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Turning Away Collection (page 6)

"Turning Away: A Glimpse into Moments of Defiance and Disconnection" In the midst of history's tapestry

Background imageTurning Away Collection: Mrs. Thomas Fitzgerald (nee Sarah Levering Riter), 1858 (oil on canvas)

Mrs. Thomas Fitzgerald (nee Sarah Levering Riter), 1858 (oil on canvas)
822750 Mrs. Thomas Fitzgerald (nee Sarah Levering Riter), 1858 (oil on canvas) by Sully, Thomas (1783-1872); 76.2x62.8 cm; Private Collection; (add.info.: Mrs)

Background imageTurning Away Collection: Lois in the Garden, (oil on canvas)

Lois in the Garden, (oil on canvas)
822723 Lois in the Garden, (oil on canvas) by Irvine, Wilson Henry (1869-1936); 69x61 cm; Private Collection; (add.info.: Lois in the Garden. Wilson Henry Irvine (1869-1936). Oil on canvas

Background imageTurning Away Collection: A Fellah Woman, (oil on canvas)

A Fellah Woman, (oil on canvas)
822705 A Fellah Woman, (oil on canvas) by Sargent, John Singer (1856-1925); 56x45.9 cm; Private Collection; (add.info.: A Fellah Woman. John Singer Sargent (1856-1925). Oil on canvas

Background imageTurning Away Collection: Extra, (oil on canvas)

Extra, (oil on canvas)
822673 Extra, (oil on canvas) by Brown, John George (1831-1913); 63.5x76.1 cm; Private Collection; (add.info.: Extra. John George Brown (1831-1913). Oil on canvas

Background imageTurning Away Collection: A Little Stage Fairy (oil on canvas)

A Little Stage Fairy (oil on canvas)
828490 A Little Stage Fairy (oil on canvas) by Patten, Alfred Fowler (1829-88); 76.2x50.8 cm; Private Collection; (add.info.: A Little Stage Fairy. Alfred Fowler Patten (1829-1888). Oil on canvas

Background imageTurning Away Collection: Our Lady of the Water Gate, (oil on canvas)

Our Lady of the Water Gate, (oil on canvas)
828473 Our Lady of the Water Gate, (oil on canvas) by Stanhope, John Roddam Spencer (1829-1908); 106.7x59.7 cm; Private Collection; (add.info.: Our Lady of the Water Gate)

Background imageTurning Away Collection: Ganymede, 1888 (oil on canvas)

Ganymede, 1888 (oil on canvas)
828438 Ganymede, 1888 (oil on canvas) by Watts, George Frederic (1817-1904); 66x53.5 cm; Private Collection; (add.info.: Ganymede. George Frederic Watts (1817-1904). Oil on canvas

Background imageTurning Away Collection: Ariadne, (paster relief painted and gilt)

Ariadne, (paster relief painted and gilt)
828391 Ariadne, (paster relief painted and gilt) by Bell, Robert Anning (1863-1933); 62.2x36.2 cm; Private Collection; (add.info.: Ariadne. Robert Anning Bell (1863-1933)

Background imageTurning Away Collection: Portrait of the Navigator, James Wendell (1787-1834), bust length

Portrait of the Navigator, James Wendell (1787-1834), bust length
828380 Portrait of the Navigator, James Wendell (1787-1834), bust length, in a Blue Coat and White Stock, 1828 (watercolour and bodycolour) by Dodd, P. G

Background imageTurning Away Collection: Man of New Zealand, (oil on canvas)

Man of New Zealand, (oil on canvas)
828320 Man of New Zealand, (oil on canvas) by French School, (18th century); 27.9x22.2 cm; Private Collection; (add.info.: Man of New Zealand. French School, after 18th Century, after William Hodges)

Background imageTurning Away Collection: Portrait of the Count Palatine George of Wittelsbach, Bishop of Speyer, (oil on panel)

Portrait of the Count Palatine George of Wittelsbach, Bishop of Speyer, (oil on panel)
827792 Portrait of the Count Palatine George of Wittelsbach, Bishop of Speyer, (oil on panel) by Wertinger, Hans (c.1465-1533); 51x35 cm; Private Collection; (add.info)

Background imageTurning Away Collection: Portrait of Frans Snyders, half-length, in black costume, leaning on a chair

Portrait of Frans Snyders, half-length, in black costume, leaning on a chair
827701 Portrait of Frans Snyders, half-length, in black costume, leaning on a chair, a landscape beyond, (oil on canvas) by Dyck

Background imageTurning Away Collection: The Head of Europa, (red and black chalk on grey-blue paper)

The Head of Europa, (red and black chalk on grey-blue paper)
827545 The Head of Europa, (red and black chalk on grey-blue paper) by Reni, Guido (1575-1642); 32.7x23. cm; Private Collection; (add.info.: The Head of Europa. Guido Reni (1575-1642)

Background imageTurning Away Collection: The Latin Class, 1869 (watercolour over pencil traces)

The Latin Class, 1869 (watercolour over pencil traces)
827406 The Latin Class, 1869 (watercolour over pencil traces) by Passini, Ludwig (1832-1903); 47.5x69.2 cm; Private Collection; (add.info.: The Latin Class. Ludwig Passini (1832-1903)

Background imageTurning Away Collection: Flowers from Shakespeares Garden: Rosemary, 1906 (watercolour and pen and black ink)

Flowers from Shakespeares Garden: Rosemary, 1906 (watercolour and pen and black ink)
827296 Flowers from Shakespeares Garden: Rosemary, 1906 (watercolour and pen and black ink) by Crane, Walter (1845-1915); 25.2x19 cm; Private Collection; (add.info.: Flowers from Shakespeares Garden)

Background imageTurning Away Collection: Portrait of Mrs. George McFadden seated, three-quarter length, 1919 (oil on canvas)

Portrait of Mrs. George McFadden seated, three-quarter length, 1919 (oil on canvas)
827292 Portrait of Mrs. George McFadden seated, three-quarter length, 1919 (oil on canvas) by Boldini, Giovanni (1842-1931); 117.5x90.1 cm; Private Collection; (add.info.: Portrait of Mrs)

Background imageTurning Away Collection: In the Railway Carriage, 1879 (oil on canvas)

In the Railway Carriage, 1879 (oil on canvas)
827281 In the Railway Carriage, 1879 (oil on canvas) by Carrier-Belleuse, Pierre (1851-1933); 54x93.4 cm; Private Collection; (add.info.: In the Railway Carriage. Pierre Carrier-Belleuse (1851-1933)

Background imageTurning Away Collection: A Borzoi by a Chair, (oil on canvas)

A Borzoi by a Chair, (oil on canvas)
827249 A Borzoi by a Chair, (oil on canvas) by Hare, St. George (1857-1933); 109.2x69.2 cm; Private Collection; (add.info.: A Borzoi by a Chair. St. George Hare (1857-1933). Oil on canvas

Background imageTurning Away Collection: Portrait of a Man, 1886 (oil on canvas)

Portrait of a Man, 1886 (oil on canvas)
827238 Portrait of a Man, 1886 (oil on canvas) by Simonson, David (1831-96); 60.3x52.1 cm; Private Collection; (add.info.: Portrait of a Man. David Simonson (1831-1896). Oil on a canvas

Background imageTurning Away Collection: Dancer; Danseuse, 1897-1900 (pastel on paper)

Dancer; Danseuse, 1897-1900 (pastel on paper)
825767 Dancer; Danseuse, 1897-1900 (pastel on paper) by Degas, Edgar (1834-1917); 52.6x35 cm; Private Collection; (add.info.: Dancer; Danseuse. Edgar Degas (1834-1917). Pastel on paper

Background imageTurning Away Collection: Three Girls Sitting on the Grass; Trois Jeunes Filles Assises sur l Herbe

Three Girls Sitting on the Grass; Trois Jeunes Filles Assises sur l Herbe
825716 Three Girls Sitting on the Grass; Trois Jeunes Filles Assises sur l Herbe, 1896-1897 (oil on canvas) by Renoir, Pierre Auguste (1841-1919); 30.5x37.5 cm; Private Collection; (add.info)

Background imageTurning Away Collection: Portrait of a Child; Portrait d Enfant, c. 1879 (pastel on paper)

Portrait of a Child; Portrait d Enfant, c. 1879 (pastel on paper)
825680 Portrait of a Child; Portrait d Enfant, c.1879 (pastel on paper) by Renoir, Pierre Auguste (1841-1919); 42.5x31 cm; Private Collection; (add.info.: Portrait of a Child; Portrait d Enfant)

Background imageTurning Away Collection: Woman with Rose Corsage; Femme au Corsage Rose, 1914 (oil on canvas)

Woman with Rose Corsage; Femme au Corsage Rose, 1914 (oil on canvas)
825663 Woman with Rose Corsage; Femme au Corsage Rose, 1914 (oil on canvas) by Renoir, Pierre Auguste (1841-1919); 33x24.4 cm; Private Collection; (add.info)

Background imageTurning Away Collection: David, (bronze with black patina)

David, (bronze with black patina)
826625 David, (bronze with black patina) by Gargallo, Pablo (1881-1934); 52.7. high cm; Private Collection; (add.info.: David. Pablo Gargallo (1881-1934). Bronze with black patina

Background imageTurning Away Collection: A hand coloured lithographed scene of a man proposing, c

A hand coloured lithographed scene of a man proposing, c
1765068 A hand coloured lithographed scene of a man proposing, c.1800 (hand coloured lithoraph on card) by English School

Background imageTurning Away Collection: A Summer Evening, 1897 (oil on canvas)

A Summer Evening, 1897 (oil on canvas)
987312 A Summer Evening, 1897 (oil on canvas) by Knight, Daniel Ridgway (1839-1924); 180x144 cm; Private Collection; (add.info.: A Summer Evening. Daniel Ridgway Knight (1839-1924). Oil on canvas

Background imageTurning Away Collection: An Officer of the 17th Lancers on horseback, 1833-1836 (hand-coloured lithograph)

An Officer of the 17th Lancers on horseback, 1833-1836 (hand-coloured lithograph)
985991 An Officer of the 17th Lancers on horseback, 1833-1836 (hand-coloured lithograph) by Mansion, L. and Eschauzier, St

Background imageTurning Away Collection: Nero, 1802 (hand coloured engraving)

Nero, 1802 (hand coloured engraving)
985928 Nero, 1802 (hand coloured engraving) by Chery, Philippe (1759-1838) (after); Private Collection; (add.info.: Nero; Neron. From Vol)

Background imageTurning Away Collection: The Flayed Angel, c. 1745 (varnished colour mezzotint)

The Flayed Angel, c. 1745 (varnished colour mezzotint)
985795 The Flayed Angel, c.1745 (varnished colour mezzotint) by Gautier d Agoty, Jacques-Fabien (1710-81); 53.5x39.5 (folio) cm; Private Collection; (add.info.: The Flayed Angel; L Ange Anatomique)

Background imageTurning Away Collection: Okee-Makee-Quid, a Chippeway chief, 1842-1844 (colour lithograph)

Okee-Makee-Quid, a Chippeway chief, 1842-1844 (colour lithograph)
985755 Okee-Makee-Quid, a Chippeway chief, 1842-1844 (colour lithograph) by King, Charles Bird (1785-1862) (after); Private Collection; (add.info.: Okee-Makee-Quid, a Chippeway chief)

Background imageTurning Away Collection: Biere de la Meuse, (polychrome gouache on buffed paper)

Biere de la Meuse, (polychrome gouache on buffed paper)
985590 Biere de la Meuse, (polychrome gouache on buffed paper) by Mucha, Alphonse Marie (1860-1939); 64x49.5 cm; Private Collection; (add.info.: Biere de la Meuse. Alphonse Mucha (1860-1939)

Background imageTurning Away Collection: Floreal, c. 1895-97 (oil on canvas)

Floreal, c. 1895-97 (oil on canvas)
985463 Floreal, c.1895-97 (oil on canvas) by Mowbray, Henry Siddons (1858-1928); 63.5x51 cm; Private Collection; (add.info.: Floreal. Henry Siddons Mowbray (1858-1928). Oil on canvas

Background imageTurning Away Collection: The Striped Blazer, (watercolour and pencil on buff paper)

The Striped Blazer, (watercolour and pencil on buff paper)
985421 The Striped Blazer, (watercolour and pencil on buff paper) by Demuth, Charles (1883-1935); 28x21.7 cm; Private Collection; (add.info.: The Striped Blazer. Charles Demuth (1883-1935)

Background imageTurning Away Collection: After the Festival, 1888 (oil on canvas)

After the Festival, 1888 (oil on canvas)
985379 After the Festival, 1888 (oil on canvas) by Millet, Francis Davis (1846-1912); 51.3x40.9 cm; Private Collection; (add.info.: After the Festival. Francis Davis Millet (1846-1912)

Background imageTurning Away Collection: New York Crossing (oil on canvas)

New York Crossing (oil on canvas)
985260 New York Crossing (oil on canvas) by Davis, Warren B. (1865-1928); 40.5x55.8 cm; Private Collection; (add.info.: New York Crossing. Warren Davis (1865-1928). Oil on canvas

Background imageTurning Away Collection: At the Waters Edge, (oil on canvas)

At the Waters Edge, (oil on canvas)
985238 At the Waters Edge, (oil on canvas) by Knight, Daniel Ridgway (1839-1924); 81.4x66 cm; Private Collection; (add.info.: At the Waters Edge. Daniel Ridgway Knight (1839-1924). Oil on canvas

Background imageTurning Away Collection: Tea Rose, (oil on canvas)

Tea Rose, (oil on canvas)
985220 Tea Rose, (oil on canvas) by Ulrich, Charles Frederic (1858-1908); 40x25 cm; Private Collection; (add.info.: Tea Rose. Charles Frederic Ulrich (1858-1908). Oil on canvas

Background imageTurning Away Collection: Smoke Purification, (oil on canvas)

Smoke Purification, (oil on canvas)
985144 Smoke Purification, (oil on canvas) by Couse, Eanger Irving (1866-1936); 106.8x88.8 cm; Private Collection; (add.info.: Smoke Purification. Eanger Irving Couse (1866 - 1936). Oil on canvas

Background imageTurning Away Collection: Woman Along Canal, (oil on canvas)

Woman Along Canal, (oil on canvas)
985137 Woman Along Canal, (oil on canvas) by Hitchcock, George (1850-1913); 88.9x61 cm; Private Collection; (add.info.: Woman Along Canal. George Hitchcock (1850-1913). Oil on canvas

Background imageTurning Away Collection: Isolina Maldonado - Spanish Dancer, 1921 (oil on canvas)

Isolina Maldonado - Spanish Dancer, 1921 (oil on canvas)
985002 Isolina Maldonado - Spanish Dancer, 1921 (oil on canvas) by Henri, Robert Cozad (1865-1929); 81x66 cm; Private Collection; (add.info.: Isolina Maldonado - Spanish Dancer)

Background imageTurning Away Collection: Ship Ahoy (oil on canvas)

Ship Ahoy (oil on canvas)
1199524 Ship Ahoy (oil on canvas) by Rossi, Alexander M. (1840-1916) (attr.to); 76.2x53.3 cm; Private Collection; (add.info.: Rossi, Alexander M)

Background imageTurning Away Collection: Gibraltar, 1886 (oil on canvas)

Gibraltar, 1886 (oil on canvas)
1199496 Gibraltar, 1886 (oil on canvas) by Long, Edwin Longsden (1829-91); 104.2x81.2 cm; Private Collection; Photo eChristies Images; English, out of copyright

Background imageTurning Away Collection: Portrait of Dom Joao VI, c. 1825-6 (black and red chalks and grey wash)

Portrait of Dom Joao VI, c. 1825-6 (black and red chalks and grey wash)
1199468 Portrait of Dom Joao VI, c. 1825-6 (black and red chalks and grey wash) by Landseer, Charles (1799-1879); 49x32 cm; Private Collection; Photo eChristies Images; English, out of copyright

Background imageTurning Away Collection: Poster advertising the Palace Hotel at St. Moritz, 1920 (colour lithograph)

Poster advertising the Palace Hotel at St. Moritz, 1920 (colour lithograph)
1197948 Poster advertising the Palace Hotel at St. Moritz, 1920 (colour lithograph) by Cardinaux, Emil (1877-1936); 128x91 cm; Private Collection; Photo eChristies Images; Swiss, out of copyright

Background imageTurning Away Collection: Head of an English Lady; Tete de lady anglaise, 1898 (oil on panel)

Head of an English Lady; Tete de lady anglaise, 1898 (oil on panel)
1196556 Head of an English Lady; Tete de lady anglaise, 1898 (oil on panel) by Toulouse-Lautrec, Henri de (1864-1901); 35x27 cm; Private Collection; Photo eChristies Images; French, out of copyright

Background imageTurning Away Collection: Portrait of a baby, 1878 (pastel on paper)

Portrait of a baby, 1878 (pastel on paper)
1196438 Portrait of a baby, 1878 (pastel on paper) by Renoir, Pierre Auguste (1841-1919); 52.9x42.5 cm; Private Collection; Photo eChristies Images; French, out of copyright

Background imageTurning Away Collection: Study of a Faun Woman Dancing for Oedipus Rex, c. 1900 (pastel on buff paper)

Study of a Faun Woman Dancing for Oedipus Rex, c. 1900 (pastel on buff paper)
1196024 Study of a Faun Woman Dancing for Oedipus Rex, c. 1900 (pastel on buff paper) by Renoir, Pierre Auguste (1841-1919); 52.6x39.7 cm; Private Collection; Photo eChristies Images; French

Background imageTurning Away Collection: Child with Green Sleeves (Anton Peschka, Jr. ), 1916 (gouache and pencil on paper)

Child with Green Sleeves (Anton Peschka, Jr. ), 1916 (gouache and pencil on paper)
1195974 Child with Green Sleeves (Anton Peschka, Jr.), 1916 (gouache and pencil on paper) by Schiele, Egon (1890-1918); 48.1x32 cm; Private Collection; Photo eChristies Images; Austrian



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"Turning Away: A Glimpse into Moments of Defiance and Disconnection" In the midst of history's tapestry, a signed carte-de-visite captures Abraham Lincoln's weary countenance in 1864. His gaze turned away, perhaps burdened by the weight of a nation at war. The vignette framed with a gold-ruled border serves as a reminder of his leadership during tumultuous times. Fast forward to 1920, where an odalisque painted in oil on canvas beckons our attention. Her seductive allure is juxtaposed with her subtle act of turning away, leaving us to ponder the secrets she holds within her enigmatic gaze. A study of a male nude catches our eye next; he sits gracefully but turns away to the right. The watercolors on paper capture vulnerability and introspection, inviting us to question what thoughts lie hidden behind that turn. The gelatin silver print from 1930 portrays a reclining nude figure with hands gently placed behind their head. As they turn away from our view, we are left wondering about their inner world and the stories untold within this intimate moment frozen in time. An intricately hand-colored lithograph from 1865 showcases a ruffed grouse amidst nature's splendor. Yet even this majestic bird seems to be turning away ever so slightly - evoking curiosity about its motivations or desires beyond what meets the eye. William Pitt stands tall in three-quarter length portrait wearing dark attire that exudes power and authority. However, his slight turn hints at an underlying complexity or contemplation concealed beneath his confident facade. Amidst trees shrouded in mystery lies an albumen print capturing a semi-nude woman from the mid-19th century. As she turns slightly away from our gaze, we are invited to imagine her story unfolding amidst nature's embrace. Mileva Maric graces us with her presence through a carte-de-visite portrait from Zurich in the late 1800s.