from April 14th, 1912 – a haunting reminder of tragedy intertwined with elegance. Witness how Swansons revolutionized mealtime with their TV dinner packaging resembling television sets in 1954. Typeface merges with innovation to create an unforgettable consumer experience. During World War II, Coca-Cola employed powerful typographic imagery on advertisements promoting peace amidst chaos – reminding us that words can heal wounds and unite nations during times of strife. Delve into Native American history as Chitimacha tribes participate in a peace pipe ceremony depicted in an enchanting copper engraving from French artist Antoine Simon Le Page du Pratz dating back to 1718. Typeface preserves cultural heritage across generations. Discover Betsy McCall's fashionable paper doll dresses showcased in McCalls magazine's September 1952 issue. Typeface breathes life into fashion, transforming mere paper into wearable art.