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Torch Collection (page 12)

"Shining the Torch of Freedom: A Global Symbol of Hope and Change" In the heart of Wonsan City, Democratic Peoples Republic of Korea (DPRK), North Korea, Asia

Background imageTorch Collection: Torchbearer of Oceania, 1605 (w / c on paper)

Torchbearer of Oceania, 1605 (w / c on paper)
CTS407501 Torchbearer of Oceania, 1605 (w/c on paper) by Jones, Inigo (1573-1652); eThe Devonshire Collections, Chatsworth; (add.info)

Background imageTorch Collection: Indian-style post-chaise in the Pubjab between Loudiana and Amritsar

Indian-style post-chaise in the Pubjab between Loudiana and Amritsar
STC444653 Indian-style post-chaise in the Pubjab between Loudiana and Amritsar, from Voyages in India, 1859 (litho) by Soltykoff, A

Background imageTorch Collection: Caricature of Jean Jaures, after 1900 (colour litho)

Caricature of Jean Jaures, after 1900 (colour litho)
CHT383146 Caricature of Jean Jaures, after 1900 (colour litho) by Sirat, Joseph (1869-1937); Bibliotheque Historique de la Ville de Paris, Paris

Background imageTorch Collection: Discovering the bones of a prehistoric animal, illustration from

Discovering the bones of a prehistoric animal, illustration from
CHT242803 Discovering the bones of a prehistoric animal, illustration from Histoire naturelle de la Montagne Saint-Pierre de Mstricht by Barthelemy Faujas de Saint Fond (1743-1819) 1799 (engraving)

Background imageTorch Collection: Don Alvaro, King of the Congolese on his Throne, plate 42 from

Don Alvaro, King of the Congolese on his Throne, plate 42 from
STC222067 Don Alvaro, King of the Congolese on his Throne, plate 42 from Le Costume Ancien et Moderne by Jules Ferrario, engraved by A

Background imageTorch Collection: Views, Northern Europe, Volume 1 (w / c and graphite on paper)

Views, Northern Europe, Volume 1 (w / c and graphite on paper)
XYC291032 Views, Northern Europe, Volume 1 (w/c and graphite on paper) by Smith, Charles Hamilton (1776-1859); Yale Center for British Art, Paul Mellon Collection, USA; English, out of copyright

Background imageTorch Collection: Ceres Inquiring for her Daughter, from The Childrens Hour

Ceres Inquiring for her Daughter, from The Childrens Hour
IL262822 Ceres Inquiring for her Daughter, from The Childrens Hour: Stories from the Classics, published by the Waverley Book Company (colour litho) by Brock

Background imageTorch Collection: Une Ronde De Police (engraving)

Une Ronde De Police (engraving)
3650232 Une Ronde De Police (engraving) by Dore, Gustave (1832-83) (after); Private Collection; (add.info.: Une Ronde De Police)

Background imageTorch Collection: Assemblage of the Statue of Liberty, 1883 (albumen print)

Assemblage of the Statue of Liberty, 1883 (albumen print)
1129469 Assemblage of the Statue of Liberty, 1883 (albumen print) by Fernique, Albert (d.1898); New York Public Library, USA; (add.info.: The statue)

Background imageTorch Collection: The Flame Leaper, early 20th century (cold-painted bronze, ivory, amber

The Flame Leaper, early 20th century (cold-painted bronze, ivory, amber
985651 The Flame Leaper, early 20th century (cold-painted bronze, ivory, amber, black belgian marble base) by Preiss, Johann Philipp Ferdinand (1882-1943); 36 (height)

Background imageTorch Collection: Frontispiece from The Incas, or The Destruction of the Empire of Peru

Frontispiece from The Incas, or The Destruction of the Empire of Peru
617597 Frontispiece from The Incas, or The Destruction of the Empire of Peru by Jean-Francois Marmontel, 1777 (engraving) (see also 617598) by French School

Background imageTorch Collection: A Putti in Flight Holding a Wreath and a Torch, (oil on canvas)

A Putti in Flight Holding a Wreath and a Torch, (oil on canvas)
659359 A Putti in Flight Holding a Wreath and a Torch, (oil on canvas) by Boucher, Francois (1703-70); 132x99.6 cm; Private Collection; (add.info.: A Putti in Flight Holding a Wreath and a Torch)

Background imageTorch Collection: Costume for a demon in Armide, Psyche and several other operas

Costume for a demon in Armide, Psyche and several other operas
STC94434 Costume for a demon in Armide, Psyche and several other operas, engraved by the artist, c.1780 (coloured engraving) by Martin

Background imageTorch Collection: Claude, Comte de Forbin (1656-1733), engraved by Jean Baptiste Morret (fl

Claude, Comte de Forbin (1656-1733), engraved by Jean Baptiste Morret (fl
STC169296 Claude, Comte de Forbin (1656-1733), engraved by Jean Baptiste Morret (fl.1790-1820), 1789 (coloured engraving) by Swebach

Background imageTorch Collection: The Duchess of Burgundy and her Children

The Duchess of Burgundy and her Children
SCP38826 The Duchess of Burgundy and her Children by Gobert, Pierre (1662-1744); Prado, Madrid, Spain; French, out of copyright

Background imageTorch Collection: Autumn Vintage Festival, 1877 (oil on canvas)

Autumn Vintage Festival, 1877 (oil on canvas)
BIR185895 Autumn Vintage Festival, 1877 (oil on canvas) by Alma-Tadema, Lawrence (1836-1912); 75.3x38.1 cm; Birmingham Museums and Art Gallery; English, out of copyright

Background imageTorch Collection: View of The Triumph of the Republic by Jules Dalou, Place de la Nation, Paris

View of The Triumph of the Republic by Jules Dalou, Place de la Nation, Paris
XIR172162 View of The Triumph of the Republic by Jules Dalou, Place de la Nation, Paris, 1933 (b/w photo) by Giraudon, studio (1912-53); Paris, France; (add.info.: allegorical figures of Liberty)

Background imageTorch Collection: A Peep into the Cave of Jacobinism, or Magna est Veritas et praevalebit

A Peep into the Cave of Jacobinism, or Magna est Veritas et praevalebit
NCO189729 A Peep into the Cave of Jacobinism, or Magna est Veritas et praevalebit, published by Hannah Humphrey in 1798 (hand-coloured etching) by Gillray

Background imageTorch Collection: Colossal hand and torch 'Liberty'on display at Philadelphia Centennial

Colossal hand and torch "Liberty"on display at Philadelphia Centennial
5854631 Colossal hand and torch " Liberty" on display at Philadelphia Centennial Exhibition, 1876 (b/w photo) by Centennial Photographic Co

Background imageTorch Collection: Benefit ticket for Italian violinist, composer and opera impresario Felice de Giardini

Benefit ticket for Italian violinist, composer and opera impresario Felice de Giardini, 1770s-1780s (engraving)
6032813 Benefit ticket for Italian violinist, composer and opera impresario Felice de Giardini, 1770s-1780s (engraving) by Cipriani

Background imageTorch Collection: Man holding a branch and a torch (colour litho)

Man holding a branch and a torch (colour litho)
6000171 Man holding a branch and a torch (colour litho) by Erler, Fritz (1868-1940); Private Collection; (add.info.: Man holding a branch and a torch)

Background imageTorch Collection: You--Buy a Liberty bond lest I perish, 1917 (colour lithograph)

You--Buy a Liberty bond lest I perish, 1917 (colour lithograph)
5854123 You--Buy a Liberty bond lest I perish, 1917 (colour lithograph) by Macauley, Charles Raymond (1871-1934); Private Collection; American, out of copyright

Background imageTorch Collection: Russo-Turkish War (engraving)

Russo-Turkish War (engraving)
1590141 Russo-Turkish War (engraving) by Robinson, Charles (1840-81); Private Collection; (add.info.: Russo-Turkish War. Illustration for The Illustrated London News, 16 March 1878)

Background imageTorch Collection: The Bulls Eye by Dore

The Bulls Eye by Dore
3780140 The Bulls Eye by Dore by Dore, Gustave (1832-83); (add.info.: The Bulls Eye, engraving by Gustave Dore. Policeman shining a light on vagrants in the streets of Dickens London)

Background imageTorch Collection: Gulbeyaz, by Athol Mayhew (engraving)

Gulbeyaz, by Athol Mayhew (engraving)
1623016 Gulbeyaz, by Athol Mayhew (engraving) by Woodville, Richard Caton II (1856-1927) (after); Private Collection; (add.info.: Gulbeyaz, by Athol Mayhew)

Background imageTorch Collection: Upper and lower covers, with eagle, torch, heart, scales and floral designs

Upper and lower covers, with eagle, torch, heart, scales and floral designs
1195381 Upper and lower covers, with eagle, torch, heart, scales and floral designs, 1820 (light blue crushed levant morocco, with densely gilt borders, se) by English School

Background imageTorch Collection: Wellington and Blucher meeting by accident at the close of the Battle of Waterloo, engraved by M

Wellington and Blucher meeting by accident at the close of the Battle of Waterloo, engraved by M
1268431 Wellington and Blucher meeting by accident at the close of the Battle of Waterloo, engraved by M. Dubourg, 1819 (coloured aquatint) by Clark, I. M

Background imageTorch Collection: An Allegory of Love - Putti disporting in a Landscape, (oil on canvas)

An Allegory of Love - Putti disporting in a Landscape, (oil on canvas)
990324 An Allegory of Love - Putti disporting in a Landscape, (oil on canvas) by Jeaurat, Etienne (1699-1789); 80x72 cm; Private Collection; (add.info)

Background imageTorch Collection: The Colossus of Rhodes (chromolitho)

The Colossus of Rhodes (chromolitho)
974541 The Colossus of Rhodes (chromolitho) by European School, (19th century); Private Collection; (add.info.: The Colossus of Rhodes)

Background imageTorch Collection: The Descent of Discord (engraving)

The Descent of Discord (engraving)
973676 The Descent of Discord (engraving) by Flaxman, John (1755-1826) (after); Private Collection; (add.info.: The Descent of Discord)

Background imageTorch Collection: A police man on his rounds (colour litho)

A police man on his rounds (colour litho)
3092828 A police man on his rounds (colour litho) by English School, (20th century); Private Collection; (add.info.: A police man on his rounds. Educational poster, c 1930.); © Look and Learn

Background imageTorch Collection: The Arrest of Christ, c. 1530-50 (oil on panel, h 51. 2cm -- w 80. 8

The Arrest of Christ, c. 1530-50 (oil on panel, h 51. 2cm -- w 80. 8
3704090 The Arrest of Christ, c. 1530-50 (oil on panel, h 51.2cm A-- w 80.8 by Bosch, Hieronymus (c.1450-1516) (after); 51.2x80.8 cm; Rijksmuseum, Amsterdam

Background imageTorch Collection: The public expressing their joy at the capture of Namur by William III of England, 1695 (engraving)

The public expressing their joy at the capture of Namur by William III of England, 1695 (engraving)
3646874 The public expressing their joy at the capture of Namur by William III of England, 1695 (engraving) by Dusart, Cornelis (1660-1704); Private Collection; (add.info)

Background imageTorch Collection: Scene from James Lees Wife by Robert Browning (colour litho)

Scene from James Lees Wife by Robert Browning (colour litho)
3621848 Scene from James Lees Wife by Robert Browning (colour litho) by Partridge, Bernard (1861-1945) (after); Private Collection; (add.info.: Scene from James Lees Wife)

Background imageTorch Collection: Apollo (fresco) (detail of 3433390)

Apollo (fresco) (detail of 3433390)
3433398 Apollo (fresco) (detail of 3433390) by Mariani, Cesare (1826-1901); Sala Della Maggioranza, Ministero dell Economia e delle Finanze, Rome

Background imageTorch Collection: Louis Napoleon visiting the Paris barricades on horseback on the night of 3 December 1851 (litho)

Louis Napoleon visiting the Paris barricades on horseback on the night of 3 December 1851 (litho)
3100182 Louis Napoleon visiting the Paris barricades on horseback on the night of 3 December 1851 (litho) by Bartsch, Gustav (1821-96); Private Collection; (add.info)

Background imageTorch Collection: The parties for the 7th centenary of the University of Naples (colour litho)

The parties for the 7th centenary of the University of Naples (colour litho)
2809299 The parties for the 7th centenary of the University of Naples (colour litho) by Beltrame, Achille (1871-1945); Private Collection; (add.info)

Background imageTorch Collection: Exciting rescue of some carters stranded in an islet in the middle of the Serio river

Exciting rescue of some carters stranded in an islet in the middle of the Serio river... (colour litho)
2815273 Exciting rescue of some carters stranded in an islet in the middle of the Serio river... (colour litho) by Beltrame

Background imageTorch Collection: Skiers Wedding (Colour Litho)

Skiers Wedding (Colour Litho)
2784080 Skiers Wedding (Colour Litho) by Beltrame, Achille (1871-1945); Private Collection; (add.info.: Skiers wedding. Two young Swedes who had met on the snow fields were married in a sportswear)

Background imageTorch Collection: George III marquetry commode in the manner of John Cobb, c. 1770 (amaranth & tulipwood)

George III marquetry commode in the manner of John Cobb, c. 1770 (amaranth & tulipwood)
CH433412 George III marquetry commode in the manner of John Cobb, c.1770 (amaranth & tulipwood) by English School, (18th century); 88x132x66 cm; Private Collection; Photo eChristies Images; English

Background imageTorch Collection: Putti frolicking in the Clouds (oil on canvas)

Putti frolicking in the Clouds (oil on canvas)
474806 Putti frolicking in the Clouds (oil on canvas) by Chaplin, Charles Joshua (1825-91); 46.4x113.7 cm; Private Collection; (add.info)

Background imageTorch Collection: Nymph driving Love away with a Torch (w / c & gouache on paper)

Nymph driving Love away with a Torch (w / c & gouache on paper)
476716 Nymph driving Love away with a Torch (w/c & gouache on paper) by Pollet, Victor Florence (1809-82); 32x24.1 cm; Private Collection; Photo eChristies Images; French, out of copyright

Background imageTorch Collection: Cartoon of the Coup d etat of the 18 Brumaire, November 9th, 1799 (colour litho)

Cartoon of the Coup d etat of the 18 Brumaire, November 9th, 1799 (colour litho)
CHT217274 Cartoon of the Coup d etat of the 18 Brumaire, November 9th, 1799 (colour litho) by French School, (19th century); Bibliotheque Nationale, Paris

Background imageTorch Collection: London policeman on patrol in the docks finds homeless man living in empty barrel

London policeman on patrol in the docks finds homeless man living in empty barrel
PNP427715 London policeman on patrol in the docks finds homeless man living in empty barrel, 1885 (engraving) by English School, (19th century); Private Collection; Peter Newark Pictures; English

Background imageTorch Collection: Kiss of Judas and Last Supper, c. 1500

Kiss of Judas and Last Supper, c. 1500
BH26510 Kiss of Judas and Last Supper, c.1500 by Flemish School, (16th century); Burghley House Collection, Lincolnshire, UK; Flemish, out of copyright



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"Shining the Torch of Freedom: A Global Symbol of Hope and Change" In the heart of Wonsan City, Democratic Peoples Republic of Korea (DPRK), North Korea, Asia, a propaganda poster captures the essence of unity and progress. The torch depicted in vibrant colors symbolizes enlightenment and serves as a beacon for all to follow. Reminiscent of the iconic Statue of Liberty, this torch represents not only freedom but also resilience. Just like Lady Liberty's flame that has guided countless immigrants towards their dreams, this torch stands tall amidst adversity. Across the world in Lewes, East Sussex, burning crosses illuminate the night sky during an annual bonfire night parade. These fiery symbols evoke both fear and celebration while reminding us that fire can be harnessed for good or evil purposes. The suffrage movement in America found its voice through powerful imagery. In Henry Mayer's 1915 cartoon "The Awakening, " a torch-wielding allegorical representation strides across western states where women already had voting rights. This image inspires women from east to west to reach out for equality. Traveling back in time to Louisiana in 1865, we witness steamboats navigating through bayous by torchlight. The flickering flames guide these vessels through treacherous waters while creating an enchanting spectacle against the dark backdrop. As construction commenced on the Statue of Liberty in Paris circa 1883, her majestic figure held high a radiant torch representing liberty and opportunity for all who sought refuge on American shores. This enduring symbol continues to inspire generations with its message of hope and acceptance. Even George Studdy's lovable canine character laments feeling unloved under his dimly lit surroundings – perhaps longing for a guiding light akin to our metaphorical torches that lead us towards love and companionship. Standing proudly against Manhattan's skyline is Lady Liberty herself on her pedestal at Liberty Island. Her raised arm holds aloft a flaming torch, a testament to the unwavering spirit of freedom that defines America.