The Marriage Of Figaro Collection

Costume design for Basilio, from The Marriage of Figaro, 1905 (colour litho)
GIA938515 Costume design for Basilio, from The Marriage of Figaro, 1905 (colour litho) by Caramba, Luigi Sapelli (1865-1936); Museo Teatrale alla Scala, Milan, Italy; (add.info.: Le nozze di Figaro)

Scene from Mozart's opera The Marriage of Figaro, 1786, (c1914). Artist: Charles A Buchel
Scene from Mozart's opera The Marriage of Figaro, 1786, (c1914). The Marriage of Figaro (Le Nozze di Figaro), a comic opera (opera buffa) with libretto by Lorenzo da Ponte (1749-1838)

Costume design for Don Bartolo, from The Marriage of Figaro
GIA938513 Costume design for Don Bartolo, from The Marriage of Figaro by Wolfgang Amadeus Mozart, 1905 (colour litho) by Caramba

Costume design for Figaro, from The Marriage of Figaro
GIA938509 Costume design for Figaro, from The Marriage of Figaro by Wolfgang Amadeus Mozart, c.1880 (colour litho) by Italian School

Costume design for Susanna, from The Marriage of Figaro
GIA938510 Costume design for Susanna, from The Marriage of Figaro by Wolfgang Amadeus Mozart, c.1880 (colour litho) by Italian School, (19th century); Museo Teatrale alla Scala, Milan

Costume Design for the Countess Almaviva, from The Marriage of Figaro
GIA938506 Costume Design for the Countess Almaviva, from The Marriage of Figaro, 1905 (gouache on paper) by Caramba, Luigi Sapelli (1865-1936); Private Collection; (add.info.: Le nozze di Figaro)

Costume design for the Countess Almaviva, from The Marriage of Figaro
GIA938505 Costume design for the Countess Almaviva, from The Marriage of Figaro, 1905 (gouache on paper) by Caramba, Luigi Sapelli (1865-1936); Private Collection; (add.info.: Le nozze di Figaro)

Scene from The Marriage of Figaro, by Wolfgang Amadeus Mozart (litho)
972585 Scene from The Marriage of Figaro, by Wolfgang Amadeus Mozart (litho) by French School, (19th century); Private Collection; (add.info.: Scene from The Marriage of Figaro)

The Wedding (chromolitho)
735239 The Wedding (chromolitho) by European School, (19th century); Private Collection; (add.info.: The Wedding. Liebig card)

The Count, the Countess, Figaro and Susannah, and Antonio the Gardener (chromolitho)
735237 The Count, the Countess, Figaro and Susannah, and Antonio the Gardener (chromolitho) by European School, (19th century); Private Collection; (add.info.: The Count, the Countess)

Entrance of the Peasants (chromolitho)
735235 Entrance of the Peasants (chromolitho) by European School, (19th century); Private Collection; (add.info.: Entrance of the Peasants)

Costume design for Barbarina, from The Marriage of Figaro
GIA938514 Costume design for Barbarina, from The Marriage of Figaro by Wolfgang Amadeus Mozart, 1905 (colour litho) by Caramba, Luigi Sapelli (1865-1936); Museo Teatrale alla Scala, Milan

Costume design for Cherubino, from The Marriage of Figaro
GIA938512 Costume design for Cherubino, from The Marriage of Figaro by Wolfgang Amadeus Mozart, 1905 (colour litho) by Caramba, Luigi Sapelli (1865-1936); Museo Teatrale alla Scala, Milan

The Countess in Disguise (chromolitho)
735240 The Countess in Disguise (chromolitho) by European School, (19th century); Private Collection; (add.info.: The Countess in Disguise)

Cherubino, the Count, Susannah and Basilio (chromolitho)
735236 Cherubino, the Count, Susannah and Basilio (chromolitho) by European School, (19th century); Private Collection; (add.info.: Cherubino, the Count, Susanna and Basilio)

The Actor Thenard in the Role of Figaro (oil on canvas)
CHT238767 The Actor Thenard in the Role of Figaro (oil on canvas) by Danloux, Henri-Pierre (1753-1809); Comedie Francaise, Paris

The Actor Thenard in the Role of Figaro in The Barber of Seville
CHT238768 The Actor Thenard in the Role of Figaro in The Barber of Seville by Pierre Augustin Caron de Beaumarchais (1732-99) (coloured engraving) by Coeure

Cherubino, The Marriage Of Figaro (b / w photo)
3096136 Cherubino, The Marriage Of Figaro (b/w photo) by French Photographer, (20th century); Private Collection; (add.info.: Cherubino, The Marriage Of Figaro)

The Exposure of Cherubino, scene from The Marriage of Figaro
GIA938511 The Exposure of Cherubino, scene from The Marriage of Figaro by Wolfgang Amadeus Mozart (colour litho) by Italian School, (19th century); Private Collection; (add.info.: Le nozze di Figaro)

Wolfgang Amadeus Mozart (colour litho)
3093936 Wolfgang Amadeus Mozart (colour litho) by German School, (19th century); Private Collection; (add.info.: Wolfgang Amadeus Mozart. Postcard, early 20th century.); © Look and Learn

The title page from the play The Marriage of Figaro, by Pierre Beaumarchais, first performed in1784 (engraving)
3647956 The title page from the play The Marriage of Figaro, by Pierre Beaumarchais, first performed in1784 (engraving) by German School

The Marriage of Figaro, Act I scene ix (gravure)
666891 The Marriage of Figaro, Act I scene ix (gravure) by Dodge, William de Leftwich (1867-1935) (after); Private Collection; (add.info.: The Marriage of Figaro, Act I scene ix)

The Long Lost Son (chromolitho)
735238 The Long Lost Son (chromolitho) by European School, (19th century); Private Collection; (add.info.: The Long Lost Son)

Mademoiselle Thalberg, as Cherubino, in "The Marriage of Figaro"(engraving)
1615963 Mademoiselle Thalberg, as Cherubino, in " The Marriage of Figaro" (engraving) by English School, (19th century); Private Collection; (add.info.: Mademoiselle Thalberg, as Cherubino)

Costume Design for the Count Almaviva, from the Marriage of Figaro
GIA938508 Costume Design for the Count Almaviva, from the Marriage of Figaro, 1905 (gouache on paper) by Caramba, Luigi Sapelli (1865-1936); Museo Teatrale alla Scala, Milan

Costume design for the Count Almaviva, from The Marriage of Figaro
GIA938507 Costume design for the Count Almaviva, from The Marriage of Figaro, 1905 (gouache on paper) by Caramba, Luigi Sapelli (1865-1936); Private Collection; (add.info.: Le nozze di Figaro)

Theatre Italien, 1821. 1821. Creator: Eugene Delacroix
Theatre Italien, 1821. Composer Gioacchino Rossini with characters: Figaro, Rosina, and Othello

Costume design for the theatre play The Marriage of Figaro by P. de Beaumarchais, 1915. Found in the Collection of State Tretyakov Gallery, Moscow

Mozarts Cherubino (Le cherubin de Mozart). Found in the Collection of Musee des Beaux-Arts, Reims

John Palmer as Count Almaviva in The Spanish Barber, 1779, (1917). Artist: Henry Walton
John Palmer as Count Almaviva in The Spanish Barber, 1779. John Palmer (c1742-1798), was one of the most prestigious actors on the English stage in the eighteenth century

Scene from Mozarts opera The Marriage of Figaro, 1786 (1905). The Marriage of Figaro (Le Nozze di Figaro), comic opera (opera buffa) with libretto by Lorenzo da Ponte (1749-1838) after Beaumarchais

Beaumarchais and The Marriage of Figaro, 1784 (c1900). Portrait of Pierre Augustin Caron de Beaumarchias (1732-1799) French playwright and satirist

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"The Marriage of Figaro: A Visual Spectacle of Love, Deception, and Intrigue" Step into the enchanting world of "The Marriage of Figaro, " where love, deception, and intrigue intertwine in a captivating tale. This 1905 production brings to life the vibrant characters through exquisite costume designs. Basilio's costume design exudes elegance with its intricate details and rich colors. It perfectly captures his sly nature as he weaves his web of manipulation within the story. Meanwhile, Don Bartolo's attire showcases his authoritative presence, emphasizing his role as a powerful figure in this intricate plot. Figaro's costume design reflects his wit and charm. With every stitch carefully crafted to highlight his resourcefulness, it is evident that he is not just an ordinary servant but a force to be reckoned with. Susanna's delicate yet determined character shines through her beautifully designed dress – a symbol of her intelligence and resilience. The Countess Almaviva steals the spotlight with two stunning costumes that showcase her transformation throughout the story. The first design captures her regal grace as she navigates through marital challenges while the second portrays her vulnerability and longing for true love. As scenes unfold on stage, Mozart's genius compositions fill the air with melodious beauty. From joyful celebrations like "The Wedding" to dramatic moments between Countess Almaviva, Figaro, Susannah, and Antonio the Gardener captured in "The Count, The Countess. . " chromolitho – each scene immerses audiences deeper into this enthralling narrative. Intriguing moments such as "Entrance of Peasants" add depth to this masterpiece by showcasing society’s stark contrasts within one grand event - highlighting both unity and division among classes during this time period. Barbarina's costume design radiates youthful innocence while Cherubino's outfit embodies youthful exuberance.