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Traces Collection

"Traces: Unveiling the Mysteries of the Universe and Beyond" In a world brimming with enigmatic phenomena

Background imageTraces Collection: Proton collision C014 / 1797

Proton collision C014 / 1797
Particle tracks from a proton-proton collision seen by the CMS (compact muon solenoid) detector at CERN (the European particle physics laboratory) near Geneva, Switzerland

Background imageTraces Collection: Higgs boson, conceptual artwork

Higgs boson, conceptual artwork
Higgs boson, conceptual computer artwork. The Higgs boson is a proposed fundamental particle that is thought to give other particles mass

Background imageTraces Collection: Higgs boson, conceptual artwork

Higgs boson, conceptual artwork
Higgs boson, conceptual computer artwork. The Higgs boson is a proposed fundamental particle that is thought to give other particles mass

Background imageTraces Collection: Lead ion collisions

Lead ion collisions. Particle tracks from the first stable run lead ion collisions seen by the ALICE (a large ion collider experiment) detector at CERN (the European particle physics laboratory)

Background imageTraces Collection: Lead ion collisions

Lead ion collisions. Particle tracks from the first lead ion collisions seen by the ALICE (a large ion collider experiment) detector at CERN (the European particle physics laboratory) near Geneva

Background imageTraces Collection: Lead ion collisions

Lead ion collisions. Particle tracks from the first lead ion collisions seen by the ALICE (a large ion collider experiment) detector at CERN (the European particle physics laboratory) near Geneva

Background imageTraces Collection: Lead ion collision C014 / 1793

Lead ion collision C014 / 1793
Particle tracks from a lead ion collision seen by the CMS (compact muon solenoid) detector at CERN (the European particle physics laboratory) near Geneva, Switzerland

Background imageTraces Collection: Deep powder snow, Ski traces, Tyrol, Austria

Deep powder snow, Ski traces, Tyrol, Austria

Background imageTraces Collection: The road of Raccolana Valley after a snowfall, Julian Alps, Chiusaforte, Udine province

The road of Raccolana Valley after a snowfall, Julian Alps, Chiusaforte, Udine province, Friuli Venezia Giulia, Italy

Background imageTraces Collection: Footpath in Faldina Valley with Teverone Mount on background, Cansiglio Forest

Footpath in Faldina Valley with Teverone Mount on background, Cansiglio Forest, Prealps of Belluno, Farra d‚AoAlpago, Belluno province, Veneto, Italy

Background imageTraces Collection: Sands of Time

Sands of Time
Miki Meir Levi

Background imageTraces Collection: Fragment of a frieze. Apse of First Cathedral. 7th century

Fragment of a frieze. Apse of First Cathedral. 7th century
Fragment of the frieze from the apse of the First Cathedral. 7th century. Sandstone with traces of polychromy. Cathedral of Faras (Sudan). Faras Gallery. National Museum. Warsaw. Poland. Date: 2018

Background imageTraces Collection: Irene

Irene
Portrait of Irene Dineley, model in a number of portraits. This sketch, which appears so hasty is really quite delibrate and considered

Background imageTraces Collection: Franklin expedition - three graves at Cape Riley

Franklin expedition - three graves at Cape Riley
Traces of the Franklin Expedition. The graves of three of Franklin's crew at Cape Riley, Beechey Island in the Canadian Arctic Archipelago in Wellington Channel: John Torrington

Background imageTraces Collection: Bucharest, January 2023

Bucharest, January 2023
Marius Cinteza

Background imageTraces Collection: The Three Sisters, 1902 (watercolour heightened with gum arabic over traces of pencil and)

The Three Sisters, 1902 (watercolour heightened with gum arabic over traces of pencil and)
989984 The Three Sisters, 1902 (watercolour heightened with gum arabic over traces of pencil and) by Smith, Carlton Alfred (1853-1946); 77.5x25.8 cm; Private Collection; (add.info)

Background imageTraces Collection: Desert Crossing

Desert Crossing
Abdulqader AlAni

Background imageTraces Collection: A Gathering in the Drawing Room, (gouache and watercolour over traces of chalk with gum

A Gathering in the Drawing Room, (gouache and watercolour over traces of chalk with gum
827420 A Gathering in the Drawing Room, (gouache and watercolour over traces of chalk with gum arabic on) by Lynch, Albert (1851-1912); 31.8x63.5 cm; Private Collection; (add.info)

Background imageTraces Collection: The Latin Class, 1869 (watercolour over pencil traces)

The Latin Class, 1869 (watercolour over pencil traces)
827406 The Latin Class, 1869 (watercolour over pencil traces) by Passini, Ludwig (1832-1903); 47.5x69.2 cm; Private Collection; (add.info.: The Latin Class. Ludwig Passini (1832-1903)

Background imageTraces Collection: Women bringing Children to Christ, (charcoal over traces of pencil

Women bringing Children to Christ, (charcoal over traces of pencil
989816 Women bringing Children to Christ, (charcoal over traces of pencil, heightened with white chalk, on) by Burne-Jones

Background imageTraces Collection: The traces II

The traces II
Shenshen Dou

Background imageTraces Collection: Scene of an unmounted horse race in Rome

Scene of an unmounted horse race in Rome
PWI84005 Scene of an unmounted horse race in Rome by Vernet, Antoine Charles Horace (Carle) (1758-1836); Musee Calvet, Avignon, France; ePeter Willi; French, out of copyright

Background imageTraces Collection: Memory of Bas Brhaut, 1858 (cliche verre)

Memory of Bas Brhaut, 1858 (cliche verre)
487669 Memory of Bas Brhaut, 1858 (cliche verre) by Corot, Jean Baptiste Camille (1796-1875); 20.3x17.8 cm; Private Collection; (add.info)

Background imageTraces Collection: The Adventures of a Juryman at the New Courts of Justice (engraving)

The Adventures of a Juryman at the New Courts of Justice (engraving)
1044039 The Adventures of a Juryman at the New Courts of Justice (engraving) by English School, (19th century); Private Collection; (add.info)

Background imageTraces Collection: Robinson Crusoe (colour litho)

Robinson Crusoe (colour litho)
1046385 Robinson Crusoe (colour litho) by French School, (19th century); Private Collection; (add.info.: Robinson Crusoe. Illustration for The Graphic)

Background imageTraces Collection: The Noonday Rest (oil on canvas)

The Noonday Rest (oil on canvas)
Ma200899 The Noonday Rest (oil on canvas) by Watts, George Frederic (1817-1904); Private Collection; Photo eThe Ms Gallery, London; English, out of copyright

Background imageTraces Collection: Art Caricature in Germany (engraving)

Art Caricature in Germany (engraving)
1060545 Art Caricature in Germany (engraving) by English School, (19th century); Private Collection; (add.info.: Art Caricature in Germany)

Background imageTraces Collection: Place du Chatelet, (watercolour and gouache over traces of pencil on paper)

Place du Chatelet, (watercolour and gouache over traces of pencil on paper)
989844 Place du Chatelet, (watercolour and gouache over traces of pencil on paper) by Galien-Laloue, Eugene (Jacques Lievin) (1854-1941); 24.2x40 cm; Private Collection; (add.info)

Background imageTraces Collection: Bergerie, 1915-16 (pencil with traces of white chalk on paper)

Bergerie, 1915-16 (pencil with traces of white chalk on paper)
825771 Bergerie, 1915-16 (pencil with traces of white chalk on paper) by Modigliani, Amedeo (1884-1920); 43.5x27.4 cm; Private Collection; (add.info.: Bergerie. Amedeo Modigliani (1884-1920)

Background imageTraces Collection: L Arc de Triomphe, (gouache over traces of pencil on paper)

L Arc de Triomphe, (gouache over traces of pencil on paper)
989845 L Arc de Triomphe, (gouache over traces of pencil on paper) by Galien-Laloue, Eugene (Jacques Lievin) (1854-1941); 26x34.3 cm; Private Collection; (add.info.: L Arc de Triomphe)

Background imageTraces Collection: Curve

Curve
DCIMPANORAMA100_0055DJI. Josef Sieberer

Background imageTraces Collection: Sand Arithmetic

Sand Arithmetic
philnormanphoto

Background imageTraces Collection: beach art

beach art
Michael Wirth

Background imageTraces Collection: Tears of a white wall

Tears of a white wall
Dieter Matthes

Background imageTraces Collection: Traces of light

Traces of light
Emilian Avramescu

Background imageTraces Collection: Traces

Traces
Vito Miribung

Background imageTraces Collection: traces in the memories

traces in the memories
Amir Bajrich

Background imageTraces Collection: on tour

on tour
Uschi Hermann

Background imageTraces Collection: Pesh-kabz and scabbard

Pesh-kabz and scabbard, nd. Blade has traces of watering. Hilt possibly of walrus ivory. Lanyard stanchion missing. Inscription on reverse of tang explains its history

Background imageTraces Collection: Temple guardian. Statue. Japan, 14th century

Temple guardian. Statue. Japan, 14th century
Statue of a Temple Guardian. Wood with traces of painting. 14th century. Japan. Rijksmuseum. Amsterdam. Holland

Background imageTraces Collection: UFO sighting at Trans-en-Provence, France

UFO sighting at Trans-en-Provence, France
A sketch of Renato Niccolais garden at Trans-en-Provence, France, where he claims a UFO came down from the sky, hovered or landed for a few seconds, then shot away again, leaving traces on the ground

Background imageTraces Collection: Investigating UFO landing, Socorro, New Mexico

Investigating UFO landing, Socorro, New Mexico
Socorro, New Mexico: investigating traces of a landed UFO seen by a policeman (Zamora)

Background imageTraces Collection: Fossils. 1. Footprints of a bird. 2. Mudcracks. 3. Ammonite. 4. Trilobite. 5. Ripplemarks. 6. Fish

Fossils. 1. Footprints of a bird. 2. Mudcracks. 3. Ammonite. 4. Trilobite. 5. Ripplemarks. 6. Fish. From The Worlds Foundations or Geology for Beginners, published 1883

Background imageTraces Collection: Fern fossils in coal. From The Worlds Foundations or Geology for Beginners, published 1883

Fern fossils in coal. From The Worlds Foundations or Geology for Beginners, published 1883

Background imageTraces Collection: Amedeo Modigliani Beatrice Portrait de BA atrice Hastings

Amedeo Modigliani Beatrice Portrait de BA atrice Hastings
Amedeo Modigliani: Beatrice (Portrait de Beatrice Hastings), Amedeo Modigliani, 1916, Oil on canvas with newsprint, A British poet and journalist, Beatrice Hastings moved to Paris in 1914

Background imageTraces Collection: Scholar desk 1752 oil oak wood 29. 5 x 24 cm signed

Scholar desk 1752 oil oak wood 29. 5 x 24 cm signed
Scholar at the desk, 1752, oil on oak wood, 29.5 x 24 cm, signed and dated on the dark paper sheet behind the standing folio directly above and beside it: Juncker fecit

Background imageTraces Collection: Ad marginem 1930 210 E 10 1935-1936 revised water color

Ad marginem 1930 210 E 10 1935-1936 revised water color
Ad marginem, 1930, 210 (E 10), 1935-1936 (revised), water color and nib on varnish primer nailed to cardboard on stretcher, white primer on the reverse with traces of paint

Background imageTraces Collection: View Dalkey Road November 1843 Elizabeth Murray

View Dalkey Road November 1843 Elizabeth Murray
View of Dalkey from the Road, November 1843, Elizabeth Murray, English, c. 1815-1882, England, Watercolor with traces of white gouache over graphite on gray wove paper, 176 mm × 254 mm



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"Traces: Unveiling the Mysteries of the Universe and Beyond" In a world brimming with enigmatic phenomena, they can left behind as silent witnesses to extraordinary events. From the mind-boggling Proton collision C014 in 1797, where particles clashed in an intricate dance, to the ethereal Higgs boson captured in conceptual artwork, these traces offer glimpses into realms beyond our comprehension. The Lead ion collisions echo through time like celestial whispers, revealing secrets hidden within subatomic realms. As we ponder their significance, they beckon us towards a deeper understanding of our universe's intricacies. But traces extend far beyond scientific marvels. They transcend earthly boundaries and venture into uncharted territories. The mysterious encounters with UFOs witnessed by Zamora and Socorro leave indelible marks on human consciousness—an eternal reminder that there is more to this world than meets the eye. Even amidst technological advancements lie timeless tests of truthfulness. The Lie detector test stands as a trace of humanity's quest for authenticity—a testament to our desire for transparency in an ever-shifting landscape. Yet some traces defy temporal constraints altogether. Like grains slipping through an hourglass, Sands of Time carry imprints from ages past—remnants of forgotten civilizations whispering stories yet untold. And then there are those fragments that bridge gaps between eras—the Fragment of a frieze from First Cathedral's apse dating back to the 7th century connects us with ancient wisdom and artistic prowess—a tangible link between past and present. Finally, amidst all these captivating tales lies Irene—a name etched upon hearts forevermore—a trace left by someone who touched lives profoundly—an enduring legacy woven into the fabric of existence itself. In this vast tapestry called life, traces serve as breadcrumbs leading us closer to unraveling mysteries both big and small. They remind us that even when answers seem elusive or obscured by time's relentless march, traces persist—a testament to the eternal quest for knowledge and understanding.