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Turning Away Collection (page 9)

"Turning Away: A Glimpse into Moments of Defiance and Disconnection" In the midst of history's tapestry

Background imageTurning Away Collection: Portrait of Auguste Vacquerie (salt and albumen print and other media)

Portrait of Auguste Vacquerie (salt and albumen print and other media)
989914 Portrait of Auguste Vacquerie (salt and albumen print and other media) by Hugo, Victor (1802-85); 14.3x21.5 and smaller cm; Private Collection; (add.info)

Background imageTurning Away Collection: After the Ball, (oil on panel)

After the Ball, (oil on panel)
989887 After the Ball, (oil on panel) by Garrido, Eduardo-Leon (1856-1906); 54.6x37.5 cm; Private Collection; (add.info.: After the Ball. Eduardo Leon Garrido (1856-1949). Oil on panel

Background imageTurning Away Collection: Women bringing Children to Christ, (charcoal over traces of pencil

Women bringing Children to Christ, (charcoal over traces of pencil
989816 Women bringing Children to Christ, (charcoal over traces of pencil, heightened with white chalk, on) by Burne-Jones

Background imageTurning Away Collection: A Marble Bust of a Veiled Woman, 1867 (marble)

A Marble Bust of a Veiled Woman, 1867 (marble)
989806 A Marble Bust of a Veiled Woman, 1867 (marble) by Lombardi, Giovanni Battista (1822-80); 68 cm; Private Collection; (add.info.: A Marble Bust of a Veiled Woman)

Background imageTurning Away Collection: In the Garden, 1872 (oil on canvas)

In the Garden, 1872 (oil on canvas)
989747 In the Garden, 1872 (oil on canvas) by Toulmouche, Auguste (1829-90); 50.8x35.5 cm; Private Collection; (add.info.: In the Garden. Auguste Toulmouche (1829-1890). Oil on canvas

Background imageTurning Away Collection: A Young Girl seated under a Tree with a Sketch Book, (oil on panel)

A Young Girl seated under a Tree with a Sketch Book, (oil on panel)
824210 A Young Girl seated under a Tree with a Sketch Book, (oil on panel) by Richmond, George (1809-96); 47.8x39.1 cm; Private Collection; (add.info)

Background imageTurning Away Collection: Amour, 1913 (alabaster and gilding)

Amour, 1913 (alabaster and gilding)
826800 Amour, 1913 (alabaster and gilding) by Gaudier-Brzeska, Henri (1891-1915); 47 high cm; Private Collection; (add.info.: Amour. Henri Gaudier-Brzeska (1891-1915). Alabaster and Gilding

Background imageTurning Away Collection: Tea in the Garden, c. 1902 (oil on canvas)

Tea in the Garden, c. 1902 (oil on canvas)
826775 Tea in the Garden, c.1902 (oil on canvas) by Osborne, Walter Frederick (1859-1903); 63.5x76.2 cm; Private Collection; (add.info.: Tea in the Garden. Walter Frederick Osborne (1859-1903)

Background imageTurning Away Collection: Design with Benin Head, (oil on paper laid on board)

Design with Benin Head, (oil on paper laid on board)
826727 Design with Benin Head, (oil on paper laid on board) by Gertler, Mark (1891-1939); 30.5x41. cm; Private Collection; (add.info.: Design with Benin Head. Mark Gertler (1891-1939)

Background imageTurning Away Collection: Calling for Dinner, (oil on canvas)

Calling for Dinner, (oil on canvas)
823526 Calling for Dinner, (oil on canvas) by Massani, Pompeo (1850-1920); 31x23 cm; Private Collection; Photo eChristies Images; Italian, out of copyright

Background imageTurning Away Collection: A Study of Kittens, 1898 (oil on panel)

A Study of Kittens, 1898 (oil on panel)
823508 A Study of Kittens, 1898 (oil on panel) by Ronner-Knip, Henriette (1821-1909); 37.5x46 cm; Private Collection; (add.info.: A Study of Kittens. Henriette Ronner-Knip (1821-1909). Oil on panel

Background imageTurning Away Collection: Woman in Blue, Seated; Femme en Bleu Assise, (oil on canvas)

Woman in Blue, Seated; Femme en Bleu Assise, (oil on canvas)
826345 Woman in Blue, Seated; Femme en Bleu Assise, (oil on canvas) by Renoir, Pierre Auguste (1841-1919); 39.4x46.2 cm; Private Collection; (add.info.: Woman in Blue, Seated; Femme en Bleu Assise)

Background imageTurning Away Collection: Nude (Brunette with Blue Necklace); Nu (La Brune au Collier Bleu), 1922 (oil on canvas)

Nude (Brunette with Blue Necklace); Nu (La Brune au Collier Bleu), 1922 (oil on canvas)
826256 Nude (Brunette with Blue Necklace); Nu (La Brune au Collier Bleu), 1922 (oil on canvas) by Pascin, Jules (1885-1930); 47x55 cm; Private Collection; (add.info)

Background imageTurning Away Collection: Woman with Bare Breasts (Self Portrait); Femme aux Seins Nus (Autoportrait)

Woman with Bare Breasts (Self Portrait); Femme aux Seins Nus (Autoportrait)
826255 Woman with Bare Breasts (Self Portrait); Femme aux Seins Nus (Autoportrait), 1917 (oil on canvas) by Valadon, Marie Clementine (Suzanne) (1865-1938); 65x50 cm; Private Collection; (add.info)

Background imageTurning Away Collection: Reclining Nude; Liegender Akt, 1919 (pen, brush and indian ink on paper)

Reclining Nude; Liegender Akt, 1919 (pen, brush and indian ink on paper)
826113 Reclining Nude; Liegender Akt, 1919 (pen, brush and indian ink on paper) by Kirchner, Ernst Ludwig (1880-1938); 44.5x34.3 cm; Private Collection; (add.info.: Reclining Nude; Liegender Akt)

Background imageTurning Away Collection: Street Scene; Strassenszene, 1913 (oil on canvas)

Street Scene; Strassenszene, 1913 (oil on canvas)
826007 Street Scene; Strassenszene, 1913 (oil on canvas) by Kirchner, Ernst Ludwig (1880-1938); 70x48 cm; Private Collection; (add.info.: Street Scene; Strassenszene)

Background imageTurning Away Collection: The Parting of the Ways; Am Scheideweg, 1917 (tempera on canvas)

The Parting of the Ways; Am Scheideweg, 1917 (tempera on canvas)
825997 The Parting of the Ways; Am Scheideweg, 1917 (tempera on canvas) by Rohlfs, Christian (1849-1938); 124.5x118 cm; Private Collection; (add.info.: The Parting of the Ways; Am Scheideweg)

Background imageTurning Away Collection: Nude Study (Two Women Standing); Etude de Nu (Deux Femmes Debout)

Nude Study (Two Women Standing); Etude de Nu (Deux Femmes Debout)
825892 Nude Study (Two Women Standing); Etude de Nu (Deux Femmes Debout), (black chalk on paper laid down on cardboard) by Degas

Background imageTurning Away Collection: In the Sunroom, (oil on canvas)

In the Sunroom, (oil on canvas)
823051 In the Sunroom, (oil on canvas) by Miller, Richard Emil (1875-1943); 51x61 cm; Private Collection; (add.info.: In the Sunroom. Richard Edward Miller (1875-1943). Oil on canvas

Background imageTurning Away Collection: A Hatful of Bittersweet, 1877 (oil on canvas)

A Hatful of Bittersweet, 1877 (oil on canvas)
823039 A Hatful of Bittersweet, 1877 (oil on canvas) by Brownscombe, Jennie Augusta (1850-1936); 71.4x51.5 cm; Private Collection; (add.info.: A Hatful of Bittersweet)

Background imageTurning Away Collection: First Mate, (oil on board)

First Mate, (oil on board)
822733 First Mate, (oil on board) by Hawthorne, Charles Webster (1872-1930); 122.5x122.5 cm; Private Collection; (add.info.: First Mate. Charles Webster Hawthorne (1872-1930). Oil on board

Background imageTurning Away Collection: News from the Front, 1880 (oil on canvas)

News from the Front, 1880 (oil on canvas)
1772166 News from the Front, 1880 (oil on canvas) by Webb, Charles Meer (1830-1895); 91.5x80 cm; Private Collection; (add.info.: News from the Front. Charles Meer Webb (1830-1895). Oil on canvas

Background imageTurning Away Collection: The Sculptors Model (oil on canvas)

The Sculptors Model (oil on canvas)
1769870 The Sculptors Model (oil on canvas) by Courten, Angelo (1848-1925); 119.4x68.6 cm; Private Collection; (add.info.: The Sculptors Model. Angelo Courten (1848-1925). Oil on canvas

Background imageTurning Away Collection: Sisterly Love, 1892 (oil on canvas)

Sisterly Love, 1892 (oil on canvas)
1769869 Sisterly Love, 1892 (oil on canvas) by Delobbe, FranAzois Alfred (1835-1915); 100.3x82.6 cm; Private Collection; (add.info.: Sisterly Love. Francois Alfred Delobbe (1835-1920). Oil on canvas

Background imageTurning Away Collection: La Tragedienne, 1885 (oil on canvas)

La Tragedienne, 1885 (oil on canvas)
1769846 La Tragedienne, 1885 (oil on canvas) by Story, Julian Russell (1857-1919); 148x94 cm; Private Collection; (add.info.: La Tragedienne. Julian Russel Story (1850-1919). Oil on canvas

Background imageTurning Away Collection: Fording a Stream (oil on canvas)

Fording a Stream (oil on canvas)
1769842 Fording a Stream (oil on canvas) by Weeks, Edwin Lord (1849-1903); 50.8x76.2 cm; Private Collection; (add.info.: Fording a Stream. Edwin Lord Weeks (1849-1903). Oil on canvas

Background imageTurning Away Collection: In the Meadow; Dans la prairie, 1876 (oil on canvas)

In the Meadow; Dans la prairie, 1876 (oil on canvas)
1768006 In the Meadow; Dans la prairie, 1876 (oil on canvas) by Monet, Claude (1840-1926); 60.3x82 cm; Private Collection; (add.info.: In the Meadow; Dans la prairie. Claude Monet (1840-1926)

Background imageTurning Away Collection: Portrait of a Woman with a Hat with Flowers; Portrait de femme au chapeau fleuri, c

Portrait of a Woman with a Hat with Flowers; Portrait de femme au chapeau fleuri, c
1767919 Portrait of a Woman with a Hat with Flowers; Portrait de femme au chapeau fleuri, c.1890 (oil on canvas) by Renoir

Background imageTurning Away Collection: Adrienne, c. 1878 (oil on canvas)

Adrienne, c. 1878 (oil on canvas)
1767918 Adrienne, c.1878 (oil on canvas) by Renoir, Pierre Auguste (1841-1919); 48.3x38.6 cm; Private Collection; (add.info.: Adrienne. Pierre-Auguste Renoir (1841-1919). Oil on canvas

Background imageTurning Away Collection: Mother in Purple Holding her Child, c. 1914 (pastel on buff paper)

Mother in Purple Holding her Child, c. 1914 (pastel on buff paper)
1767917 Mother in Purple Holding her Child, c.1914 (pastel on buff paper) by Cassatt, Mary Stevenson (1844-1926); 71.8x56.5 cm; Private Collection; (add.info.: Mother in Purple Holding her Child)

Background imageTurning Away Collection: The Painter and His Palette; Le Peintre a la palette, c. 1881 (crayon on paper)

The Painter and His Palette; Le Peintre a la palette, c. 1881 (crayon on paper)
1767884 The Painter and His Palette; Le Peintre a la palette, c.1881 (crayon on paper) by Seurat, Georges Pierre (1859-91); 17.5x11 cm; Private Collection; (add.info)

Background imageTurning Away Collection: In the Bohmerwald, (oil on canvas)

In the Bohmerwald, (oil on canvas)
1767717 In the Bohmerwald, (oil on canvas) by Perry, Lilla Cabot (1848-1933); 80.6x64.8 cm; Private Collection; (add.info.: In the Bohmerwald. Lilla Cabot Perry (1848-1933). Oil on canvas

Background imageTurning Away Collection: The Harvest Song, c. 1920 (oil on canvas)

The Harvest Song, c. 1920 (oil on canvas)
1767644 The Harvest Song, c.1920 (oil on canvas) by Couse, Eanger Irving (1866-1936); 89.5x117.5 cm; Private Collection; (add.info.: The Harvest Song. Eanger Irving Couse (1866-1936). Oil on canvas

Background imageTurning Away Collection: The Terrace (oil on canvas)

The Terrace (oil on canvas)
1767522 The Terrace (oil on canvas) by Glackens, William James (1870-1938); 50.2x61 cm; Private Collection; (add.info.: The Terrace. William James Glackens (1870-1938). Oil on canvas

Background imageTurning Away Collection: Portrait of a Girl, 1928 (oil on canvas)

Portrait of a Girl, 1928 (oil on canvas)
1767487 Portrait of a Girl, 1928 (oil on canvas) by Henri, Robert Cozad (1865-1929); 71.1x50.8 cm; Private Collection; (add.info.: Portrait of a Girl. Robert Henri (1865-1929). Oil on canvas

Background imageTurning Away Collection: Wood Nymph, (bodycolour on brown paper)

Wood Nymph, (bodycolour on brown paper)
1199588 Wood Nymph, (bodycolour on brown paper) by Burne-Jones, Edward Coley (1833-98); 62.6x62.6 cm; Private Collection; Photo eChristies Images; English, out of copyright

Background imageTurning Away Collection: Portrait of William Michael Rossetti, (pencil on paper)

Portrait of William Michael Rossetti, (pencil on paper)
1199573 Portrait of William Michael Rossetti, (pencil on paper) by Rossetti, Dante Gabriel Charles (1828-82); 27x21.9 cm; Private Collection; Photo eChristies Images; English, out of copyright

Background imageTurning Away Collection: Portrait of a Lady, Half-Length, Wearing a Black Hat and Fur Stole

Portrait of a Lady, Half-Length, Wearing a Black Hat and Fur Stole
1199518 Portrait of a Lady, Half-Length, Wearing a Black Hat and Fur Stole, 1888 (pencil and w/c on paper) by Boughton, George Henry (1833-1905)

Background imageTurning Away Collection: Affection, a Javanese Beauty Holding a Child (oil on canvas)

Affection, a Javanese Beauty Holding a Child (oil on canvas)
1198445 Affection, a Javanese Beauty Holding a Child (oil on canvas) by Locatelli, Romualdo (1905-1943); 90x70 cm; Private Collection; (add.info.: Locatelli)

Background imageTurning Away Collection: Irish and American Bar, Rue Royale; poster for The Chap Book

Irish and American Bar, Rue Royale; poster for The Chap Book
1198106 Irish and American Bar, Rue Royale; poster for The Chap Book, 1895 (colour lithograph) by Toulouse-Lautrec, Henri de (1864-1901)

Background imageTurning Away Collection: Summer in Switzerland, a poster by the Swiss Tourist Board

Summer in Switzerland, a poster by the Swiss Tourist Board
1197944 Summer in Switzerland, a poster by the Swiss Tourist Board, 1921 (colour lithograph) by Cardinaux, Emil (1877-1936); 100x62 cm; Private Collection; Photo eChristies Images; Swiss

Background imageTurning Away Collection: Les Enfants d Edouard, (oil on canvas)

Les Enfants d Edouard, (oil on canvas)
1197579 Les Enfants d Edouard, (oil on canvas) by Delaroche, Hippolyte (Paul) (1797-1856); 88.9x106.7 cm; Private Collection; Photo eChristies Images; French, out of copyright

Background imageTurning Away Collection: Centaur, (bronze with brown patina, bronze base)

Centaur, (bronze with brown patina, bronze base)
1197548 Centaur, (bronze with brown patina, bronze base) by Stuck, Franz von (1863-1928); 63 (height) cm; Private Collection; Photo eChristies Images; German, out of copyright

Background imageTurning Away Collection: Portrait of an Italian Girl, Half Length, c. 1834 (oil on canvas)

Portrait of an Italian Girl, Half Length, c. 1834 (oil on canvas)
1197541 Portrait of an Italian Girl, Half Length, c.1834 (oil on canvas) by Winterhalter, Franz Xaver (1805-73); 55.5x46 cm; Private Collection; Photo eChristies Images; German, out of copyright

Background imageTurning Away Collection: Portrait of Jessie Margery Dunthorne, (pastel on canvas)

Portrait of Jessie Margery Dunthorne, (pastel on canvas)
1197509 Portrait of Jessie Margery Dunthorne, (pastel on canvas) by Helleu, Paul Cesar (1859-1927); 70.7x59 cm; Private Collection; Photo eChristies Images; French, out of copyright

Background imageTurning Away Collection: Tigers at Dawn, 1913 (oil on board)

Tigers at Dawn, 1913 (oil on board)
1197504 Tigers at Dawn, 1913 (oil on board) by Kuhnert, Wilhelm (1865-1926); 40.8x81.2 cm; Private Collection; Photo eChristies Images; German, out of copyright

Background imageTurning Away Collection: Afternoon Tea, (oil on panel)

Afternoon Tea, (oil on panel)
1197500 Afternoon Tea, (oil on panel) by Ernst, Rudolphe (1854-1932); 64.7x53.3 cm; Private Collection; Photo eChristies Images; German, out of copyright

Background imageTurning Away Collection: Reclining Turkish Woman; Femme Turque allongee, 1895 (oil on canvas)

Reclining Turkish Woman; Femme Turque allongee, 1895 (oil on canvas)
1197492 Reclining Turkish Woman; Femme Turque allongee, 1895 (oil on canvas) by La Porte, Emile Henri (1841-1919); 27.3x45.7 cm; Private Collection; (add.info.: La Porte)



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"Turning Away: A Glimpse into Moments of Defiance and Disconnection" In the midst of history's tapestry, a signed carte-de-visite captures Abraham Lincoln's weary countenance in 1864. His gaze turned away, perhaps burdened by the weight of a nation at war. The vignette framed with a gold-ruled border serves as a reminder of his leadership during tumultuous times. Fast forward to 1920, where an odalisque painted in oil on canvas beckons our attention. Her seductive allure is juxtaposed with her subtle act of turning away, leaving us to ponder the secrets she holds within her enigmatic gaze. A study of a male nude catches our eye next; he sits gracefully but turns away to the right. The watercolors on paper capture vulnerability and introspection, inviting us to question what thoughts lie hidden behind that turn. The gelatin silver print from 1930 portrays a reclining nude figure with hands gently placed behind their head. As they turn away from our view, we are left wondering about their inner world and the stories untold within this intimate moment frozen in time. An intricately hand-colored lithograph from 1865 showcases a ruffed grouse amidst nature's splendor. Yet even this majestic bird seems to be turning away ever so slightly - evoking curiosity about its motivations or desires beyond what meets the eye. William Pitt stands tall in three-quarter length portrait wearing dark attire that exudes power and authority. However, his slight turn hints at an underlying complexity or contemplation concealed beneath his confident facade. Amidst trees shrouded in mystery lies an albumen print capturing a semi-nude woman from the mid-19th century. As she turns slightly away from our gaze, we are invited to imagine her story unfolding amidst nature's embrace. Mileva Maric graces us with her presence through a carte-de-visite portrait from Zurich in the late 1800s.