Supine Collection

Plate 556. Local Chorea; A, B, While Lying, 1885 (collotype on paper)
3950532 Plate 556.Local Chorea; A, B, While Lying, 1885 (collotype on paper) by Muybridge, Eadweard (1830-1904); 17x45.7 cm; Addison Gallery of American Art, Phillips Academy, Andover, MA

Nude on a Sofa, 1980 (pencil & w / c on paper)
Ma447061 Nude on a Sofa, 1980 (pencil & w/c on paper) by Ward, John (1798-1849); 13 x 18.25 inches cm; Private Collection; Photo eThe Ms Gallery, London; English, out of copyright

The Soul of Contentment (Black Bear), modeled 1886, cast 1886-99
2968792 The Soul of Contentment (Black Bear), modeled 1886, cast 1886-99 (bronze with black patina) by Kemeys, Edward (1843-1907); 26.7x35.6x25.4 cm; The Art Institute of Chicago, IL

Goodnight, little Lord Fauntleroy, she said, Sleep well
IL439844 Goodnight, little Lord Fauntleroy, she said, Sleep well, 1936 (colour litho) by Brock, Charles Edmund (1870-1938); Private Collection; (add.info)

Reclining Woman, c. 1700 (white marble)
1069432 Reclining Woman, c.1700 (white marble) by Bonazza, Giovanni (fl.1696-1730); 20.9x33.6x22.9 cm; Dallas Museum of Art, Texas, USA; The Wendy and Emery Reves Collection; Italian, out of copyright

Plate 260. Arising from Couch and Stretching Arms, 1885 (collotype on paper)
3950027 Plate 260. Arising from Couch and Stretching Arms, 1885 (collotype on paper) by Muybridge, Eadweard (1830-1904); 23.2x31.8 cm; Addison Gallery of American Art, Phillips Academy, Andover, MA

The Death of Amy Robsart, 1878 (oil on canvas)
3744398 The Death of Amy Robsart, 1878 (oil on canvas) by Yeames, William Frederick (1835-1918); 87x61 cm; Nottingham City Museums and Galleries (Nottingham Castle); (add.info)

Plate 544. Artificially-Induced Convulsions; A, B, C, While Lying
3950520 Plate 544. Artificially-Induced Convulsions; A, B, C, While Lying, 1885 (collotype on paper) by Muybridge, Eadweard (1830-1904); 33.5x21 cm; Addison Gallery of American Art, Phillips Academy

Private Miles in a spot of bother
Ronald Hines in Dunkirk (1958)

Man Seated Beside Supine Child Heinrich Kuhn
Man Seated Beside Supine Child; Heinrich Kuhn (Austrian, born Germany, 1866 - 1944); 1900 - 1910; Gum bichromate print; 29.8 x 39.8 cm (11 3, 4 x 15 11, 16 in.)

Corporal Tubby Bins readies himself to run
John Mills in Dunkirk (1958)

Corporal Tubby Bins hides behind a hay bale
John Mills in Dunkirk (1958)

Carte de Visite of Mlle Pitteri (albumen print)
XJF468572 Carte de Visite of Mlle Pitteri (albumen print) by English Photographer, (19th century); Private Collection; (add.info)

Shepherdess with flock, Jan Matthias Cok, 1735 - 1771

Brown Horse (Equus caballus) rolling around in grass

Forearm in supine position, artwork C016 / 2853
Pronation of the forearm. Artwork of an anterior (frontal) view of a human left forearm with relaxed hand and thumb and fingers outstretched, showing the underlying bone structure during pronation

Thumb muscles, artwork C013 / 4587
Thumb muscles. Computer artwork of two of the muscles (red) of the thumb and their attachment to the bones of the hand. These are two of the three thenar muscles

Forearm muscle, artwork C013 / 4585
Forearm muscle. Computer artwork of an anterior view of a human arm, showing the flexor pollicis longus muscle (red) of the forearm and its attachments to the bones of the arm, wrist and hand

Elbow muscle, artwork C013 / 4580
Elbow muscle. Computer artwork of the supinator muscle (red) of the elbow and its attachments to the bones of the arm. This muscle originates from several points

The Supine Damned
Virgil advises Dante not to feel too sorry for the damned in Hell - they earned their place there

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Private Miles finds himself in a spot of bother, unsure of how to proceed. Meanwhile, Corporal Tubby Bins readies himself for action, preparing to run towards the unknown. Seeking cover, Corporal Tubby Bins hides behind a hay bale, hoping it will shield him from any danger. In another realm entirely, Plate 556 showcases an intriguing phenomenon known as Local Chorea; individuals contort their bodies while lying down in peculiar ways. This collotype on paper captures the essence of this unique condition. Moving forward in time and medium, Nude on a Sofa depicts an intimate scene from 1980. Created with pencil and watercolor on paper, it portrays a moment of vulnerability and relaxation. The Soul of Contentment (Black Bear) is a sculpture that was modeled in 1886 and cast between 1886-99. It embodies tranquility and satisfaction through its majestic form. "Goodnight, little Lord Fauntleroy, " she said tenderly as she tucked him into bed. Sleep well echoes throughout the room as dreams take hold. Reclining Woman takes us back to the early 1700s with its elegant white marble composition. The figure exudes gracefulness while reclining comfortably. Plate 260 presents an interesting study: Arising from Couch and Stretching Arms captured through collotype on paper in 1885. It explores various postures one adopts upon waking up or rising from restful positions. A somber painting titled The Death of Amy Robsart tells a tragic tale dating back to 1878 when oil met canvas to depict this heart-wrenching event. Returning once again to medical curiosities depicted by Plate 544; Artificially-Induced Convulsions are explored while lying down - A, B, C all play their part within this unusual practice. And there we find Corporal Tubby Bins yet again seeking refuge behind a hay bale, his hiding spot of choice.