Sympathy Collection (page 2)

Foolish Dictionary: Sympathy (litho)
6004641 Foolish Dictionary: Sympathy (litho) by Goldsmith, Wallace (1873-1945); Private Collection; (add.info.: Sympathy. Illustration for the Foolish Dictionary by Gideon Wurdz with a Few Pictures)

Boy mends dogs leg, late 19th century (engraving)
3245472 Boy mends dogs leg, late 19th century (engraving) by British School, (19th century); Private Collection; Peter Newark Pictures

Imperial figure of Avalokiteshvara (see also 474250 to 474254) (gilt bronze)
474253 Imperial figure of Avalokiteshvara (see also 474250 to 474254) (gilt bronze) by Tibetan School, (14th century); height: 31 cm; Private Collection; (add.info)

The Distressed Poet, 1866 (oil on canvas)
474171 The Distressed Poet, 1866 (oil on canvas) by Heaphy, Thomas Frank (1813-73); 87.6x64.8 cm; Private Collection; Photo eChristies Images; English, out of copyright

Certain ladies of her companionship gathered themselves with Beatrice when she kept alone
989855 Certain ladies of her companionship gathered themselves with Beatrice when she kept alone in her weeping, and as they passed in and out, I would hear them speak concerning her

Wounded dog (colour litho)
3641633 Wounded dog (colour litho) by English School, (20th century); Private Collection; (add.info.: Wounded dog. Postcard, early 20th century.); © Look and Learn

Frederick the Great visiting the ruins of the burned town of Kustrin (colour litho)
964558 Frederick the Great visiting the ruins of the burned town of Kustrin (colour litho) by Rochling, Carl (1855-1920); Private Collection; (add.info)

Religion. To visit the fatherless and widows in their affliction
LLM339776 Religion. To visit the fatherless and widows in their affliction. by English School, (20th century); Private Collection; (add.info.: Religion)

The Naughty Boy, 1867 (oil on canvas)
WAG13347 The Naughty Boy, 1867 (oil on canvas) by O Neill, George Bernard (1828-1917); 46.3 x 38.7 cm; Wolverhampton Art Gallery, West Midlands, UK; eWolverhampton Art Gallery; British

The Press Gang, (pencil and watercolour)
828409 The Press Gang, (pencil and watercolour) by Kilburne, George Goodwin (1839-1924); 44.5x62.3 cm; Private Collection; (add.info.: The Press Gang. George Goodwin Kilburne (1839-1924)

The Bohemian, 1890 (oil on canvas)
694498 The Bohemian, 1890 (oil on canvas) by Bouguereau, William-Adolphe (1825-1905); 124.4x149.8 cm; Private Collection; Photo eChristies Images; French, out of copyright

Rovers sympathy (engraving)
6007176 Rovers sympathy (engraving) by English School, (19th century); Private Collection; (add.info.: Rovers sympathy. Illustration for Our Picture Book (S W Partridge)

High Explosives, Flood Rock (engraving)
5207092 High Explosives, Flood Rock (engraving) by American School, (19th century); Private Collection; (add.info.: High Explosives, Flood Rock)

The Little Flower Girl, 1886 (oil on panel)
NUL384723 The Little Flower Girl, 1886 (oil on panel) by Garrido, Eduardo-Leon (1856-1906); 55x45 cm; Private Collection; Spanish, out of copyright

Song celebrating the mutiny of the Russian sailors in the Black Sea
CHT220495 Song celebrating the mutiny of the Russian sailors in the Black Sea, 1905 (photoengraving) by French School, (20th century); Private Collection; (add.info)

The Castle, Warwick (photo)
727540 The Castle, Warwick (photo) by English Photographer, (20th century); Private Collection; (add.info.: The Castle, Warwick)

Martin Luther is consoled by a fellow monk during his spiritual torment at the monastery (engraving)
3647707 Martin Luther is consoled by a fellow monk during his spiritual torment at the monastery (engraving) by Konig, Gustav Ferdinand Leopold (1808-69); Private Collection; (add.info)

How the horse sympathised with St Columba, 1912 (litho)
2920442 How the horse sympathised with St Columba, 1912 (litho) by Ford, Henry Justice (1860-1941); Private Collection; (add.info)

Sketches at the Nichol-Street Ragged Schools, Shoreditch, feeding the Hungry (engraving)
1623278 Sketches at the Nichol-Street Ragged Schools, Shoreditch, feeding the Hungry (engraving) by English School, (19th century); Private Collection; (add.info)

Sympathy (engraving)
1627377 Sympathy (engraving) by English School, (19th century); Private Collection; (add.info.: Sympathy. Illustration for The Illustrated London News, 2 September 1893)

Frederick the Great of Prussia at Burkersdorf (colour litho)
964569 Frederick the Great of Prussia at Burkersdorf (colour litho) by Knoetel, Richard (1857-1914); Private Collection; (add.info.: Frederick the Great of Prussia at the Battle of Burkersdorf)

Sweet Seventeen, a Romance of the Coaching-Days (engraving)
1038598 Sweet Seventeen, a Romance of the Coaching-Days (engraving) by English School, (19th century); Private Collection; (add.info.: Sweet Seventeen, a Romance of the Coaching-Days)

Poor little bear!, 1912 (w / c & tempera on paper)
3743019 Poor little bear!, 1912 (w/c & tempera on paper) by Bauer, John (1882-1918); 25x25 cm; Private Collection; Photo eFine Art Images; Swedish, out of copyright

Imperial figure of Avalokiteshvara (see also 474250 to 474254) (gilt bronze)
474254 Imperial figure of Avalokiteshvara (see also 474250 to 474254) (gilt bronze) by Tibetan School, (14th century); height: 31 cm; Private Collection; (add.info)

An Incursion of the Danes: Saxon Women Watching the Conflict, (oil on canvas)
659803 An Incursion of the Danes: Saxon Women Watching the Conflict, (oil on canvas) by Gale, William (1823-1909); 61x84.5 cm; Private Collection; (add.info.: An Incursion of the Danes)

The Longing for Happiness, from the Beethoven Frieze, 1902 (fresco)
6219387 The Longing for Happiness, from the Beethoven Frieze, 1902 (fresco) by Klimt, Gustav (1862-1918); Osterreichische Galerie Belvedere, Vienna

The Kings Illness, the Sympathy of the Indian Troops (litho)
1600731 The Kings Illness, the Sympathy of the Indian Troops (litho) by Forestier, Amedee (1854-1930) (after); Private Collection; (add.info.: The Kings Illness, the Sympathy of the Indian Troops)

Two Women Leaning on a Fence Rail (pastel on board)
CH376496 Two Women Leaning on a Fence Rail (pastel on board) by Degas, Edgar (1834-1917); Private Collection; Photo eChristies Images; French, out of copyright

King George IV relieving the prisoners in Dorchester Jail, Dorset, 1820 (engraving)
5233452 King George IV relieving the prisoners in Dorchester Jail, Dorset, 1820 (engraving) by English School, (19th century); Private Collection; (add.info)

Imperial figure of Avalokiteshvara (see also 474250 to 474254) (gilt bronze)
474251 Imperial figure of Avalokiteshvara (see also 474250 to 474254) (gilt bronze) by Tibetan School, (14th century); height: 31 cm; Private Collection; (add.info)

Imperial figure of Avalokiteshvara (see also 474250 to 474254) (gilt bronze)
474250 Imperial figure of Avalokiteshvara (see also 474250 to 474254) (gilt bronze) by Tibetan School, (14th century); height: 31 cm; Private Collection; (add.info)

An Artists Notes at an Inter-University Boat Race (engraving)
1037827 An Artists Notes at an Inter-University Boat Race (engraving) by Dollman, John Charles (1851-1934) (after); Private Collection; (add.info.: An Artists Notes at an Inter-University Boat Race)

1049766

The Japanese Navy, Past and Present (engraving)
1059918 The Japanese Navy, Past and Present (engraving) by Nash, Joseph (d.1922); Private Collection; (add.info.: The Japanese Navy, Past and Present)

All the World at Paris, VI (engraving)
1059875 All the World at Paris, VI (engraving) by Hall, Sydney Prior (1842-1922) (after); Private Collection; (add.info.: All the World at Paris, VI)

He That Is Warm Thinks All Others Are So (colour litho)
3095614 He That Is Warm Thinks All Others Are So (colour litho) by Browne, Gordon Frederick (1858-1932); Private Collection; (add.info.: He That Is Warm Thinks All Others Are So)

Christmas Comes but Once a Year: A Scene at the Evelina Hospital (colour litho)
668663 Christmas Comes but Once a Year: A Scene at the Evelina Hospital (colour litho) by Staniland, Charles J. (1838-1916) (after); Private Collection; (add.info.: Christmas Comes but Once a Year)

The Agony in the Garden, (oil on canvas)
659289 The Agony in the Garden, (oil on canvas) by French School, (18th century); 102.2x76.8 cm; Private Collection; (add.info.: The Agony in the Garden. French School (circa 1770). Oil on canvas

Sympathy with the Sick and Afflicted, Psalm XXXV, 14 (engraving)
5218565 Sympathy with the Sick and Afflicted, Psalm XXXV, 14 (engraving) by English School, (19th century); Private Collection; (add.info.: Sympathy with the Sick and Afflicted, Psalm XXXV, 14)

The Poor Thrush mourning over its Dead Mate (engraving)
6003564 The Poor Thrush mourning over its Dead Mate (engraving) by English School, (19th century); Private Collection; (add.info.: The Poor Thrush mourning over its Dead Mate)

Gipsy and the chicken (engraving)
6002575 Gipsy and the chicken (engraving) by Weir, Harrison William (1824-1906); Private Collection; (add.info.: Gipsy and the chicken)

Cartoon for An Idyll, (pencil and black chalk on paper)
1199533 Cartoon for An Idyll, (pencil and black chalk on paper) by Moore, Albert Joseph (1841-93); 80.7x72.4 cm; Private Collection; Photo eChristies Images; English, out of copyright

The Meeting of the British Association at Bath (engraving)
1041560 The Meeting of the British Association at Bath (engraving) by English School, (19th century); Private Collection; (add.info.: The Meeting of the British Association at Bath)

Sympathy (engraving)
1049521 Sympathy (engraving) by Charlton, John (1849-1917) (after); Private Collection; (add.info.: Sympathy. Illustration for The Graphic)

The dead bird (chromolitho)
2791820 The dead bird (chromolitho) by English School, (19th century); Private Collection; (add.info.: The dead bird. Illustration for Chatterbox (1898).); © Look and Learn

I went on strike 30 years ago, and I ain t never give in yet (colour litho)
2815844 I went on strike 30 years ago, and I ain t never give in yet (colour litho) by English School, (20th century); Private Collection; (add.info.: I went on strike 30 years ago)

Sculptures, Centennial International Exhibition of 1876, Philadelphia (b / w photo)
2920744 Sculptures, Centennial International Exhibition of 1876, Philadelphia (b/w photo) by American Photographer, (19th century); Free Library of Philadelphia; (add.info)

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"Sympathy: A Shared Confidence in Nature's Embrace" In Briton Riviere's masterpiece, "Sympathy, " we witness the profound connection between man and beast. The painting captures a tender moment as a Great Grey Owl perches on a conifer amidst a swirling snowstorm. In this wintry scene, sympathy transcends boundaries, reminding us of the universal language of empathy. Traveling to Hawaii's Big Island, we find ourselves captivated by Akaka Falls' majestic beauty. As water cascades down the rocks with unyielding force, our hearts are filled with sympathy for nature's power and resilience. Venturing further into Spain's Andalucia province, we encounter an enchanting sight at Laguna de Fuente de Piedra. Here, Greater Flamingos gather during evening hours, their vibrant plumage reflecting against the tranquil waters. Our souls resonate with sympathy for these graceful creatures who have chosen this lake as Europe's sole inland breeding ground. Across the Atlantic Ocean lies Charlevoix Lighthouse in the USA - its beacon guiding lost ships to safety under sunset hues. As waves crash upon the shore below, our sympathies extend to those seeking solace in times of darkness. Amidst snowy woodlands stands an oak tree bathed in winter sunset glow. Its branches reaching skyward symbolize strength and endurance despite harsh conditions – evoking our deepest sympathies for all living beings facing adversity. At twilight on open plains, American Wapiti or Elk bugle their melodic calls into vast expanses of land. Their resonating cries stir within us feelings of compassion and understanding that transcend mere words. As autumn leaves fall gently from trees above us, we discover intricate patterns adorning their undersides – nature’s hidden artistry revealed through delicate veins etched across each leaf surface. Our sympathies expand towards appreciating life’s intricacies often overlooked.