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The Eight Collection (page 4)

"The Eight: A Captivating Glimpse into Urban Realism" Step into a world where art breathes life into the streets, as "The Eight" captures the essence of everyday moments

Background imageThe Eight Collection: The Great Mother, c. 1914 (oil on canvas)

The Great Mother, c. 1914 (oil on canvas)
CGW445456 The Great Mother, c.1914 (oil on canvas) by Davies, Arthur Bowen (1862-1928); 102.2x66.6 cm; Corcoran Collection, National Gallery of Art, Washington D.C. USA; Bequest of Lillie P

Background imageThe Eight Collection: Park Scene, 1915 (oil on canvas)

Park Scene, 1915 (oil on canvas)
HEH372348 Park Scene, 1915 (oil on canvas) by Prendergast, Maurice Brazil (1858/9-1924); 51.4x61.6 cm; Huntington Library, Art Museum, and Botanical Gardens, San Marino, CA

Background imageThe Eight Collection: The Terrace (oil on canvas)

The Terrace (oil on canvas)
1767522 The Terrace (oil on canvas) by Glackens, William James (1870-1938); 50.2x61 cm; Private Collection; (add.info.: The Terrace. William James Glackens (1870-1938). Oil on canvas

Background imageThe Eight Collection: Portrait of a Girl, 1928 (oil on canvas)

Portrait of a Girl, 1928 (oil on canvas)
1767487 Portrait of a Girl, 1928 (oil on canvas) by Henri, Robert Cozad (1865-1929); 71.1x50.8 cm; Private Collection; (add.info.: Portrait of a Girl. Robert Henri (1865-1929). Oil on canvas

Background imageThe Eight Collection: Study of Malo: The Border of the Sea, c. 1907 (oil on board)

Study of Malo: The Border of the Sea, c. 1907 (oil on board)
1767450 Study of Malo: The Border of the Sea, c.1907 (oil on board) by Prendergast, Maurice Brazil (1858/9-1924); 26.7x35 cm; Private Collection; (add.info.: Study of Malo: The Border of the Sea)

Background imageThe Eight Collection: Floral Arrangement in Green Vase (oil on canvas)

Floral Arrangement in Green Vase (oil on canvas)
FIN161460 Floral Arrangement in Green Vase (oil on canvas) by Glackens, William James (1870-1938); 39.4x31.1 cm; Private Collection; David Findlay Jr Fine Art, NYC, USA; American, out of copyright

Background imageThe Eight Collection: Girl Asleep (pastel on paper)

Girl Asleep (pastel on paper)
BRN161643 Girl Asleep (pastel on paper) by Glackens, William James (1870-1938); The Barnes Foundation, Philadelphia, Pennsylvania, USA; eBarnes Foundation; American, out of copyright

Background imageThe Eight Collection: Man with Child (pencil on paper)

Man with Child (pencil on paper)
BRN161636 Man with Child (pencil on paper) by Glackens, William James (1870-1938); The Barnes Foundation, Philadelphia, Pennsylvania, USA; eBarnes Foundation; American, out of copyright

Background imageThe Eight Collection: The Beach no 3, 1914-15 (oil on canvas)

The Beach no 3, 1914-15 (oil on canvas)
BRN159676 The Beach no 3, 1914-15 (oil on canvas) by Prendergast, Maurice Brazil (1858/9-1924); 61 x 124.8 cm; The Barnes Foundation, Philadelphia, Pennsylvania, USA; eBarnes Foundation; American

Background imageThe Eight Collection: Seascape with Two Sailboats and Six Bathers (oil on canvas)

Seascape with Two Sailboats and Six Bathers (oil on canvas)
BRN160615 Seascape with Two Sailboats and Six Bathers (oil on canvas) by Glackens, William James (1870-1938); The Barnes Foundation, Philadelphia, Pennsylvania, USA; eBarnes Foundation; American

Background imageThe Eight Collection: Factories in a Landscape (oil on canvas)

Factories in a Landscape (oil on canvas)
BRN158985 Factories in a Landscape (oil on canvas) by Glackens, William James (1870-1938); The Barnes Foundation, Philadelphia, Pennsylvania, USA; eBarnes Foundation; American, out of copyright

Background imageThe Eight Collection: Beach with Figures, c. 1915 (oil on canvas)

Beach with Figures, c. 1915 (oil on canvas)
BRN158961 Beach with Figures, c.1915 (oil on canvas) by Glackens, William James (1870-1938); 31.1x39.4 cm; The Barnes Foundation, Philadelphia, Pennsylvania, USA; eBarnes Foundation; American

Background imageThe Eight Collection: Girl with Green Turban (oil on canvas)

Girl with Green Turban (oil on canvas)
BRN158960 Girl with Green Turban (oil on canvas) by Glackens, William James (1870-1938); The Barnes Foundation, Philadelphia, Pennsylvania, USA; eBarnes Foundation; American, out of copyright

Background imageThe Eight Collection: The Ermine Muff, c. 1903 (oil on canvas)

The Ermine Muff, c. 1903 (oil on canvas)
3956061 The Ermine Muff, c.1903 (oil on canvas) by Glackens, William James (1870-1938); 38.1 x 45.72 cm; Yale University Art Gallery, New Haven, CT, USA; (add.info.: ); American, out of copyright

Background imageThe Eight Collection: Figures in the Park, c. 1895-97 (monotype in colours on Japan paper)

Figures in the Park, c. 1895-97 (monotype in colours on Japan paper)
990510 Figures in the Park, c.1895-97 (monotype in colours on Japan paper) by Prendergast, Maurice Brazil (1858/9-1924); 38.4x28 cm; Private Collection; (add.info.: Figures in the Park)

Background imageThe Eight Collection: Roses and Persimmons, (oil on canvasboard)

Roses and Persimmons, (oil on canvasboard)
823050 Roses and Persimmons, (oil on canvasboard) by Glackens, William James (1870-1938); 32.8x40.6 cm; Private Collection; (add.info.: Roses and Persimmons. William James Glackens (1870-1938)

Background imageThe Eight Collection: Jimmie Gerry, (oil on canvas)

Jimmie Gerry, (oil on canvas)
822701 Jimmie Gerry, (oil on canvas) by Henri, Robert Cozad (1865-1929); 61x50.8 cm; Private Collection; (add.info.: Jimmie Gerry. Robert Henri (1865-1929). Oil on canvas

Background imageThe Eight Collection: Capri, 1899 (watercolour and pencil on paper)

Capri, 1899 (watercolour and pencil on paper)
822696 Capri, 1899 (watercolour and pencil on paper) by Prendergast, Maurice Brazil (1858/9-1924); 35.5x51.8 cm; Private Collection; (add.info.: Capri. Maurice Brazil Prendergast (1854-1924)

Background imageThe Eight Collection: A Stag at Sharkey s, 1947 (lithograph)

A Stag at Sharkey s, 1947 (lithograph)
827991 A Stag at Sharkey s, 1947 (lithograph) by Bellows, George Wesley (1882-1925); 47x60.9 cm; Private Collection; (add.info.: A Stag at Sharkeys (M.46). George Wesley Bellows (1882-1925)

Background imageThe Eight Collection: The Masquerade Dress, 1911 (oil on canvas)

The Masquerade Dress, 1911 (oil on canvas)
3613990 The Masquerade Dress, 1911 (oil on canvas) by Henri, Robert Cozad (1865-1929); 194.3x92.1 cm; Metropolitan Museum of Art, New York

Background imageThe Eight Collection: Venice, c. 1909 (watercolour on paper)

Venice, c. 1909 (watercolour on paper)
650544 Venice, c.1909 (watercolour on paper) by Prendergast, Maurice Brazil (1858/9-1924); 28.6x39 cm; Private Collection; (add.info.: Venice. Maurice Brazil Prendergast (1859-1924)

Background imageThe Eight Collection: A Day at the Beach, (watercolour and black crayon on paper)

A Day at the Beach, (watercolour and black crayon on paper)
651154 A Day at the Beach, (watercolour and black crayon on paper) by Prendergast, Maurice Brazil (1858/9-1924); 35.3x50.5 cm; Private Collection; (add.info.: A Day at the Beach)

Background imageThe Eight Collection: Tending the Lobster Traps, Early Morning, (oil on panel)

Tending the Lobster Traps, Early Morning, (oil on panel)
651084 Tending the Lobster Traps, Early Morning, (oil on panel) by Bellows, George Wesley (1882-1925); 42.6x50.4 cm; Private Collection; (add.info.: Tending the Lobster Traps, Early Morning)

Background imageThe Eight Collection: Rainy Day: The Fish Market, 1892 (watercolour and pencil on paper)

Rainy Day: The Fish Market, 1892 (watercolour and pencil on paper)
650704 Rainy Day: The Fish Market, 1892 (watercolour and pencil on paper) by Prendergast, Maurice Brazil (1858/9-1924); 23.2x31.3 cm; Private Collection; (add.info.: Rainy Day: The Fish Market)

Background imageThe Eight Collection: Study for The Soda Fountain, 1935 (oil on canvas)

Study for The Soda Fountain, 1935 (oil on canvas)
650476 Study for The Soda Fountain, 1935 (oil on canvas) by Glackens, William James (1870-1938); 35.6x29.2 cm; Private Collection; (add.info.: Study for The Soda Fountain)

Background imageThe Eight Collection: The Battery, (pastel and chalk on tan paper laid on board)

The Battery, (pastel and chalk on tan paper laid on board)
650475 The Battery, (pastel and chalk on tan paper laid on board) by Glackens, William James (1870-1938); 43.2x49.5 cm; Private Collection; (add.info.: The Battery)

Background imageThe Eight Collection: Nights Overture, 1907 (oil on canvas)

Nights Overture, 1907 (oil on canvas)
488271 Nights Overture, 1907 (oil on canvas) by Davies, Arthur Bowen (1862-1928); 45.72 x 60.96 cm; Minneapolis Institute of Arts, MN, USA; eMinneapolis Institute of Art; Gift of the Martin B

Background imageThe Eight Collection: Beach at Annisquam, 1918 (oil on canvas)

Beach at Annisquam, 1918 (oil on canvas)
CH96153 Beach at Annisquam, 1918 (oil on canvas) by Glackens, William James (1870-1938); 64x77 cm; Private Collection; Photo eChristies Images; American, out of copyright

Background imageThe Eight Collection: Lavender Tulips and Jonquils, (oil on canvas)

Lavender Tulips and Jonquils, (oil on canvas)
985139 Lavender Tulips and Jonquils, (oil on canvas) by Glackens, William James (1870-1938); 61x50.8 cm; Private Collection; (add.info.: Lavender Tulips and Jonquils)

Background imageThe Eight Collection: Skipper Mick, 1924 (oil on canvas)

Skipper Mick, 1924 (oil on canvas)
984935 Skipper Mick, 1924 (oil on canvas) by Henri, Robert Cozad (1865-1929); 61x50.8 cm; Private Collection; (add.info.: Skipper Mick. Robert Henri (1865-1929). Oil on canvas. Painted in 1924

Background imageThe Eight Collection: New England Beach Scene, c. 1896-97 (watercolour and pencil on paper)

New England Beach Scene, c. 1896-97 (watercolour and pencil on paper)
984929 New England Beach Scene, c.1896-97 (watercolour and pencil on paper) by Prendergast, Maurice Brazil (1858/9-1924); 35x50.3 cm; Private Collection; (add.info.: New England Beach Scene)

Background imageThe Eight Collection: Sunday Morning in Paris, c. 1892-1894 (oil on panel)

Sunday Morning in Paris, c. 1892-1894 (oil on panel)
985388 Sunday Morning in Paris, c.1892-1894 (oil on panel) by Prendergast, Maurice Brazil (1858/9-1924); 23.9x15.7 cm; Private Collection; (add.info.: Sunday Morning in Paris)

Background imageThe Eight Collection: Campo Santa Maria Formosa, Venice, c. 1898 (w / c on paper)

Campo Santa Maria Formosa, Venice, c. 1898 (w / c on paper)
CH92975 Campo Santa Maria Formosa, Venice, c.1898 (w/c on paper) by Prendergast, Maurice Brazil (1858/9-1924); 32.1x47 cm; Private Collection; Photo eChristies Images; American, out of copyright

Background imageThe Eight Collection: Interior with Three Men Getting Up from a Table (pencil and wash on paper)

Interior with Three Men Getting Up from a Table (pencil and wash on paper)
BRN160547 Interior with Three Men Getting Up from a Table (pencil and wash on paper) by Glackens, William James (1870-1938); The Barnes Foundation, Philadelphia, Pennsylvania

Background imageThe Eight Collection: Washington Square (pastel on paper)

Washington Square (pastel on paper)
BRN165347 Washington Square (pastel on paper) by Glackens, William James (1870-1938); The Barnes Foundation, Philadelphia, Pennsylvania, USA; eBarnes Foundation; American, out of copyright

Background imageThe Eight Collection: Two Women Walking Away from Each Other (pencil on paper)

Two Women Walking Away from Each Other (pencil on paper)
BRN161651 Two Women Walking Away from Each Other (pencil on paper) by Glackens, William James (1870-1938); The Barnes Foundation, Philadelphia, Pennsylvania, USA; eBarnes Foundation; American

Background imageThe Eight Collection: Poppies and Peonies (oil on canvas)

Poppies and Peonies (oil on canvas)
BRN158962 Poppies and Peonies (oil on canvas) by Glackens, William James (1870-1938); The Barnes Foundation, Philadelphia, Pennsylvania, USA; eBarnes Foundation; American, out of copyright

Background imageThe Eight Collection: Krishna and Foolish Maidens (oil on canvas)

Krishna and Foolish Maidens (oil on canvas)
BRN160637 Krishna and Foolish Maidens (oil on canvas) by Glackens, William James (1870-1938); The Barnes Foundation, Philadelphia, Pennsylvania, USA; eBarnes Foundation; American, out of copyright

Background imageThe Eight Collection: Woman in Black Hat and Black Skirt (pencil on paper)

Woman in Black Hat and Black Skirt (pencil on paper)
BRN161652 Woman in Black Hat and Black Skirt (pencil on paper) by Glackens, William James (1870-1938); The Barnes Foundation, Philadelphia, Pennsylvania, USA; eBarnes Foundation; American

Background imageThe Eight Collection: Woman with Child on a Donkey, c. 1925 (oil on canvas)

Woman with Child on a Donkey, c. 1925 (oil on canvas)
FIN161461 Woman with Child on a Donkey, c.1925 (oil on canvas) by Glackens, William James (1870-1938); 58.4x78.7 cm; Private Collection; David Findlay Jr Fine Art, NYC, USA; American, out of copyright

Background imageThe Eight Collection: Beach Scene, c. 1912-13 (oil on panel)

Beach Scene, c. 1912-13 (oil on panel)
BRN158988 Beach Scene, c.1912-13 (oil on panel) by Prendergast, Maurice Brazil (1858/9-1924); The Barnes Foundation, Philadelphia, Pennsylvania, USA; eBarnes Foundation; American, out of copyright

Background imageThe Eight Collection: Idyll, Nudes in a Landscape, 1913-15 (oil on canvas)

Idyll, Nudes in a Landscape, 1913-15 (oil on canvas)
BRN158795 Idyll, Nudes in a Landscape, 1913-15 (oil on canvas) by Prendergast, Maurice Brazil (1858/9-1924); The Barnes Foundation, Philadelphia, Pennsylvania, USA; eBarnes Foundation; American

Background imageThe Eight Collection: A Romantic Landscape (w / c, gouache and pencil on paper)

A Romantic Landscape (w / c, gouache and pencil on paper)
PNY155800 A Romantic Landscape (w/c, gouache and pencil on paper) by Davies, Arthur Bowen (1862-1928); 24.1x35.6 cm; Private Collection; Phillips, Fine Art Auctioneers, New York, USA; American

Background imageThe Eight Collection: Two Women in a Bedroom (charcoal & chalk on paper)

Two Women in a Bedroom (charcoal & chalk on paper)
BRN187459 Two Women in a Bedroom (charcoal & chalk on paper) by Glackens, William James (1870-1938); The Barnes Foundation, Philadelphia, Pennsylvania, USA; eBarnes Foundation; American

Background imageThe Eight Collection: Beach and Village (oil on panel)

Beach and Village (oil on panel)
BRN190568 Beach and Village (oil on panel) by Prendergast, Maurice Brazil (1858/9-1924); The Barnes Foundation, Philadelphia, Pennsylvania, USA; eBarnes Foundation; American, out of copyright

Background imageThe Eight Collection: Nelson Cooper, Gypsy Boy, 1915 (oil on canvas)

Nelson Cooper, Gypsy Boy, 1915 (oil on canvas)
1767336 Nelson Cooper, Gypsy Boy, 1915 (oil on canvas) by Henri, Robert Cozad (1865-1929); 61x50.8 cm; Private Collection; (add.info.: Nelson Cooper, Gypsy Boy. Robert Henri (1865-1929)

Background imageThe Eight Collection: Mary, 1913 (oil on canvas)

Mary, 1913 (oil on canvas)
3949609 Mary, 1913 (oil on canvas) by Henri, Robert Cozad (1865-1929); 61.3x50.8 cm; Addison Gallery of American Art, Phillips Academy, Andover, MA

Background imageThe Eight Collection: Outside the Big Tent, 1912 (oil on canvas)

Outside the Big Tent, 1912 (oil on canvas)
3949570 Outside the Big Tent, 1912 (oil on canvas) by Bellows, George Wesley (1882-1925); 76.2x97 cm; Addison Gallery of American Art, Phillips Academy, Andover, MA



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"The Eight: A Captivating Glimpse into Urban Realism" Step into a world where art breathes life into the streets, as "The Eight" captures the essence of everyday moments. From foggy nights to bustling city scenes, these masterpieces transport us through time and space. In "A Foggy Night, " the oil on canvas painting envelops us in an eerie atmosphere, shrouded in mystery and intrigue. Nursemaids stroll through High Bridge Park, their presence adding a touch of tenderness amidst the urban chaos. "Woman Churning Butter" takes us back to simpler times, reminding us of forgotten traditions and domestic serenity. The meticulous strokes on panel bring forth a sense of nostalgia that warms our hearts. "Hester Street, 1905" immerses us in the vibrant tapestry of immigrant life. Through bold brushstrokes on canvas, we witness the hustle and bustle of this melting pot cityscape—a testament to diversity and resilience. As night falls again in "Foggy Night, New York, " we find ourselves lost within its ethereal beauty. The interplay between light and shadow creates an otherworldly ambiance that captivates our imagination. "The Railroad Crossing, The Berkshires" transports us to a serene countryside with watercolor and pencil on paper. We can almost hear the distant chugging train as it traverses nature's untouched landscapes—an escape from urbanity's grip. In "The Clown's Daughter, " oil on canvas laid on board reveals tender family ties hidden behind painted smiles—a poignant reminder that even entertainers have stories beyond their performances. "The Ledge, Elizabeth Maine" invites us to explore coastal tranquility through delicate brushwork upon canvas. Waves crash against rugged cliffs as seagulls soar above—nature's raw power juxtaposed against human vulnerability. With "Spring Morning at Houston and Division Streets, " we are transported back to 1922 New York.