Torso Collection (page 4)

"There was an Old Man of Nepaul, from his horse had a terrible fall", from A Book of Nonsense
LLM386612 " There was an Old Man of Nepaul, from his horse had a terrible fall", from A Book of Nonsense, published by Frederick Warne and Co

DDE-90019828
Kenya, Lake Naivasha. Close-up of male Defassa waterbuck. Date: 11/02/2005

The State of Mind
Ruslan Bolgov (Axe)

Mann im Wasser
James Graf

Specimens of Modern Masters, 18th century. 18th century. Creator: Anon
Specimens of Modern Masters, 18th century

Upper Torso with Upstretched Arms, n. d. Creator: Unknown
Upper Torso with Upstretched Arms, n.d

Torso (pencil on paper pasted on card)
1214380 Torso (pencil on paper pasted on card) by Gill, Eric (1882-1940); 22.8x30.9 cm; Laing Art Gallery, Newcastle-upon-Tyne, UK; Tyne & Wear Archives & Museums

Torso - Woman, 1913 (Bath stone, slate base)
1197431 Torso - Woman, 1913 (Bath stone, slate base) by Gill, Eric (1882-1940); 57.8 (height) cm; Private Collection; Photo © Christies Images

Georgia O Keeffe: A Portrait - Torso, 1918 (alladium print)
990472 Georgia O Keeffe: A Portrait - Torso, 1918 (alladium print) by Stieglitz, Alfred (1864-1946); 23.5x16.8 cm; Private Collection; (add.info.: Georgia O Keefe: A Portrait - Torso)

Rebecca Salsbury Strand, 1922 (gelatin silver print)
2970961 Rebecca Salsbury Strand, 1922 (gelatin silver print) by Stieglitz, Alfred (1864-1946); The Art Institute of Chicago, IL

The Thorn in the Flesh, 1921 (wood engraving)
1631653 The Thorn in the Flesh, 1921 (wood engraving) by Gill, Eric (1882-1940); Private Collection; The Stapleton Collection

Aeneas and the Sibyl of Caumae, 1874-c. 1919 (w / c on vellum)
1195394 Aeneas and the Sibyl of Caumae, 1874-c.1919 (w/c on vellum) by English School, (19th century); 33.5x24 cm; Private Collection; Photo © Christies Images

Female half nude, 1877 (oil on canvas)
OVR395293 Female half nude, 1877 (oil on canvas) by Werenskiold, Erik Theodor (1855-1938); Bergen Art Museum, Norway; Photo © O. Vaering

Plaster Statuette: Female Torso, Front View; Statuette de platre: Torse de femme, vue de face, 1887 (oil on canvas)
1767906 Plaster Statuette: Female Torso, Front View; Statuette de platre: Torse de femme, vue de face, 1887 (oil on canvas) by Gogh

Head and Torso of a Dancing Figure, 5th-7th century. Creator: Unknown
Head and Torso of a Dancing Figure, 5th-7th century

Partial Figure of a Pregnant Women, c. 1000-300 B. C. Creator: Unknown
Partial Figure of a Pregnant Women, c. 1000-300 B.C

Plate of Sketches, no. 2, 1898. Creator: Theophile Alexandre Steinlen
Plate of Sketches, no. 2, 1898

Torso of a Female Figurine, Mauryan period, 3rd / 2nd century B. C. Creator: Unknown
Torso of a Female Figurine, Mauryan period, 3rd/2nd century B.C

Torso From a Doll, late 5th-4th century BCE. Creator: Unknown
Torso From a Doll, late 5th-4th century BCE

Fragment of a Portrait Statue of a Man, 2nd century. Creator: Unknown
Fragment of a Portrait Statue of a Man, 2nd century

Torso of a Youth, 1st-2nd century. Creator: Unknown
Torso of a Youth, 1st-2nd century

Queen anne engraved by GOLDAR (1785)from picture of G.KNELLER

Vessel in the Form of the Head and Torso of a Figure, A. D. 600 / 1000. Creator: Unknown
Vessel in the Form of the Head and Torso of a Figure, A.D. 600/1000

Jupiter Rebuked by Venus, c. 1612 / 13. Creator: Abraham Janssens
Jupiter Rebuked by Venus, c. 1612/13

Male Terminal Figure; Torso with Beard and Turban on a Half- Length Pedestal Enclosed by a Shield, ca. 1543

Fragment, showing torso of seated Buddha... Period of Division, ca. 500
Fragment, showing torso of seated Buddha, a standing Bodhisattva and two cartouches on the front: and left arm of another seated Buddha on the side, Period of Division, ca. 500

Aufsteigender (indian ink on paper)
1766395 Aufsteigender (indian ink on paper) by Fuseli, Henry (Fussli, Johann Heinrich) (1741-1825); 29.4x16.6 cm; Private Collection; (add.info.: Aufsteigender)

Forme Plastiche di Sensibilita Aerea, 1930 (oil on board)
1768285 Forme Plastiche di Sensibilita Aerea, 1930 (oil on board) by Fillia, Luigi Colombo (1904-36); 81x65.4 cm; Private Collection; (add.info.: Forme Plastiche di Sensibilita Aerea)

Galatea riding a dolphin, c. 1880 (marble) (detail of 416888)
CH416889 Galatea riding a dolphin, c.1880 (marble) (detail of 416888) by Ansiglione, Leopoldo (1832-94); Private Collection; Photo eChristies Images; Italian, out of copyright

Neptune, second half of the 17th century (bronze) (detail of 416883)
CH416884 Neptune, second half of the 17th century (bronze) (detail of 416883) by Anguier, Michel (1612-86) (after); Private Collection; (add.info)

The Education of Achilles by Chiron, c. 1798 (engraving)
3666772 The Education of Achilles by Chiron, c.1798 (engraving) by Regnault, Jean-Baptiste (1754-1829); Private Collection; (add.info)

Paper manikin (colour litho)
3622574 Paper manikin (colour litho) by English School, (19th century); Private Collection; (add.info.: Paper manikin. Illustration from Man, the Masterpiece by J H Kellogg, MD)

Cast from the antique (plaster) (see also 876117)
876116 Cast from the antique (plaster) (see also 876117) by Greek or Roman; 38.1x15.5x14 cm; Leeds Museums and Art Galleries (Leeds City Museum) UK; eLeeds Museums and Galleries; out of copyright

Torso of Venus, 1-200 (marble)
491122 Torso of Venus, 1-200 (marble) by Roman Imperial Period (27 BC-476 AD); h:64.20 with base - h:78.80 cm; Cleveland Museum of Art, OH, USA; Dudley P. Allen Fund; out of copyright

Breastplate, Nuremberg, c. 1550 (steel)
490855 Breastplate, Nuremberg, c.1550 (steel) by German School, (16th century); 31.3x35x20 cm; Cleveland Museum of Art, OH

Gothic breastplate with lance rest mount, c. 1490-1500 (steel)
490837 Gothic breastplate with lance rest mount, c.1490-1500 (steel) by Barini, Domenico dei (fl. 1492-c.1516) (attr. to); 45x35.2x cm; Cleveland Museum of Art, OH, USA; Gift of Mr. and Mrs. John L

Breastplate, Landshut, mid-1500s (steel)
490787 Breastplate, Landshut, mid-1500s (steel) by German School, (16th century); 39.4x35.8x17.5 cm; Cleveland Museum of Art, OH, USA; (add.info.: See also image 490788.); Gift of Mr. and Mrs

Pacific Islands, Oceania: portrait of three men
Vintage 19th century photograph - Oceania, Pacific Islands, probably Fiji, Tahiti or Western Samoa: three young men in a studio setting

Pacific Islands, Oceania: portrait of a young man
Vintage 19th century photograph - Oceania, Pacific Islands, probably Fiji, Tahiti or Western Samoa: portrait of a young man in a studio setting

Ostracon, New Kingdom, c. 1295-c. 1186 BC (painted limestone)
2645236 Ostracon, New Kingdom, c.1295-c.1186 BC (painted limestone) by Egyptian 19th Dynasty (c.1292-1187 BC); 27x42 cm; Fitzwilliam Museum, University of Cambridge

Male Nude - life study, c. 1885 (oil on canvas)
2653165 Male Nude - life study, c.1885 (oil on canvas) by Belleroche, Albert de (1864-1944); 61x50.8 cm; Private Collection; (add.info.: Signed on reverse)

Hercules, 1555 - 1666 (black chalk on off-white paper)
1217301 Hercules, 1555 - 1666 (black chalk on off-white paper) by Guercino (Giovanni Francesco Barbieri) (1591-1666); 23.9x15 cm; Ashmolean Museum, University of Oxford

Study of a Recumbent Male Figure, recto (black chalk on off-white paper)
1216687 Study of a Recumbent Male Figure, recto (black chalk on off-white paper) by Buonarroti, Michelangelo (1475-1564); 258x332 cm; Ashmolean Museum, University of Oxford

Torso of Amazon (marble)
1216509 Torso of Amazon (marble) by Roman; 100.5x36x44 cm; Ashmolean Museum, University of Oxford, UK; eAshmolean Museum; out of copyright

Breastplate in the Maximilian style, c. 1510-30 (steel with brass rivets)
490850 Breastplate in the Maximilian style, c.1510-30 (steel with brass rivets) by German School, (16th century); 48.3x40.3x16 cm; Cleveland Museum of Art, OH

Bust of a man (black limestone & yellow marble) (see also 281573)
XYC281574 Bust of a man (black limestone & yellow marble) (see also 281573) by Harwood, Francis (fl.1748-83) (attr. to); 69.9x50.2 cm; Yale Center for British Art, Paul Mellon Collection

Studies of Male Nude, after 1501-2 (pen & ink on paper)
AMO276532 Studies of Male Nude, after 1501-2 (pen & ink on paper) by Buonarroti, Michelangelo (1475-1564); Ashmolean Museum, University of Oxford, UK; eAshmolean Museum; Italian, out of copyright

Study of the Assisting Figure of the Libyan Sibyl, c. 1512 (red chalk & pen on paper)
AMO276505 Study of the Assisting Figure of the Libyan Sibyl, c.1512 (red chalk & pen on paper) by Buonarroti, Michelangelo (1475-1564); Ashmolean Museum, University of Oxford

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"The Torso: A Journey Through the Body's Core" Embark on a captivating exploration of the human torso, where ancient art and modern science intertwine. From chakras to the nervous system, this enigmatic region holds secrets waiting to be unraveled. Intriguingly, we begin with an exquisite lithograph from 1789 by Henry Kinsbury, depicting Daniel Mendoza - a nude man showcasing his muscular physique. This artwork transports us back in time, reminding us of our fascination with the human form throughout history. Venturing further into antiquity, we encounter Minoan art from Crete featuring the Prince of Lilies - another striking depiction of a nude man. The athleticism portrayed here speaks volumes about their reverence for physical prowess and strength. Fast forward to more recent times; Richard Humphreys' oil painting captures an athletic young man lying on a stone floor with a ball nearby. His toned torso hints at dedication and discipline – qualities that resonate within athletes across generations. Delving deeper into scientific marvels, we explore the intricate nervous system that lies beneath our skin. Sumo wrestlers practicing their craft remind us of how every movement is orchestrated by this complex network of nerves – guiding actions both subtle and powerful. A computer-generated upper body skeleton brings forth an artistic representation merging technology and anatomy seamlessly. This artwork serves as a reminder that even in virtual realms, our understanding of the human body continues to evolve through innovation. Returning to traditional portraiture techniques, we encounter yet another boxer immortalized on canvas around 1800. The intensity etched upon his face mirrors the determination found within his sculpted torso – symbolic of resilience amidst physical challenges faced in combat sports. Lastly, we find ourselves in a horse barn alongside a man wearing long underwear but baring his naked torso while seated atop hay bales. Here lies juxtaposition between vulnerability and strength; it reminds us that even amidst humble surroundings, the human body remains a testament to resilience and adaptability.