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Supporting Collection (page 9)

"Supporting the Artistic Narrative: From Hogarth's Beer Street to Pietro Lorenzetti's Madonna and Child" In a world filled with diverse artistic expressions

Background imageSupporting Collection: Man Sitting Auricular Mask Supporting Strapwork Frame

Man Sitting Auricular Mask Supporting Strapwork Frame
Artokoloro

Background imageSupporting Collection: Two Terms Cornices Pillar 1554 Etching Sheet

Two Terms Cornices Pillar 1554 Etching Sheet
Artokoloro

Background imageSupporting Collection: Saint Simon standing supporting book right thigh

Saint Simon standing supporting book right thigh
Artokoloro

Background imageSupporting Collection: Deposition Christ Cross man ladder holding body

Deposition Christ Cross man ladder holding body
Artokoloro

Background imageSupporting Collection: Design Console Table 1752 Etching Plate 7 7 / 8

Design Console Table 1752 Etching Plate 7 7 / 8
Artokoloro

Background imageSupporting Collection: Pietro Aretino 1649 Etching state Sheet 9 15 / 16

Pietro Aretino 1649 Etching state Sheet 9 15 / 16
Artokoloro

Background imageSupporting Collection: gun fight supporting Agrarian cause military

gun fight supporting Agrarian cause military
Artokoloro

Background imageSupporting Collection: Antique Lidded Urn Hybrid Male Sphinxes Female Mask

Antique Lidded Urn Hybrid Male Sphinxes Female Mask
Artokoloro

Background imageSupporting Collection: Candlestick Two Ignudi Top Vase Lion Heads 1552

Candlestick Two Ignudi Top Vase Lion Heads 1552
Artokoloro

Background imageSupporting Collection: Design Clock Disegni Diversi 1714 1750 Etching

Design Clock Disegni Diversi 1714 1750 Etching
Artokoloro

Background imageSupporting Collection: Pendant Design Judith Holding Head Holofernes

Pendant Design Judith Holding Head Holofernes
Artokoloro

Background imageSupporting Collection: android, ar, augmented reality, balance, carrying, cloud, colleague, color image

android, ar, augmented reality, balance, carrying, cloud, colleague, color image
Cyborgs lifting pointing cyborg

Background imageSupporting Collection: Triptych of the Virgin and Child (left panel: Saint Christopher) (tempera on wood)

Triptych of the Virgin and Child (left panel: Saint Christopher) (tempera on wood)
XIR897979 Triptych of the Virgin and Child (left panel: Saint Christopher) (tempera on wood) by Lorenzetti, Pietro (c.1284-after 1345); Musee des Beaux-Arts, Dijon

Background imageSupporting Collection: Bonaparte, restorer of religion and supporting the Cross, Allegory on the Concordat

Bonaparte, restorer of religion and supporting the Cross, Allegory on the Concordat
BAL875921 Bonaparte, restorer of religion and supporting the Cross, Allegory on the Concordat, 1802 (coloured engraving) by French School, (19th century); Bibliotheque Nationale, Paris

Background imageSupporting Collection: Bartolomeo Pinelli, Italian (1781-1835), Four Warriors Supporting Their Dead Comrade

Bartolomeo Pinelli, Italian (1781-1835), Four Warriors Supporting Their Dead Comrade, early 19th century, pen and black and gray ink over black chalk on laid paper

Background imageSupporting Collection: Giovanni Battista Foggini (Italian, 1652 - 1725), A Monstrance with Two Angels Supporting

Giovanni Battista Foggini (Italian, 1652 - 1725), A Monstrance with Two Angels Supporting a Chalice, black chalk and pen and brown ink, partially squared in black chalk, on laid paper

Background imageSupporting Collection: Altarpiece panel showing the Deposition (oil on panel)

Altarpiece panel showing the Deposition (oil on panel)
XIR440706 Altarpiece panel showing the Deposition (oil on panel) by Spanish School, (12th century); Museo Diocesano de Solsona, Lleida, Spain; (add.info.: Panneau d autel)

Background imageSupporting Collection: The Holy Trinity, 1511 (woodcut)

The Holy Trinity, 1511 (woodcut)
XJF437458 The Holy Trinity, 1511 (woodcut) by DAOErer or Duerer, Albrecht (1471-1528); Private Collection; German, out of copyright

Background imageSupporting Collection: Detail of the Descent from the Cross (oil on canvas) (detail of 186205)

Detail of the Descent from the Cross (oil on canvas) (detail of 186205)
XIR434198 Detail of the Descent from the Cross (oil on canvas) (detail of 186205) by Ribera, Jusepe de (lo Spagnoletto) (c.1590-1652); Museo Nazionale di San Martino, Naples

Background imageSupporting Collection: Pieta, engraved by Giulio Sanuto (engraving)

Pieta, engraved by Giulio Sanuto (engraving)
XJF417371 Pieta, engraved by Giulio Sanuto (engraving) by Buonarroti, Michelangelo (1475-1564) (after); Private Collection; (add.info.: Giulio Sanuto (fl.1540-88); ); Italian, out of copyright

Background imageSupporting Collection: The Descent from the Cross with a Torch, 1654 (etching)

The Descent from the Cross with a Torch, 1654 (etching)
XJF416599 The Descent from the Cross with a Torch, 1654 (etching) by Rembrandt Harmensz. van Rijn (1606-69); Private Collection; (add.info.: La Descente du Croix au flambeau; ); Dutch

Background imageSupporting Collection: Hercules holding the world on his back while Atlas collects the apples of Hesperides

Hercules holding the world on his back while Atlas collects the apples of Hesperides
KW415616 Hercules holding the world on his back while Atlas collects the apples of Hesperides, from Les Arts au Moyen Age, published 1873 (litho) by French School

Background imageSupporting Collection: Half naked man supported by three men, study for Alexander the Great and Porus

Half naked man supported by three men, study for Alexander the Great and Porus
XIR414662 Half naked man supported by three men, study for Alexander the Great and Porus or The Defeat of Porus, c.1665-73 (pierre noire & white chalk highlights on beige paper) by Le Brun

Background imageSupporting Collection: Paddling, 1915 (w / c and pencil on paper)

Paddling, 1915 (w / c and pencil on paper)
XPG366356 Paddling, 1915 (w/c and pencil on paper) by Blacklock, William Kay (1872-1922); 34.8x25.4 cm; Private Collection; English, out of copyright

Background imageSupporting Collection: The dead Christ supported by an angel (oil on canvas)

The dead Christ supported by an angel (oil on canvas)
XIR360282 The dead Christ supported by an angel (oil on canvas) by Cano, Alonso (1601-67); 137 x 100 cm; Prado, Madrid, Spain; (add.info)

Background imageSupporting Collection: Gardening and Plant Maladies, an illustration from Neue Garten-lust by Heinrich Hesse

Gardening and Plant Maladies, an illustration from Neue Garten-lust by Heinrich Hesse
XJF359002 Gardening and Plant Maladies, an illustration from Neue Garten-lust by Heinrich Hesse, 1696 (engraving) by German School, (17th century); Private Collection; German, out of copyright

Background imageSupporting Collection: Pamphlets showing both sides of the Anglo-Scottish union debate, 1707 (engraving)

Pamphlets showing both sides of the Anglo-Scottish union debate, 1707 (engraving)
XJF354290 Pamphlets showing both sides of the Anglo-Scottish union debate, 1707 (engraving) (b/w photo) by English School

Background imageSupporting Collection: Deposition (oil on panel)

Deposition (oil on panel)
XAL79439 Deposition (oil on panel) by Bartolommeo, Fra (Baccio della Porta) (1472-1517); Palazzo Pitti, Florence, Italy; Italian, out of copyright

Background imageSupporting Collection: The spirit of the book -or anticipation of the year 1813, a satire on the pending

The spirit of the book -or anticipation of the year 1813, a satire on the pending publication of The Book part of a campaign to attack the Regent through his wife, showing a figure, draped in white

Background imageSupporting Collection: Present times demand that everyone bears the Great Burden (coloured engraving)

Present times demand that everyone bears the Great Burden (coloured engraving)
XIR468110 Present times demand that everyone bears the Great Burden (coloured engraving) by French School, (18th century); Musee de la Ville de Paris, Musee Carnavalet, Paris

Background imageSupporting Collection: Caryatid with a stone, 1881-82 (marble)

Caryatid with a stone, 1881-82 (marble)
XBP390748 Caryatid with a stone, 1881-82 (marble) by Rodin, Auguste (1840-1917); Private Collection; Photo eBoltin Picture Library; French, out of copyright

Background imageSupporting Collection: The entombment of Christ, from The Great Passion series, 1497-1500 (woodcut)

The entombment of Christ, from The Great Passion series, 1497-1500 (woodcut)
XIR266936 The entombment of Christ, from The Great Passion series, 1497-1500 (woodcut) (b/w photo) by DAOErer or Duerer, Albrecht (1471-1528); 38.4x27.8 cm; Bibliotheque Nationale, Paris

Background imageSupporting Collection: Christ mourned by the Virgin and the female Saints, from The Great Passion series

Christ mourned by the Virgin and the female Saints, from The Great Passion series
XIR266935 Christ mourned by the Virgin and the female Saints, from The Great Passion series, 1497-1500 (woodcut) (b/w photo) by DAOErer or Duerer

Background imageSupporting Collection: The Descent from the Cross with a Torch, 1654 (etching) (b / w photo)

The Descent from the Cross with a Torch, 1654 (etching) (b / w photo)
XIR238377 The Descent from the Cross with a Torch, 1654 (etching) (b/w photo) by Rembrandt Harmensz. van Rijn (1606-69); Musee de la Ville de Paris, Musee du Petit-Palais

Background imageSupporting Collection: The Staff of Old Age (oil on canvas)

The Staff of Old Age (oil on canvas)
XIR231277 The Staff of Old Age (oil on canvas) by Roehn, Jean Alphonse (1799-1864); 65x46.5 cm; Musee des Beaux-Arts, Rouen, France; French, out of copyright

Background imageSupporting Collection: Study of Mourning Women (charcoal on paper) (recto)

Study of Mourning Women (charcoal on paper) (recto)
BAL191789 Study of Mourning Women (charcoal on paper) (recto) by Buonarroti, Michelangelo (1475-1564); British Museum, London, UK; Italian, out of copyright

Background imageSupporting Collection: Boy in chair, Jurriaan Cootwijck, Gerbrand van den Eeckhout, 1724 - 1798

Boy in chair, Jurriaan Cootwijck, Gerbrand van den Eeckhout, 1724 - 1798

Background imageSupporting Collection: Portrait of sleeping old man, print maker: Johannes Pieter de Frey, Jan Lievens, 1801

Portrait of sleeping old man, print maker: Johannes Pieter de Frey, Jan Lievens, 1801

Background imageSupporting Collection: The Deposition, 1632-33 (oil on canvas)

The Deposition, 1632-33 (oil on canvas)
XIR172603 The Deposition, 1632-33 (oil on canvas) by Rembrandt Harmensz. van Rijn (1606-69); Alte Pinakothek, Munich, Germany; Dutch, out of copyright

Background imageSupporting Collection: Landscape with tree, Pieter de Molijn, print maker: Cornelis van Kittensteyn attributed

Landscape with tree, Pieter de Molijn, print maker: Cornelis van Kittensteyn attributed to, 1623 - 1652

Background imageSupporting Collection: Portrait of sleeping old man, Johannes Pieter de Frey, Jan Lievens, 1801

Portrait of sleeping old man, Johannes Pieter de Frey, Jan Lievens, 1801

Background imageSupporting Collection: Apostle Simon the Canaanite, Lambertus Suavius, 1545

Apostle Simon the Canaanite, Lambertus Suavius, 1545

Background imageSupporting Collection: Landscape with horses, mentioned on object Pieter de Molijn, 1623 - 1652

Landscape with horses, mentioned on object Pieter de Molijn, 1623 - 1652

Background imageSupporting Collection: Yuri ni shAckin, Small bird on lily plant

Yuri ni shAckin, Small bird on lily plant. Baison, active 1890-1893, artist, [between 1890 and 1920], 1 print : woodcut, color; 13.8 x 8.5 cm

Background imageSupporting Collection: supporting splint adjusted to the leg, medical equipment, surgical instrument, history

supporting splint adjusted to the leg, medical equipment, surgical instrument, history of medicine

Background imageSupporting Collection: Portrait Bust of the Artists Brother, the Sculptor John Gibson, R

Portrait Bust of the Artists Brother, the Sculptor John Gibson, R.A. Chiseled on supporting column on back of bust: " AD NATURAM | FECIT | B

Background imageSupporting Collection: Sculpture, Edward Hodges Signed and dated by chisel on supporting column on back of bust

Sculpture, Edward Hodges Signed and dated by chisel on supporting column on back of bust: " E. H. BAILY | A. R. A. | SCULPTOR | LONDON. | 1820.", Edward Hodges Baily, 1788-1867, British

Background imageSupporting Collection: Alfred, Lord Tennyson, Poet Laureate Signed by chisel on supporting column on back

Alfred, Lord Tennyson, Poet Laureate Signed by chisel on supporting column on back of bust: " Wm. BRODIE R. S. A.", William Brodie, 1815-1881, British



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"Supporting the Artistic Narrative: From Hogarth's Beer Street to Pietro Lorenzetti's Madonna and Child" In a world filled with diverse artistic expressions, supporting various forms of creative endeavors becomes paramount. Just like William Hogarth depicted in his iconic painting "Beer Street, " we must acknowledge the power of art to reflect societal issues such as drinking and intemperance. But let us not forget the strokes of genius that emerge from unexpected places, much like an innovative swimming stroke that leaves spectators in awe. Whether it is through a whimsical etching titled "A Man Loaded with Mischief, or Matrimony, " or the towering presence of an electricity pylon symbolizing progress and connectivity, supporting artistic ventures means embracing all forms of expression. From grand celebrations like the "Decorations for the Coronation - Singapore" to intimate moments captured by artists throughout history, such as a pregnant woman immortalized on canvas or chess pieces strategically placed on a board, each artwork tells its own unique story. Even when faced with danger lurking beneath calm waters, just as depicted in "Crocodiles of a Squadron, " we find ourselves drawn into narratives that challenge our perceptions. And what better way to support creativity than by recognizing our place within this vast universe? As seen in portrayals like "The Earth, " we are reminded of our interconnectedness and responsibility towards preserving nature's beauty. Yet amidst these thought-provoking works lies room for lightheartedness too – imagine witnessing a common council beast returning from a turtle feast. Such playful scenes remind us that art can bring joy even during challenging times. Finally, let us not overlook timeless masterpieces such as Pietro Lorenzetti's "Madonna and Child between St Francis and St John the Evangelist. " By supporting these treasured artworks across generations, we ensure their preservation for future audiences to appreciate. Supporting artistic endeavors encompasses more than just the artists themselves.