Traviata Collection

Cover of the vocal score of opera La Traviata by Giuseppe Verdi, 1853. Found in the collection of Museo Teatrale alla Scala

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Act two, scene 19 : at Floras ball, Alfredos father rebukes his behaviour, and the Baron, Violettas former protector, challenges him to a duel

Giuseppe Verdi / Photo
GIUSEPPE VERDI Italian composer

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Act three, final scene : Violetta dies, and even Alfredo's father is filled with remorse... Date: first performed 1853

La Dame aux Camelias, 1927. Creator: Icart, Louis Justin Laurent (1888-1950)
La Dame aux Camelias, 1927. Private Collection

Marguerite with her bouquet of white camelias in the box at the theatre
CHT352349 Marguerite with her bouquet of white camelias in the box at the theatre, illustration for La Dame aux Camelias by A

Caricature of Alexandre Dumas, fils for Le Monde Pour Rire magazine, 2nd May
CHT352350 Caricature of Alexandre Dumas, fils for Le Monde Pour Rire magazine, 2nd May, 1868 (colour litho) by Gedeon, Baril (b.1832); Musee de la Ville de Paris, Musee Carnavalet, Paris

Marie Duplessis (1824-1847), La Dame aux Camelias, 1845. Found in the collection of Musee Carnavalet, Paris

Maria Spezia (1828-1907) as Violetta in Opera La Traviata by Giuseppe Verdi, 1856. Found in the collection of Bibliotheque Nationale de France

Costume design for the opera La Traviata by Giuseppe Verdi, 1899. Found in the collection of Museo Teatrale alla Scala

La Traviata: first edition of the original version, 1854. Private Collection

La Traviata: scene at the gaming table, 1866. Private Collection

Christine Nilsson (1843-1921) as Violetta in Opera La Traviata by Giuseppe Verdi, 1864. Private Collection

Rosa Ponselle (1897-1981) as Violetta in Opera La Traviata by Giuseppe Verdi, 1931. Private Collection

Portrait of Marie Duplessis (1824-1847), La Dame aux Camelias, c. 1840. Artist: Olivier, Jean-Charles (active 1840s)
Portrait of Marie Duplessis (1824-1847), La Dame aux Camelias, c. 1840. Private Collection

Adelina Patti as Violetta in the opera La traviata by Giuseppe Verdi, End 1860s-Early 1870s. Found in the collection of Constantine Palace, St. Petersburg

Music cover, The Piccolomini Waltz, from Verdis opera La Traviata, as performed at Almacks and the Court Balls. Marietta Piccolomini (1834-1899)

CHRISTINE NILSSON (1843-1921). Swedish soprano. Possibly as Violetta in La Traviata, 19th century

Alexandre Dumas the Younger (1824-1895) in 1884. French writer. His novel La dame aux camelias (1848) was the basic story for Verdis opera La Traviata. Photograph by Fontaine

Alexandre Dumas the Younger (1824-1895) French writer. His novel La dame aux camelias (1848) was the basic story for Verdis opera La Traviata. Photograph by Fontaine

Madame Nordica (Lilian Norton) (1857-1914) American soprano. Studied the role of Violetta (La Traviata) under Verdi. From 1888 she appeared with Augustus Harriss Italian Opera Company

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Act one : Alfredo meets Violetta at her party, and is immediately captivated

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Act two, scene 14 : at Floras ball, Alfredo calls the company to witness that he pays his debts, and flings his gaming winnings at Violettas feet

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Act two, scene eight : Alfredos father, Georgio Germont, tries in vain to console him for the loss of Violetta who has nobly renounced him

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Act two, scene five : Alfredos father, Georgio Germont, visits Violetta and tells her she is ruining his son and also his daughters marriage prospects

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Act one, scene three : Alfredo and Violetta meet

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"Traviata: A Timeless Opera of Love, Sacrifice, and Society" Giuseppe Verdi's opera La Traviata has captivated audiences for over a century with its poignant story and beautiful melodies. The cover of the vocal score from 1853 hints at the depth and emotion that lie within this masterpiece. Inspired by Alexandre Dumas fils' novel La Dame aux Camelias, Verdi weaves a tale of passion and tragedy set in the glamorous world of Parisian high society. Marguerite, portrayed in Louis Justin Laurent Icart's artwork holding a bouquet of white camelias, symbolizes purity amidst a backdrop of opulence. The opera's protagonist Violetta is brought to life by Maria Spezia in an iconic portrayal from 1856. Her character embodies both fragility and strength as she navigates the complexities of love and societal expectations. Costume designs from 1899 showcase the lavishness associated with this era while emphasizing the contrast between appearances and inner turmoil. The first edition of La Traviata reveals Verdi's original vision for this timeless work. In one scene at the gaming table depicted in 1866, we witness how Violetta's fate hangs precariously on her choices as she grapples with societal judgment. Caricatures featuring Alexandre Dumas fils remind us that behind every great work lies inspiration drawn from real-life figures. Ultimately, Traviata stands as a testament to Verdi's genius as he delves into themes such as sacrifice, redemption, and forgiveness. It serves as a reminder that even within glittering societies lurk profound human emotions waiting to be explored through music. Whether you are an avid opera lover or new to this art form, La Traviata promises an unforgettable experience filled with heart-wrenching drama and soaring melodies that continue to resonate across generations.