Torso Collection (page 5)

Study of a Recumbent Male Figure, recto (black chalk on off-white paper)
1216687 Study of a Recumbent Male Figure, recto (black chalk on off-white paper) by Buonarroti, Michelangelo (1475-1564); 258x332 cm; Ashmolean Museum, University of Oxford

Torso of Amazon (marble)
1216509 Torso of Amazon (marble) by Roman; 100.5x36x44 cm; Ashmolean Museum, University of Oxford, UK; eAshmolean Museum; out of copyright

Breastplate in the Maximilian style, c. 1510-30 (steel with brass rivets)
490850 Breastplate in the Maximilian style, c.1510-30 (steel with brass rivets) by German School, (16th century); 48.3x40.3x16 cm; Cleveland Museum of Art, OH

Bust of a man (black limestone & yellow marble) (see also 281573)
XYC281574 Bust of a man (black limestone & yellow marble) (see also 281573) by Harwood, Francis (fl.1748-83) (attr. to); 69.9x50.2 cm; Yale Center for British Art, Paul Mellon Collection

Studies of Male Nude, after 1501-2 (pen & ink on paper)
AMO276532 Studies of Male Nude, after 1501-2 (pen & ink on paper) by Buonarroti, Michelangelo (1475-1564); Ashmolean Museum, University of Oxford, UK; eAshmolean Museum; Italian, out of copyright

Study of the Assisting Figure of the Libyan Sibyl, c. 1512 (red chalk & pen on paper)
AMO276505 Study of the Assisting Figure of the Libyan Sibyl, c.1512 (red chalk & pen on paper) by Buonarroti, Michelangelo (1475-1564); Ashmolean Museum, University of Oxford

Gladiators, from Antique Rome engraved by Labrousse
STC255234 Gladiators, from Antique Rome engraved by Labrousse, published 1796 (coloured aquatint) by Grasset de Saint-Sauveur

Achilles, 1822 (bronze)
JBG147795 Achilles, 1822 (bronze) by Westmacott, Richard (1775-1856); Hyde Park Corner, London, UK; (add.info.: tribute from the ladies of England to the Duke of Wellington; sculpture cast)

The Manhattan Cupid, c. 1494-96 (marble)
BEN161528 The Manhattan Cupid, c.1494-96 (marble) by Buonarroti, Michelangelo (1475-1564) (attr.to); Louvre, Paris, France; (add.info)

Sketch of a female figure, 1888 (pencil on paper)
LMG211093 Sketch of a female figure, 1888 (pencil on paper) by Sickert, Walter Richard (1860-1942); 11.9x6 cm; Leeds Museums and Galleries (Leeds Art Gallery) U.K.; (add.info)

Back view of the Manhattan Cupid, c. 1494-96 (marble)
BEN140568 Back view of the Manhattan Cupid, c.1494-96 (marble) by Buonarroti, Michelangelo (1475-1564) (attr.to); Louvre, Paris, France; Photo eRaffaello Bencini; Italian, out of copyright

The Manhattan Cupid, c. 1494-96 (marble)
BEN140566 The Manhattan Cupid, c.1494-96 (marble) by Buonarroti, Michelangelo (1475-1564) (attr.to); Louvre, Paris, France; Photo eRaffaello Bencini; Italian, out of copyright

Dapper Regency lad
Torso of a young Regency man wearing a brown great coat with capes and a black conical hat. Artist: Frances Brundage Date: 1903

Christ on the cross (blood on paper)
5862519 Christ on the cross (blood on paper) by Merello, Rubaldo (1872-1922); 105x71 cm; Private Collection; Luisa Ricciarini; Italian, out of copyright

Parthenon sculptures: Victory, British Museum (b / w photo)
6000902 Parthenon sculptures: Victory, British Museum (b/w photo) by English Photographer, (19th century); Private Collection; (add.info.: Victory, British Museum)

Japanese tattooed man (litho)
423668 Japanese tattooed man (litho) by English School, (19th century); Private Collection; Photo eLuca Tettoni; English, out of copyright

Torso of the Belvedere (engraving)
666783 Torso of the Belvedere (engraving) by English School, (19th century); Private Collection; (add.info.: Torso of the Belvedere. Illustration for Rome by Francis Wey (Chapman and Hall, 1875)

Athena Nike adjusting her sandal, c. 420-420 BC (marble)
XZL149434 Athena Nike adjusting her sandal, c.420-420 BC (marble) by Greek, (5th century BC); Acropolis Museum, Athens, Greece; Greek, out of copyright

Achilles, 1822 (bronze)
JBG147794 Achilles, 1822 (bronze) by Westmacott, Richard (1775-1856); Hyde Park Corner, London, UK; (add.info.: tribute from the ladies of England to the Duke of Wellington; sculpture cast)

Discobolus, copy of a bronze original (marble) (b / w photo)
ALI194733 Discobolus, copy of a bronze original (marble) (b/w photo) by Myron, (fl.c.450 BC) (after); Vatican Museums and Galleries, Vatican City; Alinari

Half-figure in a Yellow Shirt, 1928-32 (oil on canvas)
SRM69906 Half-figure in a Yellow Shirt, 1928-32 (oil on canvas) by Malevich, Kazimir Severinovich (1878-1935); 98.5x78.5 cm; State Russian Museum, St

Hercules Fighting the Cretan Bull, one of a series of twelve metopes depicting
PWI94613 Hercules Fighting the Cretan Bull, one of a series of twelve metopes depicting the Labours of Hercules from the Temple of Zeus in Olympia, Early Classical Period

Study of a Male Figure (oil on canvas)
LGH250465 Study of a Male Figure (oil on canvas) by Leighton, Frederic (1830-96); Leighton House Museum, Kensington & Chelsea, London, UK; eLeighton House; English, out of copyright

The Apollo of Piombino (bronze) (see also 94610, 98014 and 98015)
XIR177203 The Apollo of Piombino (bronze) (see also 94610, 98014 and 98015) by Greek, (1st century BC); height:115 cm; Louvre, Paris, France; Greek, out of copyright

Anatomy of human venous return system in the upper torso
Anatomy of human venous return system of venal valves in the upper torso. Lithograph from Lorenz Okens Universal Natural History, Allgemeine Naturgeschichte fur alle Stande, Stuttgart, 1839

Anatomy of the human venal system in the upper torso. Lithograph by C. Mayer from Lorenz Okens Universal Natural History, Allgemeine Naturgeschichte fur alle Stande, Stuttgart, 1839

Anatomy of the human arterial system in the upper torso. Handcoloured lithograph by St. Schillinger from Lorenz Okens Universal Natural History, Allgemeine Naturgeschichte fur alle Stande, Stuttgart

Composition II, 1926 (oil on canvas)
3367006 Composition II, 1926 (oil on canvas) by Keyser, Ragnhild (1889-1943); 81.3x30.5 cm; Yale University Art Gallery, New Haven, CT

Mr William, the American Fakir with his tattoed dog (b / w photo)
3639190 Mr William, the American Fakir with his tattoed dog (b/w photo) by German Photographer (20th Century); Private Collection; (add.info.: Mr William)

Soldier in Sancho Villas Army 1914
A soldier in Sancho Villas army sits on the grass eating, holding a tortilla and a plate of food. He is wearing sandals, shirt and trousers, a hat

Torso, Arundel Homer (marble)
1216475 Torso, Arundel Homer (marble) by Greek; 116x52.5x64 cm cm; Ashmolean Museum, University of Oxford, UK; (add.info)

Torso of Lucio Licinio Murena inspired by the horseback Alexander of the bronze group of
1630605 Torso of Lucio Licinio Murena inspired by the horseback Alexander of the bronze group of Lysippos dedicated to Dion, 67 AD (marble) by Roman

Two studies of female nudes (pencil on paper)
712310 Two studies of female nudes (pencil on paper) by Vallotton, Felix Edouard (1865-1925); 16x28.5 cm; Private Collection; Photo eChristies Images; Swiss, out of copyright

Torse of a reclining woman, 1913 (oil on canvas)
712297 Torse of a reclining woman, 1913 (oil on canvas) by Vallotton, Felix Edouard (1865-1925); 72x92 cm; Private Collection; Photo eChristies Images; Swiss, out of copyright

Torso of an Emperor in the Guise of Jupiter, 1st century (marble)
3576938 Torso of an Emperor in the Guise of Jupiter, 1st century (marble) by Roman, (1st century AD); 143.5x74.9x39.4 cm; North Carolina Museum of Art, Raleigh, USA; (add.info.:); Gift of Mr

St. Sebastian (detail), c. 1459 (tempera on panel)
3928695 St. Sebastian (detail), c.1459 (tempera on panel) by Mantegna, Andrea (1431-1506); Kunsthistorisches Museum, Vienna, Austria; (add.info.: Mantegnas signature in Greek)

Nude male Torso (pen and brown ink with black chalk on off-white paper
1216686 Nude male Torso (pen and brown ink with black chalk on off-white paper) Verso: Black chalk) by Buonarroti, Michelangelo (1475-1564); 26.2x17.3 cm; Ashmolean Museum, University of Oxford

The Belvedere Torso by Apollonios of Nestor, c. 1890 (b / w photo)
1267955 The Belvedere Torso by Apollonios of Nestor, c.1890 (b/w photo) by Anderson (fl.1900-36); Private Collection; (add.info.: Place of photography: State of the Vatican City, Vatican Museums)

Two studies of the shoulders and raised arms of a girl for Diadumene
PNH368316 Two studies of the shoulders and raised arms of a girl for Diadumene, 1884 (chalk on paper) by Poynter, Edward John (1836-1919); 31.1x22.8 cm; Private Collection; (add.info)

Nude man striding forward, with arms folded and looking over this right shoulder
CTS366783 Nude man striding forward, with arms folded and looking over this right shoulder (red chalk on cream paper) by Reni, Guido (1575-1642); 36.4x23 cm; eThe Devonshire Collections

Fede, Mondo Latino Oceanico, 1904 (oil on canvas)
XOT361200 Fede, Mondo Latino Oceanico, 1904 (oil on canvas) by Sartorio, Giulio Aristide (1860-1932); 180x200 cm; Private Collection; Italian, out of copyright

A muscular, naked man, who seems to have floated down to rest on his hands
XYC256901 A muscular, naked man, who seems to have floated down to rest on his hands, head downwards, on rocks and clouds, plate 14 from The First Book of Urizen

Riace Warrior A (bronze)
ALI322028 Riace Warrior A (bronze) by Greek, (5th century BC); Museo Archeologico Nazionale, Reggio Calabria, Italy; (add.info.: were found by Stefano Mariottini)

Torse of nude female (marble)
615798 Torse of nude female (marble) by Roman; 14x6x5 cm; Freud Museum, London, UK; eFreud Museum, London; out of copyright

Nude Girl, 1886 (oil on canvas)
488207 Nude Girl, 1886 (oil on canvas) by Corinth, Lovis (Franz Heinrich Louis) (1858-1925); 76.2 x 64.14 cm; Minneapolis Institute of Arts, MN

Standing Vishnu from Amphoe Si Thep, Thailand (stone)
LIT390027 Standing Vishnu from Amphoe Si Thep, Thailand (stone) by Siamese School, (8th Century); Bangkok National Museum, Bangkok

Torso of Amenpayom, probably 200-100 BC (granodiorite)
491343 Torso of Amenpayom, probably 200-100 BC (granodiorite) by Egyptian Ptolemaic Period (332-30 BC); h:96.40 w:32.30 d:28.60 Wt: 523 lbs cm; Cleveland Museum of Art, OH

Gothic breastplate, c. 1485 (steel)
490930 Gothic breastplate, c.1485 (steel) by European School, (15th century); 50.5x35.8x15.8 cm; Cleveland Museum of Art, OH, USA; (add.info.: From South Germany or Austria)

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"The Torso: A Journey Through the Body's Core" Embark on a captivating exploration of the human torso, where ancient art and modern science intertwine. From chakras to the nervous system, this enigmatic region holds secrets waiting to be unraveled. Intriguingly, we begin with an exquisite lithograph from 1789 by Henry Kinsbury, depicting Daniel Mendoza - a nude man showcasing his muscular physique. This artwork transports us back in time, reminding us of our fascination with the human form throughout history. Venturing further into antiquity, we encounter Minoan art from Crete featuring the Prince of Lilies - another striking depiction of a nude man. The athleticism portrayed here speaks volumes about their reverence for physical prowess and strength. Fast forward to more recent times; Richard Humphreys' oil painting captures an athletic young man lying on a stone floor with a ball nearby. His toned torso hints at dedication and discipline – qualities that resonate within athletes across generations. Delving deeper into scientific marvels, we explore the intricate nervous system that lies beneath our skin. Sumo wrestlers practicing their craft remind us of how every movement is orchestrated by this complex network of nerves – guiding actions both subtle and powerful. A computer-generated upper body skeleton brings forth an artistic representation merging technology and anatomy seamlessly. This artwork serves as a reminder that even in virtual realms, our understanding of the human body continues to evolve through innovation. Returning to traditional portraiture techniques, we encounter yet another boxer immortalized on canvas around 1800. The intensity etched upon his face mirrors the determination found within his sculpted torso – symbolic of resilience amidst physical challenges faced in combat sports. Lastly, we find ourselves in a horse barn alongside a man wearing long underwear but baring his naked torso while seated atop hay bales. Here lies juxtaposition between vulnerability and strength; it reminds us that even amidst humble surroundings, the human body remains a testament to resilience and adaptability.