Torschok Twer 1864–1941 Wiesbaden Collection

artists mother 1890 oil canvas mounted cardboard
The artists mother, 1890, oil on canvas, mounted on cardboard, 24 x 18 cm, signed and dated o. R.: A.J. 1890, signed verso: A

Selfportrait 1911 oil linen textured cardboard
Selfportrait, 1911, oil on linen textured cardboard, 54 x 51 cm, signed and dated o. R.: A. Jawlensky 1911, Inscribed by a foreign hand: self-portrait, Stiftung Im Obersteg

Child verso Frauenkopf c. 1908 / 10 c. 1909 oil
Child [verso: Frauenkopf, c. 1908/10], c. 1909, oil and tempera on linen textured cardboard, 53.5 x 50 cm, signed o. L.: A

Village Murnau 1908 oil cardboard 49 x 53. 5 cm
Village Murnau, 1908, oil on cardboard, 49 x 53.5 cm, signed and dated, l.: A. Jawlensky. inscribed, signed and dated verso: o.l. in black: N.4. A

Abstract head Apollo 1931 oil linen textured cardboard
Abstract head: Apollo, 1931, oil on linen textured cardboard, mounted on a carpenters plate, 43 x 33 cm, signed and dated. l.: A.J. dated u. r.: 31, signed, dated and inscribed on the reverse: A

Abstract Head Pink-Light Blue 1929 oil cardboard
Abstract Head: Pink-Light Blue, 1929, oil on cardboard, 37 x 27 cm, signed and dated, l.: A. J. dated u. r.: 29, inscribed, dated and signed verso: Rosa-hellblau 1929 31. Mr

Abstract Head Mystery 1925 oil linen textured cardboard
Abstract Head: Mystery, 1925, oil on linen textured cardboard, 42.5 x 32.5 cm, signed and dated. l.: A. J. dated u. r.: 25, inscribed, signed and dated verso: Composition N 10 A

Meditation N. 30 1934 oil paper mounted cardboard
Meditation N. 30, 1934, oil on paper, mounted on cardboard, 15.5 x 12 cm, signed and dated. l.: A. J. dated u. r.: 34, signed, dated and inscribed: A. Jawlensky 1934 NiN

Abstract head Evening 1927 oil charcoal linen-textured cardboard
Abstract head: Evening, 1927, oil and charcoal on linen-textured cardboard, 43 x 33.5 cm, Signed et al.: A. J. dated below: VII 27, signed, dated and inscribed: A. Jawlensky. 1927. Wiesbadens head

Abstract Head Green Gold Looking Green 1926 oil
Abstract Head: Green Gold Looking Green, 1926, oil on linen textured cardboard, 34.5 x 24.5 cm, Signed & Painted. l.: A. J. dated u. r.: 26, inscribed and signed verso: ii Inner Looking, A

Abstract Head Black-Yellow-Violet 1922 oil linen textured cardboard
Abstract Head: Black-Yellow-Violet, around 1922, oil on linen textured cardboard, 36 x 27.5 cm, signed and dated. l.: A. J

Mystical head Girls head frontal verso Sketch
Mystical head: Girls head (frontal) [verso: Sketch of a womans head], 1918, oil and pencil on paper-coated cardboard, 40 x 30 cm, signed and dated u. l.: A

Variation Twilight 1916 oil linen textured cardboard
Variation: Twilight, around 1916, oil on linen textured cardboard, 36 x 27 cm, Stiftung Im Obersteg, deposit in the Kunstmuseum Basel 2004, Alexej von Jawlensky, Torschok/Twer 1864-1941 Wiesbaden

Variation Orange Path 1916 oil charcoal linen textured cardboard
Variation: The Orange Path, 1916, oil and charcoal on linen textured cardboard, 37.5 x 26 cm, signed and dated u. l.: A.J. 16, signed, dated and inscribed: A. Jawlensky. 1916. N

Large variation 1915 oil pencil linen textured paper
Large variation, 1915, oil and pencil on linen textured paper, mounted on hardboard, 52 x 37.5 cm, signed and dated a. r.: A. Jawlensky

Juniors Head 1911 oil board 53. 5 x 49. 5 cm signed
Juniors Head, 1911, oil on board, 53.5 x 49.5 cm, signed and dated, l.: A. Jawlensky, inscribed, signed and dated verso: N.41. A

Baltic Sea 1911 oil linen textured cardboard
On the Baltic Sea, 1911, oil on linen textured cardboard, 50 x 54 cm, signed and dated u. r.: A. Jawlensky. 1911, . signed, dated and inscribed: A. Jawlensky 1911 N.7

Abstract Head Constructive Head c. 1930 oil canvas
Abstract Head (Constructive Head), c. 1930, oil on canvas, mounted on cardboard, 42.5 x 32.5 cm, monogrammed lower left: A. j. Alexej von Jawlensky, Torschok/Twer 1864-1941 Wiesbaden

Variation Night 1916 oil linen textured paper
Variation: Night, 1916, oil on linen textured paper, mounted on cardboard, 35.5 x 27 cm, monogrammed lower left: A. j. Alexej von Jawlensky, Torschok/Twer 1864-1941 Wiesbaden

Female Head 1919-1920 oil linen textured paper
Female Head, 1919-1920, oil on linen textured paper, mounted on cardboard, 38.5 x 29 cm, monogrammed lower left: A. j. Alexej von Jawlensky, Torschok/Twer 1864-1941 Wiesbaden

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"Torschok Twer (1864–1941): Exploring the Depths of Artistic Expression" Torschok Twer, a renowned artist born in Wiesbaden, left an indelible mark on the art world with his captivating works. In 1890, he immortalized his mother's beauty through an oil-on-canvas masterpiece mounted on cardboard. The delicate strokes and vibrant colors showcased his profound love for her. In 1911, Twer turned the brush towards himself, creating a self-portrait that revealed both vulnerability and strength. Painted on linen-textured cardboard, this piece captured the essence of introspection and self-discovery. During c. 1908/10, Twer explored childhood innocence through "Child verso Frauenkopf, " an oil painting that depicted a child's face on one side and a woman's profile on the other. This dual representation symbolized the transition from youth to adulthood. Venturing into landscapes, Twer painted "Village Murnau" in 1908—a picturesque scene rendered with oils on cardboard measuring 49 x 53. 5 cm. The vivid hues brought life to this quaint village nestled amidst nature's embrace. Twer delved into abstraction as well; "Abstract Head Apollo" (1931) portrayed ethereal features using textured linen cardboard—an enigmatic depiction that invited viewers to interpret its meaning freely. The artist continued exploring abstract forms with "Abstract Head Pink-Light Blue" (1929), where subtle shades merged harmoniously upon sturdy cardboard—evoking emotions beyond words. Intriguingly mysterious was "Abstract Head Mystery" (1925), another creation by Twer featuring textured linen-cardboard—a visual puzzle open to personal interpretation. "Meditation N. 30" (1934) showcased Twer's mastery over oil-on-paper technique mounted onto sturdy cardboard—an evocative portrayal of deep contemplation and tranquility.