The Passion Collection (page 2)

Garden of Gethsemane and Mount of Olives (engraving)
8670325 Garden of Gethsemane and Mount of Olives (engraving) by European School, (19th century); Private Collection; (add.info.: Garden of Gethsemane and Mount of Olives)

The Mount of Olives, from Mount Zion (engraving)
8638839 The Mount of Olives, from Mount Zion (engraving) by English School, (19th century); Private Collection; (add.info.: The Mount of Olives, from Mount Zion)

The song of Calvary (engraving)
8647200 The song of Calvary (engraving) by English School, (19th century); Private Collection; (add.info.: The song of Calvary)

The Last Supper, Matthew, Ch XXVI, v 26 (engraving)
8653532 The Last Supper, Matthew, Ch XXVI, v 26 (engraving) by Rubens, Peter Paul (1577-1640) (after); Private Collection; (add.info.: The Last Supper, Matthew, Ch XXVI, v 26)

The Last Supper, 1605 (oil on canvas)
8682935 The Last Supper, 1605 (oil on canvas) by Carducho, Bartolome (1560-1608); Prado, Madrid, Spain; (add.info.: By Bartolomeo Carducci or Carducho).

The passion of Jesus Christ. Tympanum of the Strasbourg cathedral (relief)
8711284 The passion of Jesus Christ. Tympanum of the Strasbourg cathedral (relief); (add.info.: Strasbourg Cathedral. Western facade. Tympanum. The passion of Jesus Christ. Strasbourg)

The Resurrection, c.1635 (oil on panel)
5860788 The Resurrection, c.1635 (oil on panel) by Breenbergh, Bartholomeus (1599-1657); 35.5 x 20.7 cm; The Art Institute of Chicago, IL, USA; (add.info.: By Bartholomeus Breenbergh).

Parish museum. Painting. Ecce Homo. Flemish school. Oil on wood. 15th century
6267450 Parish museum. Painting. Ecce Homo. Flemish school. Oil on wood. 15th century.; Museo Parroquial de Tapices de Pastrana, Guadalajara, Spain; (add.info.: Creator: Anonymous Museo Parroquial)

Parish museum. Painting. Jesus in the Gethsemane garden. Scene in a garland. Oil on canvas. 18th century
6265870 Parish museum. Painting. Jesus in the Gethsemane garden. Scene in a garland. Oil on canvas. 18th century.; Museo Parroquial de Tapices de Pastrana, Guadalajara

Illustration from the 'Grand Catechism for Families'. 1907. depicting 'Ecce homo'
5306067 Illustration from the 'Grand Catechism for Families'. 1907. depicting 'Ecce homo' ("behold the man")

The Golden Gate of the Haram esh Sherif (engraving)
8638810 The Golden Gate of the Haram esh Sherif (engraving) by English School, (19th century); Private Collection; (add.info.: The Golden Gate of the Haram esh Sherif)

Traditional Site of Bethphage, the House of Figs (engraving)
8638794 Traditional Site of Bethphage, the House of Figs (engraving) by English School, (19th century); Private Collection; (add.info.: Traditional Site of Bethphage, the House of Figs)

Page from The Bible Emblem Anniversary Book (colour litho)
8630698 Page from The Bible Emblem Anniversary Book (colour litho) by Foster, William (1852-1924); Private Collection; (add.info)

Ecce Homo (colour litho)
8667247 Ecce Homo (colour litho) by English School, (19th century); Private Collection; (add.info.: Ecce Homo. Illustration for The Life of Our Lord and Saviour Jesus Christ by John Fleetwood)

The Last Supper (chromolitho)
8656869 The Last Supper (chromolitho) by Vinci, Leonardo da (1452-1519) (after); Private Collection; (add.info.: The Last Supper. Postcard, early 20th century.); © Look and Learn.

The Last Supper (colour litho)
8668098 The Last Supper (colour litho) by Lawson, John (19th century); Private Collection; (add.info.: The Last Supper. Illustration for The Child's Life of Jesus by H R Haweis (Raphael Tuck)

Design for a stained glass window for the church of Prausnitz (colour litho)
8635221 Design for a stained glass window for the church of Prausnitz (colour litho) by German School, (20th century); Private Collection; (add.info)

Ecce Homo (engraving)
8650611 Ecce Homo (engraving) by Morales, Luis de (1500-86); Private Collection; (add.info.: Ecce Homo. Pilate Saith unto them, "Behold the Man." John XIX, 5)

The main door of the Botoneri Chapel with the paintings depicting the Passion of Christ, 1514 (fresco)
8832385 The main door of the Botoneri Chapel with the paintings depicting the Passion of Christ, 1514 (fresco) by Botoneri, Giovanni di Cherasco (16th century); Santuario di San Magno, Castelmagno

Parish museum. Painting. Ecce Homo. Oil on canvas. 16th century
6267460 Parish museum. Painting. Ecce Homo. Oil on canvas. 16th century.; Museo Parroquial de Tapices de Pastrana, Guadalajara, Spain; (add.info.: Creator: Anonymous Museo Parroquial, Pastrana)

Calvary sculpture group with painted wooden Jesus statue on cross, late 18th early 19th century with plaster statue of
7242734 Calvary sculpture group with painted wooden Jesus statue on cross, late 18th early 19th century with plaster statue of John and Mary; Brakel, East Flanders

Crucifix, Baroque chapel, Santa Maria Nuova Cathedral, Monreale, Sicily, Italy, Europe
7280654 Crucifix, Baroque chapel, Santa Maria Nuova Cathedral, Monreale, Sicily, Italy, Europe; Duomo (Cattedrale di Santa Maria Nuova), Monreale, Sicily, Italy; (add.info.: Crucifix, Baroque chapel)

The Deposition, 1286 (watercolour on parchment)
FIA5634267 The Deposition, 1286 (watercolour on parchment); Matenadaran, Mesrop Mashtots Institute of Ancient Manuscripts, Yerevan

The resurrection of Jesus Christ, c.1920 (stained glass)
8714183 The resurrection of Jesus Christ, c.1920 (stained glass) by Mayer, Franz (1848-1926); (add.info.: Stained Glass built 1920s)

Religion. Catholic Religion. The entry of church forbidden to the dogs. Poster, France, 1749. (poster)
3434579 Religion. Catholic Religion. The entry of church forbidden to the dogs. Poster, France, 1749. (poster); (add.info.: Religion. Religion catholique. Coll. Part. Religion. Catholic Religion)

Window w3 depicting the Agony in Gethsemene (stained glass)
720005 Window w3 depicting the Agony in Gethsemene (stained glass).

The Sibyl Agrippa, 1490 (miniature)
2075400 The Sibyl Agrippa, 1490 (miniature); (add.info.: Religion. Miniature, France, 1490. Coll. Part. Religion. The Agrippa Sibyl, with a whip, symbolizing the Flagellation of Christ)

Institution de L'Eucharistie (engraving)
8629384 Institution de L'Eucharistie (engraving) by European School, (19th century); Private Collection; (add.info.: Institution de L'Eucharistie)

Jerusalem from the Mount of Olives (engraving)
8638841 Jerusalem from the Mount of Olives (engraving) by English School, (19th century); Private Collection; (add.info.: Jerusalem from the Mount of Olives)

New Testament: A Lesson in Humility (colour litho)
8658775 New Testament: A Lesson in Humility (colour litho) by Copping, Harold (1863-1932); Private Collection; (add.info.: A Lesson in Humility)

Popular Superstitions: Thirteen at table (colour litho)
8668720 Popular Superstitions: Thirteen at table (colour litho) by English School, (20th century); Private Collection; (add.info.: Thirteen at table)

The First Revolution (litho)
8661066 The First Revolution (litho) by Wright, Henry Charles Seppings (1850-1937); Private Collection; (add.info.: The First Revolution)

The Deploration of Christ (Lamentation of the Dead Christ). Among the characters represented
JEB4859757 The Deploration of Christ (Lamentation of the Dead Christ). Among the characters represented: Joseph of Arimathea and Nicodemus hold the shroud

Calvary 1893, by Nikolai Ge (1831- 1894), Russian artist
5305406 Calvary 1893, by Nikolai Ge (1831- 1894), Russian artist; (add.info.: Calvary 1893, by Nikolai Ge (1831- 1894), Russian artist

Battle and capture of Smolensk, Russia in Nov 1812 by Napoleon (engraving)
1758785 Battle and capture of Smolensk, Russia in Nov 1812 by Napoleon (engraving); (add.info.: Battle and capture of Smolensk during napoleonic wars in Russia november 1812)

The Deploration of Christ (Lamentation of the Dead Christ), detail. Among the characters represented
JEB4859779 The Deploration of Christ (Lamentation of the Dead Christ), detail. Among the characters represented: Joseph of Arimathea and Nicodemus hold the shroud

Interior, calvary sculpture group with painted wooden jesus statue on cross
7242731 Interior, calvary sculpture group with painted wooden jesus statue on cross, 19th century with plaster john and mary statue; Brakel, East Flanders

Ecce Homo (oil on copper)
CUL4934978 Ecce Homo (oil on copper); 57x46 cm; (add.info.: RIBERA, Jose (1588-1652) Cadiz. Museo de Cadiz); AIC.

MURILLO, Bartolome Esteban (1617-1682). Ecce Homo. (81.3 x 67.4 cm.). 'Ecce Homo' (81.3 x 67.4 cm.)
CUL4934942 MURILLO, Bartolome Esteban (1617-1682). Ecce Homo. (81.3 x 67.4 cm.). 'Ecce Homo' (81.3 x 67.4 cm.). Religious school of Sevilla.Christ wearing the purple robe

Page taken from the manuscript "De Balneis Puteolanis" by Pietro da Eboli
AIS5390410 Page taken from the manuscript "De Balneis Puteolanis" by Pietro da Eboli; Biblioteca Angelica, Rome

Interior view of the cupola designed by Matteo Nigetti (1560-1649) in 1644 with panels depicting scenes from the Bible
BEN85085 Interior view of the cupola designed by Matteo Nigetti (1560-1649) in 1644 with panels depicting scenes from the Bible painted by Pietro Benvenuti (1796-1844), 1828 (fresco)

Christ before Pilate
7287238 Christ before Pilate; Vatican Museums and Galleries, Vatican City; (add.info.: Cast of a sarcophagus with "traditio legis" in the vatican Grottoes)

Jesus meets his mother, Mary, while carrying his Cross (colour litho)
5226675 Jesus meets his mother, Mary, while carrying his Cross (colour litho) by Fugel, Gebhard (1863-1939); Private Collection; (add.info.: Jesus meets his mother, Mary, while carrying his Cross)

Jesus Christ crowned with thorns - Bible, New Testament, 19th century (print)
3784288 Jesus Christ crowned with thorns - Bible, New Testament, 19th century (print); (add.info.: Jesus Christ crowned with thorns. Caption reads: Ecce Homo / Behold The Man)

WW1 - Battle of Cateau 1914
3789968 WW1 - Battle of Cateau 1914; (add.info.: Battle of Cateau. Map shows the retreat of the British at Cateau, with calvary led by General Allenby)

Jesus Christ and apostles at Last Supper. (print)
7420030 Jesus Christ and apostles at Last Supper. (print) by Picart, Bernard (1673-1733) (after); (add.info.: Jesus Christ and his apostles at the Last Supper)

The Resurrection (oil on panel)
8600358 The Resurrection (oil on panel) by Foschi, Pier Francesco (1502-67); 26.7 x 38.4 cm; Private Collection; Photograph courtesy of Sotheby's

Panel of the main bronze door of the Duomo di Milano designed by Lodovico Pogliaghi: The Flagellation of Christ
4066188 Panel of the main bronze door of the Duomo di Milano designed by Lodovico Pogliaghi: The Flagellation of Christ, located on the left shutter

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"The Passion: A Journey Through Artistic Expressions of Faith and Suffering" In the realm of art, the profound story of "The Passion" has been depicted in various forms, each capturing the essence of faith, suffering, and redemption. From vibrant lithographs to intricate engravings and powerful oil paintings, these masterpieces transport us back in time to witness pivotal moments from Jesus Christ's final days. One such artwork that evokes raw emotion is "The Return from Calvary. " This colour lithograph portrays a scene filled with grief as Mary Magdalene mourns the loss of her beloved savior. Her sorrow is palpable, reminding us of the immense sacrifice made on Calvary. Another poignant lithograph titled "Douleur de Marie-Madeleine" depicts Mary Magdalene's anguish. The artist skillfully captures her deep sorrow through delicate lines and shading, inviting viewers to empathize with her pain. Moving forward in time but not diminishing its impact is "The Resurrection of Christ, " an oil painting on copper created in 1622. With radiant hues and meticulous brushstrokes, this masterpiece brings forth a sense of hope and triumph over death itself. Contrasting this triumphant moment is Albrecht Dürer's engraving titled "The Crucifixion" from 1508. In stark black-and-white tones, Dürer conveys the agony endured by Jesus on the cross while emphasizing his vulnerability as he offers salvation to humanity. Similarly intense is another depiction simply titled "The Crucifixion. " This painting captures both physical torment and spiritual significance through vivid colors that heighten our connection to Christ's suffering. Rembrandt van Rijn's etching called "The Descent from the Cross to the Torch" transports us into a somber atmosphere where we witness Joseph of Arimathea carefully lowering Jesus' lifeless body down from Golgotha. The flickering torchlight adds a touch of solemnity to this poignant scene.