Tennyson Collection (page 2)

The Lady of Shalott, c. 1886-1905 (oil on panel) (see also 495754)
MAN62953 The Lady of Shalott, c.1886-1905 (oil on panel) (see also 495754) by Hunt, William Holman (1827-1910); 44.4x34.1 cm; Manchester Art Gallery

Lancelot and Elaine, illustration from The Gateway to Tennyson, publ. 1910 (colour litho)
2915237 Lancelot and Elaine, illustration from The Gateway to Tennyson, publ. 1910 (colour litho) by English School, (20th century); Photo © Hilary Morgan

Merlin and Vivien (w / c with bodycolour on paper)
Ma198554 Merlin and Vivien (w/c with bodycolour on paper) by Meteyard, Sidney (1868-1947); 47x29.8 cm; Private Collection; Photo © The Ms Gallery, London

Sir Henry Irving reading Tennysons "Becket"in the Restored Chapter House, Canterbury Cathedral (litho)
1597512 Sir Henry Irving reading Tennysons " Becket" in the Restored Chapter House, Canterbury Cathedral (litho) by Begg

Tennyson (litho)
5989389 Tennyson (litho) by Ross, Gordon (1872-1946); Private Collection; (add.info.: Tennyson. Illustration for Living Biographies of Great Poets by Henry Thomas and Dana Lee Thomas (Blue Ribbon)

He felt her tears upon his hand, illustration from The Childrens Tennyson
IL244702 He felt her tears upon his hand, illustration from The Childrens Tennyson: Stories in Prose and Verse from Alfred Lord Tennyson by May Byron, 1910 (colour litho) by Price

The Princess Sits in Judgement, illustration from The Childrens Tennyson: Stories in Prose
IL244701 The Princess Sits in Judgement, illustration from The Childrens Tennyson: Stories in Prose and Verse from Alfred Lord Tennyson by May Byron, 1910 (colour litho) by Price

Flower in the crannied wall, Tennyson (b / w photo)
6002094 Flower in the crannied wall, Tennyson (b/w photo) by Burdekin, Harold (1899-1944); Private Collection; (add.info.: Flower in the crannied wall, Tennyson)

Guinevere: In which she saw him first, when Lancelot came (litho)
1074493 Guinevere: In which she saw him first, when Lancelot came (litho) by Fortescue-Brickdale, Eleanor (1871-1945); Private Collection; (add.info)

The Lily-white Doe leaped up and laid her head in the Maidens hand, illustration from The Childrens Tennyson
IL244707 The Lily-white Doe leaped up and laid her head in the Maidens hand, illustration from The Childrens Tennyson: Stories in Prose and Verse from Alfred Lord Tennyson by May Byron

He yielded before the steady strokes of Friar Tuck, illustration from The Childrens Tennyson
IL244705 He yielded before the steady strokes of Friar Tuck, illustration from The Childrens Tennyson: Stories in Prose and Verse from Alfred Lord Tennyson by May Byron, 1910 (colour litho) by Price

I m to be Queen O the May, Mother, illustration from The Childrens Tennyson
IL244704 I m to be Queen O the May, Mother, illustration from The Childrens Tennyson: Stories in Prose and Verse from Alfred Lord Tennyson by May Byron, 1910 (colour litho) by Price

Maud is not seventeen (litho)
1074494 Maud is not seventeen (litho) by Fortescue-Brickdale, Eleanor (1871-1945); Private Collection; (add.info.: The Golden Book of Famous Women published by Hodder & Stoughton circa 1920)

Barefooted came the Beggar-Maid before the King Cophetua, illustration from The Childrens Tennyson
IL244706 Barefooted came the Beggar-Maid before the King Cophetua, illustration from The Childrens Tennyson: Stories in Prose and Verse from Alfred Lord Tennyson by May Byron

My Lord, I thank you for your entertainment, illustration from The Childrens Tennyson
IL244703 My Lord, I thank you for your entertainment, illustration from The Childrens Tennyson: Stories in Prose and Verse from Alfred Lord Tennyson by May Byron, 1910 (colour litho) by Price

Geraint had never seen so fair and sweet a lady, illustration from The Childrens Tennyson
IL244700 Geraint had never seen so fair and sweet a lady, illustration from The Childrens Tennyson: Stories in Prose and Verse from Alfred Lord Tennyson by May Byron, 1910 (colour litho) by Price

The Lady Clare, c. 1900 (oil on canvas)
CH19523 The Lady Clare, c.1900 (oil on canvas) by Waterhouse, John William (1849-1917); Private Collection; Photo eChristies Images; English, out of copyright

Half light, half shade, illustration from Tennyson Pictures published by E P Dutton & Co
3787757 Half light, half shade, illustration from Tennyson Pictures published by E P Dutton & Co, c.1900 (colour litho) by Paget, Walter (1863-1935); Private Collection; British, out of copyright

"I m the Queen of the May, Mother". illustration from Tennyson Pictures
3787731 " I m the Queen of the May, Mother". illustration from Tennyson Pictures published by E P Dutton & Co, c.1900 (colour litho) by Paget

King Cophetha and the beggar maid, illustration from Tennyson Pictures published by E P
3787663 King Cophetha and the beggar maid, illustration from Tennyson Pictures published by E P Dutton & Co, c.1900 (colour litho) by Paget, Walter (1863-1935); Private Collection; British

Maud: title page, illustration from Tennyson Pictures published by E P Dutton & Co, c
3787639 Maud: title page, illustration from Tennyson Pictures published by E P Dutton & Co, c.1900 (colour litho) by Paget, Walter (1863-1935); Private Collection; British, out of copyright

The Meeting of Garibaldi and Tennyson at Faringford House, Isle of Wight (engraving)
1103231 The Meeting of Garibaldi and Tennyson at Faringford House, Isle of Wight (engraving) by English School, (19th century); Private Collection; (add.info)

Tennysons Monument, illustration from The second Grinnell Expedition in Search
931448 Tennysons Monument, illustration from The second Grinnell Expedition in Search of Sir John Franklin... 1856 (engraving) by Kane

The Duet, from a Painting by Frank Stone, introducing Tennyson, Dickens and Miss Hogarth (litho)
2813162 The Duet, from a Painting by Frank Stone, introducing Tennyson, Dickens and Miss Hogarth (litho) by English School, (19th century); Private Collection; (add.info.: The Duet)

Tennyson (colour litho)
2794525 Tennyson (colour litho) by English School, (20th century); Private Collection; (add.info.: Tennyson. Postcard, early 20th century.); © Look and Learn

A Rose in Roses. Illustration by Florence Harrison to Tennysons poem, The Gardeners Daughter. Date: c.1920

The shadow passeth when the tree shall fall. Illustration by Florence Harrison to Tennysons poem, Love and Death. Date: c.1920

But am I not the nobler thro thy love. Illustration by Florence Harrison to Tennyson s
But am I not the nobler thro thy love. Illustration by Florence Harrison to Tennysons poem, Love and Duty. Date: c.1920

Alas for her that met me. Illustration by Florence Harrison for Tennysons poem, Lyric from Maud. Date: c.1920

Bearing on my shallop. Illustration by Florence Harrison of Tennysons poem, Recollections of the Arabian Nights. Date: c.1920

At last I heard a voice up on the slope cry to the summit, is there any hope. Illustration by Florence Harrison to Tennysons poem, The Vision of Sin. Date: c.1920

Break, Break, Break - illustration by Florence Harrison of Tennysons poem. Date: c.1920

Out upon the wharfs they came. Illustration by Florence Harrison from Tennysons poem, The Lady of Shallott. Date: c.1920

Out flew the web and floated wide. Illustration by Florence Harrison of Tennysons The Lady of Shallott. Date: c.1920

Joan of Arc a light of ancient France Illustration by Florence Harrison of Joan of Arc from Tennysons Dream of Fair Women. Date: c.1920

Whereto the other with downward brow... Illustration by Florence Harrison to Tennyson s
Whereto the other with downward brow... Illustration by Florence Harrison to Tennysons poem, Dream of Fair Women. Date: c.1920

Study for The Lady Clare, c. 1900 (red chalk on paper) (see 55018)
Ma120458 Study for The Lady Clare, c.1900 (red chalk on paper) (see 55018) by Waterhouse, John William (1849-1917); 48.3x36.8 cm; Private Collection; Photo eThe Ms Gallery, London; English

Tithonus, Auroras Husband, Turned into a Grasshopper, 1731 (engraving)
STC134134 Tithonus, Auroras Husband, Turned into a Grasshopper, 1731 (engraving) by Picart, Bernard (1673-1733); Private Collection; The Stapleton Collection; French, out of copyright

Lady Clara Vere de Vere
Lady Clara Verede Vere is an English poem byAlfred Tennyson, part of his collected poems published in 1842. The poem is about a lady in a family ofaristocrats

King Arthur in the Broceliande Forest (Cycle of the Knights of the Round Table
LSE4094940 King Arthur in the Broceliande Forest (Cycle of the Knights of the Round Table) - in " Viviane" by Alfred Tennyson, illustration by G

King Arthur and Guinevere, 1884-1911 (vellum over painted paper; morocco)
1195359 King Arthur and Guinevere, 1884-1911 (vellum over painted paper; morocco) by English School; Private Collection; Photo eChristies Images; English, out of copyright

Dora, 1883 (oil on canvas)
659748 Dora, 1883 (oil on canvas) by Woolmer, Arthur Joseph (1805-92); 61.6x52.1 cm; Private Collection; (add.info.: Dora. Alfred Joseph Woolmer (1805-1892). Oil on canvas. 61.6 x 52.1cm

Study for Amfortas Released by Galahad in The Quest and Achievement of the Holy Grail, c
3956042 Study for Amfortas Released by Galahad in The Quest and Achievement of the Holy Grail, c.1893-1901 (oil on canvas) by Abbey

The passing of Arthur, illustration from Tennyson Pictures published by E P Dutton & Co
3787703 The passing of Arthur, illustration from Tennyson Pictures published by E P Dutton & Co, c.1900 (colour litho) by Paget, Walter (1863-1935); Private Collection; British, out of copyright

Lancelot and Elaine (engraving)
2808135 Lancelot and Elaine (engraving) by English School, (19th century); Private Collection; (add.info.: Lancelot and Elaine.); © Look and Learn

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"Tennyson: A Journey through Art and Poetry" Step into the enchanting world of Tennyson, where art and poetry intertwine to create timeless masterpieces. From the hauntingly beautiful "Lady of Shalott" in 1888 by John William Waterhouse to the introspective "I am half sick of shadows" in c1911, Tennyson's words have captivated generations. In Vanity Fair's portrayal as a caricatured ape, we glimpse his influence on society. His poems echoed through time, resonating with readers who sought solace or inspiration within his verses. Tennyson himself was no stranger to war's impact, as seen in the wood engraving depicting the infamous Charge of the Light Brigade during the Crimean War. His poem immortalized their bravery and sacrifice forever etched in history. Max Beerbohm captured a poignant moment when Mr. Tennyson read In Memoriam to his sovereign in 1904. The depth of emotion conveyed speaks volumes about Tennyson's ability to touch hearts with his words. Waterhouse's evocative painting portrays The Lady of Shalott looking longingly at Lancelot, capturing her yearning for love amidst her tragic fate. Another illustration shows her setting out on her boat for Camelot, embarking on an uncertain journey towards destiny. The forbidden love between Sir Lancelot and Queen Guinevere is vividly brought to life in a colored illustration from The Gateway To Tennyson published in 1910. It serves as a reminder that even great knights can succumb to desire and its consequences. Florence Harrison's depiction of Night sliding down adds an ethereal quality to Tennyson's poem "The Gardener. " Her artwork beautifully complements his words, enhancing our understanding and appreciation for nature’s wonders. Julia Margaret Cameron captures Vivien and Merlin locked in a captivating embrace, showcasing the complexities of power and manipulation.