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Thomas De Collection

Thomas De Leu was a talented artist whose work spanned across different mediums and time periods

Background imageThomas De Collection: Frontispiece for the Catalogue of the work of Thomas De Leu, 1866

Frontispiece for the Catalogue of the work of Thomas De Leu, 1866

Background imageThomas De Collection: Portrait of a Man with a Shell, ca. 1625-26. Creator: Thomas de Keyser

Portrait of a Man with a Shell, ca. 1625-26. Creator: Thomas de Keyser
Portrait of a Man with a Shell, ca. 1625-26

Background imageThomas De Collection: Portrait of a Woman with a Balance, ca. 1625-26. Creator: Thomas de Keyser

Portrait of a Woman with a Balance, ca. 1625-26. Creator: Thomas de Keyser
Portrait of a Woman with a Balance, ca. 1625-26

Background imageThomas De Collection: A Musician and His Daughter, 1629. Creator: Thomas de Keyser

A Musician and His Daughter, 1629. Creator: Thomas de Keyser
A Musician and His Daughter, 1629

Background imageThomas De Collection: The Nab Cottage, c1870

The Nab Cottage, c1870. Nab Cottage overlooks Rydal Water a small lake in the English Lake District of Cumbria, was once home to Thomas de Quincey and Hartley Coleridge

Background imageThomas De Collection: Guys Tower and the Walls of Warwick Castle, c1870

Guys Tower and the Walls of Warwick Castle, c1870. Guys Tower at Warwick Castle was built under Thomas de Beauchamp to strengthen defences. From " Picturesque Europe - The British Isles, Vol

Background imageThomas De Collection: Night, 1833. Artist: William Radclyffe

Night, 1833. Artist: William Radclyffe
Night, 1833. Scene from Hogarths Times of the day. View showing a street near Charing Cross, London, by moonlight. A drunken freemason (Sir Thomas De Veil)

Background imageThomas De Collection: King Richard II stops the duel between the Dukes of Hereford and Norfolk, 1398 (1864)

King Richard II stops the duel between the Dukes of Hereford and Norfolk, 1398 (1864). Thomas de Mowbray (1366-1399), 1st Duke of Norfolk, and Henry Bolingbroke (c1366-1413), 1st Duke of Hereford

Background imageThomas De Collection: Constantijn Huygens and his Clerk, 1627, (c1915). Artist: Thomas de Keyser

Constantijn Huygens and his Clerk, 1627, (c1915). Artist: Thomas de Keyser
Constantijn Huygens and his Clerk, 1627, (c1915). Held by the National Gallery, London. From International Art: Past and Present by Alfred Yockney. [Virtue & Company, London, c1915]

Background imageThomas De Collection: Catherine de Medici, Queen of Henry II of France, c16th century (1894). Artist: Thomas de Leu

Catherine de Medici, Queen of Henry II of France, c16th century (1894). Artist: Thomas de Leu
Catherine de Medici (1519-1589), Queen of Henry II of France and regent on behalf of their sons Francis II, Charles IX and Henry III, c16th century (1894)

Background imageThomas De Collection: Henry II, Duke of Lorraine, late 16th or early 17th century (1894). Artist: Thomas de Leu

Henry II, Duke of Lorraine, late 16th or early 17th century (1894). Artist: Thomas de Leu
Henry II, Duke of Lorraine, late 16th or early 17th century (1894). From A Collection of Engraved Portraits (Further Selection) Exhibited by the Late James Anderson Rose

Background imageThomas De Collection: Equestrian portrait of Henry IV of France in 1596, (1882-1884). Artist: Chevignard

Equestrian portrait of Henry IV of France in 1596, (1882-1884). Artist: Chevignard
Equestrian portrait of Henry IV of France in 1596, (1882-1884). Henry (1553-1610) became King of Navarre in 1572 and ascended the French throne in 1594

Background imageThomas De Collection: Wrest Park from the south-west, Silsoe, Bedfordshire, 1924-1926. Artist: HN King

Wrest Park from the south-west, Silsoe, Bedfordshire, 1924-1926. Artist: HN King
Wrest Park from the south-west, Silsoe, Bedfordshire, 1924-1926. Wrest Park was built in 1834-1839, inspired by 18th-century French chateaux, and is set in over 90 acres of gardens

Background imageThomas De Collection: De Quinceys Home, Doce Cottage, Grasmere, 1923

De Quinceys Home, Doce Cottage, Grasmere, 1923. Published in The Outline of Literature, by John Drinkwater, London, 1923

Background imageThomas De Collection: Thomas de Quincey, English author and intellectual, (1912)

Thomas de Quincey, English author and intellectual, (1912). Portrait of de Quincey (1785-1859) from Famous Houses and Literary Shrines of London, by John Adcock, (J M Dent and Sons, London, New York)

Background imageThomas De Collection: Thomas de Quinceys house, Soho, London, 1912. Artist: Frederick Adcock

Thomas de Quinceys house, Soho, London, 1912. Artist: Frederick Adcock
Thomas de Quinceys house, Soho, London, 1912. The home of English author Thomas de Quincey (1785-1859). Illustration from Famous Houses and Literary Shrines of London, by John Adcock

Background imageThomas De Collection: Portrait of a Lady, 1632, (1909) Artist: Thomas de Keyser

Portrait of a Lady, 1632, (1909) Artist: Thomas de Keyser
Portrait of a Lady, 1632. After an original work by Thomas de Keyser, 1632. From The Connoisseur, Vol. XXIII by [Otto Limited, London, 1909]

Background imageThomas De Collection: The Lord Mayor and the Court of Aldermen, London, 1681 (1894)

The Lord Mayor and the Court of Aldermen, London, 1681 (1894). Frontispiece to Thomas de Launes Present State of London, 1681

Background imageThomas De Collection: View of an Arched Gallery, c1791-c1794. Artist: Thomas de Thomon

View of an Arched Gallery, c1791-c1794. Artist: Thomas de Thomon
View of an Arched Gallery, c1791-c1794. Found in the collection of the State A Pushkin Museum of Fine Arts, Moscow

Background imageThomas De Collection: Rome. The House of Pontius Pilate, 1788. Artist: Thomas de Thomon

Rome. The House of Pontius Pilate, 1788. Artist: Thomas de Thomon
Rome. The House of Pontius Pilate, 1788. Found in the collection of the State A Pushkin Museum of Fine Arts, Moscow

Background imageThomas De Collection: Jason and the Argonauts, 1655. Artist: Michel de Marolles

Jason and the Argonauts, 1655. Artist: Michel de Marolles
Jason and the Argonauts, 1655. A plate from Michel de Marolless Tableaux du Temple des Muses, Paris, 1655. Fround in the collection of Jean Claude Carriere

Background imageThomas De Collection: Scamander, 1615. Artist: Leonard Gaultier

Scamander, 1615. Artist: Leonard Gaultier
Scamander, 1615. Scamander fought on the side of the Trojans during the Trojan War. In this context, he is the personification of the Scamander River that flowed from Mount Ida across the plain

Background imageThomas De Collection: Rhodogune, 1615. Artist: Leonard Gaultier

Rhodogune, 1615. Artist: Leonard Gaultier
Rhodogune, 1615. A plate from Les Images Ou Tableaux De Platte Peinture Des Deux Philostrates Sophistes Grecs, by Blaise de Vigenere, Paris, 1615. Fround in the collection of Jean Claude Carriere

Background imageThomas De Collection: Comus, 1615. Artist: Leonard Gaultier

Comus, 1615. Artist: Leonard Gaultier
Comus, 1615. In Greek mythology, Comus or Komus is the god of festivity, revels and nocturnal dalliance. Depicted as a young man on the point of unconsciousness from drink with a wreath of flowers

Background imageThomas De Collection: The Nile, 1615. Artist: Leonard Gaultier

The Nile, 1615. Artist: Leonard Gaultier
The Nile, 1615. A plate from Les Images Ou Tableaux De Platte Peinture Des Deux Philostrates Sophistes Grecs, by Blaise de Vigenere, Paris, 1615. Fround in the collection of Jean Claude Carriere

Background imageThomas De Collection: The Players, 1615. Artist: Leonard Gaultier

The Players, 1615. Artist: Leonard Gaultier
The Players, 1615. A plate from Les Images Ou Tableaux De Platte Peinture Des Deux Philostrates Sophistes Grecs, by Blaise de Vigenere, Paris, 1615. Fround in the collection of Jean Claude Carriere

Background imageThomas De Collection: Ajax the Lesser, 1615. Artist: Leonard Gaultier

Ajax the Lesser, 1615. Artist: Leonard Gaultier
Ajax the Lesser, 1615. Locrian Ajax was the leader of the Locrian contingent during the Trojan War. He is a significant figure in the Iliad and is mentioned in the Odyssey

Background imageThomas De Collection: The fall of Phaeton, 1615. Artist: Leonard Gaultier

The fall of Phaeton, 1615. Artist: Leonard Gaultier
The fall of Phaeton, 1615. A plate from Les Images Ou Tableaux De Platte Peinture Des Deux Philostrates Sophistes Grecs, by Blaise de Vigenere, Paris, 1615

Background imageThomas De Collection: Amphion, 1615. Artist: Leonard Gaultier

Amphion, 1615. Artist: Leonard Gaultier
Amphion, 1615. Amphion and Zethus (also Zethos), in ancient Greek mythology, were the twin sons of Zeus by Antiope. They are important characters in one of the two founding myths of the city of

Background imageThomas De Collection: Menecee, 1615. Artist: Leonard Gaultier

Menecee, 1615. Artist: Leonard Gaultier
Menecee, 1615. A plate from Les Images Ou Tableaux De Platte Peinture Des Deux Philostrates Sophistes Grecs, by Blaise de Vigenere, Paris, 1615. Found in the collection of Jean Claude Carriere

Background imageThomas De Collection: Memnon, 1615. Artist: Leonard Gaultier

Memnon, 1615. Artist: Leonard Gaultier
Memnon, 1615. In Greek mythology, Memnon was an Ethiopian king and son of Tithonus and Eos, he brought an army to Troys defense and was killed by Achilles in retribution for killing Antilochus

Background imageThomas De Collection: Fables, 1615. Artist: Leonard Gaultier

Fables, 1615. Artist: Leonard Gaultier
Fables, 1615. A plate from Les Images Ou Tableaux De Platte Peinture Des Deux Philostrates Sophistes Grecs, by Blaise de Vigenere, Paris, 1615. Found in the collection of Jean Claude Carriere

Background imageThomas De Collection: Amor, 1615. Artist: Leonard Gaultier

Amor, 1615. Artist: Leonard Gaultier
Amor, 1615. In Roman mythology, Cupid (Latin cupido) is the god of erotic love. He is equated with the Greek god Eros. Another of his Latin names is Amor

Background imageThomas De Collection: Marsh, 1615. Artist: Leonard Gaultier

Marsh, 1615. Artist: Leonard Gaultier
Marsh, 1615. A plate from Les Images Ou Tableaux De Platte Peinture Des Deux Philostrates Sophistes Grecs, by Blaise de Vigenere, Paris, 1615. Found in the collection of Jean Claude Carriere

Background imageThomas De Collection: The Bosporus or Bosphorus, 1615. Artist: Leonard Gaultier

The Bosporus or Bosphorus, 1615. Artist: Leonard Gaultier
The Bosporus or Bosphorus, 1615. A plate from Les Images Ou Tableaux De Platte Peinture Des Deux Philostrates Sophistes Grecs, by Blaise de Vigenere, Paris, 1615

Background imageThomas De Collection: Cupidons, 1615. Artist: Leonard Gaultier

Cupidons, 1615. Artist: Leonard Gaultier
Cupidons, 1615. In Roman mythology, Cupid (Latin cupido) is the god of erotic love. A plate from Les Images Ou Tableaux De Platte Peinture Des Deux Philostrates Sophistes Grecs

Background imageThomas De Collection: The Hours or Days, 1615. Artist: Leonard Gaultier

The Hours or Days, 1615. Artist: Leonard Gaultier
The Hours or Days, 1615. A plate from Les Images Ou Tableaux De Platte Peinture Des Deux Philostrates Sophistes Grecs, by Blaise de Vigenere, Paris, 1615

Background imageThomas De Collection: Dodona, 1615. Artist: Leonard Gaultier

Dodona, 1615. Artist: Leonard Gaultier
Dodona, 1615. Dodona in Epirus, northwestern Greece, was a prehistoric oracle devoted to the Greek god Zeus and the Mother Goddess identified at other sites with Rhea or Gaia, but here called Dione

Background imageThomas De Collection: Weaver, 1615. Artist: Leonard Gaultier

Weaver, 1615. Artist: Leonard Gaultier
Weaver, 1615. A plate from Les Images Ou Tableaux De Platte Peinture Des Deux Philostrates Sophistes Grecs, by Blaise de Vigenere, Paris, 1615. Found in the collection of Jean Claude Carriere

Background imageThomas De Collection: La Naissance, 1615. Artist: Leonard Gaultier

La Naissance, 1615. Artist: Leonard Gaultier
La Naissance, 1615. A plate from Les Images Ou Tableaux De Platte Peinture Des Deux Philostrates Sophistes Grecs, by Blaise de Vigenere, Paris, 1615. Found in the collection of Jean Claude Carriere

Background imageThomas De Collection: Les Etreines, (Gift), 1615. Artist: Leonard Gaultier

Les Etreines, (Gift), 1615. Artist: Leonard Gaultier
Les Etreines, (Gift), 1615. A plate from Les Images Ou Tableaux De Platte Peinture Des Deux Philostrates Sophistes Grecs, by Blaise de Vigenere, Paris, 1615

Background imageThomas De Collection: Venus, 1615. Artist: Leonard Gaultier

Venus, 1615. Artist: Leonard Gaultier
Venus, 1615. Venus was a major Roman goddess principally associated with love and beauty, but originally a vegetation goddess and patroness of gardens and vineyards

Background imageThomas De Collection: La Nourriture, (Food), 1615. Artist: Leonard Gaultier

La Nourriture, (Food), 1615. Artist: Leonard Gaultier
La Nourriture, (Food), 1615. In Greek mythology, the centaurs are a race of creatures composed part human and part horse. A plate from Les Images Ou Tableaux De Platte Peinture Des Deux Philostrates

Background imageThomas De Collection: Hippolytus, 1615. Artist: Leonard Gaultier

Hippolytus, 1615. Artist: Leonard Gaultier
Hippolytus, 1615. In Greek mythology, Hippolytus (Greek for loose horse) was a son of Theseus and either Antiope or Hippolyte. He was identified with the Roman forest god Virbius

Background imageThomas De Collection: Ariadne, 1615. Artist: Leonard Gaultier

Ariadne, 1615. Artist: Leonard Gaultier
Ariadne, 1615. Ariadne, in Greek mythology, was daughter of King Minos of Crete and his queen, Pasiphae. She is associated both with the battle of Theseus and the Minotaur; and with the god Dionysus

Background imageThomas De Collection: Pelops and Hippodamia, 1615. Artist: Leonard Gaultier

Pelops and Hippodamia, 1615. Artist: Leonard Gaultier
Pelops and Hippodamia, 1615. A plate from Les Images Ou Tableaux De Platte Peinture Des Deux Philostrates Sophistes Grecs, by Blaise de Vigenere, Paris, 1615

Background imageThomas De Collection: Pentheus, 1615. Artist: Leonard Gaultier

Pentheus, 1615. Artist: Leonard Gaultier
Pentheus, 1615. In Greek mythology, Pentheus was a king of Thebes, son of the Echion and Agave. Pentheus was pulled down and torn limb from limb by his own mother and other Bacchae in their frenzy

Background imageThomas De Collection: Satyrs, 1615. Artist: Leonard Gaultier

Satyrs, 1615. Artist: Leonard Gaultier
Satyrs, 1615. In Greek mythology, satyrs are young humans, possibly with horse ears, that roamed the woods and mountains, and were the companions of Pan and Dionysus



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Thomas De Leu was a talented artist whose work spanned across different mediums and time periods. In 1866, his art was showcased in the frontispiece for the Catalogue of his work, giving viewers a glimpse into his artistic style and range. One of his notable pieces is the Portrait of a Man with a Shell, created around 1625-26 by Thomas de Keyser. This captivating portrait captures the subject's mysterious gaze and showcases De Keyser's attention to detail. Another masterpiece by De Keyser is the Portrait of a Woman with a Balance, also created around 1625-26. This painting highlights De Keyser's ability to capture human emotion and expression through portraiture. The woman's contemplative pose as she holds the balance symbolizes her introspection and self-reflection. In 1629, Thomas de Keyser painted A Musician and His Daughter, showcasing his talent for capturing intimate family moments. The tender bond between father and daughter is evident in their shared love for music. Moving away from portraits, we come across two landscape paintings: Nab Cottage (c1870) and Guys Tower and the Walls of Warwick Castle (c1870). These works demonstrate De Leu's versatility as an artist who could effortlessly transition from capturing human subjects to depicting serene natural landscapes. Night (1833), painted by William Radclyffe but included in this collection due to its thematic relevance, portrays darkness enveloping nature while highlighting subtle hints of light breaking through clouds – an allegory for hope amidst despair. Delving into historical scenes depicted by other artists inspired by Thomas' name include King Richard II stopping the duel between Dukes Hereford & Norfolk in 1398 (1864) or Nobles before King Richard II at Westminster in 1387 (1864). These paintings transport us back to medieval times when power struggles were commonplace among nobility.