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Surprised Collection (page 6)

"Surprised by the Unseen: Exploring the Depths of Loch Ness" Picture No

Background imageSurprised Collection: He shut up the book

He shut up the book Date: 1925

Background imageSurprised Collection: Heinz soup advert

Heinz soup advert
Heinze soup advert. Advert called what surprised the chef'. The surprise that there was real cream in cream and tomato Heinze soup. Date: 1925

Background imageSurprised Collection: Soldier surprised by sweetheart standing with his rifle

Soldier surprised by sweetheart standing with his rifle
Soldier surprised by sweetheart standing to attention with his rifle, Central Europe Date: circa 1850

Background imageSurprised Collection: The Motor Picture Book, And Away She Goes!

The Motor Picture Book, And Away She Goes! Date: 1930

Background imageSurprised Collection: The Disputed Toll, 1875 (oil on canvas)

The Disputed Toll, 1875 (oil on canvas)
MAN329191 The Disputed Toll, 1875 (oil on canvas) by Hardy, Heywood (1842-1933); Manchester Art Gallery, UK; © Manchester Art Gallery

Background imageSurprised Collection: Sacred and profane love, 1602, (painting)

Sacred and profane love, 1602, (painting)
7129421 Sacred and profane love, 1602, (painting) by Baglione, Giovanni (1571-1644); Galleria Nazionale d'Arte Antica, Rome, Italy; (add.info.: Sacred and profane love, 1602, Giovanni Baglione)

Background imageSurprised Collection: Norandino and Lucina discovered by the Ogre, 15th century (oil on canvas)

Norandino and Lucina discovered by the Ogre, 15th century (oil on canvas)
7129581 Norandino and Lucina discovered by the Ogre, 15th century (oil on canvas) by Alberti, Antonio (Antonio da Ferrara) (c.1400-49); Palazzo Corsini, Gallerie Nazionali Barberini Corsini, Rome

Background imageSurprised Collection: Gertrude, Hamlet and the Ghost of the Father, 1793 (painting)

Gertrude, Hamlet and the Ghost of the Father, 1793 (painting)
7294370 Gertrude, Hamlet and the Ghost of the Father, 1793 (painting) by Fuseli, Henry (Fussli, Johann Heinrich) (1741-1825) (after); Fondazione Magnani-Rocca, Parma, Italy; (add.info.: Gertrude)

Background imageSurprised Collection: Resurrection of Christ, 1500-05, (panel)

Resurrection of Christ, 1500-05, (panel)
7129141 Resurrection of Christ, 1500-05, (panel) by Garbo, Raffaellino del (c.1466-1524); Galleria dell'Accademia, Florence, Tuscany, Italy; (add.info.: Resurrection of Christ, 1500-05)

Background imageSurprised Collection: Sketch to illustration 'The Stationary Baby', 1912 (w/c)

Sketch to illustration "The Stationary Baby", 1912 (w/c)
XOS5887646 Sketch to illustration "The Stationary Baby", 1912 (w/c) by Jacobs, Leroy William (1869-1917); Cleveland Museum of Art, OH, USA; (add.info.: William Leroy Jacobs (1869-1917))

Background imageSurprised Collection: San Siro wins the Basilisk, Sketch for the Church of San Siro in Genoa, c. 1683 (oil on canvas)

San Siro wins the Basilisk, Sketch for the Church of San Siro in Genoa, c. 1683 (oil on canvas)
7352699 San Siro wins the Basilisk, Sketch for the Church of San Siro in Genoa, c.1683 (oil on canvas) by Carlone, Giovanni Battista (1592-1677); 60x107 cm; Musei di Strada Nuova, Genoa, Liguria

Background imageSurprised Collection: Pygmalion, 1896 (oil on canvas)

Pygmalion, 1896 (oil on canvas)
7146728 Pygmalion, 1896 (oil on canvas) by Bargellini, Giulio (1875-1936); Galleria Nazionale d'Arte Moderna e Contemporanea, Rome, Lazio, Italy; (add.info.: Pygmalion, 1896, Giulio Bargellini)

Background imageSurprised Collection: The assumption of the Virgin, 1600-1601 (painting)

The assumption of the Virgin, 1600-1601 (painting)
7128857 The assumption of the Virgin, 1600-1601 (painting) by Carracci, Annibale (1560-1609); Santa Maria del Popolo, Rome, Italy; (add.info.: The assumption of the Virgin, Annibale Carracci)

Background imageSurprised Collection: Shakespeare: The Tempest (colour litho)

Shakespeare: The Tempest (colour litho)
7155651 Shakespeare: The Tempest (colour litho) by Jackson, Albert Edward (1873-1952); Private Collection; (add.info.: The Tempest)

Background imageSurprised Collection: Invasion of the Goths and Thrace 250AD

Invasion of the Goths and Thrace 250AD
908860 Invasion of the Goths and Thrace 250AD by Morrow, Edwin A. (20th century) ; (add.info.: Hutchinson's History of the Nations published Hutchinson & Co circa 1920)

Background imageSurprised Collection: The Beggars Brawl, c. 1625-30 (oil on canvas)

The Beggars Brawl, c. 1625-30 (oil on canvas)
7350908 The Beggars Brawl, c.1625-30 (oil on canvas) by Tour, Georges de la (1593-1652); J. Paul Getty Museum, Los Angeles, USA; (add.info.: by Georges de la Tour (1593-1652))

Background imageSurprised Collection: Surprised

Surprised
Ivano

Background imageSurprised Collection: Supper at Emmaus, c. 1610 (oil on canvas)

Supper at Emmaus, c. 1610 (oil on canvas)
XIR409293 Supper at Emmaus, c.1610 (oil on canvas) by Rodriguez, Alonso (1578-1648); 116x166 cm; Musee des Beaux-Arts, Pau, France; (add.info.: La Cene a Emmaus;)

Background imageSurprised Collection: The Last Supper, 1548 (oil on panel)

The Last Supper, 1548 (oil on panel)
489970 The Last Supper, 1548 (oil on panel) by Pourbus, Pieter Jansz. (1523-84); 46.5x63 cm; Groeningemuseum, Bruges, Belgium; © Art in Flanders

Background imageSurprised Collection: Charles VI's dementia crisis in the forest of Le Mans (1392), late 19th century (Chromolithography)

Charles VI's dementia crisis in the forest of Le Mans (1392), late 19th century (Chromolithography)
7312240 Charles VI's dementia crisis in the forest of Le Mans (1392), late 19th century (Chromolithography); Private Collection; (add.info)

Background imageSurprised Collection: Suzanna Surprised in her bath, 1813 (marble)

Suzanna Surprised in her bath, 1813 (marble)
7308575 Suzanna Surprised in her bath, 1813 (marble) by Beauvallet, Pierre Nicholas (1750-1818); Louvre, Paris, France; (add.info.: Suzanna Surprised in her bath, 1813)

Background imageSurprised Collection: The robber Cartouche dining with the Marshal of Boufflers, 19th century (engraving)

The robber Cartouche dining with the Marshal of Boufflers, 19th century (engraving)
7312236 The robber Cartouche dining with the Marshal of Boufflers, 19th century (engraving); Private Collection; (add.info)

Background imageSurprised Collection: Bedroom Scene, illustration from Les Liaisons Dangereuses by Pierre Choderlos de Laclos (1741-1803)

Bedroom Scene, illustration from Les Liaisons Dangereuses by Pierre Choderlos de Laclos (1741-1803) pub
3025984 Bedroom Scene, illustration from Les Liaisons Dangereuses by Pierre Choderlos de Laclos (1741-1803) pub. 1934 (pochoir print) by Barbier

Background imageSurprised Collection: The discovering of Holofernes Body (tempera on wood, 1472-1473)

The discovering of Holofernes Body (tempera on wood, 1472-1473)
LRI4575593 The discovering of Holofernes Body (tempera on wood, 1472-1473) by Botticelli, Sandro (Alessandro di Mariano di Vanni Filipepi) (1444/5-1510); Galleria degli Uffizi, Florence, Tuscany

Background imageSurprised Collection: two lovers kissing in the countryside, obviously the fiery young man surprised the girl

two lovers kissing in the countryside, obviously the fiery young man surprised the girl
PCT4279582 two lovers kissing in the countryside, obviously the fiery young man surprised the girl! Illustration by Randolph Caldecott English draftsman and painter (1846-1886)

Background imageSurprised Collection: He tried to kiss me the brute (colour litho)

He tried to kiss me the brute (colour litho)
3643470 He tried to kiss me the brute (colour litho) by English School, (20th century); Private Collection; (add.info.: He tried to kiss me the brute)

Background imageSurprised Collection: The Artful Dodger picking a pocket to the amazement of Oliver Twist

The Artful Dodger picking a pocket to the amazement of Oliver Twist. Illustration by George Cruikshank (1792-1878)
537260 The Artful Dodger picking a pocket to the amazement of Oliver Twist. Illustration by George Cruikshank (1792-1878) for Charles Dickens Oliver Twist 1837-1839

Background imageSurprised Collection: Brawl between musicians (oil on canvas, 17th century)

Brawl between musicians (oil on canvas, 17th century)
LRI4662480 Brawl between musicians (oil on canvas, 17th century) by Tour, Georges de la (1593-1652); Musee des Beaux-Arts, Tours

Background imageSurprised Collection: 'Busted'

"Busted"
Jeffrey C. Sink

Background imageSurprised Collection: An episode of the battle of the 27, an Alpine volunteer who surprises

An episode of the battle of the 27, an Alpine volunteer who surprises and takes an Arab prisoner... (colour litho)
2808459 An episode of the battle of the 27, an Alpine volunteer who surprises and takes an Arab prisoner... (colour litho) by Beltrame

Background imageSurprised Collection: The Dead Who Resurrects (Colour Litho)

The Dead Who Resurrects (Colour Litho)
2778068 The Dead Who Resurrects (Colour Litho) by Beltrame, Achille (1871-1945); Private Collection; (add.info.: The resurrecting dead)

Background imageSurprised Collection: Fol. 132va The resurrected Christ shows the disciples his hands and the wound in his side (vellum)

Fol. 132va The resurrected Christ shows the disciples his hands and the wound in his side (vellum)
ALI142190 Fol.132va The resurrected Christ shows the disciples his hands and the wound in his side (vellum) by Italian School, (15th century); Biblioteca Reale, Turin, Piedmont

Background imageSurprised Collection: The Anglo-Boer War, The Disastrous Night Assault Of The English Camp At Tweefontein By The

The Anglo-Boer War, The Disastrous Night Assault Of The English Camp At Tweefontein By The... (colour litho)
2798508 The Anglo-Boer War, The Disastrous Night Assault Of The English Camp At Tweefontein By The... (colour litho) by Beltrame

Background imageSurprised Collection: The Damned to Death, a furious night assault by Japanese soldiers on one of the forts of Porto

The Damned to Death, a furious night assault by Japanese soldiers on one of the forts of Porto Arturo (colour litho)
2798818 The Damned to Death, a furious night assault by Japanese soldiers on one of the forts of Porto Arturo (colour litho) by Beltrame

Background imageSurprised Collection: Illustration for Le Rire (colour litho)

Illustration for Le Rire (colour litho)
2785980 Illustration for Le Rire (colour litho) by Guillaume, Albert (1873-1942); Private Collection; (add.info.: Illustration for Le Rire, 13 August 1904.); © Look and Learn

Background imageSurprised Collection: In the cemetery of Portici (Naples), two carabinieri, to surprise a blackmailer who had to

In the cemetery of Portici (Naples), two carabinieri, to surprise a blackmailer who had to... (colour litho)
2777985 In the cemetery of Portici (Naples), two carabinieri, to surprise a blackmailer who had to... (colour litho) by Beltrame

Background imageSurprised Collection: An episode of the Battle of Zanzur, Arabs caught in a cave where, safe... (colour litho)

An episode of the Battle of Zanzur, Arabs caught in a cave where, safe... (colour litho)
2808490 An episode of the Battle of Zanzur, Arabs caught in a cave where, safe... (colour litho) by Beltrame, Achille (1871-1945); Private Collection; (add.info.: An episode of the Battle of Zanzur)

Background imageSurprised Collection: An Original And Bold Incursion On Basso Piave (colour litho)

An Original And Bold Incursion On Basso Piave (colour litho)
2808728 An Original And Bold Incursion On Basso Piave (colour litho) by Beltrame, Achille (1871-1945); Private Collection; (add.info.: An Original And Bold Incursion On The Basso Piave)

Background imageSurprised Collection: The talking head (chromolitho)

The talking head (chromolitho)
1094434 The talking head (chromolitho) by French School, (19th century); Private Collection; (add.info.: The talking head)

Background imageSurprised Collection: Grave robber disturbing the dead (engraving)

Grave robber disturbing the dead (engraving)
STC429624 Grave robber disturbing the dead (engraving) by English School, (18th century); Private Collection; The Stapleton Collection

Background imageSurprised Collection: Jesus Resurrecting the Son of the Widow of Naim (oil on canvas)

Jesus Resurrecting the Son of the Widow of Naim (oil on canvas)
XIR210267 Jesus Resurrecting the Son of the Widow of Naim (oil on canvas) by Bouillon, Pierre (1776-1831); 125x162 cm; Musee de Tesse, Le Mans

Background imageSurprised Collection: A horse and wild boar face off in a pasture. 1811 (etching)

A horse and wild boar face off in a pasture. 1811 (etching)
7235876 A horse and wild boar face off in a pasture. 1811 (etching) by Howitt, Samuel (1756-1822); (add.info.: A horse and wild boar face off in a pasture before a castle, in a battle over water)

Background imageSurprised Collection: DDE-90023886

DDE-90023886
Antarctica, Cuverville Island, Gentoo Penguin (Pygoscelis papua) leaping from ocean onto rocky shoreline near rookery. Date: 04/02/2010

Background imageSurprised Collection: The wandering Jew, surprised by the calvary which calls him, oil painting on canvas by Gustave

The wandering Jew, surprised by the calvary which calls him, oil painting on canvas by Gustave Moreau (1826-1898)
YOU4419153 The wandering Jew, surprised by the calvary which calls him, oil painting on canvas by Gustave Moreau (1826-1898). Photography, KIM Youngtae, Paris, Musee Gustave Moreau

Background imageSurprised Collection: Travellers Ambushed by Brigands, 1670 (oil on canvas)

Travellers Ambushed by Brigands, 1670 (oil on canvas)
7259970 Travellers Ambushed by Brigands, 1670 (oil on canvas) by Berchem, Nicolaes Pietersz (1620-1683); 105 x 95.3 cm; Mauritshuis, The Hague

Background imageSurprised Collection: Georgian artist with conoisseurs in his studio. 1831 (engraving)

Georgian artist with conoisseurs in his studio. 1831 (engraving)
7234819 Georgian artist with conoisseurs in his studio. 1831 (engraving) by Rowlandson, Thomas (1756-1827) (after); Private Collection; (add.info)

Background imageSurprised Collection: The Surrender of the Finns in 1940 (Russian-Finnish War), 1940 (oil on canvas)

The Surrender of the Finns in 1940 (Russian-Finnish War), 1940 (oil on canvas)
STC266178 The Surrender of the Finns in 1940 (Russian-Finnish War), 1940 (oil on canvas) by Vladimirov, Ivan Alexeyevich (1869-1947); 65x102 cm; State Central Artillery Museum, St. Petersburg, Russia

Background imageSurprised Collection: Les hippophages (eaters of horses), engraving by Honore Daumier, 1858 '- What is that

Les hippophages (eaters of horses), engraving by Honore Daumier, 1858 "- What is that
PCT4282995 Les hippophages (eaters of horses), engraving by Honore Daumier, 1858 " - What is that? " But sir, its a horses foot



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"Surprised by the Unseen: Exploring the Depths of Loch Ness" Picture No. 12020198 captures a moment of awe as onlookers witness an unexpected sighting - could it be the elusive Loch Ness Monster? The sheer astonishment on their faces reflects the mystery and intrigue surrounding this legendary creature. In stark contrast, "The Annunciation" by Fra Angelico depicts Mary's profound surprise upon receiving news from Gabriel about her divine destiny. This timeless artwork beautifully portrays the mix of shock and wonder that accompanies life-altering revelations. A portrait of a young Little Owl showcases its wide-eyed expression, capturing its innocent amazement at the world around it. Similarly, an intimate backstage moment during a Paris Revue reveals performers' surprised expressions as they share secrets and prepare for their grand entrance onto the stage. Quoting Edward Lear's whimsical verse, "There was an old man with a beard, who said, It is just as I feared. " perfectly encapsulates that delightful feeling when something unexpected occurs in our lives – leaving us both startled and amused. Musketeers & Richelieu capture another form of surprise – perhaps in battle or amidst political intrigue. Their expressions reveal astonishment at unforeseen events unfolding before them. In an act of defiance against societal norms, Suffragette Militants launch a surprising attack on a golf course to fight for women's rights. Their audacity shocks spectators but also ignites hope for change. A tennis-playing brunette beauty prepares to smash her opponent with determination etched across her face – surprising everyone with her skillful prowess on the court. An owl perched atop a pine branch exudes calmness yet displays curiosity towards its surroundings; its watchful eyes reflecting constant surprises encountered in nature throughout centuries past. Indri monkeys showcase their own version of astonishment through animated facial expressions when encountering new experiences within their lush rainforest habitat - reminding us that even animals can be taken aback by the wonders of their environment.