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Tail Piece Collection

"Exploring the Art of Bathos: A Captivating Tail-Piece" In the enchanting pages of the Attractive Picture Book, a mesmerizing tail-piece awaits

Background imageTail Piece Collection: Tail-Piece, or The Bathos

Tail-Piece, or The Bathos
2625681 Tail-Piece, or The Bathos by Hogarth, William (1697-1764); (add.info.: Engraving by british artist & engraver, William Hogarth 1697-1764: Tail-Piece, or The Bathos, 1764)

Background imageTail Piece Collection: Page from the Attractive Picture Book (coloured engraving)

Page from the Attractive Picture Book (coloured engraving)
3652585 Page from the Attractive Picture Book (coloured engraving) by English School, (19th century); Private Collection; (add.info)

Background imageTail Piece Collection: The End (litho)

The End (litho)
6014383 The End (litho) by English School, (20th century); Private Collection; (add.info.: The End. Illustration from The Boys Own Annual (The Boys Own Paper Office, London)

Background imageTail Piece Collection: Finis, The End (woodcut)

Finis, The End (woodcut)
5237209 Finis, The End (woodcut) by English School, (19th century); Private Collection; (add.info.: Finis, The End. Illustration for 1, 000 Quaint Cuts (Field and Tuer, The Leadenhall Press)

Background imageTail Piece Collection: Bathos, Manner of Sinking, in Sublime Paintings inscribed to the Dealers in Dark Pictures

Bathos, Manner of Sinking, in Sublime Paintings inscribed to the Dealers in Dark Pictures
STC451226 Bathos, Manner of Sinking, in Sublime Paintings inscribed to the Dealers in Dark Pictures, illustration from Hogarth Restored: The Whole Works of the celebrated William Hogarth

Background imageTail Piece Collection: front profile capital pilasters Temple Apollo Didymaeus

front profile capital pilasters Temple Apollo Didymaeus
The front and profile of a capital of the pilasters of the Temple of Apollo Didymaeus, Ionian antiqvities, Basire, James, 1730-1802, Chandler, Richard, 1738-1810, Pars, William, 1742-1782, Woollett

Background imageTail Piece Collection: Six seals coins Society Dilettanti drawings prints

Six seals coins Society Dilettanti drawings prints
Six seals or coins, Society of Dilettanti drawings, prints, and letters, 1806-1880, Wash on paper, between 1809 and 1835, Drawing for the publication Specimens of antient sculpture

Background imageTail Piece Collection: Two headless lions gateway Mycenae three gems

Two headless lions gateway Mycenae three gems
Two headless lions from the gateway of Mycenae and three gems depicting animals, Society of Dilettanti drawings, prints, and letters, 1806-1880, Wash on paper, between 1809 and 1835

Background imageTail Piece Collection: Paris Almanac 1897 Tail-piece Winter Auguste Louis Lepere

Paris Almanac 1897 Tail-piece Winter Auguste Louis Lepere
Paris Almanac, 1897: Tail-piece, Winter, 1897. Auguste Louis Lepere (French, 1849-1918). Wood engraving

Background imageTail Piece Collection: Paris Almanac 1897 Tail-piece Summer Auguste Louis Lepere

Paris Almanac 1897 Tail-piece Summer Auguste Louis Lepere
Paris Almanac, 1897: Tail-piece, Summer, 1897. Auguste Louis Lepere (French, 1849-1918). Wood engraving

Background imageTail Piece Collection: Paris Almanac 1897 Tail-piece Autumn Auguste Louis Lepere

Paris Almanac 1897 Tail-piece Autumn Auguste Louis Lepere
Paris Almanac, 1897: Tail-piece, Autumn, 1897. Auguste Louis Lepere (French, 1849-1918). Wood engraving

Background imageTail Piece Collection: AM170720 083785

AM170720 083785
8, AM170720 083785

Background imageTail Piece Collection: Tail-piece Woman Head Cul-de-lampe Buste de femme

Tail-piece Woman Head Cul-de-lampe Buste de femme
Artokoloro

Background imageTail Piece Collection: Tail-piece Two Winged Women Hold Cartel Decorated

Tail-piece Two Winged Women Hold Cartel Decorated
Artokoloro


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"Exploring the Art of Bathos: A Captivating Tail-Piece" In the enchanting pages of the Attractive Picture Book, a mesmerizing tail-piece awaits. Known as "Tail-Piece, or The Bathos, " this coloured engraving marks an intriguing conclusion to artistic masterpieces. With its litho inscription of "The End, " it signifies both closure and a gateway to new imaginings. Beneath the surface lies a deeper meaning - "Bathos, Manner of Sinking, in Sublime Paintings inscribed to the Dealers in Dark Pictures. " This clever nod hints at satirical undertones within sublime works that captivate even those with discerning tastes. As we turn our attention to another captivating piece, "The Royal Hounds in the Vale of Aylesbury, " an engraved scene transports us into a world where elegance meets nature's majesty. Front profile capital pilasters adorning the Temple Apollo Didymaeus add grandeur and sophistication. Delving further into artistry, we discover treasures such as six seals coins from Society Dilettanti drawings prints. These artifacts offer glimpses into history and evoke curiosity about their origins and significance. A mysterious sight greets us next – two headless lions guarding a gateway reminiscent of ancient Mycenae. Their presence sparks intrigue while three gems beckon us closer, inviting exploration beyond what meets the eye. Within Paris Almanac 1897 lie remarkable tail-pieces by Auguste Louis Lepere; each capturing distinct seasons' essence. Winter unfolds before our eyes with delicate strokes depicting frost-kissed landscapes; Summer radiates warmth through vibrant hues dancing under golden sunbeams; Autumn enchants with falling leaves swirling amidst earthy tones—a visual symphony celebrating nature's ever-changing beauty. In this captivating journey through art's diverse realms, these tail-pieces serve as delightful conclusions—woodcuts bidding farewell with 'Finis' and 'The End.