Tondi Collection

Who Knows why Geese Walk Barefoot?, c. 1594 (oil on panel)
471425 Who Knows why Geese Walk Barefoot?, c.1594 (oil on panel) by Brueghel, Pieter the Younger (c.1564-1638); 17x17 cm; Koninklijk Museum voor Schone Kunsten, Antwerp

If the Blind Lead the Blind, Both shall Fall into the Ditch, c. 1594 (oil on panel)
471421 If the Blind Lead the Blind, Both shall Fall into the Ditch, c.1594 (oil on panel) by Brueghel, Pieter the Younger (c.1564-1638); 19x19 cm; Koninklijk Museum voor Schone Kunsten, Antwerp

Sodom and Gomorrah on Fire (oil on panel)
471542 Sodom and Gomorrah on Fire (oil on panel) by Patenier or Patinir, Joachim (1487-1524); 33.5x37.5 cm; Koninklijk Museum voor Schone Kunsten, Antwerp, Belgium; © Art in Flanders

A Flemish Proverb, c. 1594 (oil on panel)
471424 A Flemish Proverb, c.1594 (oil on panel) by Brueghel, Pieter the Younger (c.1564-1638); 17x17 cm; Koninklijk Museum voor Schone Kunsten, Antwerp, Belgium; © Art in Flanders

It is too Late to Fill in the Well After the Calf has Drowned, c. 1594 (oil on panel)
471423 It is too Late to Fill in the Well After the Calf has Drowned, c.1594 (oil on panel) by Brueghel, Pieter the Younger (c.1564-1638); 17x17 cm; Koninklijk Museum voor Schone Kunsten, Antwerp

I Mourn because the World is so Untrustworthy, 1594 (oil on panel)
471422 I Mourn because the World is so Untrustworthy, 1594 (oil on panel) by Brueghel, Pieter the Younger (c.1564-1638); 17x17 cm; Koninklijk Museum voor Schone Kunsten, Antwerp

Mother teaching, 1850 (oil)
5906530 Mother teaching, 1850 (oil) by Tidemand, Adolph (1814-76); diam: 88 cm; Private Collection; (add.info.: Morens undervisning); Photo © O. Vaering

A Rough Passage (w / c on paper)
5889159 A Rough Passage (w/c on paper) by Keene, Charles (1823-91); Height: 32.4 cm; Private Collection; (add.info.: Inscribed beneath the mount by Charles Keene)

Study for Giotto as a Shepherd Boy, 1849 (pencil & brown pastel on paper)
1631767 Study for Giotto as a Shepherd Boy, 1849 (pencil & brown pastel on paper) by Leighton, Frederic (1830-96); Leighton House Museum, Kensington & Chelsea, London

Melisande, 1907 (pastel & pencil on paper)
5043521 Melisande, 1907 (pastel & pencil on paper) by Khnopff, Fernand (1858-1921); 33x33 cm; Private Collection; Photo eChristies Images; Belgian, out of copyright

The Adoration of the Magi, c. 1495 (tempera on poplar panel)
2970489 The Adoration of the Magi, c.1495 (tempera on poplar panel) by Botticini, Raffaello (1477-c.1520) (attr.to); 104.2x104.2 cm; The Art Institute of Chicago, IL, USA; Mr. and Mrs. Martin A

Scene from Bohemian Life, 1855-57 (pen & black ink with brush and gray wash over graphite
2971457 Scene from Bohemian Life, 1855-57 (pen & black ink with brush and gray wash over graphite, heightened with lead white, on cream wove paper laid down on tan card) by Whistler

The Month of April, c. 1606 (oil on panel)
3504882 The Month of April, c.1606 (oil on panel) by Grimmer or Grimer, Abel (1570-1619); 25.2x25.2 cm; Private Collection; Photo eChristies Images; Flemish, out of copyright

The Month of June, c. 1606 (oil on panel)
3504880 The Month of June, c.1606 (oil on panel) by Grimmer or Grimer, Abel (1570-1619); 25.2x25.2 cm; Private Collection; Photo eChristies Images; Flemish, out of copyright

Virgin and Child with the Young Saint John the Baptist, Saint Cecilia, and Angels, c
2970932 Virgin and Child with the Young Saint John the Baptist, Saint Cecilia, and Angels, c.1505 (oil on poplar panel) by Cosimo, Piero di (c.1462-1521); 75x75 cm; The Art Institute of Chicago, IL

Bas-relief roundel of Day, c. 1815-20 (marble in giltwood frame)
3588372 Bas-relief roundel of Day, c.1815-20 (marble in giltwood frame) by Thorvaldsen, Bertel (1770-1844) (workshop of); 45x45 cm; Private Collection; Photo eChristies Images; Danish

Maggie, 1886 (w / c on paper)
5889185 Maggie, 1886 (w/c on paper) by Phillott, Constance (1842-1931); 12.7x12.7 cm; Private Collection; Photo eThe Ms Gallery, London; English, out of copyright

Pauline, Lady Trevelyan (plaster)
5889124 Pauline, Lady Trevelyan (plaster) by Munro, Alexander (1825-71); diameter: 48.9 cm; Private Collection; (add.info.: Pauline, Lady Trevelyan (25 January 1816, Hawkedon - 13 May 1866)

Giotto as a Shepherd Boy, 1849 (pencil & wash on paper)
1631766 Giotto as a Shepherd Boy, 1849 (pencil & wash on paper) by Leighton, Frederic (1830-96); Leighton House Museum, Kensington & Chelsea, London

The Month of January, 1606 (oil on panel)
3504881 The Month of January, 1606 (oil on panel) by Grimmer or Grimer, Abel (1570-1619); 25.2x25.2 cm; Private Collection; Photo eChristies Images; Flemish, out of copyright

The Hummingbird (w / c on paper)
5889215 The Hummingbird (w/c on paper) by Smetham, James (1821-89); diam: 13.3 cm; Private Collection; Photo eThe Ms Gallery, London; English, out of copyright

Hope Cherishing the Drooping (oil on canvas)
5889188 Hope Cherishing the Drooping (oil on canvas) by Thomas, William Cave (c.1820-96); 91.4x91.4 cm; Private Collection; Photo eThe Ms Gallery, London; English, out of copyright

Study for A Boy Saving a Baby from the Clutches of an Eagle, c
1631768 Study for A Boy Saving a Baby from the Clutches of an Eagle, c.1850 (pencil & w/c on paper) by Leighton, Frederic (1830-96); Leighton House Museum, Kensington & Chelsea, London

Madonna Adoring the Child with the Infant Saint John the Baptist and an Angel, c
3471145 Madonna Adoring the Child with the Infant Saint John the Baptist and an Angel, c.1492 (tempera on wood) by Credi, Lorenzo di (1456-1536); 91.4 diameter cm; Metropolitan Museum of Art

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"Tondi: A Glimpse into the Enigmatic World of Pieter Bruegel" Step into the captivating world of Pieter Bruegel, a renowned Flemish painter whose works have stood the test of time. From thought-provoking proverbs to biblical tales, his artistry transcends centuries and continues to captivate audiences worldwide. In "Who Knows why Geese Walk Barefoot?" (c. 1594), Bruegel invites us to ponder life's mysteries through a whimsical depiction of geese defying convention. With meticulous brushstrokes on panel, he challenges our understanding and encourages us to question societal norms. Bringing forth another profound message in "If the Blind Lead the Blind, Both shall Fall into the Ditch" (c. 1594), Bruegel warns against blindly following misguided leaders. Through vibrant oil on panel, he reminds us that critical thinking is essential for avoiding pitfalls in life's journey. "Sodom and Gomorrah on Fire" portrays a biblical catastrophe with intense flames engulfing sinful cities. This striking oil painting on panel serves as a reminder of divine justice and consequences for moral transgressions. With "A Flemish Proverb" (c. 1594), Bruegel masterfully captures everyday scenes infused with hidden meanings. His skillful use of oils brings these proverbs to life, encouraging viewers to decipher their deeper significance within seemingly ordinary moments. "It is too Late to Fill in the Well After the Calf has Drowned" (c. 1594) showcases Bruegel's ability to convey cautionary tales through vivid imagery on panel. This poignant artwork urges us not only to learn from past mistakes but also emphasizes timely action before irreversible consequences occur. "I Mourn because the World is so Untrustworthy" (1594) reflects upon human nature's inherent flaws using delicate brushwork on panel surfaces.