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Tribesman Collection (page 7)

"The Resilient Spirit of Tribesmen: A Glimpse into Diverse Cultures" Mursi Tribe: Captivating the world with their intricate lip plates and vibrant traditions

Background imageTribesman Collection: Native man of the Miranha tribe, with nose decoration, from

Native man of the Miranha tribe, with nose decoration, from
STC428078 Native man of the Miranha tribe, with nose decoration, from Atlas of a Journey in Brazil by Johann Baptist von Spix (1781-1826) and Karl Friedrich Philipp Martius (1794-1868)

Background imageTribesman Collection: Broken Arm, 1831 (oil on canvas)

Broken Arm, 1831 (oil on canvas)
PNP245316 Broken Arm, 1831 (oil on canvas) by Catlin, George (1796-1872); Private Collection; Peter Newark American Pictures; American, out of copyright

Background imageTribesman Collection: Manuelito (1818-93) head chief of the Navajo Nation 1870-84, 1874 (black and white photo)

Manuelito (1818-93) head chief of the Navajo Nation 1870-84, 1874 (black and white photo)
PNP245971 Manuelito (1818-93) head chief of the Navajo Nation 1870-84, 1874 (black and white photo) by American Photographer

Background imageTribesman Collection: Driving in an Eland, illustration from Wild Sports of South Africa, by W. C

Driving in an Eland, illustration from Wild Sports of South Africa, by W. C
XZL151178 Driving in an Eland, illustration from Wild Sports of South Africa, by W.C. Harris, 1841 (coloured engraving) by Harris, William Cornwallis (1807-48); Private Collection; English

Background imageTribesman Collection: Nias people, illustration from Un Viaggo a Nias by Elio Modigliani, c

Nias people, illustration from Un Viaggo a Nias by Elio Modigliani, c
LIT389269 Nias people, illustration from Un Viaggo a Nias by Elio Modigliani, c.1900 (colour litho) by Modigliani, Elio (1860-1932); Private Collection; Photo eLuca Tettoni; Italian, out of copyright

Background imageTribesman Collection: The Tomb of Tusitala, the grave of Robert Louis Stevenson at Apia, Samoa (b / w photo)

The Tomb of Tusitala, the grave of Robert Louis Stevenson at Apia, Samoa (b / w photo)
XJF373267 The Tomb of Tusitala, the grave of Robert Louis Stevenson at Apia, Samoa (b/w photo) by Andrew, Thomas (1855-1939); Private Collection; (add.info)

Background imageTribesman Collection: Inhabitants of New Caledonia, from Costume dei... (colour engraving)

Inhabitants of New Caledonia, from Costume dei... (colour engraving)
STC439678 Inhabitants of New Caledonia, from Costume dei... (colour engraving) by Hodges, William (1744-97) (after); Private Collection; (add.info)

Background imageTribesman Collection: Native man of the Yupua tribe, with plucked and shaved hair

Native man of the Yupua tribe, with plucked and shaved hair
STC428079 Native man of the Yupua tribe, with plucked and shaved hair and a necklace made of animal teeth, from Atlas of a Journey in Brazil by Johann Baptist von Spix (1781-1826)

Background imageTribesman Collection: A Sachem of the Abenakee Nation rescuing an English Officer

A Sachem of the Abenakee Nation rescuing an English Officer
AQS256824 A Sachem of the Abenakee Nation rescuing an English Officer, illustration from Bickerstaffs Boston Almanack, published 1768 (woodcut) by American School

Background imageTribesman Collection: Warrior of the Crow Tribe (w / c on paper)

Warrior of the Crow Tribe (w / c on paper)
PNP245324 Warrior of the Crow Tribe (w/c on paper) by Catlin, George (1796-1872); Private Collection; Peter Newark American Pictures; American, out of copyright

Background imageTribesman Collection: Cachasunghia, an Osage Warrior, 1806 (pencil and charcoal on paper)

Cachasunghia, an Osage Warrior, 1806 (pencil and charcoal on paper)
NYH149397 Cachasunghia, an Osage Warrior, 1806 (pencil and charcoal on paper) by Saint-Memin, Charles Balthazar Julien Fevret de (1770-1852)

Background imageTribesman Collection: Lieutenant Verney Lovett Camerons (1844-94) Reception by Katende

Lieutenant Verney Lovett Camerons (1844-94) Reception by Katende
STC168907 Lieutenant Verney Lovett Camerons (1844-94) Reception by Katende, engraved by Horace Harral (engraving) (b/w photo) by English School

Background imageTribesman Collection: The Peace Negotiations between Claudius Civilis and Quintus Petillius Cerealis

The Peace Negotiations between Claudius Civilis and Quintus Petillius Cerealis
3709979 The Peace Negotiations between Claudius Civilis and Quintus Petillius Cerealis on the Demolished Bridge, 1658-62 (oil on canvas) by Bol, Ferdinand (1616-80); 122x112.5 cm; Rijksmuseum

Background imageTribesman Collection: The herder

The herder
Trevor Cole

Background imageTribesman Collection: Solomon Islands: senior tribesman of Wanu (2 of 2) Date: mid-19th century

Solomon Islands: senior tribesman of Wanu (2 of 2) Date: mid-19th century

Background imageTribesman Collection: Leopard, from Quadrupeds series (N41) for Allen & Ginter Cigarettes, 1890

Leopard, from Quadrupeds series (N41) for Allen & Ginter Cigarettes, 1890

Background imageTribesman Collection: African Tribesman playing Flute

African Tribesman playing Flute

Background imageTribesman Collection: African Tribesman with Bow and Arrow

African Tribesman with Bow and Arrow

Background imageTribesman Collection: Fetching water in Mulago, Kampala, Uganda, Africa

Fetching water in Mulago, Kampala, Uganda, Africa

Background imageTribesman Collection: Ugandan child fetching water, Masindi, Uganda, Africa

Ugandan child fetching water, Masindi, Uganda, Africa

Background imageTribesman Collection: Masai, Kenya

Masai, Kenya
Kenya, Masai warriors in genuine traditional clothes and carrying spears with tips protected by feathered su-sus Date: 1987

Background imageTribesman Collection: Nomad musician, Jaipur

Nomad musician, Jaipur
Nomadic musician squats at a ceramics shop in Jaipur, India. Over his shoulder he carries an Ektara, a single string gourd musical instrument

Background imageTribesman Collection: The Zulu War, 1879: The final repulse of the Zulus at Ginghilovo, April 2, (1901)

The Zulu War, 1879: The final repulse of the Zulus at Ginghilovo, April 2, (1901). The Battle of Gingindlovu (in what is now South Africa) was fought between British soldiers and sailors

Background imageTribesman Collection: New South Wales Aborigines - King Billy and his A. D. C. s, c1900. Creator: Unknown

New South Wales Aborigines - King Billy and his A. D. C. s, c1900. Creator: Unknown
New South Wales Aborigines - Jimmy Clements and his A.D.C. s, c1900. Jimmy Clements (c1847 -1927) was an Aboriginal elder from the Wiradjuri tribe in Australia

Background imageTribesman Collection: Arab Fantasia, 1866-67 (oil on canvas)

Arab Fantasia, 1866-67 (oil on canvas)
WLT206779 Arab Fantasia, 1866-67 (oil on canvas) by Fortuny y CarbAo (Fortuny i Marsal), Mariano JoseMarAia Bernardo (1838-74); 52x67 cm; Walters Art Museum, Baltimore, USA; Spanish, out of copyright

Background imageTribesman Collection: Libyan Street Scene

Libyan Street Scene Date: circa 1920s

Background imageTribesman Collection: Warrior of Elmina, c1880

Warrior of Elmina, c1880. Episode of the Third Anglo-Ashanti War (1873-1874). From British Battles on Land and Sea, Vol. III, by James Grant. [Cassell Petter & Galpin, London, Paris & New York, c1880]

Background imageTribesman Collection: Reception of King Koffees Ambassadors in the English Camp, c1880

Reception of King Koffees Ambassadors in the English Camp, c1880. Episode of the Third Anglo-Ashanti War (1873-1874). From British Battles on Land and Sea, Vol. III, by James Grant

Background imageTribesman Collection: Fight at Abracrampa, 1880. Artist: Joseph Swain

Fight at Abracrampa, 1880. Artist: Joseph Swain
Fight at Abracrampa, c1880. Episode of the Third Anglo-Ashanti War (1873-1874). From British Battles on Land and Sea, Vol. III, by James Grant

Background imageTribesman Collection: March of Ashantee Warriors, c1880

March of Ashantee Warriors, c1880. Episode of the Third Anglo-Ashanti War (1873-1874). From British Battles on Land and Sea, Vol. III, by James Grant

Background imageTribesman Collection: A Yaghan Attaching The Head of His Harpoon to the Shaft, 1911

A Yaghan Attaching The Head of His Harpoon to the Shaft, 1911. From Chile, by G. F. Scott Elliot, M.A. F.R.G.S. [T. Fisher Terrace, London, 1911]

Background imageTribesman Collection: Khoikhois catching moles, South Africa, 18th century (1931)

Khoikhois catching moles, South Africa, 18th century (1931). Plate taken from Historic Farms of South Africa, by Dorothea Fairbridge, published by Oxford University Press (London, 1931)

Background imageTribesman Collection: Khoikhois breaking-in oxen, South Africa, 18th century (1931)

Khoikhois breaking-in oxen, South Africa, 18th century (1931). Plate taken from Historic Farms of South Africa, by Dorothea Fairbridge, published by Oxford University Press (London, 1931)

Background imageTribesman Collection: Khoikhois milking cows and making butter, South africa, 18th century (1931)

Khoikhois milking cows and making butter, South africa, 18th century (1931). Plate taken from Historic Farms of South Africa, by Dorothea Fairbridge, published by Oxford University Press (London)

Background imageTribesman Collection: Threshing out the corn, South Africa, 18th century (1931)

Threshing out the corn, South Africa, 18th century (1931). Plate taken from Historic Farms of South Africa, by Dorothea Fairbridge, published by Oxford University Press (London, 1931)

Background imageTribesman Collection: Khoikhois bartering cattle, South Africa, 1931

Khoikhois bartering cattle, South Africa, 1931. Plate taken from Historic Farms of South Africa, by Dorothea Fairbridge, published by Oxford University Press (London, 1931)

Background imageTribesman Collection: Khoikhois spearing fish, South Africa, 1931

Khoikhois spearing fish, South Africa, 1931. Plate taken from Historic Farms of South Africa, by Dorothea Fairbridge, published by Oxford University Press (London, 1931)

Background imageTribesman Collection: Khoikhoi labourers, 1931

Khoikhoi labourers, 1931. Plate taken from Historic Farms of South Africa, by Dorothea Fairbridge, published by Oxford University Press (London, 1931)

Background imageTribesman Collection: Khoikhoi huts and kraal, South Africa, 1931

Khoikhoi huts and kraal, South Africa, 1931. Plate taken from Historic Farms of South Africa, by Dorothea Fairbridge, published by Oxford University Press (London, 1931)

Background imageTribesman Collection: A group of Masai warriors in full battle panoply, 1922. Artist: SJ Hopper

A group of Masai warriors in full battle panoply, 1922. Artist: SJ Hopper
A group of Masai warriors in full battle panoply, 1922. From Peoples of All Nations, Their Life Today and the Story of Their Past, volume I: Abyssinia to the British Empire

Background imageTribesman Collection: Afridis (Pathan tribes); warfare in the northern Indian marches, India, 1922

Afridis (Pathan tribes); warfare in the northern Indian marches, India, 1922. From Peoples of All Nations, Their Life Today and the Story of Their Past, volume IV: Georgia to Italy

Background imageTribesman Collection: African natives carrying a white man, Africa, 19th century. Artist: Gerome Staal

African natives carrying a white man, Africa, 19th century. Artist: Gerome Staal
African natives carrying a white man, Africa, 19th century

Background imageTribesman Collection: A man from the Warramunga tribe making a stone axe head, Australia, 1922. Artist: Spencer and Gillen

A man from the Warramunga tribe making a stone axe head, Australia, 1922. Artist: Spencer and Gillen
A man from the Warramunga tribe making a stone axe head, Australia, 1922. The man is chipping a block of diorite by means of a small lump of hard quartzite

Background imageTribesman Collection: A Turkana tribesman, Kenya, Africa, 1936. Artist: Wide World Photos

A Turkana tribesman, Kenya, Africa, 1936. Artist: Wide World Photos
A Turkana tribesman, Kenya, Africa, 1936. From Peoples of the World in Pictures, edited by Harold Wheeler, published by Odhams Press Ltd (London, 1936)

Background imageTribesman Collection: A Masai warrior, Africa, 1936. Artist: Wide World Photos

A Masai warrior, Africa, 1936. Artist: Wide World Photos
A Masai warrior, Africa, 1936. From Peoples of the World in Pictures, edited by Harold Wheeler, published by Odhams Press Ltd (London, 1936)

Background imageTribesman Collection: Two witch-doctors, Tanganyika (Tanzania), Africa, 1936. Artist: GPA

Two witch-doctors, Tanganyika (Tanzania), Africa, 1936. Artist: GPA
Two witch-doctors, Tanganyika (Tanzania), Africa, 1936. From Peoples of the World in Pictures, edited by Harold Wheeler, published by Odhams Press Ltd (London, 1936)

Background imageTribesman Collection: Afghan tribesman, 1936. Artist: Fox

Afghan tribesman, 1936. Artist: Fox
Afghan tribesman, 1936. From Peoples of the World in Pictures, edited by Harold Wheeler, published by Odhams Press Ltd (London, 1936)

Background imageTribesman Collection: Frieze of Roman soldiers fighting Germanic tribesmen, 1st century

Frieze of Roman soldiers fighting Germanic tribesmen, 1st century
Frieze of Roman soldiers fighting Germanic tribesmen on a Roman sarcophagus, from the National Museums collection in Rome, 1st century



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"The Resilient Spirit of Tribesmen: A Glimpse into Diverse Cultures" Mursi Tribe: Captivating the world with their intricate lip plates and vibrant traditions, the Mursi tribe showcases the beauty of Ethiopian heritage. Masai Tribesman on Bwejuu Beach, Zanzibar: Witnessing a fusion of cultures as a Masai tribesman embraces the serenity of Bwejuu Beach in Tanzania, East Africa. Samburu Warrior's Vigilant Stare: Standing atop the eastern scarp, a Samburu warrior gazes into the vastness, embodying strength and resilience in Kenya's rugged landscapes. The Khyber Pass - Gateway to History: At Pakistan/Afghanistan border lies the historic Khyber Pass; where tribesmen have guarded this strategic passage for centuries. Hadza Hunter's Ancient Rituals: Inhaling from a crude stone pipe, a Hadza hunter indulges in cannabis during an age-old tradition that connects them to nature's wisdom. Ugandan Children Embrace Daily Struggles: With determination etched on their faces, young Ugandan children fetch water tirelessly in Masindi village – showcasing resilience amidst adversity. Batavians' Fight for Freedom: Depicted through artistry in "The Conspiracy of Batavians under Claudius Civilis, " these tribesmen fought valiantly against oppression during ancient times. Sarwani Soldier – Guardians of Tradition: Adorned with traditional attire and armed with unwavering loyalty, Sarwani soldiers protect their cultural heritage while serving their community. Bakhtiari Tribesman & His Laden Donkey: Symbolizing perseverance amidst harsh terrains, a Bakhtiari tribesman relies on his loyal donkey to transport essentials across challenging landscapes. Exploring New Frontiers with M. De Brazza.