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Traced Collection

"Traced: Uncovering the Stories Behind Artistic Masterpieces" Robert Baron and his team of art enthusiasts embarked on a journey to trace the origins of various artworks

Background imageTraced Collection: So they traced it up, till at last they found their poor comrade (litho)

So they traced it up, till at last they found their poor comrade (litho)
3655545 So they traced it up, till at last they found their poor comrade (litho) by Rhead, Louis John (1857-1926); Private Collection; (add.info.: So they traced it up)

Background imageTraced Collection: He traced the coast of Tartary (engraving)

He traced the coast of Tartary (engraving)
2781424 He traced the coast of Tartary (engraving) by French School, (19th century); Private Collection; (add.info.: He traced the coast of Tartary)

Background imageTraced Collection: Portrait of Pierre Le Hayer Duperron, 1634 (black, red & brown chalk on paper)

Portrait of Pierre Le Hayer Duperron, 1634 (black, red & brown chalk on paper)
659199 Portrait of Pierre Le Hayer Duperron, 1634 (black, red & brown chalk on paper) by Dumonstier, or Dumoustier, Daniel (1574-1646); 15.2x13.8 cm; Private Collection; (add.info)

Background imageTraced Collection: Robert Baron

Robert Baron
ROBERT BARON (flourished 1645) - poet and drama- -tist, notable for borrowing from other writers, without permission or acknowledgement. However, some good lines have not been traced to others

Background imageTraced Collection: A Sectional Boat used by Sir Henry Morton Stanley in Africa

A Sectional Boat used by Sir Henry Morton Stanley in Africa
Engraving of a sectional boat, used by Sir Henry Morton Stanley (1841-1904) during his 1874 expedition to central Africa, being carried by a number of local porters

Background imageTraced Collection: Italian Lakes - Maccapno

Italian Lakes - Maccapno - Crowded buildings waterside, hill background. Part of Box 184 Boswell Collection - Italian Lakes. Name Maccapno cannot be traced online Date: circa 1900

Background imageTraced Collection: Third Earl of Romney

Third Earl of Romney
CHARLES MARSHAM, third earl of ROMNEY aristocrat who traced his lineage back to William the Conqueror. Date: 1808 - 1874

Background imageTraced Collection: Martyrdom Saint Lawrence early 17th century Black chalk

Martyrdom Saint Lawrence early 17th century Black chalk
Artokoloro

Background imageTraced Collection: Virgin Child ca 1620 Oil wood 25 1 / 4 x 19 1 / 2

Virgin Child ca 1620 Oil wood 25 1 / 4 x 19 1 / 2
Artokoloro

Background imageTraced Collection: Saint Sebastian 15th century Engraving sheet

Saint Sebastian 15th century Engraving sheet
Artokoloro

Background imageTraced Collection: Christ Driving Money Changers Temple ca 1665-70

Christ Driving Money Changers Temple ca 1665-70
Artokoloro

Background imageTraced Collection: Design Tazza Bowl Dish ca 1600 Brown ink red

Design Tazza Bowl Dish ca 1600 Brown ink red
Artokoloro

Background imageTraced Collection: Design Frame 1750-88 Brush black ink gray wash

Design Frame 1750-88 Brush black ink gray wash
Artokoloro

Background imageTraced Collection: Venus Amor ca 1585 Pen brown ink light dark brown

Venus Amor ca 1585 Pen brown ink light dark brown
Artokoloro

Background imageTraced Collection: Paul Gauguin, Two Tahitians Gathering Fruit [recto], French, 1848-1903, 1899-1900

Paul Gauguin, Two Tahitians Gathering Fruit [recto], French, 1848-1903, 1899-1900, traced monotype, printed twice, in brown and ocher on wove paper

Background imageTraced Collection: Paul Gauguin, Two Marquesans [recto], French, 1848 - 1903, c

Paul Gauguin, Two Marquesans [recto], French, 1848 - 1903, c. 1902, traced monotype in warm black retouched slightly with an olive pigment

Background imageTraced Collection: Portrait of B. Spranger, Jan Harmensz. Muller, 1595 - 1597

Portrait of B. Spranger, Jan Harmensz. Muller, 1595 - 1597

Background imageTraced Collection: Paul Gauguin, Animal Studies, French, 1848-1903, 1901-1902, traced monotype in black

Paul Gauguin, Animal Studies, French, 1848-1903, 1901-1902, traced monotype in black on thin laid paper

Background imageTraced Collection: Phonautograph (c 1857) apparatus for studying sound vibrations graphically, invented by

Phonautograph (c 1857) apparatus for studying sound vibrations graphically, invented by (Edouard) Leon Scott de Martinville

Background imageTraced Collection: Verney Lovett Cameron (1844-1894) English explorer in Central Africa, born at Radipole

Verney Lovett Cameron (1844-1894) English explorer in Central Africa, born at Radipole near Weymouth, Dorset. Camerons expedition to Africa (1872-1875). His party being attacked by a buffalo

Background imageTraced Collection: Shark sensing prey, artwork

Shark sensing prey, artwork
Shark sensing prey. Artwork of a sequence showing a shark (upper left) sensing blood from a wounded fish and then catching that fish (lower right)

Background imageTraced Collection: Einhard and Emma

Einhard and Emma
A romantic legend tells how Charlemagnes secretary Einhard, secretly courting Emma, fearful of being traced by his footprints, is carried by her after their trysts

Background imageTraced Collection: Owen Jones Flowers 91

Owen Jones Flowers 91
Full-sized horse-chestnut leaves, traced from nature

Background imageTraced Collection: Owen Jones Flowers 93

Owen Jones Flowers 93
Ivy Palmata and Common Ivy: full-sized leaves, traced from nature

Background imageTraced Collection: Owen Jones Flowers 95

Owen Jones Flowers 95
Various leaves, full-sized, traced from nature: Vine, Holly, Oak, Turkey Oak, and Laburnum

Background imageTraced Collection: Owen Jones Flowers 92

Owen Jones Flowers 92
Full-sized vine leaves, traced from nature

Background imageTraced Collection: Napoleon / Valence

Napoleon / Valence
Napoleon during his later service in Valence. The young lieutenant has just traced out a fortification on the ground with his walking stick

Background imageTraced Collection: Carpet Weaver 1827

Carpet Weaver 1827
A carpet weaver working at a loom; the design is traced on pasteboard, tied about the weaver, who reads the pattern and colours from it

Background imageTraced Collection: Marchand / With Natives

Marchand / With Natives
Jean Baptiste Marchand. French explorer who traced the source of the Niger River, explored the Ivory Coast region and caused a Franco- British crisis in Fashoda


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"Traced: Uncovering the Stories Behind Artistic Masterpieces" Robert Baron and his team of art enthusiasts embarked on a journey to trace the origins of various artworks, unearthing captivating tales along the way. So they traced it up, tirelessly following every lead until at last they found their poor comrade - an exquisite litho that had been lost for centuries. With unwavering determination, Baron traced the coast of Tartary through an intricate engraving, unraveling secrets hidden within its delicate lines. The portrait of Pierre Le Hayer Duperron, created in 1634 with black, red & brown chalk on paper, revealed a man's life filled with mystery and intrigue. Their exploration took them to the enchanting Italian Lakes - Maccapno; a place where inspiration flowed freely and artists left their mark. Here they discovered breathtaking landscapes captured by skilled hands that painted vivid pictures in their minds. Intriguingly enough, even historical figures were not exempt from being traced. The Third Earl of Romney emerged from dusty archives as Baron delved into forgotten engravings depicting his grandeur and influence. But it wasn't just paintings or portraits that fascinated this group; they also explored other forms of artistry. A page of advertisements etched onto an engraving told stories about commerce and society during a particular era. One remarkable find was Sir Henry Morton Stanley's sectional boat used during his African expeditions. As they examined this vessel closely, traces of adventure lingered in every groove - evidence of daring journeys across treacherous waters. The team couldn't resist tracing religious themes either. Martyrdom Saint Lawrence appeared before them through early 17th-century black chalk sketches that depicted sacrifice and devotion. Similarly, a Virgin Child painting from around 1620 evoked feelings of innocence and purity with each brushstroke carefully traced upon wood.