Tissot Collection (page 4)

Orphan ca 1879 Etching laid paper sheet 22 1 / 16 x 12 1 / 16
Artokoloro

Queen Isabella II of Spain, cartoon published in Vanity Fair magazine, 18 September
XJF741343 Queen Isabella II of Spain, cartoon published in Vanity Fair magazine, 18 September, 1869 (litho) by Tissot, James Jacques Joseph (1836-1902); Private Collection; (add.info)

Young Woman in a Rocking Chair, study for the painting The Last
Young Woman in a Rocking Chair, study for the painting " The Last Evening" ; Jacques Joseph Tissot, French, 1836 - 1902; about 1873; Brush with gouache and watercolor

Frederick Gustavus Burnaby (1842-1885)
FREDERICK GUSTAVUS BURNABY (1842-1885). English traveller and soldier. In his uniform as a captain in the Royal Horse Guards, seated near a map of Asia. Oil on mahogany panel, 1870, by James Tissot

RETURN OF PRODIGAL SON. Oil on canvas by James Tissot, 1862

TISSOT: FESTIVITIES. Festivities in Honor of David. Painting by James Tissot (1836-1902)

The Resurrection His countenance was like lightning and his raiment white as snow: And for fear of him the keepers did shake, and became as dead men. Matthew 28-29

Jesus scourged on the face. John: 9. Illustration by J. J. Tissot for his Life of Our
Jesus scourged on the face. John:9. Illustration by J.J.Tissot for his Life of Our Saviour Jesus Christ, 1897. Oleograph

Christ calling Matthew, the tax collector to follow him. From JJ Tissot The Life of Our Saviour Jesus Christ c1890. Oleograph

Angel of the Lord on the stone of the sepulchre. His countenance was like lightning and his raiment white as snow. Illustration by JJ Tissot for his Life of Our Saviour Jesus Christ 1897. Oleograph

Soul of the penitent thief carried into Paradise by angels with burning censers. Luke 23. Illustration by JJ Tissot for his Life of Our Saviour Jesus Christ 1897. Oleograph

The Tribute Money. Jesus telling his questioners to render up to Caesar what was Caesar s. From JJ Tissot The Life of Our Saviour Jesus Christ c1890. Oleograph

Descent from the Cross. Illustration by JJ Tissot for his The Life of our Saviour Jesus Christ London c1890. Oleograph

Childhood of Jesus. Jesus carrying a plank of wood down the street while Mary and Joseph watch from their doorway. Illustration by J.J.Tissot for his Life of Our Saviour Jesus Christ, 1897. Oleograph

Angels ministering to Jesus after the Devil has left him. Matthew 4. Illustration by JJ Tissot for his Life of Our Saviour Jesus Christ 1897. Oleograph

Jesus raising Lazarus from the tomb. Illustration by JJ Tissot for his Life of Our Saviour Jesus Christ 1897. Oleograph

Christ appearing to St Peter. Luke 4. From JJ Tissot The Life of Our Saviour Jesus Christ c1890. Oleograph

Christ raising the daughter of Jairus, Governor of the Synagogue, from the dead. Bible: Mark V. Illustration by JJ Tissot for his Life of our Saviour Jesus Christ 1897

The Magnificat: Virgin Mary accepting the role that God has chosen for her, and saying My soul doth magnify the Lord ja. Illustration from JJ Tissot The Life of our Lord Jesus Christ London c1890

The second miraculous draught of fishes. St John 21. From JJ Tissot The Life of Our Saviour Jesus Christ c1890. Oleograph

Christ healing the lepers at Capernaum. Mark I. From JJ Tissot The Life of Our Saviour Jesus Christ c1890. Oleograph

Jesus casting devils out of kneeling man, and putting them into Gaderine Swine who plunge over the cliff as if possessed. From JJ Tissot Life of our Saviour Jesus Christ c1890. Oleograph

Isabella II (1830-1904) Queen of Spain (1833-1870). Isabella, clutching her suitcase and trying to catch her falling crown, being blown out of Spain

Leopold II of Belgium (1835-1909). Reigned from 1865. Un roi constituionnel cartoon by Coide (JJ Tissot - 1836-1902) for Vanity Fair (London, 9 September 1869)

HERBAL MEDICINE, 1676. Men examining medicines made from the plants of the Jardin du Roi (now Jardin des Plantes), in Paris, France. Line engraving, 1676

Isabella Ii / Tissot / Vf 69
ISABELLA II, QUEEN OF SPAIN (reigned 1833-68) On her travels Date: 1830 - 1904

The Thames
Engraving taken from the picture by J. J. Tissot showing two two ladies observing the river traffic of the Thames from a riverside building or terrace

Joseph Xavier Tissot
JOSEPH XAVIER TISSOT known as Frere Hilarion, French churchman and physician, founded homes for insane but opposed scientific treatment of insanity

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James Tissot, a renowned French artist of the 19th and early 20th century, captured the essence of beauty and emotion in his exquisite artworks. In "The most beautiful woman in Paris, " Tissot portrays a captivating figure that mesmerizes with her grace and allure. The painting exudes an air of mystery, leaving viewers enchanted by her enchanting presence. In "Hush. (The Concert), " Tissot masterfully depicts a scene filled with anticipation as musicians prepare to play their instruments. The atmosphere is palpable, as if time stands still before the symphony begins, inviting us to listen closely to the harmonious melodies that are about to unfold. "Too Early" transports us back in time to witness a serene morning scene. As dawn breaks over the horizon, we see a lone figure strolling through nature's tranquility. Tissot captures this peaceful moment beautifully, reminding us of the simple joys found in embracing solitude amidst life's chaos. Tissot's portrait of Frederick Gustavus Burnaby showcases his talent for capturing individuality and character on canvas. With meticulous attention to detail, he brings forth Burnaby's strong presence and unwavering determination—a testament to both artist and subject alike. "The Departure" evokes feelings of longing and farewell as two figures bid each other adieu against a backdrop shrouded in uncertainty. Through subtle brushstrokes and thoughtful composition choices, Tissot invites us into this poignant moment where emotions run deep. In "The Annunciation, " Tissot delves into biblical themes with great reverence. This ethereal depiction captures Mary's astonishment upon receiving news from Gabriel—an angelic messenger sent by God himself—foretelling her divine destiny as the mother of Jesus Christ. "The Magnificat" echoes Mary's joyous proclamation after learning she will bear God's son—a celebration of faith intertwining with human experience.