Suppliants Collection

Brooke and Suppliants
SIR JAMES BROOKE Rajah of Sarawak, listening to suppliants who come to him asking for his help or intervention

The Suppliants (engraving)
1589113 The Suppliants (engraving) by English School, (19th century); Private Collection; (add.info.: The Suppliants. Illustration for The Illustrated London News, 28 September 1872)

Jatamukuta Lokesvara, Khasa Malla Kingdom (1100-1484) (parcel gilt
PFR206558 Jatamukuta Lokesvara, Khasa Malla Kingdom (1100-1484) (parcel gilt, copper alloy & pigment) by Nepalese School; Private Collection; ePaul Freeman; Nepalese, out of copyright

State Jugglers, pub. 1788 (hand coloured engraving)
2966797 State Jugglers, pub. 1788 (hand coloured engraving) by Gillray, James (1757-1815); Private Collection; (add.info)

Venus from The Supplicants (engraving)
973742 Venus from The Supplicants (engraving) by Flaxman, John (1755-1826) (after); Private Collection; (add.info.: The Supplicants)

The Supplicants (engraving)
973737 The Supplicants (engraving) by Flaxman, John (1755-1826) (after); Private Collection; (add.info.: The Supplicants. Illustration for Flaxmans Classical Outlines by John C L Sparkes (Seeley)

The Supplicants (engraving)
973740 The Supplicants (engraving) by Flaxman, John (1755-1826) (after); Private Collection; (add.info.: The Supplicants. Illustration for Flaxmans Classical Outlines by John C L Sparkes (Seeley)

Suppliants 18th century France Red chalk sheet
The Suppliants, 18th century?. France, 18th century (?). Red chalk; sheet: 35.1 x 25.9 cm (13 13/16 x 10 3/16 in.)

Composition Tragedies Aeschylus plate 17 recto
Artokoloro

Oedipus Tyrannus 1
Suppliants before the palace of Oedipus and Jocasta at Thebes

Wolsey / John Gilbert
THOMAS, CARDINAL WOLSEY depicted at the height of his power, on his way to Westminster Hall surrounded by suppliants and petitioners, lobbyists and parasites

Constantines Court
The court of CONSTANTINUS I, with courtiers, officials in discussion groups, suppliants some of them with children

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"Suppliants: A Journey through Time and Cultures" In the realm of art and history, the concept of "suppliants" has transcended boundaries, weaving tales that resonate with humanity's deepest emotions. From ancient Greece to 18th-century France, this captivating theme has been depicted in various forms, capturing our attention and inviting us to ponder upon its significance. One such portrayal is found in Brooke's masterpiece titled "Suppliants before the Sacred Bull. " This poignant lithograph transports us to India during a time of famine and plague. The supplicants' desperate plea for salvation resonates with our collective yearning for hope amidst adversity. Another striking representation comes from Jatamukuta Lokesvara in the Khasa Malla Kingdom. Their parcel gilt sculpture portrays suppliants seeking solace and divine intervention. This intricate artwork serves as a testament to human resilience even in the face of uncertainty. Moving forward through time, we encounter State Jugglers' hand-coloured engraving titled "Suppliants. " Here, we witness performers engaging their audience by embodying these characters on stage. Through their artistry, they bring forth stories that touch our hearts and remind us of our shared vulnerability. The enchantment continues with Venus from "The Supplicants, " an exquisite engraving that captures both beauty and fragility. In her graceful form lies a profound message about compassion towards those who seek refuge or assistance. As we delve deeper into this captivating theme, engravings like "The Supplicants" beckon us closer with their intricate details. Each stroke tells a story of individuals united by their desire for support or sanctuary—a timeless narrative echoing across centuries. Finally, we come across an 18th-century French red chalk sheet entitled "Suppliants. " With delicate lines etched onto paper, it invites contemplation on the complexities of human existence—the interplay between power dynamics and empathy within society.