Textiles Collection (page 7)

History of Saint Piat and Saint Eleuthere, also called tapestry of Arras. Ordered from canon Toussaint Prier
7208808 History of Saint Piat and Saint Eleuthere, also called tapestry of Arras. Ordered from canon Toussaint Prier, chaplain of the duke of Burgundy, late 14th-early 15th century. 22m x 2m

History of Saint Piat and Saint Eleuthere, also called tapestry of Arras. Ordered from canon Toussaint Prier
7208807 History of Saint Piat and Saint Eleuthere, also called tapestry of Arras. Ordered from canon Toussaint Prier, chaplain of the duke of Burgundy, late 14th-early 15th century. 22m x 2m

History of Saint Piat and Saint Eleuthere, also called tapestry of Arras. Ordered from canon Toussaint Prier
7208805 History of Saint Piat and Saint Eleuthere, also called tapestry of Arras. Ordered from canon Toussaint Prier, chaplain of the duke of Burgundy, late 14th-early 15th century. 22m x 2m

History of Saint Piat and Saint Eleuthere, also called tapestry of Arras. Ordered from canon Toussaint Prier
7208804 History of Saint Piat and Saint Eleuthere, also called tapestry of Arras. Ordered from canon Toussaint Prier, chaplain of the duke of Burgundy, late 14th-early 15th century. 22m x 2m

History of Saint Piat and Saint Eleuthere, also called tapestry of Arras. Ordered from canon Toussaint Prier
7208795 History of Saint Piat and Saint Eleuthere, also called tapestry of Arras. Ordered from canon Toussaint Prier, chaplain of the duke of Burgundy

The castle (Chateau d'Angers). The museum of tapestries. The tapestry (La Tenture de l'Apocalypse)
7207366 The castle (Chateau d'Angers). The museum of tapestries. The tapestry (La Tenture de l'Apocalypse). Cartons of the painter Hennequin de Bruges, atelier Nicolas Bataille. First piece

The castle (Chateau d'Angers). The museum of tapestries. The tapestry (La Tenture de l'Apocalypse)
7207364 The castle (Chateau d'Angers). The museum of tapestries. The tapestry (La Tenture de l'Apocalypse). Cartons of the painter Hennequin de Bruges, atelier Nicolas Bataille. First piece

Cathedral Chapter Museum (Museu Capitular). Tapestry said of the creation (Tapis de la Creacio). 11th century
7207358 Cathedral Chapter Museum (Museu Capitular). Tapestry said of the creation (Tapis de la Creacio). 11th century.; Museo Capitular de la Catedral de Girona, Catalonia

Armshield for Georgian Volunteers in the German Army, c. 1939-45 (object)
7177606 Armshield for Georgian Volunteers in the German Army, c. 1939-45 (object); Private Collection; (add.info.: Cloth armshield for Georgian Volunteers in the German Army)

Museum collection (Tresor de la cathedrale). Chasuble (Chasuble de Jean Chevrot). 15th century. Rear end
7142444 Museum collection (Tresor de la cathedrale). Chasuble (Chasuble de Jean Chevrot). 15th century. Rear end.; (add.info.: Tresor de la cathedrale, Tournai, Hainaut)

An embroidered panel depicting 'The Judgement of Solomon', c.1640 (embroidery)
7141211 An embroidered panel depicting 'The Judgement of Solomon', c.1640 (embroidery); 30x44.5 cm; Parham House, West Sussex

A state saddle and two saddle bags used by James II, c.1686 (embroidery on silk velvet)
7141209 A state saddle and two saddle bags used by James II, c.1686 (embroidery on silk velvet); Parham House, West Sussex

Embroidered Walnut Armchair Detail, c. 1685 (embroidery)
7141205 Embroidered Walnut Armchair Detail, c. 1685 (embroidery); Parham House, West Sussex, UK; (add.info.: A formal banqueting scene, probably featuring Solomon and the Queen of Sheba)

Detail from Louis XIV embroidered walnut chair, c.1685-1690 (needlework)
7141202 Detail from Louis XIV embroidered walnut chair, c.1685-1690 (needlework); Parham House, West Sussex, UK; (add.info.: Worked on the back of the chair); © Parham House/Nick McCann.

Illustration depicting two ancient Egyptian, cotton spinners. 1838
5311452 Illustration depicting two ancient Egyptian, cotton spinners. 1838; (add.info.: Date: 1838); Universal History Archive/UIG.

An engraving depicting weavers in Ceylon, 19th century
5311429 An engraving depicting weavers in Ceylon, 19th century; (add.info.: Date: 1815); Universal History Archive/UIG.

An engraving depicting a 'Utility' Embroiderer. This machine has two needles
5311065 An engraving depicting a 'Utility' Embroiderer. This machine has two needles, and the threads passed through a pair of reciprocating guides

An advertisement for a sewing machine for a Christmas present, 19th century
5311001 An advertisement for a sewing machine for a Christmas present, 19th century; (add.info.: Date: 1869); Universal History Archive/UIG.

An engraving depicting W.G. Taylor's power loom for weaving calico. The machine was awarded the prize medal at
5310964 An engraving depicting W.G. Taylor's power loom for weaving calico. The machine was awarded the prize medal at the 1862 Exhibition

Engraving depicting a man wearing a beaver hat speaking with a little girl wearing a bonnet, 19th century
5309023 Engraving depicting a man wearing a beaver hat speaking with a little girl wearing a bonnet, 19th century; (add.info)

Engraving depicting an angora goat, a breed of domesticated goat that produce the lustrous fibre known as mohair
5308641 Engraving depicting an angora goat, a breed of domesticated goat that produce the lustrous fibre known as mohair, 19th century; (add.info.: Engraving depicting an angora goat)

Cartoon depicting a young woman purchasing stockings, 19th century
5308624 Cartoon depicting a young woman purchasing stockings, 19th century; (add.info.: Cartoon depicting a young woman purchasing stockings)

Playbill for Taming of the Shrew, 1853 (silk)
7295649 Playbill for Taming of the Shrew, 1853 (silk); 52x43.5 cm; National Maritime Museum, London, UK; (add.info.: Playbill, printed in black on white silk)

Wartburg, antependium altarpiece, mid-19th century Eisenach, Thuringia, Germany, Europe
7281477 Wartburg, antependium altarpiece, mid-19th century Eisenach, Thuringia, Germany, Europe; Sammlungen auf der Wartburg, Eisenach, Germany; (add.info.: Wartburg, antependium altarpiece)

Polar clothing displayed as complete outfit comprising, Overtrousers, Parka hood, Fox fur mittens, Ski boots
7295743 Polar clothing displayed as complete outfit comprising, Overtrousers, Parka hood, Fox fur mittens, Ski boots, and Snow goggles, 1911-14 (wool); National Maritime Museum, London

Snow goggles, c.1847 (leather, copper)
7295732 Snow goggles, c.1847 (leather, copper); 19x6.5x2.5 cm; National Maritime Museum, London, UK; (add.info.: A relic of Sir John Franklin's last expedition 1845-8)

A Mede couple in contemporary costume
7243343 A Mede couple in contemporary costume.; Private Collection; (add.info.: A Mede couple in contemporary costume. After a 19th century work by an unidentified artist.); Photo © Ken Welsh

Arabic formulary 'Compound Remedies Arranged According to Ailment', 13th century
2625363 Arabic formulary 'Compound Remedies Arranged According to Ailment', 13th century; (add.info.: by Najib al-Din al-Samarqandi The copy appears to have been made by the copyist preparing)

Galleries with animals or Gallery of espaliers. Manufactured in silk and wool in unknown workshop
CUL4906733 Galleries with animals or Gallery of espaliers. Manufactured in silk and wool in unknown workshop, 295 x 454 cm (17th century)

Galleries with animals or Gallery of espaliers. Manufactured in silk and wool in unknown workshop
CUL4906706 Galleries with animals or Gallery of espaliers. Manufactured in silk and wool in unknown workshop, 303 x 455 cm (17th century)

Scenes of Divine Justice and Judgment of Solomon, c.1560-70 (silk and wool)
CUL4903959 Scenes of Divine Justice and Judgment of Solomon, c.1560-70 (silk and wool); 330x450 cm; (add.info.: The Seven Virtues)

Redemption of Man or Vices and Virtues, c.1510 (tapestry)
CUL4903696 Redemption of Man or Vices and Virtues, c.1510 (tapestry); 420x798 cm; Burgos Cathedral, Burgos, Spain; (add.info.: Crucifixion and Virtues win the battle to Vices. ca. 1510)

Series of the Genesis or the Creation of Man, c.1630 (silk and wool)
CUL4903558 Series of the Genesis or the Creation of Man, c.1630 (silk and wool); 330x260 cm; (add.info.: God creates Woman and introduces her to Adam)

The Pastrana Tapestries, manufacturing of Tournai, probably from the workshop of Passchier Grenier
CUL4903097 The Pastrana Tapestries, manufacturing of Tournai, probably from the workshop of Passchier Grenier, c.1471 - 1475 (tapestry) by Grenier

Tapestry of Pastrana. end 15th century (tapestry)
CUL4902902 Tapestry of Pastrana. end 15th century (tapestry) by Grenier, Pasquier (fl.1447-93) (workshop of); Museo Parroquial de Tapices de Pastrana, Guadalajara

The Pastrana Tapestries, manufacturing of Tournai, probably from the workshop of Passchier Grenier
CUL4902818 The Pastrana Tapestries, manufacturing of Tournai, probably from the workshop of Passchier Grenier, c.1471 - 1475 (tapestry) by Grenier

The Pastrana Tapestries, manufacturing of Tournai, probably from the workshop of Passchier Grenier
CUL4902649 The Pastrana Tapestries, manufacturing of Tournai, probably from the workshop of Passchier Grenier, c.1471 - 1475 (tapestry) by Grenier

The Pastrana Tapestries, manufacturing of Tournai, probably from the workshop of Passchier Grenier
CUL4902631 The Pastrana Tapestries, manufacturing of Tournai, probably from the workshop of Passchier Grenier, c.1471 - 1475 (tapestry) by Grenier

Tapestry of Pastrana. end 15th century (tapestry)
CUL4902562 Tapestry of Pastrana. end 15th century (tapestry) by Grenier, Pasquier (fl.1447-93) (workshop of); (add.info.: The Pastrana Tapestries: The taking of Tangier (la prise de Tanger). ca

The Pastrana Tapestries, manufacturing of Tournai, probably from the workshop of Passchier Grenier
CUL4902280 The Pastrana Tapestries, manufacturing of Tournai, probably from the workshop of Passchier Grenier, c.1471 - 1475 (tapestry) by Grenier

The Pastrana Tapestries, manufacturing of Tournai, probably from the workshop of Passchier Grenier
CUL4900620 The Pastrana Tapestries, manufacturing of Tournai, probably from the workshop of Passchier Grenier, c.1471 - 1475 (tapestry) by Grenier

The Pastrana Tapestries, manufacturing of Tournai, probably from the workshop of Passchier Grenier
CUL4901692 The Pastrana Tapestries, manufacturing of Tournai, probably from the workshop of Passchier Grenier, c.1471 - 1475 (tapestry) by Grenier

The Pastrana Tapestries, manufacturing of Tournai, probably from the workshop of Passchier Grenier
CUL4901678 The Pastrana Tapestries, manufacturing of Tournai, probably from the workshop of Passchier Grenier, c.1471 - 1475 (tapestry) by Grenier

The Pastrana Tapestries, manufacturing of Tournai, probably from the workshop of Passchier Grenier
CUL4901616 The Pastrana Tapestries, manufacturing of Tournai, probably from the workshop of Passchier Grenier, c.1471 - 1475 (tapestry) by Grenier

The Pastrana Tapestries, manufacturing of Tournai, probably from the workshop of Passchier Grenier
CUL4901232 The Pastrana Tapestries, manufacturing of Tournai, probably from the workshop of Passchier Grenier, c.1471 - 1475 (tapestry) by Grenier

The Pastrana Tapestries, manufacturing of Tournai, probably from the workshop of Passchier Grenier
CUL4900596 The Pastrana Tapestries, manufacturing of Tournai, probably from the workshop of Passchier Grenier, c.1471 - 1475 (tapestry) by Grenier

The Pastrana Tapestries, manufacturing of Tournai, probably from the workshop of Passchier Grenier
CUL4900409 The Pastrana Tapestries, manufacturing of Tournai, probably from the workshop of Passchier Grenier, c.1471 - 1475 (tapestry) by Grenier

The Pastrana Tapestries, manufacturing of Tournai, probably from the workshop of Passchier Grenier
CUL4900320 The Pastrana Tapestries, manufacturing of Tournai, probably from the workshop of Passchier Grenier, c.1471 - 1475 (tapestry) by Grenier

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"Exploring the Rich Tapestry of Textiles: From Ancient Relics to Modern Craftsmanship" The Shroud of Turin: A mysterious textile that has captivated believers and skeptics alike, believed by some to be the burial cloth of Jesus Christ. Paris, France: A fashion capital known for its exquisite textiles and haute couture, where designers weave their creativity into stunning garments. Bayeux Tapestry (1066-1077): Depicting scenes from the Battle of Hastings, this iconic textile offers a glimpse into medieval warfare and Norman conquest in Europe. Hand block printing at Crysede Island Works: Witnessing craftsmanship from the 1930s in St Ives, Cornwall, as artisans meticulously create intricate patterns on fabrics using traditional techniques. A Street Scene in Cairo: Charles Robertson's painting transports us to Egypt's bustling markets filled with vibrant textiles that reflect the region's rich cultural heritage. Muslim Prayer Carpet: An embodiment of devotion and artistry from Palestine, this intricately designed carpet serves as a sacred space for prayer in the Middle East. Cotton Dye Works: Unveiling the behind-the-scenes process of transforming raw cotton fibers into colorful fabrics through dyeing techniques perfected over centuries. Dressmakers Workshop: Stepping into a world where skilled hands bring fabric to life; witness seamstresses crafting garments with precision and passion. Building Ships in Preparation for War (Bayeux Tapestry): Normandy's historical tapestry showcases how textiles played a role even beyond clothing - aiding shipbuilding during times of conflict. Death of King Harold (Bayeux Tapestry): This poignant scene reminds us how they are immortalize history; an arrow piercing King Harold's eye forever etched onto fabric threads. Clash between Norman Cavalry and Harolds Foot Soldiers (Bayeux Tapestry).